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卷二百八十六 列傳第一百七十四 文苑二

Volume 286 Biographies 174: Literature 2

Chapter 286 of 明史 · History of Ming
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Chapter 286
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1
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Lin Hong, with appended biographies of Zheng Ding and others; Wang Fu, with Xia Chang appended; Shen Du, with his younger brother Can and appended biographies of Teng Yongheng and others; Nie Danian; Liu Pu, with Su Ping and others appended; Zhang Bi; and Zhang Tai. (Lu Yin and Lu Rong)〉 Cheng Minzheng; Luo Qi; Chu Guan; Li Mengyang, with appended biographies of Kang Hai, Wang Jiusi, Wang Weizhen, He Jingming, and Xu Zhenqing. (Yang Xunji, Zhu Yunming, Tang Yin, and Sang Yue)〉 Bian Gong; Gu Lin, with his younger brother Lin and appended biographies of Chen Yi and others; Zheng Shanfu, with Yin Yunxiao, Fang Hao, and others appended; Lu Shen, with Wang Qi, Wang Tingchen, and Li Lian appended.
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Appended biographies: Zheng Ding and others.
3
Lin Hong, whose style name was Ziyu, came from Fuqing. Early in the Hongwu era he was recommended for his ability, appointed county instructor in Jianglo, and eventually rose to vice director in the Ministry of Rites' Bureau of Refined Provisions. Free-spirited by nature and no good at official life, he resigned and went home before he was forty. The finest poets in Fujian were known as the Ten Talents, with Hong foremost among them. The Ten Talents comprised Zheng Ding of Fujian; Wang Bao and Tang Tai of Houguan; Gao Bing, Wang Gong, and Chen Liang of Changle; Wang Cheng of Yongfu; and Hong's pupils Zhou Xuan and Huang Xuan, whom their contemporaries called the Two Xuans.
4
調
In his critical writings on poetry, Hong argued broadly that Han and Wei poetry, for all its vigor, lacked sufficient polish. Jin looked back to the abstruse style; Song favored smooth exposition; from Qi and Liang on, poets cared only for ornamental bloom and seldom for substantial harvest. Only Tang poets, in his view, achieved true mastery. Yet even Zhenguan poetry still bore old roughness; the Shenlong period slowly shifted the conventional style; and between Kaiyuan and Tianbao regulated verse reached its full development—students, he held, should take that as their standard. Fujian poets who theorized about verse generally traced their views back to Hong.
5
Pu Yuan, a ceremonial attendant in the Jin princely establishment whose style name was Changyuan, came from Wuxi. Drawn by Hong's fame, he crossed the mountains into Fujian to seek him out. At Hong's door the Two Xuans asked him to recite his work and declared, "This is poetry in our master's line." Hong then admitted him to their poetry circle.
6
Zheng Ding, whose style name was Mengxuan, had once been secretary to Chen Youding. After Youding's defeat he put to sea and wandered between Jiaozhi and Guangdong. After many years he returned to settle in Changle. In the Hongwu period he was called to office as prefectural instructor in Yanping and later served as assistant instructor at the National University.
7
婿
Wang Bao, whose style name was Zhongmei, had married the daughter of Hong's elder brother. He served as a school official in Changsha and was later promoted to magistrate of Yongfeng. In the Yongle era he was summoned to court, helped compile the 《Yongle Encyclopedia》, and was appointed recorder of the Han princely establishment.
8
西使
Tang Tai's style name was Hengzhong. He passed the civil examinations in the twenty-seventh year of Hongwu. He later served as vice commissioner in Shaanxi.
9
Gao Bing, whose style name was Yanhui, later adopted the name Tingli and styled himself the Recluse of Idleness. Early in Yongle he was summoned to the Hanlin as a commoner, appointed awaiting-edict compiler, and later promoted to archivist. He loved wine, excelled at calligraphy and painting, and devoted himself above all to poetry. His anthologies 《Graded Treasury of Tang Poetry》 and 《Correct Sounds of Tang Poetry》 were revered in court literary circles throughout the Ming.
10
Wang Gong, whose style name was Anzhong, lived in seclusion on Qiyan Mountain and styled himself the Woodcutter of Jieshan. Early in Yongle he was recommended as a scholar and appointed Hanlin awaiting-edict compiler; already past sixty, he helped compile the 《Yongle Encyclopedia》. When the compilation was finished he was made Hanlin archivist.
11
Chen Liang's style name was Jingming. As a scholar of the former Yuan, he declined repeated summons after the Ming founding and wrote the 《Biography of Chen Tuan》 to declare his resolve to remain in reclusion. He built a thatched hut on the Cangzhou islet, joined the region's elder worthies in a Society of Nine Elders, and never held office for the rest of his life.
12
歿
Wang Cheng, whose style name was Mengyang. His father Han had served the Yuan and died refusing submission; Cheng was only nine, and his father's friend Wu Hai brought him up and educated him. In the Hongwu period he received provincial recommendation, entered the National University, and petitioned to return home and care for his mother. After his mother's death he mourned at her grave for six years. Early in Yongle, on recommendation he was appointed Hanlin reviser and helped compile the 《Yongle Encyclopedia》. Learned and formidably gifted, he won the highest esteem of Xie Jin. Though he considered himself without equal, he alone deferred to his colleague Wang Hong.
13
Wang Hong, whose style name was Xifan, came from Qiantang. He could compose essays at eight; at eighteen he passed the examinations and was appointed supervising secretary in the Ministry of Personnel. He was transferred to Hanlin reviser and, with Cheng and others, helped compile the 《Yongle Encyclopedia》. He rose through the posts of compiler and lecturer. When the emperor sent Buddhist hymns to the frontier and ordered Hong to write an accompanying text, Hong hesitated and did not obey. His colleagues turned against him, he was never promoted again, and he died in office. Cheng was later implicated in a case, banished to Jiaozhi, and then caught up again in Xie Jin's downfall; he was imprisoned and died in jail.
14
Huang Xuan, whose style name was Xuanzhi, came from Jiangle. When he heard that Hong had left office and gone home, he moved his family to Min County and, as a tribute student, became county instructor in Quanzhou.
15
Zhou Xuan, whose style name was Weizhi, came from Min County. In the Yongle period he was summoned for his literary gifts and appointed vice director in the Ministry of Rites. He once brought a thousand books to Gao Bing's house, read there for ten years, and on leaving discarded them all, saying, "They are stored in the satchel of my belly." At the same time Zhao Di, Lin Min, Chen Zhonghong, Zheng Guan, Lin Bojing, and Zhang Youqian were also renowned as poets; all were Hong's pupils.
16
Appended biography: Xia Chang.
17
Wang Fu, whose style name was Mengduan, came from Wuxi. Broadly learned, he excelled at lyric poetry and calligraphy, and his paintings of mountains, trees, bamboo, and rock were unrivaled in his day. In the Hongwu period he was implicated in a case and sent to garrison duty at Shuozhou. Early in Yongle, on recommendation, he served in the Wenyuan Pavilion on account of his calligraphy. After some time he was appointed secretarial draftsman in the Secretariat.
18
退
Before entering office Fu befriended the Suzhou scholar Han Yi; they lived in seclusion on Jiulong Mountain, and Fu styled himself the Recluse of Jiulong Mountain. In calligraphy he constantly held himself to the standard of the ancients. He never painted casually; on outings, once wine had loosened his hand, he would cover long corridors and blank walls in bold, soaking strokes. Anyone who offered gold for a single sheet would find him brush his sleeve and leave, or shut the door; he paid no attention even to the wealthy and powerful. When someone urged him to relent, Fu said, "A man must know his place; if I am careless in small matters, what will I do when great ones arise!" In the capital he heard a flute under the moon, painted the 《Stone Bamboo》 on impulse, and the next morning sought out the player to give him the picture—it was a merchant. The merchant offered a red felt rug and asked him to paint a matching spray. Fu demanded the earlier painting back, tore it up, and returned the gift. One day after court, Prince Mu Cheng of Qian called his style name from behind, and Fu did not respond. A colleague told him, "That was the Prince of Qian." Fu said, "I heard him well enough—he surely means to ask me for a painting." Cheng caught up with him and, as expected, asked for a painting; Fu merely nodded. Years later Cheng wrote again, and only then did Fu paint for him. Then he said, "I cannot simply give this painting directly to the Prince of Qian. The prince's guest Ping Zhongwei is my friend; I give it to him as a friend, and when the prince himself asks for it, that will be enough." Such was his lofty, uncompromising character.
