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卷二百八十八 列傳第一百七十六 文苑四

Volume 288 Biographies 176: Literature 4

Chapter 288 of 明史 · History of Ming
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Chapter 288
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Literature IV
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Li Weizhen Hao Jing)〉 Xu Wei Tu Long)〉 Wang Zhideng Yu Yunwen, Wang Shucheng)〉 Qu Jiusi, Tang Shisheng Lou Jian, Li Liufang, Cheng Jiasui)〉 Jiao Hong Huang Hui, Chen Renxi)〉 Dong Qichang Mo Ruzhong, Xing Tong, Mi Wanzhong)〉 Yuan Hongdao Zhong Xing, Tan Yuanchun)〉 Wang Weijian Li Rihua)〉 Cao Xuequan Zeng Yizhuan)〉 Wang Zhijian, Ai Nanying Zhang Shichun, Luo Wanzao, Chen Jitai)〉 Zhang Pu Zhang Cai)〉
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使 西使 使
Li Weizhen, styled Benning, came from Jingshan. His father Yu had served as provincial commissioner of Fujian. Weizhen earned his jinshi degree in the second year of Longqing and, following a stint as a Hanlin bachelor, was made a compiler. In the Wanli reign, after the 《Veritable Records of Emperor Muzong》 were finished, he was promoted to sub-editor. He left the capital to serve as right assistant administrator of Shaanxi, then was transferred to vice commissioner of education. He remained in provincial service, rising and falling without advancement, for nearly thirty years. At the start of the Tianqi reign he was retired at home, having served as a provincial commissioner, and was already over seventy. When the court debated recalling elderly worthies to office, he was summoned as vice minister of the Court of the Imperial Stud at Nanjing and soon after reassigned to vice minister of imperial sacrifices, but he never reported. Learning that censorial officials had objected, he declined the appointment. While the 《Veritable Records of Emperor Shenzong》 were being compiled, Censor-in-Chief Xue Dazhong submitted a special memorial recommending him, but the appointment did not come through in time. In the fourth month of the fourth year, Minister of Imperial Sacrifices Dong Qichang recommended him again; he was summoned as vice minister of rites and, only three months later, promoted to minister—both posts at Nanjing. Weizhen had been recalled for work on the history, but the academicians feared him as a senior who would overshadow them and kept him out of the Hanlin Academy, granting him only an extraordinary promotion in rank. Weizhen, feeling the weight of his years, the next year in the first month petitioned forcefully to retire. The year after that he died at home, at the age of eighty. In the Chongzhen reign he was posthumously ennobled as grand guardian of the heir apparent.
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耀
Weizhen entered court service before he was twenty; widely read with an exceptional memory, he was as famous as his fellow academician Xu Guo. A saying went around the Academy: "If you cannot remember, ask old Xu; if you cannot manage it, ask young Li. Weizhen was by nature open, easygoing, and broad-minded, and guests of every sort came and went. His prose was expansive and spirited; requests from across the realm arrived daily without fail, and he could shape his writing to meet whatever was asked of him. His commemorative inscriptions were celebrated in every corner of the realm. His disciples brought in wealthy merchants, took their money, and begged him to write on their behalf; he answered without weariness and carried a great name for nearly forty years. Yet most of his writing was casual work done to oblige others, and its quality could not be high.
5
輿
A fellow townsman, Hao Jing, styled Zhongyu. His father Chengjian passed the provincial examination and served as magistrate of Suning. As a boy Jing was hailed as a prodigy, but his nature was undisciplined; he once killed a man and was imprisoned. Weizhen, a close friend of his father, secured his release and took him in as a guest. Only then did Jing apply himself to his studies, and he passed the jinshi examination in the seventeenth year of Wanli. He served in turn as magistrate of Jinyun and Yongjia, winning a reputation for competence at both posts. He was summoned and appointed censor-in-chief in the Office of Rites, then requested leave to return home and care for his parents. After a long interval he was transferred to the Office of Revenue, where he submitted several memorials.
