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卷一百二十六 列傳第六十四: 文藝下 趙渢 周昂 王庭筠 劉昂 李經 劉從益 呂中孚+張建 李純甫 王郁 宋九嘉 龐鑄 李獻能 王若虛 王元節 孫國綱 麻九疇 李汾 元德明子:元好問

Volume 126 Biographies 64: Wen Yixia, Zhao Feng, Zhou Ang, Wang Tingyun, Liu Ang, Li Jing, Liu Congyi, Luzhongfu+zhangjian, Li Chunfu, Wang Yu, Song Jiujia, Pang Zhu, Li Xianneng, Wang Ruoxu, Wang Yuanjie, Sun Guogang, Ma Jiuchou, Li Fen, Yuan Deming son: Yuan Haowen

Chapter 126 of 金史 · History of Jin
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Chapter 126
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Biography 64, Continuation of Literary Arts — Zhao Feng, Zhou Ang, Wang Tingyun, Liu Ang, Li Jing, Liu Congyi, Lü Zhongfu and Zhang Jian, Li Chunfu, Wang Yu, Song Jiujia, Pang Zhu, Li Xianneng, Wang Ruoxu, Wang Yuanjie, Sun Guogang, Ma Jiuchou, Li Fen, and Yuan Haowen, son of Yuan Deming
2
Zhao Feng, whose style name was Wenru, came from Dongping. He passed the jinshi examination in the twenty-second year of the Dading reign and rose to Director of Rituals in the Ministry of Rites. By temperament he was serene and unworldly, and in his pursuit of the Way he achieved genuine insight. He excelled above all in calligraphy and took the sobriquet "Mount Huang." Zhao Bingwen remarked: "In regular script, Feng's hand blends Yan Zhenqing and Su Shi; in running and cursive script he has mastered every major school. His bold, unfettered manner also recalls Yang Ningshi — he belongs in the same rank as Su and Huang." Dang Huaiying's small seal script had scarcely been equaled since Li Yangbing's day, and people of the time paired Feng with him, dubbing the two "Dang and Zhao." His Collected Works of Mount Huang circulated widely.
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祿使 調簿
Zhou Ang, whose style name was Deqing, came from Zhending. His father Bo Lu, styled Tiansi, had passed the jinshi examination in the Dading reign and rose to Vice Commissioner of the Qinnan Military Commission. Ang won his degree at the age of twenty-four. Posted as registrar of Nanhe, he distinguished himself with exceptional governance. He was promoted to magistrate of Liangxiang and later summoned to serve as Investigating Censor. When Lu Duo was dismissed for speaking out on policy, Ang sent him a parting poem whose wording bordered on defamation, and Ang was consequently barred from further appointments. After a long interval he was reappointed military commander of Long Prefecture, and for his achievements on the frontier he was summoned back as an official of the Three Departments. When hostilities broke out in the Da'an era, he served provisionally as Vice Director in the Six Ministries.
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His nephew Wang Ruoxu had once studied under him. Ang instructed him: "Prose that is polished on the surface but hollow within may dazzle a banquet hall yet fail to hold up in quiet reading; it may win applause yet never earn a true nod of agreement." He also said: "In writing, the idea must be master and language the servant; when the master is strong and the servant subordinate, every command is obeyed. Writers today often let language grow arrogant until it becomes unruly and ungovernable; in the worst cases language enslaves the idea. However exquisite the phrasing, how can that be genuine prose?"
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Ang was devoted to family and friends, prized integrity and reputation, pursued learning of rare purity, and wrote in an elevated style; scholars everywhere regarded him as a master. After serving in the censorate and secretariat he was pushed aside by rivals and ultimately fell afoul of the authorities over a poem, spending more than a decade in exile on the eastern coast. When he first entered the Hanlin Academy, his memorials on policy grew ever more forthright. A post assisting the Three Departments did not suit him, so he joined the army of the imperial clansman Chengyu. When Chengyu was defeated and fled toward Shanggu, the troops wanted to march straight home, but Ang alone refused. When the city fell, he and his nephew Siming perished together in the disaster. Siming's style name was Huizhi.