19
Xia Chang of Kunshan also excelled at bamboo and rock painting, though a step below Fu. A single spray of bamboo fetched a full ingot of silver, yet most people obtained his work as gifts rather than payment. Chang, whose style name was Zhongzhao, passed the examinations in the thirteenth year of Yongle, entered the Hanlin as a bachelor, and eventually became director of the Court of Imperial Sacrifices. Chang and Zhang Yi of Shangyuan passed the examinations together, shared a literary reputation, and both excelled at bamboo painting. Later, when Chang read Yi's rhapsody 《Stone Channel Pavilion》, he judged himself inferior and never wrote rhapsodies again. When Yi saw Chang's bamboo and rock paintings, he too gave up painting bamboo. Yi died in the Tumu crisis.
20
Zhongwei, whose personal name was Xian, came from Qiantang. He had served as magistrate of Teng County and was later banished to garrison duty in Yunnan. His poetry was boldly self-assured; Yunnan poets spoke of the quartet Ping, Ju, Chen, and Guo, and Xian was one of them.
21
Shen Du, with his younger brother Can and appended biographies of Teng Yongheng and others.
22
Xia Bing of Kunshan, whose style name was Mengyang, and his younger brother Chang were renowned for calligraphy and painting; both served as secretarial draftsmen and were nicknamed the Greater and Lesser Secretaries, while Du and Can were nicknamed the Greater and Lesser Academicians.
23
Du was sincere and steady by nature, humble toward others, and strict about what he accepted or gave. A county instructor introduced a friend who asked for a piece of calligraphy and requested that his name be inscribed on it. Du thought a moment and said, "Is this not the man who once denounced me to the authorities?" He refused at once. His friend pressed him again and again, yet he still refused to inscribe his name. As a consultant in the inner court, he always answered forthrightly and without evasion. Can was devoted to his elder brother; whatever gifts he received, he at once turned over to him.
24
Teng Yongheng was originally named Quan and styled Yongheng. He was a master of seal and clerical script. By the time he was recommended he was seventy. Called to audience, he wrote the four characters unicorn, phoenix, tortoise, and dragon in large script as his tribute, and also presented three poems from his 《Odes of Auspicious Signs》. He was appointed Hanlin awaiting-edict compiler and helped compile the 《Yongle Encyclopedia》. Yongheng had a keen eye for antiquities. Once, while attending the emperor as he viewed a painting scroll still unrolled to its end, all eyes took it for Zhao Boju's work. Yongheng said, "This is Wang Shen's brush." At the end of the scroll, he was proved right.
25
祿
Chen Deng, styled Sixiao. He began as assistant magistrate of Luotian, then served in Lanxi and afterward in Fuliang. Chosen for the Hanlin, he continued to draw an assistant magistrate's salary for ten years before he was finally made a Secretariat drafter. In the origins of the Six Scripts, Deng read widely, examined closely, and labored with exceptional diligence. From Zhou and Qin times onward, he tracked down every broken stele and truncated tablet he could find, made rubbings, weighed the evidence, and settled their readings. His tradition passed to Cheng Nanyun of Nancheng, minister of the Court of Imperial Sacrifices.
26
Nie Danian
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Nie Danian, styled Shouqing, came from Linchuan. His father Tongwen served in the Hongwu era as Hanlin attendant scribe and Secretariat drafter. When the Prince of Yan entered the capital, Tongwen went out to greet him but died on the road. Danian was born five months later, and his mother Hu brought him up. Once grown, he was widely read and gifted in classical poetry and prose. Ye Sheng hailed his poetry as unmatched for thirty years. In calligraphy he mastered the style of Ouyang Xun. Late in Xuande, on recommendation he was appointed county instructor of Renhe. When his mother died, he went home to bury her, and his mourning moved all who passed by. Neighbors reported the mother and son's virtuous conduct to the authorities, and the court issued an edict honoring their household. After mourning, he was posted to teach at Changzhou and later promoted to county instructor of Renhe. In the sixth year of Jingtai he was recommended into the Hanlin, but soon afterward fell ill and died.
28
使
Once, Minister Wang Zhi sent a poem to Dai Wenjin of Qiantang requesting a painting. In a preface he explained that he and Wenjin had long been friends, that they had once playfully drafted a couplet, and that only now, ten years later, had he finished the poem. Danian added an inscription at the end: "Your Excellency loves Wenjin's painting and has not forgotten it in ten years. If you treated every worthy man in the realm with such constancy, would any talent still be left neglected?" Zhi heard this, but neither took offense nor recommended him. When Danian's illness turned grave, he sent Zhi a poem with the lines, "Who in the mirror pities my white hair? On the lake, the green hills seem to wait for whom?" Zhi said, "He wants me to write his epitaph," and did so.
29
Liu Pu, with Su Ping and others appended.
30
使調 西
Liu Pu, styled Yuanbo, came from Changzhou. His grandfather Yan and his father Shibin both won office through medicine. At eight Pu wrote the 《Ditch Water Poem》, and people already hailed him as a prodigy. As a youth he accompanied his grandfather between the two capitals, studying the classics and histories while also mastering astronomy and calendrical science. In the Xuande era he was summoned for his literary attainments. When word reached the court that Pu was also skilled in medicine, he was made vice commissioner of the Bureau of Public Welfare Medicine and later transferred to clerk of the Imperial Medical Academy. Ashamed to be known as a physician, he devoted himself to poetry. His poetry began in the Western Kun manner and later turned bolder and more unrestrained. With Tang Yinji, Su Ping, Su Zheng, Shen Yu, Wang Huai, Yan Duo, Zou Liang, Jiang Zhong, and Wang Zhenqing he was known as one of the "Ten Talents of the Jingtai Era," and Pu was their acknowledged leader.
31
Yinji was the great-grandson of Prince He of Dong'ou and has his own biography. Su Ping, styled Bingheng, and his younger brother Zheng, styled Bingzhen, came from Haining. Both brothers lived out their lives as commoners. Shen Yu, styled Tongli, came from Kunshan and practiced medicine to the end of his days. Wang Huai, styled Baiyuan, came from Cixi. Yan Duo, styled Zhenzhi, came from Fushun. After serving as a probationary Hanlin compiler, he was appointed censor and toured the two capital regions and Shandong as inspecting commissioner, winning a reputation wherever he went. Demoted to county clerk of Shanggao for a memorial on public affairs, he later crushed bandits in a neighboring district when regular troops could not, and restored the loot to the people. Zou Liang, styled Keming, came from Changzhou. Recommended by Kuang Zhong, he was promoted to clerk in the Ministry of Personnel and later made censor. Jiang Zhong, styled Zhuzhong, was from Yizhen and later moved to Jurong. Wang Zhenqing, styled Shanfu, was the son of the Prince Consort of Ning. He humbled himself to befriend scholars, won renown as a poet, and was known in his day as the Young Master of Golden Millet.
32
稿
Zhang Bi, styled Rubi, came from Huating in Songjiang. He passed the palace examination in the second year of Chenghua. He was appointed secretary in the Ministry of War and later promoted to vice director. As prefect of Nan'an, a frontier post between the two Guang regions, he rooted out bandits who had gathered in the hills and ravines. He tore down more than a hundred illicit shrines and converted the sites into community schools. He retired citing illness, and local officials and people erected a shrine in his honor. Bi was precocious, gifted in poetry and prose, and a master of cursive script—bold, strange, and sweeping enough to startle his generation. He took the sobriquet Donghai, the Eastern Sea. The name Zhang Donghai spread even beyond the borders. He wrote poetry freely, seldom bothering with drafts; when he did, admirers of his calligraphy usually carried the pages off. He was close to Li Dongyang and Xie Duo. He once said of himself, "In my life, my calligraphy falls short of my poetry, and my poetry falls short of my prose." Dongyang teased him, "Heroes always talk like this—it is not to be believed." Xie Duo praised his tireless love of learning and said his poetry and prose formed a school of his own. His son Hongzhi has his own biography.