6
祿
Chen Zeng, the tax supervisor in Shandong, was greedy and overbearing; Wu Zongyao, magistrate of Yidu, impeached him, but the emperor did not punish him. Jing memorialized: "If mining is not halted, Your Majesty's clear edict will be nothing but empty words meant to deceive officials and people. I beg that it be stopped first; then let Zongyao's memorial be sent down to the governor and inspector for investigation, so that Zeng's unlawful crimes may be properly punished. The emperor did not agree. Shortly afterward, Grand Coordinator Yin Yingyuan of Shandong also strongly denounced Zeng's crimes; the emperor was furious, sharply rebuked Yingyuan, and demoted Zongyao to commoner status. Jing memorialized again: "Your Majesty's handling of the Chen Zeng affair has greatly lost the hearts of the people. The emperor was angry and stripped him of salary for one year. The emperor dispatched the eunuch Gao Cai to levy taxes at Jingkou and Ji Lu to levy taxes at Yizhen; Jing remonstrated forcefully again. When Zongyao impeached Zeng, Zeng was furious and falsely accused him of corruption, implicating the entire bureaucracy of Qingzhou prefecture and naming in addition the merchant Wu Shifeng and others, requesting that all their property be confiscated; the emperor promptly approved. Jing again fiercely denounced Zeng and begged that the memorial be quickly withdrawn, but this too was rejected. For an offense he was demoted to magistrate of Jiangyin. Corrupt and undisciplined, he won no public esteem; he then submitted his resignation, returned home, and shut his doors to write books. He died in the twelfth year of Chongzhen.
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仿 鹿
Xu Wei, styled Wenchang, came from Shanyin. Before he was fully grown he composed the 《Explaining Slander》, modeled on Yang Xiong's 《Defending Ridicule》, and in youth studied under Ji Ben of the same district. As a licentiate he enjoyed great renown. Grand Coordinator Hu Zongxian brought him into his staff, where he served as Hu's secretary alongside Yu Yin of She and Shen Mingchen of Yin. Zongxian obtained a white deer and intended to present it at court; he had Wei draft a memorial and also sent drafts by other guests to a scholar he favored, choosing the best one to submit. The scholar submitted Wei's memorial; Emperor Shizong was greatly pleased, bestowed even greater favor on Zongxian, and Zongxian therefore valued Wei all the more. Zongxian once feasted his officers at Mount Lanke; when the wine was warm and music was playing, Mingchen composed ten 《Naoge》 songs, one of which ran, 「In the narrow lanes where short weapons meet, men are cut down like grass without a sound.」 Zongxian rose, stroked his beard, and said: "What sort of fellow is this Master Shen—so bold and spirited! He immediately ordered it carved in stone and honored him with favors equal to Wei's. The governor's headquarters was formidable in authority; officers and clerks did not dare look up. Wei wore a kerchief and plain robes, bowed with hands clasped, and spoke freely. When the staff had urgent business, they would open the halberd gate deep into the night to await him. Wei might be drunk and fail to come; Zongxian nevertheless looked upon it favorably. Yin and Mingchen likewise carried themselves with lofty dignity and were honored for their frank straightforwardness.
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Wei understood warfare and delighted in daring stratagems; he took part in planning both Zongxian's capture of Xu Hai and his enticement of Wang Zhi. Relying on Zongxian's power, he became somewhat overbearing. When Zongxian was imprisoned, Wei feared disaster and went mad; he drove a large awl into his ear several inches deep and smashed his scrotum with a mallet, yet did not die. Later he struck and killed his stepwife, was sentenced to death and imprisoned; his fellow townsman Zhang Yuanbian fought hard to save him and secured his release. He then traveled to Jinling, reaching Xuancheng and Liaodong, roamed the strategic passes along the frontiers, and befriended the sons of Li Chengliang. Entering the capital, he lodged with Yuanbian. Yuanbian guided him with ritual and propriety, but Wei could not follow; after a long while he left in anger. Later, when Yuanbian died, Wei went in white mourning clothes to offer condolences, stroked the coffin and wept bitterly, then left without giving his name.
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Xu Wei possessed talent that surpassed the ordinary, and his poetry and prose stood utterly above his contemporaries. He excelled at cursive calligraphy and was adept at painting flowers, grasses, bamboo, and rocks. He once said of himself: "My calligraphy comes first, poetry second, prose third, and painting last of all. During the Jiajing reign, Wang and Li founded the Seven Masters society, and Xie Zhen, though he was a commoner, was pushed aside. Xu Wei resented their use of official rank to crush men in plain cloth, and swore never to join the faction of the two. Twenty years later, Yuan Hongdao of Gong'an traveled in Yue, found Wei's scattered remaining volumes, and showed them to Tao Wangling, Chancellor of the Imperial Academy; they praised them together and had his collected works printed and circulated.
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Yu Yin, whose style name was Zhongfang. Shen Mingchen, whose style name was Jiaze. Both enjoyed reputations as poets.