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Wang Tingyun
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涿 調 詿 調簿
Wang Tingyun, whose style name was Ziduan, came from Liaodong. Before he was even a hundred days old, he could recognize seventeen characters at a glance in a book. At seven he began studying poetry, and at eleven he could compose a complete examination essay on an assigned theme. As he grew older, Wang Xiao of Zhuo Commandery met him once and pronounced him a man of national stature. He passed the jinshi examination in the sixteenth year of the Dading reign. Posted as military adjutant of En Prefecture, he quickly earned a reputation for effective governance. A local man named Zou Si plotted rebellion. When the plot was uncovered, more than a thousand people were arrested, but Zou Si escaped into hiding and could not be captured. The court dispatched Wang Zhongke of the Court of Judicial Review to try the case. Tingyun devised a plan to capture Zou Si, sorted out those who had been misled from the true conspirators, and in the end only twelve were convicted of participation in the plot. He was transferred to serve as chief clerk of Guantao.
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In the third month of the first year of Mingchang, Emperor Zhangzong directed the Hanlin Academy: "Wang Tingyun's examination essay uses sentences that are too long. I dislike this, and I fear others across the realm will copy the fashion." He also told Grand Councilor Zhang Rulin: "Wang Tingyun's literary gifts are considerable, but his phrasing lacks force. His talent is high, so it should not be difficult to correct." In the fourth month Tingyun was summoned to compete for an academy post and was selected. The Censorate reported that Tingyun had once committed an offense involving bribery while serving at Guantao and was unfit for an academy post, and he was dismissed. He then settled at Zhangde, purchased land at Longlu, and devoted himself to study at Mount Huanghua Temple, adopting the mountain's name as his sobriquet. That December, as the emperor spoke of academicians he lamented the dearth of talent. Participating Councilor Shouzhen said, "Wang Tingyun is your man." In the third year he was summoned to serve as Attendant Scribe of the Hanlin and, together with Secretariat Gentleman Zhang Rufang, was charged with grading model calligraphy and famous paintings; five hundred and fifty scrolls were classified as superior works.
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In the eighth month of the fifth year the emperor addressed the chief ministers: "Attendant Wang Tingyun — I mean to entrust imperial edicts and proclamations to him. Talent like his is not easily found. Recently Dang Huaiying composed the Encomium for Mount Changbai, and the work was distinctly poor. I hear that many men of letters are jealous of Tingyun; they do not judge his writing on its merits but attack his personal conduct instead. As a rule, scholars are quick with gossip and often band together in factions. In the Eastern Han, scholars and eunuchs formed rival factions — that is hardly surprising. Consider Tang's Niu Sengru and Li Deyu, or Song's Sima Guang and Wang Anshi — all were Confucian scholars, yet they tore one another down. Why should that be?" Tingyun was thereupon promoted to Hanlin Compiler.
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In the first month of the first year of Cheng'an he was implicated in Zhao Bingwen's memorial affair, stripped of one rank, beaten sixty strokes, and dismissed from office — the full account appears in Bingwen's biography. In the second year he was demoted to Defense Adjutant of Zheng Prefecture. In the fourth year he was recalled to serve as Attendant Scribe of the Hanlin. In the first year of Taihe he was again appointed Hanlin Compiler, accompanied the emperor on the autumn mountain tour, and composed more than thirty poems at imperial command, which the emperor greatly admired. The following year he died at the age of forty-seven. The emperor had long known how poor he was and ordered the authorities to grant eight hundred thousand cash for his funeral expenses and to collect his life's poems and prose for preservation in the imperial archive. He also bestowed an imperial poem on the family, with a preface that read: "Wang Zungu was an old friend of mine. His son Tingyun was again chosen for his talent to serve in the Forbidden Grove for a full decade. Now he has passed away, and in the Jade Hall and Eastern View there will never be such a man again."
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Tingyun was tall and striking in appearance, witty in conversation, and outwardly aloof and dignified, so at first people hesitated to approach him. Once you met him, warmth radiated from his face and he offered encouragement as though afraid he might not do enough. The smallest merit he praised to the skies, and even if you wronged him a hundred times later, he bore no grudge. Among those who studied under him were Han Wenpu, Lu Yuanheng, Zhang Jinqing, and Li Gongdu; among those he recommended were Zhao Bingwen, Feng Bi, and Li Chunfu — all celebrated figures of the day. The world acknowledged him as a judge of talent. In prose he could say exactly what he meant. In his later years his poetry grew rigorously disciplined, and he was especially masterful in long seven-character poems with demanding rhymes. He left ten juan of Collected Discriminations and forty juan of collected writings. In calligraphy he studied Mi Fu; he, Zhao Feng, and Zhao Bingwen were all celebrated masters, while Tingyun was especially accomplished in landscape painting, ink bamboo, and clouds.