33
Zhang Tai (Lu Yin and Lu Rong)〉
34
殿 西
Zhang Tai, styled Hengfu, came from Taicang. Lu Yin, styled Dingyi, came from Kunshan. Lu Rong, styled Wenliang, was also from Taicang. The three were equally famous from youth and were known as the "Three Phoenixes of Loudong." Tai passed the palace examination in the eighth year of Tianshun, entered the Hanlin as a probationer, and rose from reviser to compiler. Quiet and self-contained by nature, he stood second only to Li Dongyang in poetic reputation. In the Hongzhi era literary circles spoke of Li Huailu and Zhang Cangzhou—Dongyang with his 《Collection from the Hall of Reverence for the Foothills》 and Tai with his 《Collection from Cangzhou》. Yin and Tai passed the palace examination in the same year, with Yin ranking second. He was appointed compiler and later served as compiler and preceptor. When Emperor Xiaozong came to the throne, he was promoted to vice minister of the Court of Imperial Sacrifices and concurrent palace reader for his service lecturing in the Eastern Palace, but soon fell ill and retired. Both Tai and Yin died young. Rong passed the palace examination in the Chenghua era. He was appointed secretary in Nanjing and later promoted to director in the Ministry of War's Bureau of Appointments. When Western tribes presented a lion, the court proposed sending a high minister to receive it, but Rong remonstrated and had the plan stopped. He was made vice commissioner of Zhejiang, then dismissed and sent home.
35
Cheng Minzheng
36
Cheng Minzheng, styled Keqin, came from Xiuning and was the son of Xin, minister of war at Nanjing. At ten he accompanied his father to his post in Sichuan, and Grand Coordinator Luo Qi recommended him as a prodigy. Emperor Yingzong tested him, was delighted, and ordered him to study in the Hanlin Academy with a stipend. Academicians Li Xian and Peng Shi both cherished him, and Xian gave him his daughter in marriage. He placed first in the palace examination in the second year of Chenghua, was appointed compiler, rose to left preceptor, and lectured in the Eastern Palace. In the Hanlin, Minzheng was hailed for breadth of learning, Li Dongyang for classical prose, and Chen Yin for purity of character—each the leading figure of his day. When Emperor Xiaozong succeeded, he was promoted to junior grand secretary and concurrent expositor-in-waiting for his service in the Eastern Palace, and lectured at the Classics Colloquium.
37
調簿
As the son of a distinguished minister, Minzheng was gifted and proud of his literary attainments, often looked down on his peers, and drew considerable resentment. In the winter of the first year of Hongzhi, Censor Wang Song and others impeached Minzheng over rain disasters, and he was forced to retire. In the fifth year he was recalled, and soon made minister of the Court of Imperial Sacrifices and concurrent reader-in-waiting, with charge of the academy. He was promoted to vice minister of rites on the right and put in charge of drafting edicts and commissions for the inner cabinet. In the twelfth year he and Li Dongyang presided over the metropolitan examination, and the candidates Xu Jing and Tang Yin were found to have prepared essays in advance that matched the examination topics. Supervising Secretary Hua Chang impeached Cheng Minzheng for selling examination topics. The results list had not yet been released, and an edict barred Minzheng from grading papers and ordered Li Dongyang and the examiners to re-check every candidate he had passed. Neither man's paper was among those selected. Li Dongyang reported this to the throne, but the accusers still would not let the matter rest. Minzheng, Chang, Jing, and Yin were all imprisoned. Jing was punished because he had once presented a gift when calling on Minzheng, and Yin because he had once asked Minzheng for compositions; both were demoted to clerks. Minzheng was forced to retire, while Chang, for lodging accusations not borne out by the facts, was transferred to chief secretary of the Southern Court of Imperial Stud. After leaving prison Minzheng was consumed by anger and resentment; an abscess broke out and he died. He was later posthumously granted the title of minister of rites. Some said that in Minzheng's case Fu Han had wanted to seize his post and had Hua Chang lodge the accusation. The affair was kept secret, and no one could establish the truth.
38
Luo Qi, styled Jingming, came from Nancheng. Broadly learned, he loved ancient prose and strove to make his writing strange and abstruse. At forty he was still only a licentiate and paid grain to gain entry to the Imperial Academy. When Qiu Jun was chancellor, he proposed that southerners should not be allowed to remain at the northern Imperial Academy. Qi kept pressing his plea without letup. Qiu Jun berated him, saying, "You know only a handful of characters—how can you be so stubborn!" Qi looked up and replied, "It is only the books of the Central Secretariat that I have not yet read." Qiu Jun kept him for the time being, and when he later tested him with a composition was greatly astonished. At the end of the Chenghua era he placed first in the Beijing provincial examination. The next year he passed the palace examination, was selected as a Hanlin bachelor, and was appointed compiler. He devoted himself ever more fiercely to ancient prose. Whenever he set about composing, he would sometimes perch in a tall tree or shut himself alone in a room, close his eyes and inwardly measure his words, his face and form withered as ashes. From then on his prose grew ever stranger, and Qi became deeply proud of himself.
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使退 滿
He especially valued integrity and righteousness. When the censors and remonstrators who had rescued Liu Xun were all thrown into prison, Qi argued that they should be treated leniently to preserve the dignity of the state. When the eunuch Li Guang died, he left behind a register fully recording which grand ministers had exchanged bribes with him. The emperor was enraged and ordered the remonstrating officials to impeach them by name. Qi memorialized, saying, "Grand ministers set the standard for all officials. If matters stand as they do now, it is indeed fitting to impose heavy punishment. Yet all under Heaven and the four quarters look up to them; to expose their wickedness by name all at once would awaken in distant peoples a mind to slight the court. The remonstrators have not seen the register; to argue from speculation—how can they distinguish jade from stone? Once attacked and exposed, their reputations would be stained for life. Your servant asks that secret edicts be issued instructing them to plead illness and withdraw, or remove them on other grounds, so that the court may not be shamed and the path of office may also be cleared." When Li Mengyang was imprisoned, Qi said, "The Marquis of Shouning is the emperor's own kin; he ought to have some means of preserving Mengyang. If Mengyang is not preserved, it will implicate the marquis." The emperor deeply accepted this. When his term expired he was promoted to palace reader.
40
使
At the beginning of the Zhengde era he was transferred to vice minister of the Southern Court of Imperial Sacrifices. Liu Jin threw government into disorder, and Li Dongyang wavered between alternatives. Qi, whom Li Dongyang had recommended, sent a letter rebuking him on the great principle at stake and asking to be struck from the roll of his disciples. Soon he was promoted to minister of that court and elevated to vice minister of the right in the Southern Ministry of Personnel. In handling affairs he was strict and careful, and his colleagues feared him. Bandits ran rampant in the capital region, yet no heir had been established. Qi memorialized in heated language and even attacked those in power. In the winter of the seventh year he came to the capital for performance review, then pleaded illness, retired, and returned home. The Prince of Ning, Zhu Chenhao, admired his reputation and sent envoys with gifts; Qi avoided them by hiding deep in the mountains. When the prince rebelled, Qi was already ill; he sent an urgent letter to the defending officials arranging to strike the rebels, but died before the plan could be carried out. At the beginning of the Jiajing era he was granted the posthumous title Wensu, and scholars call him Master Guifeng.