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調
Tu Long, styled Changqing, was a fellow townsman of Shen Mingchen. Born with unusual talent, he had once studied poetry under Shen Mingchen, and when he put brush to paper several thousand words would be completed at once. His kinsman Dashan and fellow townsman Zhang Shiche, who were then high officials, jointly praised him, and his fame spread far and wide. He passed the jinshi examination in the fifth year of Wanli, was appointed magistrate of Yingshang, and was transferred to the busy post of Qingpu. He would invite famous scholars to drink and compose poetry, roam the Nine Peaks and Three Mo marshes, and style himself an immortal magistrate; yet he never neglected official business, and both officials and commoners loved and respected him. He was transferred to serve as a principal secretary in the Ministry of Rites.
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西
Song Shi'en, the Marquis of Xining, treated Tu Long as an elder brother, and they feasted and traveled together with great pleasure. Yu Xianqing, a principal secretary in the Ministry of Justice, was a treacherous man; Tu Long had once denounced him, and he nursed a grudge. He accused Tu Long and Song Shi'en of debauchery and excess, and implicated Chen Jingbang, Minister of Rites, in the charge. Tu Long and the others submitted memorials in their own defense, detailing how Xianqing had borne a grudge and falsely framed them. The responsible offices then dismissed both parties, and suspended Song Shi'en's salary for half a year. On his way home Tu Long passed through Qingpu, where the elders pooled a thousand mu of fields and asked him to move there. Tu Long refused; after three days of merry drinking he thanked them and departed.
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Once home he gave himself ever more freely to poetry and wine, loved entertaining guests, and made a living by selling his writings. His poetry and prose were mostly dashed off without effort; a few sweeps of the brush would fill several sheets. Once in jest he had two men sit facing each other, draw two topics, and each compose a hundred-rhyme poem; in a moment both pieces were finished. He would also play chess with someone while reciting poetry and prose aloud and having another person write it down; the writing could not keep up with his recitation.
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His daughter-in-law, Lady Shen, daughter of the compiler Maoxue, and Tu Long's daughter Yaose were both accomplished poets. Whenever Tu Long wrote a poem, the two women would compose matching verses. The brothers of both families jointly published their poems under the title 《Fragrant Grass Left Behind》.
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駿
Wang Zhideng, whose style name was Bogu, was a native of Changzhou. At four he could compose parallel couplets; at six he was skilled at large seal-script characters; at ten he could write poetry; as he grew his talent flourished ever more brilliantly and he gained great fame. Near the end of the Jiajing reign he traveled to the capital and stayed as a guest in the home of Grand Secretary Yuan Wei. Yuan Wei tested the Hanlin academicians with a poem on purple peonies, but none satisfied him. He had Zhideng compose one, and it contained striking lines. Yuan Wei summoned several academicians and said: "You gentlemen are charged with literary work—can you produce even one line like Scholar Wang's? He was about to recommend him to the court, but the recommendation never went through. At the beginning of the Longqing reign he traveled to the capital again; Xu Jie was directing state affairs and nursed considerable resentment toward Yuan Wei. Some advised Zhideng not to style himself a client of Lord Yuan; he refused, and published the two collections 《Yanshi》 and 《Guest in Yue》, recording the whole affair in detail.
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歿
In the Wu region, after Wen Zhengming there was no settled leader of refined letters. Zhideng had once studied at Zhengming's gate and from afar received his influence; for more than thirty years he presided over the literary world. Between the Jiajing, Longqing, and Wanli reigns, more than ten commoners and mountain recluses were famed for poetry; Yu Yunwen, Wang Shucheng, Shen Mingchen, and others were especially praised, yet for brilliance of reputation none matched Zhideng. Shen Shixing, as a senior statesman living in retirement in his native place, especially honored and valued him. Wang Shizhen, a fellow of the same commandery, was on friendly terms with him, but did not greatly promote his reputation. When Shizhen died, his second son Shirun was imprisoned on account of a case; Zhideng threw himself wholly into rescuing him, and people respected him all the more for his moral courage. During the Wanli reign an edict ordered the compilation of the national history; Grand Secretary Zhao Zhigao and others recommended Zhideng, together with Wei Xueli of his native place, Lu Bi of Jiangdu, and Wang Yiming of Huanggang. An edict summoned them for appointment, but before they reported the history office was dissolved. He died at over seventy years of age. His son Liu, whose style name was Yifang, was also famed for his poetry.