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His son Manqing was also accomplished in poetry and calligraphy, rose to Director of the Right Office of a Branch Secretariat, and styled himself "Leisurely Wanderer."
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調使
Liu Ang, whose style name was Zhi'ang, came from Xing Prefecture. He passed the jinshi examination in the nineteenth year of the Dading reign. For seven generations, from his great-great-grandfather's line downward, his family had produced examination graduates. Ang was exceptionally quick-witted by nature; his regulated fu formed a distinctive school of its own; in poetry he mastered the late Tang style and was especially accomplished in quatrains. Li Chunfu's Unofficial Biographies of Old Friends records that Ang entered government service early; at thirty-three he was a clerk in the Department of State Affairs and was posted as Vice Transport Commissioner of Pingliang Circuit. At the time a fortune-teller declared that Ang's official rank would never rise above the fifth grade, but Ang refused to believe it. Soon he left office to observe mourning for his mother, then spent a decade in repeated setbacks. He settled in Luoyang with the intention of ending his days there. Someone recommended his talent to Emperor Zhangzong, and at the beginning of the Taihe reign he was promoted from Vice Director of the Directorate of Education to Left Department Director. It happened that Director of Documents Dazhong and Jia Xuan leaked word of a pending appointment; critics impeached them, and the case records implicated Ang as well. Emperor Zhangzong was furious. At once celebrated figures such as Shi Su, Li Zhuo, Wang Yu, and the imperial clansman Congyu were all banished, and Xuan soon left office as well. Ang was demoted to Adjutant of the Shangjing Military Commission and died on the journey, exactly as the fortune-teller had predicted.
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Li Jing, whose style name was Tianying, came from Jin Prefecture. He composed poetry with extraordinary labor, delighted in startling turns of phrase, and refused to imitate his predecessors. When Li Chunfu read his poems he declared, "This is truly the Li Bai of our age." From that moment his fame spread far and wide. After failing the examinations twice, he shook the dust from his robes and walked away from official life. After the court crossed south, his district commander sent a memorial to the court, and scholar-officials recognized it at once: "This is Tianying's hand." The court appointed him, on the strength of his military service, as vice-prefect of his home prefecture; afterward his fate is unknown.
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Liu Congyi
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Liu Congyi, whose style name was Yunqing, came from Hunyuan. His great-great-grandfather Cui passed the rhapsody-and-fu jinshi examination in the first year of Tianhui, and for generations his descendants had entered government service through the civil examinations. Congyi passed the jinshi examination in the first year of Da'an, rose through the ranks to Investigating Censor, and was dismissed after disputing right and wrong with those in power. After a long interval he was reappointed magistrate of Ye County, where he promoted learning and moral reform in the manner of the exemplary officials of antiquity. Since the outbreak of war, Ye had lost a third of its households, and more than seventeen thousand mu of land lay fallow, yet the annual tax levy still stood at seventy thousand shi, unchanged from before. Congyi petitioned the Grand Minister of Agriculture to reduce the levy by ten thousand shi. The people depended greatly on this relief, and more than four thousand refugee households returned. Before long he was summoned to the capital. The people went to the Department of State Affairs to beg that he be kept in office, but their plea was denied. He entered the capital and was appointed Attendant Scribe of the Hanlin, but a little more than a month later he died of illness at the age of forty-four. When the people of Ye heard the news, they abstained from wine on the Dragon Boat Festival and gathered to mourn him, and they erected a stone inscription praising his virtue to express their grief.
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Congyi was broadly learned with an exceptional memory and was a master of the Confucian classics. As a writer he excelled in poetry, especially five-character verse. He left a collection entitled Works from the Humble Gate.
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His son Qi was styled Jingshu. He was a student at the Imperial Academy. He enjoyed considerable literary renown. At the collapse of the Jin dynasty he wrote Returning to Seclusion to record events of the Jin era, and the compilers of the History of Jin drew heavily upon it.