41
調 宿
Chu Guan, styled Jingfu, came from Taizhou. At nine he could compose prose. When his mother fell ill he cut flesh from his thigh to treat her, but she still did not recover. The family was poor, yet he strained himself to prepare the burial ground. By day he wept at the tomb; by night he read without cease. In the nineteenth year of Chenghua he took the provincial examination, and the next year the metropolitan examination; in both he placed first. He was appointed chief secretary in the Bureau of Evaluation at Nanjing. When Emperor Xiaozong succeeded, he memorialized recommending those who had remonstrated frankly and been demoted or exiled: chief secretaries Zhang Ji and Wang Chun, drafter Ding Ji, and presented scholar Li Wenxiang. Ji and the others were all appointed. After a long time he was promoted to director. Minister of Personnel Geng Yu knew his worth and transferred him to the northern directorate. In evaluating merit and demerit he was utterly impartial. Once when verifying the record of an official, Yu wanted to change Guan's assessment. Guan said sternly, "What you hold to—how is it different from Wang Jiepu!" All the colleagues were present at his side. Yu was deeply ashamed and said slowly, "The director speaks rightly—yet no one but I could tolerate him." He was promoted to vice minister of the Court of Imperial Stud and requested that historiographers be ordered to record words and deeds, as in the ancient Left and Right Historiographers—but the proposal could not be adopted at the time. He was promoted to minister of that court. When Emperor Wuzong came to the throne, there was alarm on the northern frontier. He set forth five measures for defending the border and also submitted four points on how horse policy harmed the people; most were discussed and enacted. In the second year of Zhengde he was made left censor-in-chief and put in overall charge of grain stores at Nanjing. He was summoned to be vice minister of the right in the Ministry of Revenue, soon transferred to the left, and directed the granaries; wherever he went, long-standing abuses were entirely swept clean. When Liu Jin held power he repeatedly insulted grand ministers, yet he alone respected Guan and called him Master. Guan was outraged at Jin's conduct; in the spring of the fifth year he pleaded illness and asked to leave office. An edict permitted him to travel by post relay; the responsible offices were to wait until his illness had healed and then report. That autumn, when Jin fell, he was summoned to his former office but declined to go. Later he was raised again as vice minister of the left in the Nanjing Ministry of Revenue, was then immediately transferred to the Ministry of Personnel, and died in office.
42
Guan's build was slight and thin, as if his clothes were too heavy for him; In conduct he was pure and self-cultivating, upright and self-restrained. He was skilled in poetry and prose. He liked to recommend and advance famous scholars, kept his distance from unworthy sorts, and was not harsh yet severe. The presented scholar Gu Lin once called on Minister Shao Bao. Bao told him, "In establishing yourself, you should take Chai Xu as your model." Chai Xu was Guan's sobriquet. At the beginning of the Jiajing era he was granted the posthumous title Wenyi.
43
Li Mengyang with appended biographies: Kang Hai, Wang Jiusi, Wang Weizhen
44
西
Li Mengyang, styled Xianji, came from Qingyang. His father Zheng served as instructor to the Prince of Zhou's household and moved the family to Kaifeng. His mother dreamed that the sun fell into her bosom when she bore him, hence the name Mengyang. In the sixth year of Hongzhi he placed first in the Shaanxi provincial examination; the next year he passed the palace examination and was appointed secretary in the Ministry of Revenue. He was transferred to director, served at the transit tax office, blocked powerful figures, was framed and imprisoned, and was released.
45
In the eighteenth year, responding to an imperial summons he submitted a memorial setting forth two maladies, three harms, and six gradual evils—more than five thousand words in all—arguing the rights and wrongs to the utmost. At the end he wrote, "The Marquis of Shouning, Zhang Heling, gathers worthless men, pursues profit and wrongs the people, and his power is like a tiger with wings." Heling memorialized in his defense, seized on the phrase in the memorial "Your Majesty favors the Zhang clan," and falsely charged that Mengyang had slandered the empress dowager as belonging to the Zhang clan—a crime meriting decapitation. At the time the empress enjoyed favor, and her mother Lady Jin wept and appealed to the emperor. The emperor had no choice but to imprison Mengyang in the Brocade-Clad Guard prison. Soon he was pardoned and released, but his salary was stripped. Lady Jin kept appealing without stop. The emperor would not listen, summoned Heling to a private setting, and sharply rebuked him; Heling removed his cap and kowtowed to the ground before the matter ended. Those around the emperor knew he meant to protect Mengyang and asked that he not be heavily punished but instead be given the bastinado to vent Lady Jin's anger. The emperor again refused and said to Minister Liu Daxia, "You people mean to beat Mengyang to death with the rod. Would I rather kill an upright minister to satisfy those around me!" Another day Mengyang met the Marquis of Shouning on the road, cursed him, and struck him with a riding crop, knocking out two teeth; the marquis did not dare retaliate.
46
西 西使 使 使
When Emperor Xiaozong died and Emperor Wuzong came to the throne, Liu Jin and the other Eight Tigers held power. Minister Han Wen spoke of it with his colleagues and wept. Mengyang stepped forward and said, "You are a grand minister—why weep?" Wen said, "What can be done?" He said, "Just now the remonstrators impeached the eunuch clique, and the grand secretaries pressed their memorials hard. If you truly lead the grand ministers to prostrate yourselves at the palace gate in protest, the grand secretaries will surely respond—getting rid of people like them would be easy." Wen said, "Good," and charged Mengyang to draft the memorial. As it happened the plan leaked, and Wen and the others were all driven out. Jin deeply resented this, forged an edict banishing him to be administrator of the Shanxi provincial administration commission, and compelled him to retire. Soon afterward Jin again seized on other matters and had Mengyang thrown into prison, intending to kill him; Kang Hai pleaded with Jin on his behalf, and he was spared. After Jin was executed he was raised to his former office and transferred to vice commissioner for education in Jiangxi. By regulation a vice commissioner was subordinate to the grand coordinator; Mengyang resisted this, and Grand Coordinator Chen Jin hated him. Every five days the surveillance commissioners were to gather and bow to the touring censor; Mengyang again would not go to bow. He also instructed the students not to call on superiors; if they did call, they were to make a long bow and not kneel. Censor Jiang Wanshi also hated Mengyang. Retainers of the Prince of Huai's household quarreled with students, and Mengyang had the retainers beaten with the bamboo. The prince was enraged, memorialized about it, and the censor was sent down to investigate and punish. Mengyang feared Wanshi would favor the prince and impeached Wanshi. An edict ordered Grand Coordinator Jin to investigate the matter; Jin in turn dispatched Provincial Administration Commissioner Zheng Yue to conduct the inquiry. Mengyang forged a memorial in Wanshi's name impeaching Jin in order to enrage him, and also fabricated charges that Yue's son Dong had accepted bribes. The Prince of Ning, Chen Hao, professed admiration for Mengyang and once asked him to write 《Record of the Yangchun Academy》; he also hated Yue and therefore helped Mengyang impeach him. Wanshi memorialized again, citing Mengyang's faults and the matter of the forged memorial. Administrative Vice Commissioner Wu Tingju also had a grievance against Mengyang; he memorialized that Mengyang had overstepped his authority and left his post without awaiting orders. An edict sent Minister of Justice Yan Zhong to conduct the inquest, summoned Mengyang, and held him in Guangxin prison. More than ten thousand students petitioned on his behalf, but the court refused to hear them. Mengyang was impeached for riding roughshod over colleagues and coercing his superiors, and was dismissed to live at home while retaining honorary rank. Yue was also stripped of office and banished to military service at Yun, and Tingju's salary was confiscated.
47
Once Mengyang was living at home, he grew even more unrestrained and proud; he laid out gardens and ponds, entertained guests, and every day led gallant youths in hunting between Fantai and Jinqiu. He styled himself Master Kongtong, and his fame resounded throughout the realm. After Chen Hao's rebellion was crushed and he was executed, Censor Zhou Xuan impeached Mengyang as a rebel sympathizer, and he was arrested. Grand Secretaries Yang Tinghe and Minister Lin Jun pleaded vigorously for him, but for having earlier written 《Record of the Academy》, he was struck from the rolls. Before long he died. His son Zhi became a jinshi.