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Yu Yunwen, whose style name was Zhongwei, was a native of Kunshan. His father had passed the jinshi examination and served as a reviewing official in the Court of Judicial Review. At fifteen Yunwen wrote the 《Rhapsody on Mount Ma'an》, with citations that were broad and thorough. Before he was forty he gave up his status as a student and devoted himself entirely to poetry, prose, and calligraphy. He was on good terms with Wang Shizhen but did not care for Li Panlong's poetry; such was his unwillingness to agree uncritically.
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Wang Shucheng, whose style name was Chengfu, was a native of Wujiang. Orphaned in youth, he pursued the study of classicist learning but withdrew because of his love of antiquity. Poor, he married into his wife's family; his father-in-law sent him away without giving him a single coin; he took his wife home to serve his mother, and his poverty grew worse still. He went to the capital and stayed as a guest with Grand Secretary Li Chunfang. By nature he loved wine; when Li Chunfang had something to compose and sought him out, he would often be lying drunk in a wine shop, stretching lazily and refusing to answer. After a long while he took his leave and returned home. Wang Xijue of Taicang had been his friend when both were commoners. When he was summoned again, there happened to be discussion of enfeoffing three princes simultaneously; Shucheng sent a letter of several thousand words, saying one should appeal to grand principle and fight to the utmost over whether to stay or withdraw, and should not waver between two sides, betray the sovereign's grace, and disappoint public expectation. Wang Xijue received the letter and sighed in admiration. His poetry was highly praised by the brothers Wang Shizhen. He died during the Wanli reign.
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Qu Jiusi, whose style name was Ruifu, was a native of Huangmei. His father Sheng passed the jinshi examination in the thirty-second year of the Jiajing reign. He held office in succession as prefect of Guangping. He dug a long canal three hundred li long, drew water through four sluice gates, and brought several hundred thousand mu of fields under cultivation. He died while in office. At the age of ten Jiusi followed his father on official service to Ji'an and studied under Luo Hongxian. At the age of fifteen he wrote the 《On Fixing the Will》. Later he studied with Geng Dingxiang of the same commandery, and his learning advanced further. He passed the provincial examination in the first year of the Wanli reign. Two years later the county magistrate Zhang Weihan made illegal harsh levies; the people gathered and beat him, and Weihan blamed Jiusi for inciting the disorder. The touring censor Xiang Cheng impeached Zhang Weihan for provoking the upheaval. Minister of Personnel Zhang Han said the censor's judgment was incorrect, and Jiusi was then sentenced to long exile on the northern frontier. His son Jia, at the age of thirteen, wrote a letter of several thousand words, went from one high official to another, and pleaded his father's innocence. Jia's younger brother Han also prostrated himself before the palace gate and submitted a memorial asking for pardon. Tu Long wrote the 《Petition on Behalf of Scholar Qu》, informing officials at home and abroad; Feng Mengzhen also pleaded on his behalf to the authorities in Chu; and because Zhang Juzheng had long valued Jiusi's talent, he was finally released and allowed to return home. In the thirty-seventh year, on the recommendation of the governor and inspector in a memorial, he was appointed Hanlin awaiting imperial decree, but firmly declined the appointment. An edict ordered the local offices to grant him sixty shi of grain each year for the rest of his life. He then compiled the 《Musical Compositions》 and the 《Record of Wanli Military Achievements》, and sent Han to the palace to submit them. He died at the age of seventy-one. Jiusi's learning was extremely profound and vast; his writings were not elegant and tame, yet among lovers of antiquity and men of earnest purpose in that age few could match him. Jia, whose style name was Shizhi, passed the provincial examination at nineteen and died young. Han, whose style name was Riyou, could write at the age of seven. When they pleaded their father's innocence, they traveled back and forth on foot without avoiding cold and hunger; all under heaven called them the Two Filial Sons. During the Chongzhen reign he was summoned by recommendation and appointed prefect.
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Tang Shisheng, whose style name was Shuda, was a native of Jiading. His father Qinxun was on good terms with Gui Youguang, so Shisheng entered Youguang's school at an early age. Before he was thirty he gave up the pursuit of examination essays and devoted himself wholly to ancient learning. When Wang Shizhen served in the southern capital, he invited him to his residence and discussed difficult points in order to clarify their meaning. Shisheng considered himself a product of the Gui school and refused to call himself Wang's disciple again. When Wang Xijue directed state affairs, his son Heng invited Shisheng to the capital; there happened to be military action on the northern frontier, and he foretold the actual situation, the truth and falsehood of reports, and the victories and defeats of commanders, without a single error. Though his family was poor he loved to give; he watered the garden and cultivated vegetables, content in austere simplicity. His poetry came from the brush complete without revision; his prose inherited Youguang's literary tradition. Together with his fellow townsman Lou Jian and Cheng Jiasui he was collectively known as "The Three Elders of Lianchuan." He died in the ninth year of the Chongzhen reign, at the age of eighty-six.