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Lü Zhongfu and Zhang Jian
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使
Lü Zhongfu, whose style name was Xinchen, came from Nangong in Ji Prefecture. Zhang Jian, whose style name was Jifu, came from Pucheng. Both enjoyed a reputation as poets. Zhongfu left the Collected Works of Clear Zhang. In the early Mingchang era Jian was appointed instructor of Jiang Prefecture, then summoned to serve as palace instructor and Attendant Scribe of the Hanlin. He asked to retire on account of age. Emperor Zhangzong admired his plain, unadorned character and did not wish to let him go, appointing him Vice Commissioner of Huazhou Defense while still bestowing an imperial poem to honor him. He styled himself "Orchid Spring," and his collected works circulated widely.
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Li Chunfu
22
西
Li Chunfu, whose style name was Zhichun, came from Xiangyin in Hong Prefecture. His grandfather Anshang had once placed first in the jinshi examination at the Western Capital. His father Cai died while serving as administrative aide of Yidu Prefecture. Chunfu was exceptionally quick-witted as a youth. He first studied rhapsody and fu, but when he read the Zuo Commentary to the Spring and Autumn Annals he fell deeply in love with it and switched to the study of classical exegesis. He passed the jinshi examination in classical exegesis in the second year of Cheng'an. As a writer he modeled himself on Zhuangzi, Lie Yukou, the Zuo Commentary, and the Stratagems of the Warring States, and younger writers largely followed his example. He also delighted in military affairs and burned with a desire to put the world in order. When Emperor Zhangzong campaigned south, Chunfu twice submitted memorials forecasting the outcome; the emperor was impressed and had them forwarded to the army, and later events largely matched his predictions. The chief ministers admired his writing and recommended him for the Hanlin Academy. When the armies of the Great Yuan rose, he again submitted a memorial on current affairs, but received no response. When Emperor Xuanzong moved the capital to Bian, Chunfu again entered the Hanlin Academy. At the time Grand Councilor Gao Qi monopolized power and promoted Chunfu to Director of the Left Department, but Chunfu saw that Qi would surely fall and declined on the grounds that his mother was elderly. Soon after Qi was executed, Chunfu returned to the Hanlin and successively oversaw the civil examinations. At the end of the Zhengda era he was demoted to vice-prefect of Fang Prefecture for accepting candidates beyond the new quota. Before he could take up the post he was reassigned as administrative judge of the Jingzhao metropolitan prefecture. He died at Bian at the age of forty-seven.
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稿稿 西
By nature Chunfu was brilliant. In youth he was confident in his own gifts and believed that fame and office lay within easy reach. He wrote the "Rhapsody on the Dwarf Cypress," measuring himself against Zhuge Liang and Wang Meng. From a minor post he submitted a memorial addressed to all directions, citing Song as a precedent in urgent terms; those in power dismissed him as impractical and utopian. In midlife, seeing that his path would not prevail, he gave himself ever more to drink and reckless freedom, with no further desire for office. He gained office but had not yet completed his term evaluation when he at once withdrew into seclusion. Day after day he kept company with Chan monks and scholars, devoting himself to wine and letters; singing loudly and casting off his robes beyond the bounds of propriety, he sometimes drank for months without sobering. Whenever anyone invited him to drink, he went without regard to rank; he always went and always got drunk, yet even in deep intoxication he never stopped writing. Yet in his later years he turned to Buddhism and strove to probe its deepest meaning. He classified his own writings: pieces on human nature and on Buddhism and Daoism he called "inner drafts," while everything else written in response to worldly affairs he called "outer drafts." He also wrote commentaries on the Shurangama Sutra, the Diamond Sutra, the Laozi, and the Zhuangzi. He also wrote Collected Commentaries on the Doctrine of the Mean and Collected Commentaries on the Way of the Mings, which he styled "Heart Learning of China, Literary Teaching of the West." They ran to several hundred thousand characters, and for this reason he was disparaged by orthodox Confucian teaching.
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Wang Yu, whose style name was Feibo, came from Daxing. He was striking in stature, with a gaze sharp as a falcon's. In youth he lived at Fishing Terrace, reading behind closed doors and refusing all worldly entanglements. After a long interval he took Liu Zongyuan as his literary model, writing in a vast, bold, and archaic style that often ran to several thousand characters. His songs and poems were elegant and uninhibited, in the manner of Li Bai. He once wrote a "Little Biography of the Prince" as an autobiographical sketch. In the first year of the Tianxing era, when Bianjing was besieged, he submitted a memorial on public affairs but received no response. In the fourth month, when the siege had eased somewhat, he forced his way out and was seized by soldiers. The commander treated him with great generosity, but Yu traveled without precaution and was resented by his subordinates and killed. At the end he drew writings from his breast and said, "These are my life's compositions. Pass them to the scholar-officials of the Central Plains with the message that Wang Yu is dead." He was a little over thirty years old. Those famed in poetry at the same time included Lei Guan, Hou Ce, and Wang Yuancui.