48
Mengyang's literary talent was bold and fierce; he conspicuously styled himself a restorer of antiquity. During the Hongzhi reign, Chancellor Li Dongyang held sway over literature and the realm looked to him as its model; Mengyang alone mocked his feebleness. He proclaimed that prose must follow Qin and Han and poetry the High Tang; anything else he would not discuss. With He Jingming, Xu Zhenqing, Bian Gong, Zhu Yingdeng, Gu Lin, Chen Yi, Zheng Shanfu, Kang Hai, Wang Jiusi, and others he was known as one of the Ten Talents; with Jingming, Zhenqing, Gong, Hai, Jiusi, and Wang Tingxiang he was also called one of the Seven Talents. They all looked down on their age, but Mengyang most of all. Huang Shengzeng of Wu and Zhou Zuo of Yue sent letters from a thousand li away, asking to become his disciples. By the Jiajing reign, when Li Panlong and Wang Shizhen came to prominence, they again revered him as their master. The realm acclaimed Li, He, Wang, and Li as the Four Great Masters, and all strove to imitate their style. Wang Weizhen of Huazhou held that since Du Fu, only Mengyang had mastered abrupt turns and inverted insertions in seven-character regulated verse. Yet later critics of Mengyang's poetry and prose said he merely imitated and plagiarized: he achieved the likeness of Sima Qian and Du Fu but lost their essence, or so they said.
49
殿
Kang Hai, styled Dehan, was a native of Wugong. In the fifteenth year of Hongzhi he ranked first in the palace examination and was appointed Compiler. He exchanged poems with Mengyang and his circle, criticized the senior masters, and made many enemies. At the beginning of the Zhengde reign, Liu Jin threw the government into disorder. Because Hai was a fellow townsman, Jin admired his talent and wished to win him over, but Hai refused to go. When Mengyang was thrown into prison, he wrote on a slip of paper summoning Hai, saying, "Duishan, save me." Duishan was Hai's alternate style name. Hai then called on Jin; Jin was overjoyed and went out with slippers reversed to welcome him. Hai thereupon used devious words to persuade him; Jin's mind was eased, and the next day Mengyang was released. A year later Jin fell; Hai was punished as a partisan and lost his office.
50
調
Wang Jiusi, styled Jingfu, was a native of Hu. He became a jinshi in the ninth year of Hongzhi. From Hanlin bachelor he was appointed Reviser. Soon he was transferred to the Ministry of Personnel, rose to bureau director, and was also demoted to assistant prefect of Shouzhou as a member of Jin's faction. He was impeached again and compelled to retire.
51
仿
Hai and Jiusi were from the same place and held the same offices; both were dismissed as members of Jin's faction. They often gathered between the Fen River east of Hu and Du, brought singing girls and drank freely, composed music and wrote songs, likened themselves to comic performers, and so gave vent to their resentment. Jiusi once spent a large sum to buy a musician and learn the pipa. Hai was especially skilled at strumming and playing. Later generations spread the tale and imitated them, and the way of high refinement declined.
52
使
Wang Weizhen, styled Yunning. He became a jinshi in the fourteenth year of Jiajing. He was selected as Hanlin bachelor and by successive promotions became chancellor of the National University at Nanjing. While living at home, a great earthquake occurred and he was crushed to death. Weizhen was tall and fair-skinned; he fancied himself talented for statecraft but served in literary posts and could achieve little in the world. He drank and reviled others freely, and most people feared him and kept their distance. In prose he favored Sima Qian and in poetry Du Fu, but in his mind Mengyang combined both. The man he revered and emulated all his life was Mengyang.
53
He Jingming
54
駿 西使
He Jingming, styled Zhongmo, was a native of Xinyang. At eight he could compose poetry and ancient-style prose. In the eleventh year of Hongzhi he passed the provincial examination at only fifteen. Princes and nobles of the imperial clans vied to send men to carry him in palanquins to see him, and wherever he went crowds gathered as thick as a wall. In the fifteenth year he ranked as jinshi and was appointed Secretary in the Grand Secretariat. He promoted ancient-style poetry and prose with Li Mengyang and his circle. Mengyang was the boldest and most forceful; Jingming came slightly later, and the two matched each other in rivalry. When the Zhengde reign began, Liu Jin usurped power. He wrote to Minister of Personnel Xu Jin urging him to hold firm in government and not yield; his language was extremely fierce. Presently he resigned on grounds of illness and returned home. A year later Jin dismissed all who were on sick leave from office; Jingming was consequently removed. After Jin was executed, on Li Dongyang's recommendation he was restored to his former rank and served in the Grand Secretariat's Edict Drafting Office. When Li Mengyang was thrown into prison, none dared speak for him; Jingming wrote to Minister of Personnel Yang Yiqing to save him. In the ninth year, when the Qianqing Palace burned, he memorialized that honorary sons should not be kept, frontier troops should not be retained, Tibetan monks should not be favored, and eunuchs should not be entrusted with office. The memorial was kept at court without action. After a long while he was promoted to vice director in the Ministry of Personnel, continuing his service in the Edict Drafting Office as before. Qian Ning wished to befriend him and asked him to inscribe an ancient painting; Jingming said, "This is the brushwork of a master—do not let it be soiled by human hands." He kept it for nearly a year and finally threw it back at him. Soon he was promoted to vice commissioner for education in Shaanxi. Liao Bin's younger brother, the eunuch Luan, garrisoned Guanzhong and was extremely overbearing; when visiting commissioners of the three offices encountered him they did not dismount, but Jingming seized a whip and beat him. In instructing students he focused on classical learning and practical affairs of the age. He selected outstanding students at the Academy of Correct Learning and personally expounded the classics without relying on the exegetical glosses of various schools; scholars then first came to know what classical learning was. At the beginning of Jiajing he cited illness and returned home; before long he died, aged thirty-nine.
55
仿
Jingming's integrity was upright and unyielding; he honored integrity and righteousness and despised honor and profit. He and Mengyang both had the bearing of men of national stature. The two in poetry and prose at first got on very well; after their fame was established they slandered each other. Mengyang championed imitation while Jingming championed creation; each built firm ramparts and would not yield, and their associates likewise took sides. Commentators said Jingming's talent was originally inferior to Mengyang's, yet his poetry was elegant, effortless, and well-balanced—regarded alongside Mengyang he was actually superior. Yet when the realm spoke of poetry and prose they always paired He and Li, and he was also paired with Bian Gong and Xu Zhenqing as the Four Outstanding Talents. His doctrine held: "Poetry sank into Tao; Xie strove to revive it—the ancient method of poetry perished with Xie. Prose grew decadent in the Sui; Han strove to revive it—the ancient method of prose perished with Han." Qian Qianyi compiled 《Poetry of Successive Dynasties》 and fiercely denounced him.
56
Xu Zhenqing (Yang Xunji, Zhu Yunming, Tang Yin, and Sang Yue)〉
57
使 滿
Xu Zhenqing, styled Changgu, was a native of Wu County. His endowment was exceptionally sharp; his household kept not a single book, yet there was nothing he did not know. Even as a student he was already skilled in poetry and song. He was friendly with his fellow townsman Tang Yin, and when Yin spoke of him to Shen Zhou and Yang Xunji, he thereby became known. He passed the jinshi examination in the eighteenth year of Hongzhi. Emperor Xiaozong sent a palace messenger to ask after the names of Zhenqing and Lu Shen of Huating; Shen thereupon gained Hanlin selection, but Zhenqing because of his uncomely appearance was not included. He was appointed Left Vice Director of the Court of Review; for losing a prisoner he was demoted to Doctor of the National University. In youth Zhenqing was equally famous with Zhu Yunming, Tang Yin, and Wen Zhengming, and they were known as the "Four Talents of Wu." In his reading he favored Bai Juyi and Liu Yuxi. After passing the examinations he associated with Li Mengyang and He Jingming, regretted his youthful work, and turned toward Han, Wei, and the High Tang; yet old habits remained, and Mengyang mocked him for holding fast without being transformed. He died, aged twenty-three. Zhenqing was gaunt in body and clear in spirit; his poetry was smelted and refined, sharp and alert. He was foremost among Wu poets; though his years were not long, his fame filled the world of scholars. His son Bohao became a provincial graduate and could also compose poetry.