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Lou Jian, whose style name was Zirou. From youth he loved learning; his teachers and friends all came from Gui Youguang's school. Jian had true lineage in his studies—clear mastery of the classics and exemplary conduct—and his community hailed him as a master scholar. He presented himself for study at the Imperial Academy but returned home without entering government service. He excelled at calligraphy, and his poetry was likewise fresh and lucid. While serving as magistrate of Siming, Xie Sanbin collected and published the poetry of Shi Sheng, Lou Jian, Cheng Jiasui, and Li Liufang under the title 《Collected Works of the Four Masters of Jiading》.
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Li Liufang, styled Changheng, passed the provincial examination in the thirty-fourth year of the Wanli reign. He was accomplished in poetry and calligraphy and especially distinguished as a painter. Early in the Tianqi reign he set out north for the metropolitan examination, but on reaching the suburbs he heard news of an emergency, wrote a poem, and turned back—after which he abandoned all ambition for official advancement.
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Cheng Jiasui, styled Mengyang, was a native of Xiuning who lived in Jiading as a resident outsider. He was accomplished in both poetry and painting. He was close friends with Gu Yangqian of Tongzhou. When friends urged him to visit Gu, he crossed the Yangtze and stayed in an old temple, where he caroused with drinking companions for three days and nights, wrote five poems titled 《On the Ancient》, and then returned without ever calling on Yangqian. During the Chongzhen reign, Qian Qianyi of Changshu returned home after being dismissed from his post as vice minister and built the Hall of Coupled Plowing, inviting Jiasui to join him there for scholarly retreat. After ten years he returned to Xiuning, where he soon died at the age of seventy-nine. Qianyi held his poetry in the highest regard and called him the Old Master of the Pine Garden Poets.
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殿
Jiao Hong, styled Ruohou, was a native of Jiangning. Even as a county school student he enjoyed wide renown. He studied under the provincial education commissioner Geng Dingxiang and also sought out Luo Rufang to discuss his questions. He took the provincial examination in the forty-third year of Jiajing, failed, and returned home. Dingxiang selected leading scholars from fourteen prefectures to study at the Chongzheng Academy and appointed Hong their head. When Dingxiang retired to his home district, Hong again went to study under him. In the seventeenth year of Wanli he at last ranked first in the palace examination and was appointed Hanlin Compiler, devoting himself ever more to mastering the institutions and regulations of the dynasty. In the twenty-second year Grand Secretary Chen Yubi proposed compiling a national history and wanted Hong to head the project, but Hong modestly declined. He did draft the 《Bibliographical Treatise》, but contributed little else, and the editorial bureau was eventually dissolved. Hanlin instructors assigned to teach palace eunuchs calligraphy treated the duty as a mere formality, but Hong alone said: 「These men will one day stand at the Emperor's side—how can we neglect their education? He would draw on stories of good and wicked eunuchs from antiquity and discuss them with his pupils from time to time.
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殿 殿
When the crown prince was formally established in his own residence, Hong became one of his lecturers. By custom, lecturers rarely received questions from the crown prince after delivering their lectures. After finishing a lecture, Hong would say gently: 「Learning broadly and questioning carefully serve the same purpose. I may not have explained everything fully—I hope Your Highness will honor me with your questions. The crown prince would praise him, but still never asked a question. One day Hong pressed again: 「Your Highness seldom speaks up—is it because you fear being wrong? In explaining there may be mistakes, but in asking questions, what mistake is there? The ancients were not ashamed to ask those beneath them for instruction—I hope Your Highness will take them as your model. The crown prince praised him again but still never asked anything. Hong then conspired with his fellow lecturers to break the ice: while lecturing on the 《Canon of Shun》, he prompted the crown prince with the passage 「consult the people widely and set aside your own views to follow what is better in others.」 The crown prince replied: 「Ji means to examine. One gathers the thoughts of the people, then sets aside one's own shortcomings and follows others' strengths. On another occasion he prompted him with the line 「God sent down the inmost heart, as if imparting a constant nature.」 The crown prince said: 「This means nothing else—it is what Mencius called nature as the mandate of Heaven. He was only thirteen at the time, yet answered without hesitation, and Hong in turn devoted himself wholeheartedly to guiding him. Once during a lecture a flock of birds flew overhead calling; the crown prince looked up, and Hong stopped speaking and stood at attention. When the crown prince composed himself and turned back to listen, Hong resumed the lecture as before. Hong once compiled stories of crown princes from antiquity that could serve as models or warnings into the 《Illustrated Discourse on Cultivating Rectitude》, which he intended to submit to the throne. Colleagues such as Guo Zhengyu resented his not having consulted them and accused him of currying favor; Hong abandoned the plan. Jiao Hong enjoyed enormous renown and was blunt by nature; whenever he saw something wrong in public affairs he spoke out openly, which the court resented—especially Grand Secretary Zhang Wei. In the twenty-fifth year, while chief examiner for the Shuntian provincial examination, he was impeached because nine candidates including Cao Fan had submitted essays full of dangerous and extravagant language; he was demoted to assistant prefect of Funing. After little more than a year his rank was reduced again in the triennial review, and Hong never returned to office.