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Song Jiujia
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使
Pang Zhu, whose style name was Caiqing, came from Liaodong. He passed the examinations at a young age and served with distinction. After the court crossed south he served as Hanlin Attendant-in-Waiting and was promoted to Vice Minister of Revenue. For visiting the house of an imperial in-law he was demoted to vice-prefect of Dongping, then reassigned as transport commissioner of the Jingzhao Circuit, where he died. He was broadly learned and accomplished in letters, skilled in poetry, with phrasing that was striking, vigorous, and uncommon; his works circulated widely in his day.
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Li Xianneng
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Li Xianneng, whose style name was Qinshu, came from Hezhong. His forebears had included a general of the Jinwu Guard, and the family was known in its day as "the Li household of the Jinwu Guard." By the time Xianneng and his brothers were all famed for literature, his elder cousin Xianqing, Xianqing's brother Xiancheng, and his younger cousin Xianfu passed the examinations in succession, earning the Li family the name "Hall of Four Cassia."
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使
Xianneng studied with arduous labor and wide reading; in letters he was especially accomplished in parallel prose. In the third year of Zhenyou he was specially granted the jinshi in rhapsody and fu, placed first in the palace examination, and rated superior in the macro-rhapsody competition. He was appointed Attendant Scribe of the Hanlin. He spent ten years in the Hanlin altogether, then left office to serve as administrative judge of the Zouzhou observation commission. On recommendation he was again made an attendant scribe; soon he was promoted to compiler. At the end of the Zhengda era he served as military vice commissioner of the Zhennan Army and staff officer at the Hezhong commandery headquarters. When the Great Yuan army captured Hezhong he fled to Shaan Prefecture. The branch secretariat appointed him Left Department Director, but he was killed in the mutiny of Zhao Sansan's army at the age of forty-three.
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Xianneng was slight in build and dark in complexion, with a rather full beard. He was skilled at discourse; whenever he expounded past and present affairs, his voice rang clear and was a pleasure to hear. In poetry he aspired to the standards of the Airs and Elegances and also devoted himself painstakingly to song lyrics. In the Hanlin he was nimble in meeting occasions and was praised for apt deportment. Zhao Bingwen and Li Chunfu once said, "Li Xianneng is a Hanlin talent sent by Heaven for our age." Therefore they always recommended him and would not allow him to leave the academy. His family had once been wealthy, but everything was lost in the disorders of Zhenyou, and in the capital he had no means to support himself. His mother had always been extravagant and indulged herself generously; at the slightest displeasure she would scold and reproach him. Others thought this nearly unbearable, yet Xianneng bore it with complete composure. People of the time praised him for pure filial devotion. He once told others, "In youth I dreamed that my office would reach the fifth rank and that I would not live past fifty." In the end it turned out exactly as he had said.
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Wang Ruoxu
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調滿 使
Wang Ruoxu, whose style name was Congzhi, came from Gaocheng. Even as a child he was quick-witted, as though he had always lived among written words. He passed the jinshi examination in classical exegesis in the second year of Cheng'an. He was assigned recorder of Zou Prefecture and successively served as magistrate of Guancheng and Menshan, enacting benevolent policies in each place. When his terms ended, old and young clung to him in farewell, and several days passed before he could take his leave. On recommendation he entered the Institute of National History as a compiler and was promoted to Attendant Scribe of the Hanlin. After serving as envoy to Western Xia, he was appointed Vice Commissioner of Sizhou and retained as Assistant in the Office of Writings. In the early Zhengda era, when the Veritable Records of Emperor Xuanzong were completed, he was promoted to administrative judge of Pingliang Prefecture. Before long he was summoned as Left Department Remonstrator, later transferred to prefect of Yan Prefecture, then entered service as Academician Expositor.