58
歿
Yang Xunji, styled Junqian, was a native of Wu County. He became a jinshi in the twentieth year of Chenghua. He was appointed a clerk in the Ministry of Rites. He was often ill and loved reading; whenever he was pleased with himself his hands and feet would leap and dance beyond his control, and for this he earned the nickname "Mad Clerk." In the course of a year he several times took sick leave and did not go out. Early in the Hongzhi reign he petitioned to be transferred to an instructorship, but the request was denied. He then asked to retire and go home, though he was only thirty-one. He built a cottage at the foot of Mount Zhixie, devoted himself to the classics and histories, and also ranged widely through Buddhist texts and popular tales. After his parents died he poured out his fortune on their funeral and kept vigil on straw mats beside the grave. He was narrow-minded by nature, loved to dwell on others' faults, and delighted in trapping people with erudite argument, heedless even when faces turned crimson. After fire destroyed the Qingning Palace, the throne called for blunt counsel; he rushed off a memorial urging restoration of the Jianwen Emperor's honorific title, but the proposal was rejected. When Emperor Wuzong sojourned at the Southern Capital, he was called to write 《Tiger-beating Song》; the piece pleased the throne, and he donned martial garb, serving daily at court to compose yuefu lyrics and short tunes. The Emperor treated him as a court performer and gave him no official post. Xunji took this as a humiliation and, nine months later, resigned and went home. He was summoned to the capital again, but the Emperor died before matters could proceed, and he returned home. During the Jiajing reign he submitted 《Ode to the Nine Temples》 and 《Rites of the Huayang Hall for Praying for an Heir》, but received only routine acknowledgment. In old age he lived in lonely decline and clung ever more stubbornly to his eccentric ways. When Minister Gu Lin traveled through Wu, Xunji brought him gifts of silk; they sat close together discussing literature and were exceedingly happy. Soon the prefect invited Lin, and as Lin was about to accept, Xunji's face darkened; he drove Lin out and hurled back the gifts. The next day Lin came to apologize, but Xunji shut his door and refused him entry. He died at eighty-nine. He selected his own poetry and prose for the 《Pine-and-Abacus Hall Collection》; his other works came to more than ten titles and nearly a thousand volumes.
59
西
Zhu Yunming, styled Xizhe, came from Changzhou. His grandfather Xian passed the jinshi examination in the fourth year of Zhengtong. Eunuchs relayed an order to test four men of literary talent, and Xian was one of them. Once inside the Rear Gate he saw they meant to make him tutor young eunuchs, so he refused the test and left. He advanced from supervising secretary to administration commissioner of Shanxi. Both were well regarded. Yunming passed the provincial examination in Hongzhi 5 but failed repeatedly at the capital; he was eventually appointed magistrate of Xingning in Guangdong. He captured and executed more than thirty bandit leaders, and the district knew peace. He was soon promoted to assistant prefect of Yingtian, then retired citing illness. He died in Jiajing 5.
60
西使
Yunming was born with an extra finger, and so styled himself Zhishan and also the Supernumerary-Fingered Man. At five he could write characters a foot high; at nine he wrote poetry. As he matured he read widely, and his prose had a singular force; at banquets he wrote at speed, ideas pouring forth like a spring. He was especially gifted in calligraphy, and his renown spread throughout the realm. He loved wine, women, and dice, and excelled at new songs. Seekers of his writing and calligraphy came in endless succession, and he often let courtesans bribe their way in to get his work in secret. He scorned men of ritual propriety and cared nothing for livelihood. Whenever money came in he summoned guests for grand drinking until it was gone, or divided it among them and kept not a single coin. In later years he grew poorer still; whenever he went out, debt collectors shouting for payment trailed behind him, and Yunming seemed all the more pleased. His collected poetry and prose ran to sixty volumes, with more than a hundred additional volumes of miscellaneous works. His son Xu became a jinshi in the Zhengde reign and rose to left administration commissioner of Guangxi.
61
使
Tang Yin, styled Bohu, also known as Ziwei. He was quick-witted by nature and drank freely with the wild local student Zhang Ling, neglecting his scholarly duties. Zhu Yunming admonished him, and he shut himself indoors for a full year. He placed first in the Hongzhi 11 provincial examination. Examiner Liang Chu was astonished by his essays and, back at court, showed them to Academician Cheng Minzheng, who was equally impressed. Soon afterward Minzheng presided over the metropolitan examination, and Xu Jing, a wealthy man of Jiangyin, bribed his household servant and obtained the examination topics. When the scandal broke, critics impeached Minzheng and the accusations extended to Yin; he was imprisoned by imperial order and reduced to clerk status. Yin was too ashamed to accept the demotion and returned home to live ever more freely. Prince of Ning Chen Hao tried to hire him with rich gifts, but Yin saw treasonous ambition in him and feigned madness and drunkenness, displaying his own disgraceful behavior. Chen Hao could not endure it and sent him away. He built a house at Peach Blossom Mound and drank there daily with guests; he died at fifty-four.
62
Yin's poetry and prose at first prized talent and feeling, but in later years he sank into self-abandonment, saying posterity would not remember him for this work, and critics mourned the waste. In Wu, from Zhishan's circle onward, these men were noted for wild and unrestrained lives, yet their literary gifts were bright and seductive and swayed their peers; storytellers embellished their legends until they often seemed to stand outside the bounds of propriety.
63
使 使 使使 使 使 使 使 調 使
At that time in Changshu there was Sang Yue, styled Minyi, exceptionally eccentric and arrogant, also celebrated in Wu for his talent. Once he had read a book he burned it, saying, "It is already in my belly." He spoke grandly and compared himself to Mencius. When asked about Hanlin writing, he said, "There is virtually no one worth mentioning; in all the realm there is only Yue; next comes Zhu Yunming; after that, Luo Qi." As a student paying a call on the surveillance commissioner, he styled himself "Jiangnan Talent." The commissioner was greatly alarmed and invited him to compare texts, deliberately deleting passages to test Yue; where the meaning broke off, Yue asked for a brush and filled in the gaps. At nineteen he passed the Chenghua 1 provincial examination, but at the metropolitan examination his policy essay was judged improper in language and he was rejected. On three attempts he made the supplementary list; he was barely over twenty, but in the age register "two" was mistaken for "six," and he was appointed instructor at Taihe. Academician Qiu Jun valued his writing and asked the education intendant to treat him kindly. When the intendant arrived, he asked, "Yue did not come to welcome me—is he ill?" The senior officials, who resented Yue, said, "He is not ill; he simply trusts in his literary fame and refuses to pay calls." The intendant sent an official to summon him, but Yue did not come; he sent two more messengers to press him. Yue angrily said, "I once thought there was no one under Heaven without ears, but now I see there is. I will give you an appointment: come three days from now. If you offend me again, I will not come." The intendant was furious and wanted to arrest Yue, but because of Qiu Jun he did not. Three days later he came and gave the intendant a long bow. The intendant grew angry; Yue removed his cap and walked off. The intendant came down the steps to apologize, and the matter ended. He was transferred to assistant prefect of Changsha, then to Liuzhou. When his father died he returned home and never took office again. At home he grew ever wilder; his neighbors all respected his writing but were appalled by his behavior. Early on, while Yue was in the capital, he saw a Goryeo envoy trying to buy the court's 《Rhapsody on the Two Capitals》 and finding none; ashamed, he wrote one himself. While living in Changsha he wrote 《Ordinary Words》 and believed he had plumbed the meeting point of Heaven and man. His books circulated widely.
64
西使 姿
Bian Gong, styled Tingshi, came from Licheng. His grandfather Ning served as magistrate of Yingtian prefecture. His father Jie was prefect of Daizhou. Gong passed the provincial examination at twenty and became a jinshi in Hongzhi 9. He was appointed Erudite of the Court of Imperial Sacrifices and promoted to supervising secretary in the Bureau of Military Affairs. When Emperor Xiaozong died, he memorialized against the eunuch Zhang Yu and the imperial physicians Liu Wenta and Gao Tinghe for medical errors, and also against the eunuch Miao Kui, Defender Duke of the State Zhu Hui, and Censor-in-Chief Shi Lin for military failures. He became Vice Director of the Court of Imperial Sacrifices, then prefect of Weihui, then of Jingzhou, and proved capable in each post. He served as vice education commissioner in Shaanxi and Henan, then retired home to mourn his mother. When the Jiajing reign began, he was recommended and recalled as Vice Director of the Nanjing Court of Imperial Sacrifices; after three promotions he became its Director, supervised the Four Barbarians Hall, rose to Vice Minister of Punishments, and was appointed Minister of Revenue—all in Nanjing. Gong won early fame for talent and had a handsome bearing; his friends were celebrated men from across the realm. After long service in the secondary capital he lived at leisure, touring rivers and mountains, writing and drinking, day and night without pause. The censor-in-chief impeached him for drunken neglect of duty, and he was dismissed and sent home.