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In the first year of Yuanxing, Emperor Aizong fled to Guide. The following spring, Cui Li mutinied. Petty men rallied to him and requested a merit stele for Li; Zhai Yi, acting on orders from the Department of State Affairs, summoned Ruoxu to compose the text. At the time Yi and his faction relied on power to act arrogantly; anyone who slightly crossed them would be slandered and at once put to death. Ruoxu judged that he would surely die and privately told Left and Right Department Vice Director Yuan Haowen, "Now they summon me to write a stele; if I refuse, I die. If I write it, my reputation for integrity will be destroyed — better to die. Even so, I shall for the moment try to persuade them with reason." He then said to Yi and the rest, "A merit stele for the Grand Councilor — what affair should it speak of?" Yi and the rest said angrily, "The Grand Councilor surrendered the capital and saved a million lives — is that not merit?" Ruoxu said: "An academician speaks for the king — can a merit stele be called speaking for the king? Moreover, since the Grand Councilor has already surrendered the city, all court officials came from his faction — since antiquity has there ever been a case in which a commander's own followers composed his merit stele and could be trusted by posterity?" Yi and the rest could not overcome him and therefore summoned Imperial Academy students Liu Qi, Ma Ge, and others to the secretariat. Haowen and Zhang Xinzhi explained the stele affair to them, saying, "Public opinion assigns this to you two, and it has already been reported to Prince Zheng — you must not decline." Qi and the rest firmly declined and withdrew. After several days of unceasing pressure, Qi at once drafted a version and handed it to Haowen, but Haowen was not satisfied and wrote it himself. When it was finished it was shown to Ruoxu, and together they revised a few characters, yet in the end they only stated the facts plainly. Later the army entered the city, and the stele was never erected.
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After the fall of Jin he traveled north in plain dress to Zhenyang and, with Liu Yu of Hunyuan, toured Mount Tai to Yellow Xian Peak, where he rested at the Gathering Beauty Pavilion. He turned to his companions and said, "I spent my whole life sunk in the dust of the world — I never expected in my later years to reach this immortal realm. If I could end my days on this mountain, my wish would be fulfilled." He then sent his son Zhong home first and dispatched his son Shu ahead to survey the route, then sat on a great rock with his feet hanging over the edge. After a long while he closed his eyes and passed away at the age of seventy. His writings included the Collected Works of the Idle Man and Old Man of the South of the Hu, each in several juan, which circulated widely.
35
Wang Yuanjie
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Wang Yuanjie, whose style name was Ziyuan, came from Hong Prefecture. His grandfather Shanfu had served as Vice Minister of Revenue under the Liao. His father Xu, in the Hailing reign, served as Vice Director of the Left Department. Yuanjie was quick-witted as a youth; though his family was illustrious, he pursued his studies with great diligence. Liu Cui of Hunyuan admired his talent and gave him his daughter in marriage, transmitting his fu studies to him. Yuanjie passed the jinshi examination in rhapsody and fu in the third year of Tiande. He prized integrity and could not bow and scrape with the times, and therefore never rose to prominence in office. When he was transferred to administrative judge of the Mizhou observation commission and then dismissed, he retired to his home district, amusing himself with poetry and wine, and styled himself "Recluse of Qi." He died in his fifties. His poetry collection circulated widely.
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使
His younger brother Yuande also passed the jinshi examination. He enjoyed a reputation for ability in his time and ended his career as transport commissioner of the Nanjing Circuit.
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Sun Guogang
39
滿
Sun Guogang, whose style name was Zhengzhi. He pursued Confucian learning and was especially skilled in administrative affairs. By nature he was dignified and easygoing; when someone crossed him he scarcely argued back and never showed anger on his face. In the third year of Da'an he qualified as a clerk in the Department of State Affairs and soon transferred to secretary of the Censorate. Emperor Xuanzong heard of his ability and in the third year of Xingding specially summoned him as a close attendant, where he served with great favor. He was retained through three evaluations, then left to serve as Vice Commissioner of Shen Prefecture. Before long he was summoned as Director of Writing Implements and promoted to Investigating Censor. When his term ended he was ordered to serve another term, for the court knew his talent. In the first year of Kaixing the Wanyan commander-in-chief of Guan and Shaan, stationed at Hezhong, was defeated by the Great Yuan army. Emperor Aizong sent Guogang on an imperial stable horse straight to Hezhong to investigate the defeat. On the return journey he encountered the enemy army midway and was killed at the age of forty-four.
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Ma Jiuchou
41
殿 西 便
Ma Jiuchou, whose style name was Zhiji, came from Yi Prefecture. At the age of three he could recognize written characters. At seven he could write cursive script, and the large characters he produced reached several feet in size — for a time he was regarded as a divine child. Emperor Zhangzong summoned him and asked, "If you enter the palace halls, are you also afraid?" He replied, "Sovereign and minister are like father and son. Would a son fear his father?" The emperor was greatly impressed. In his youth he entered the Imperial Academy and gained a literary reputation. After the court crossed south he lived between Yan and Cai, then entered the western hills of Suiping and began to strengthen himself through ancient learning. He mastered the Five Classics broadly and was especially accomplished in the Changes and the Spring and Autumn Annals. At the end of the Xingding era he tested at the Kaifeng prefectural office, placing second in rhapsody and fu and first in classical exegesis. When he tested again at the southern capital, the result was the same. His fame spread far and wide; even women and children knew his name. At the palace examination he made a formatting error, to the regret of scholarly opinion. Thereafter he lived in seclusion and made no further plans for the examinations. In early Zhengda his disciples Wang Yue and Wang Cailing both passed the examinations. Seeing how young they were, the emperor wondered and inquired. Only then was it learned that they had studied under Jiuchou. Grand Councilor Hou Zhi and Hanlin Academician Zhao Bingwen submitted successive memorials recommending him, and he was specially granted the jinshi on the Lu Ya list. Because of illness he did not receive appointment and returned home. He was again appointed Grand Sacrificer of the Court of Imperial Sacrifices with acting rank as erudite, and soon promoted to Attendant Scribe of the Hanlin. Jiuchou's nature was wild and free, lofty and self-willed. In dealing with people, if a single remark failed to agree with him he would leave at once and never look back. Judging that he could never harmonize with the world, before long he again pleaded illness and left office. Living at Yancheng, in the first year of Tianxing the Great Yuan army entered Henan. He took his family and fled to Queshan, was seized by soldiers, driven to Guangping, and died of illness at the age of fifty.
42
Jiuchou first studied the Changes through classical exegesis, later delighted in Shao Yong's Huangji writings and studied mathematics, and also delighted in divination and guessing games. In his later years he turned to medicine, associated with the famous physician Zhang Zihe, fully mastered his learning, and even polished the books Zhang wrote. In prose he was precise, dense, and forceful; in poetry especially refined. Later, to avoid slander and jealousy, he took a vow and ceased composing. Since Mingchang five were called divine children; Chang Tianshou of Taiyuan could compose poetry at four — Liu Zi, Liu Wei, and Zhang Hanchen later won no reputation, while Zhiji alone could stand on his own. Elders such as Zhao Bingwen regarded him as a recluse by title and did not record his name.
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稿
Li Fen, whose style name was Changyuan, came from Pingjin in Taiyuan. By nature he prized spirit and was unrestrained and unbridled. His temperament was narrow and quick; touch him and he grew angry, and for this many people disliked him. He delighted in reading history. He was skilled in poetry, writing in a bold and disciplined manner. Fleeing the disorders he entered the passes. The metropolitan magistrate Zirong admired his talent and received him into his household. After two years he left and went to Jing Prefecture, where he sought out Left Councilor Zhang Xingxin, who at first sight treated him with the courtesy due a distinguished guest. In the Yuanguang era he traveled to Daliang, failed the jinshi examination, and on recommendation was appointed copyist of the History Institute. A copyist is merely a minor clerk who copies books. Whenever a compiler obtained the daily record and the compilation was settled, the draft was handed to the copyist, who recorded a fair copy and presented it to the chief of the Hanlin. Fen, having taken this post, was deeply ill at ease. At the time Zhao Bingwen was academician and Lei Yuan and Li Xianneng were all in the academy. During revision Fen sat upright beside them and read a passage from the Grand Historian or Zuo Qiuming of several hundred words in a resonant, flowing voice as if no one were present. When he finished he glanced around the room and casually said, "Look." Those holding the brush had long resented him, and Lei and Li especially hated him. They sued him before the authorities for insulting superiors, yet opinion of the time also held that Lei and Li were not entirely in the right. Soon he was dismissed and returned to the passes. The following year he came to the capital and submitted a memorial on current affairs. When it was rejected he left to sojourn between Tang and Deng. Duke Wuxian of Hengshan appointed him discussion officer of the provisional Department of State Affairs. Soon Wuxian and Participating Councilor Wanyan Silie differed in their views and sought their own security. Fearing Fen's outspokenness, they wished to eliminate him. Fen perceived this and fled to Biyang. Wuxian ordered Commander Wang De to pursue and capture him, locked him at Yangmaping, and he died by starvation before the age of forty.