65
Gu Lin, with his younger brother Bao and appended biographies of Chen Yi and others.
66
滿 使西
Gu Lin, styled Huayu, came from Shangyuan. He became a jinshi in Hongzhi 9. He was appointed magistrate of Guangping, then promoted to clerk in the Nanjing Ministry of Personnel and advanced to director. In Zhengde 4 he became prefect of Kaifeng; he repeatedly clashed with the garrison eunuchs Liao Tang and Wang Hong, was thrown into the Brocade-clad Guard prison, and demoted to magistrate of Quanzhou. When his term ended he was transferred to prefect of Taizhou. He served as left administration commissioner of Zhejiang, grand coordinator of Shanxi and Huguang, and vice censor-in-chief, winning renown wherever he went. He was transferred to Vice Minister of Personnel, then moved to the Ministry of Works. After overseeing completion of the Xianling tomb, he was transferred to Minister of Punishments in Nanjing. Dismissed and sent home, he died in his seventies.
67
滿
Lin won early fame for talent and ranked with He and Li. He humbled himself before men of talent, as though afraid he might never reach them in time. While in Zhejiang he admired Sun Yiyuan, styled Taichu, but could never manage to meet him. Dressed in Taoist robes and a scholar's headcloth, he put out on the lake; by moonlight he saw a small boat moored at Broken Bridge—a monk, a crane, and a boy brewing tea—and laughed, "This must be Taichu." He steered his boat over, and from then on they visited one another constantly. While grand coordinator of Huguang he admired Wang Tingchen's talent and wished to meet him, but Tingchen refused. He spied on Tingchen's casual outings and rushed in to corner him; unable to escape, Tingchen became his friend. After returning home he built the Rest Garden, greatly expanded the guest quarters, and his house was always full of visitors.
68
使
His younger cousin Bao, styled Yingyu, returned home after serving as vice commissioner of Henan and lived in a small tower beside the Rest Garden, supporting himself as a teacher. Lin often held lavish drinking parties with guests, with musicians and entertainers performing together. When Lin summoned him, Bao never came—such was his aloof integrity.
69
調 調
At first Lin, together with Chen Yi and Wang Wei of the same district, were styled the "Three Talents of Jinling." Later Zhu Yingdeng of Baoying rose in their wake, and they were called the Four Great Masters. Lin's poetry took Tang poets as its measure and excelled in tone and manner. Wei's verse was graceful and rich in feeling, yet tended toward excessive delicacy. Yi wrote in the same vein as Wei. Yingdeng's talent and thought poured forth like a spring, and a thousand words flowed from his brush. Yet Lin and Yingdeng supported Li Mengyang, while Wei and Yi held rather different views. Of the three, none matched Lin in official advancement.
70
西
Chen Yi, styled Lunan. He became a jinshi during the Zhengde era. From Hanlin bachelor he rose through compiler and lecturer, went out as commissioner of Jiangxi, and was later transferred to administration commissioner of Shandong. Because he would not align with Zhang Fuyi and Gui E, he was reassigned as Vice Minister of the Imperial Stud and retired.
71
Wang Wei, styled Qinpei. His father Hui was a censor during the Chenghua era, renowned for forthright remonstrance. Wei passed the jinshi examination in the Hongzhi era and, from Hanlin bachelor, rose to Vice Minister of the Imperial Stud. His son Fengyuan could also write poetry.
72
使
Zhu Yingdeng, styled Shengzhi. He became a jinshi in the Hongzhi era, served as vice education commissioner of Yunnan, and was promoted to administration commissioner. Haughty with his talent and disdainful of others, he fell victim to slander and was dismissed and sent home. His son Rifan became a jinshi in the Jiajing era and ended as prefect of Jiujiang. Skilled in literary composition, he carried on the family tradition.
73
輿 沿
Since the Hongwu and Yongle eras, literary refinement in the Southern Capital had not flourished. When Xu Lin, Chen Duo, Jin Cong, Xie Xuan, and others discussed the arts during the Zhengde era, the literary scene stirred slightly. Once Lin held sway over the literary circle, scholar-officials sought his example and attached themselves to him, and that path was greatly manifest. Xu Gu, Chen Feng, Xuan's son Shaonan, Jin Dache, Dayu, and Jin Luan, Sheng Shitai, Chen Qin, and others all associated with him. Gu and the others were all locals; Luan alone was a sojourning guest. Jiang Shanqing of Yizhen and Zhao He of Jiangdu also exchanged verses with Lin from afar. Even into the dynasty's final years, the literary current did not cease.
74
Zheng Shanfu, with appended biographies of Yin Yunxiao, Fang Hao, and others.
75
便
Zheng Shanfu, styled Jizhi, came from Min County. He became a jinshi in Hongzhi 18. After successive bereavements for parents and wife, he became a clerk in the Ministry of Revenue only in Zhengde 6, collecting taxes at Xushu, and was known for his integrity. Though Liu Jin had been executed, favored minions still held power. Indignant, Shanfu resigned, built a thatched hall beneath Golden Turtle Peak, and made the Awaiting Clarity Pavilion, reading there and saying, "I await the world's clarity." He kept few social contacts; even when evening came with no meal cooked, he was content and at ease. He was recalled as clerk in the Ministry of Rites and advanced to vice director. When Emperor Wuzong was about to tour the south, he remonstrated sharply together with colleagues, was beaten at court, and punished to kneel for five days. Shanfu drafted another memorial, placed it in his bosom, and instructed his servant, saying, "If I die, submit it at once." Fortunately he did not die, and sighed, "When affairs are like this, how can one still bear to hold office with a straight face!" He requested retirement but was not granted it; the next year he pressed hard, and only then was allowed to return. When the Jiajing reign began, he was recalled on recommendation as director in the Nanjing Ministry of Punishments; before taking up the post he was transferred to the Ministry of Personnel. Traveling as far as Jianning, he took a side trip to Mount Wuyi and the Nine Turns; wind and snow cut off his provisions, he fell ill and died at thirty-nine. Shanfu was sincere in friendship and conduct: he arranged marriages for seven younger brothers and sisters and gave them all his assets, and buried twenty-two maternal clansmen. Those he befriended were all celebrated men; he was especially close to Sun Yiyuan, Yin Yunxiao, and Fang Hao. In poetry he strove to model Du Fu of Shaoling.
76
Yunxiao, styled Jinfu, came from Shouzhang and was a jinshi of the same year as Shanfu. He built the Gather Mugwort Hall, collected several thousand volumes of books, and styled himself a creative writer. During the Zhengde era he served as censor in Nanjing. When Emperor Wuzong took into the palace Lady Ma, a pregnant woman, Yunxiao joined fellow officials in a memorial remonstrating, citing the cases of Li Yuan and Lü Buwei as admonitory parallels, but received no response. He died in office at thirty-seven. Fellow townsman Mu Konghui, who feared Yunxiao's stern uprightness, said, "Yinzi is ashamed of what is not good—nothing less than as though carrying filth on his back."
77
使
Fang Hao, styled Sidao, came from Kaihua. He became a jinshi in Zhengde 3. Appointed magistrate of Kunshan, he was transferred to clerk in the Ministry of Punishments. He remonstrated against Emperor Wuzong's southern tour, kneeling beneath the palace gate for five days, and was beaten again. He served as vice commissioner of Huguang and was dismissed and sent home. Yiyuan is treated in the 《Records of Recluses》.
78
Fujian poetry and prose, after Lin Hong and Gao Bing, languished for more than a hundred years before Shanfu revived the tradition. By the middle of the Wanli era, Cao Xuequan, Xu Bi Bo, and others rose in turn; Xie Zhaozhe and Deng Yuanyue harmonized with them, and literary refinement was revived.
79
Xuequan is treated in detail in a later biography. Bi Bo, styled Xinggong, came from Min County. His elder brother Cong became a provincial graduate during the Wanli era. Bi Bo ended his days as a commoner. Broadly learned and well informed, he was skilled in cursive and clerical script. He accumulated tens of thousands of volumes in the Golden Turtle Peak Bookroom.
80
西使 使
Zhaozhe, styled Zaihang. He became a jinshi in Wanli 30. He served as director in the Ministry of Works, inspected the river at Zhangqiu, and wrote the 《Northern River Gazetteer》, fully recording the river's origins and the benefits and harms of river control through the ages. He ended as Right Administration Commissioner of Guangxi. Yuanyue, styled Rugao, also came from Min County and was a jinshi of the same year as Zhaozhe; he ended as vice commissioner of Huguang.
81
:
Lu Shen, with appended biography of Wang Qi.
82
西使 使 調 仿
Lu Shen, styled Ziyuan, came from Shanghai. He became a jinshi in Hongzhi 18, ranking first in the second class. Selected as Hanlin bachelor, he was appointed compiler. Liu Jin resented that Hanlin officials put themselves above him and reassigned them all to outside posts; Shen was assigned chief clerk in Nanjing. When Jin was executed, Shen was restored to office, served as vice director and chancellor of the Imperial Academy, and served as lecturer at the Classics Colloquium. He memorialized that lecturers should draft and submit lecture chapters, and that grand secretaries should not alter them. Offending the chief minister, he was demoted to vice prefect of Yanping. He was promoted to vice education commissioner of Shanxi and then transferred to Zhejiang. He rose through successive posts to Left Administration Commissioner of Sichuan. When the tribes of Song and Mao rebelled, Shen advocated mobilizing troops and provisions, distinguished himself, and was rewarded with gold and silks. In Jiajing 16 he was summoned as Vice Minister of Imperial Sacrifices and Reader-in-waiting. When Emperor Shizong toured the south, Shen held the seal of the Hanlin Academy at the traveling palace; the emperor in his own hand struck out the two characters "Reader-in-waiting," and Shen was promoted to Grand Mentor of the Heir Apparent's Household and retired. When he died he was posthumously titled Wenyu. In youth Shen closely refined his craft with Xu Zhenqing and won fame for his literary compositions. Skilled in calligraphy, he modeled Li Yong and Zhao Mengfu. Once assessed for broad learning and refinement, he was foremost among literary officials. Yet he was rather haughty, and for this people thought less of him.
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調 西
In the same district there was Wang Qi, styled Yuanhan. He became a jinshi in Jiajing 44. Appointed magistrate of Qingjiang, he was transferred to Wan'an. Promoted to censor, he offended the chief minister of the time, went out as surveillance commissioner of Fujian, and was demoted to assistant magistrate of Qiongzhou. Twice serving as magistrate of Jinxian and Cao County, he was transferred to prefect of Kaizhou. He served as administration commissioner of Shaanxi, requested leave to support his parents and returned home, built a house on the banks of the Song River, planted ten thousand plum trees, and named it Plum Blossom Source. He devoted himself to writing books; past eighty, he still kept a lamp burning in his tent at the third watch of the night without ceasing. The books he wrote, such as the 《Continuation of the Comprehensive Examination of Literature》, circulated in the world.
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At first Qi was recommended for his memorials by Zhao Zhenji. Zhang Juzheng feuded with Zhenji and pressed Qi to attack him, but Qi refused. Gao Gong, who had examined Qi, was then feuding with Xu Jie; he also believed Qi was protecting a fellow townsman and withholding support from him, and in resentment found grounds to impeach him.
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Wang Tingchen
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退 簿 使
Wang Tingchen, whose style name was Zhiqin, came from Huanggang. His father Ji was a director in the Ministry of Personnel. Tingchen was prodigiously clever; as a boy he loved pranks, and when his father thrashed him he would cry out, "Father, how can you mistreat a famous scholar of the empire!" He passed the examinations in the twelfth year of Zhengde, entered the Hanlin as a bachelor, and became still more insolent in his self-confidence. By custom two academicians served as Hanlin instructors with stern dignity; Tingchen waited until they had gone to eat, then climbed a tree alone and yelled at the top of his voice. The two instructors could do nothing and pretended not to hear. When the emperor ordered a southern tour, Tingchen and seven fellow bachelors, including Shu Fen, prepared to remonstrate by memorial, but their instructor Shi Yao forcibly dissuaded them. Tingchen wrote the 《Ballad of the Crow Mother》 in large characters on the wall as a satirical barb, to the displeasure of Yao and the chief ministers. When the memorial was submitted, the emperor was furious, ordered them to kneel for five days, and had them beaten in court. He had already been made supervising secretary in the Ministry of Personnel, but was now sent out as magistrate of Yuzhou. Unused to administrative work and bitter over his demotion, he let papers pile up on his desk and ignored them entirely. In summer he sat naked and barefoot in the yamen hall; when birds settled in the courtyard trees he would halt lawsuits, take a pellet bow, and shoot at them. When superiors made inspection tours he refused to go out and receive them. Later the administration commissioner Chen Fengwu and the touring censor Yu Maojian arrived in turn; Tingchen made a special point of going out to greet Fengwu, who had examined him. Fengwu said kindly, "It is good that you received me, but the censor is coming next—you should receive him with twice the courtesy." Tingchen agreed. When Maojian arrived, bearing a grudge against Tingchen's habitual arrogance, he deliberately sought to put him down and had a clerk beaten for a trifling offense. Tingchen knelt to intercede, and Maojian deliberately intensified the punishment. Tingchen burst out cursing, "Master Chen misled me!" He stormed into the hall and attacked Maojian, sent all clerks and runners out, locked the gates, cut off his supplies, and prepared to lodge a memorial against him. Maojian was utterly humiliated; Fengwu intervened, and he fled overnight. He soon memorialized against Tingchen; meanwhile a prisoner under investigation in Yuzhou escaped and reported Tingchen's misconduct; Tingchen was arrested, imprisoned, struck from the rolls, and sent home. When the Jiajing emperor ascended the throne, all who had been banished for bold remonstrance were restored—except Tingchen, excluded on account of his misconduct as a local magistrate.
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For more than twenty years in retirement he drank heavily, kept singers and musicians, and sank ever deeper into self-abandonment. When gentlemen came to visit, he often received them with tangled hair and bare feet, without proper ceremony. He would wear tight-sleeved red and purple shirts, ride oxen or horses, and sing his way through the countryside. In the eighteenth year of Jiajing the court ordered compilation of the 《Great Record of Chengtian》; Gu Lin recommended Tingchen along with Yan Mu and Wang Ge. When the work was finished it failed to please the emperor, and they received only silver and silk in reward. Tingchen was formidably gifted; his poetry and prose commanded his age, and few contemporaries could match him. Mu came from Yingshan and served as magistrate of Bozhou. Ge came from Jingshan and served as vice commissioner in Henan.
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西
Li Lian, whose style name was Chuanfu, came from Xiangfu. He topped the provincial examinations in the eighth year of Zhengde and passed the palace examinations the next year. He was appointed magistrate of Mianyang, later made vice prefect of Ningbo, and then promoted to vice commissioner in Shanxi. In the fifth year of Jiajing he was retired on the triennial evaluation and went home at only thirty-eight. As a youth Lian was brilliantly gifted; he often rode out with swashbuckling companions to wrestle game and shoot pheasants, and when wine had warmed him he would sing sadly, longing to live like Lord Xinling and Hou Sheng. One day he wrote the 《Rhapsody on Regulating Emotion》; his friend Zuo Guoji showed it to Li Mengyang, who was deeply impressed, sought him out at Chuitai, and from then Lian's reputation spread throughout the Yellow and Luo region. After his retirement he threw himself into study and soon won fame for his classical prose. He first won Mengyang's patronage, but later refused to follow his school. He lived at home for more than forty years and left a very large body of writings.
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