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Fen wrote a great many poems in his lifetime but did not collect them himself; only about twelve or thirteen tenths of them circulate in the world.
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Yuan Deming
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Yuan Deming traced his line to the Tuoba Wei and came from Xiurong in Taiyuan. From childhood he loved reading and never spoke of vulgar worldly matters. Easygoing and without pretension, he wore plain cloth and ate simple food as if it were natural, and his family did not dare burden him with worldly livelihood. He failed the examinations repeatedly and wandered freely among mountains and waters, spending his surplus on wine and composing poetry for his own pleasure. He died at the age of forty-eight. He left the Eastern Cliff Collection in three juan. His son Haowen was the most renowned.
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His son Yuan Haowen
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Haowen, whose style name was Yuzhi. He could compose poetry at the age of seven. At fourteen he studied under Hao Jinqing of Lingchuan without pursuing examination studies, and in six years he thoroughly mastered the classics and the hundred schools. He descended the Taihang, crossed the Yellow River, and composed poems such as "Mount Ji" and "Zither Terrace." Zhao Bingwen of the Ministry of Rites read them and declared that in recent times there had been nothing like them. From this his name shook the capital. In the fifth year of Zhongxingding he passed the examinations and served successively as magistrate of Neixiang. In the Zhengda era he served as magistrate of Nanyang. In early Tianxing he was promoted to clerk of the Department of State Affairs; before long he was made Director of the Left Department, then transferred to Vice Director of the Left Department of the Branch Secretariat. When Jin fell he did not take office under the new regime.
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In writing he had clear standards and mastered every literary form. His poetry was striking and lofty yet utterly without ornamental carving, ingenious and dense yet rejecting gaudy elegance. His five-character verse was lofty, ancient, and somber. His seven-character yuefu did not use ancient titles but brought forth new ideas of his own. His ballads were impassioned, carrying the spirit of You and Bing. In song lyrics he set new tunes to express gratitude and resentment in several hundred more pieces. After the wars the old generation was gone. Haowen stood as the master of an age, and steles, inscriptions, and epitaphs from every direction hurried to his door. His writings included several juan of prose and poetry, Studies in Du Fu's Poetry in one juan, Poetic Standards of Su Dongpo in three juan, Brocade Admonitions in one juan, and Literary Self-Warnings in ten juan.
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In his later years he especially charged himself with authorship, holding that since the Jin had possessed the realm and its institutions nearly matched Han and Tang, when the state perished the history must be written — and this was his duty. At the time the Jin veritable records were kept in the household of Zhang the ten-thousand-bushel master of Shuntian. He spoke to Zhang and offered to compile them, but Yue Kui obstructed the plan and it came to nothing. Haowen said, "One must not let the traces of an age perish without being passed down." He then built a pavilion at his home and wrote upon it, naming it "Unofficial History" for that reason. He gathered whatever he heard of the words and deeds of Jin sovereigns and ministers, recording each discovery in fine script on a small sheet of paper until his notes ran to more than a million characters. What circulates today includes the Central Plains Collection and Miscellaneous Records of the Renchen year in several juan. He died at the age of sixty-eight. The compilers of the History of Jin drew heavily upon his writings.
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The commentator says: Han Fang and Wu Ji were Chu talents employed by the Jin, and they too were writers worthy of their age. Cai Gui and Ma Dingguo were comprehensively learned; Hu Li and Yang Boren were quick and prolific; Zheng Zidan and Ma Jiuchou were brilliant; Wang Yu and Song Jiujia were boldly forward-looking. The three Lis stood above the rest: Chunfu knew the Way, Fen relied on force of character, and Xianneng was especially praised for pure filial devotion. Wang Tingyun, Dang Huaiying, and Yuan Haowen were sufficient in themselves to win fame in any age. In the governance of Wang Jing, Liu Congyi, and Wang Ruoxu, their literary fame does not obscure their strengths as officials. Cai Songnian held the highest rank among men of letters, preached profit for the Jin, raised factional prosecutions, and killed Tian Yu — can literary talent truly cover shortcomings such as these? In serving his stepmother he showed exemplary devotion, and at his death his family had no surplus wealth — in this there is still something admirable.
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