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Hong read exhaustively across the entire range of literature, from the classics and dynastic histories to unofficial histories and miscellaneous writings—there was nothing he had not mastered. He wrote ancient-style prose with canonical dignity and restrained elegance and stands as a master in his own right. His collected works were titled 《The Tranquil Garden》—Danyuan being the name he gave himself. In his teaching he took Luo Rufang as his guide and was close to the Dingxiang brothers and Li Zhi, though many at the time mocked him for leaning toward Chan Buddhism. He died in the forty-eighth year of Wanli at the age of eighty. Under the Tianqi emperor he was posthumously reinstated in recognition of his service lecturing the crown prince, granted the posthumous title of Junior Mentor, and his son received sacrificial honors and hereditary privilege. Under the Southern Ming Prince of Fu he was posthumously given the temple name Wenduan (Cultured and Upright). His son Runsheng is treated in the 《Biographies of Loyalty and Righteousness》.
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沿
Huang Hui, styled Pingqian and also Zhaosu, was a native of Nanchong. He passed the jinshi examination in the same year as Jiao Hong. Exceptionally bright from childhood, while his father Ziyuan served in Huguang the boy was asked by a supervising censor to help examine doubtful cases—and parsed the legal codes like a veteran clerk. Astonished, the censor had him brought in and handed him a register of tax and grain receipts, which the boy memorized at a single reading. As he grew older he devoured books across every field. At fifteen he ranked first in the provincial examination. Some years later he passed the jinshi examination and was appointed a Hanlin bachelor. Hanlin trainees typically wrote in a stale, formulaic Academy style, but when the archaist school of Li Panlong and Wang Shizhen rose to prominence, he too switched and followed their lead. Hui deliberately turned to antiquity, taking Han Yu and Ouyang Xiu as his sole models, and Academy prose began to shift. Among his Hanlin cohort Tao Wangling was ranked first in poetry and prose and Dong Qichang in calligraphy and painting, but Hui's poetry and calligraphy matched either man's reputation. When it came to marshaling historical allusions, Hui was right eight or nine times out of ten—even Jiao Hong, famed for his broad erudition, conceded he could not match him.
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He rose from compiler to Right Attendant-in-Waiting and served as a lecturer to the crown prince. At the time the emperor favored Lady Zheng, neglected the empress and crown prince, and the crown prince's mother, Lady Wang, was nearly brought to ruin. Learning the situation from palace eunuchs, he told his fellow townsman Wang Dewan, a supervising secretary: 「This is a matter of state. Anything may happen at any moment. If history records that the court had no one willing to act, we will be shamed for all time. Wang resolutely commissioned Hui to draft a memorial and submit it. Wang was thrown into prison and nearly beaten to death in a court flogging. Hui went back and forth bringing him food and supplies, undeterred by the risk, though others warned him he was in danger. Hui said: 「I drew him into this disaster—how can I stand by and do nothing? Hui was deeply drawn to Chan Buddhism and maintained wide contacts outside official circles, which drew censure from the censoriate. By then he was Junior Mentor in charge of the Classics Bureau; he resigned and returned home. He was later recalled, promoted to Junior Vice Director of the Hanlin Academy and Reader-in-Waiting, and died in office.
29
殿 宿
Chen Renxi, styled Mingqing, was a native of Changzhou. His father Yunjian had passed the jinshi examination. He had served successively as magistrate of Zhuji and Chongde. Renxi passed the provincial examination at nineteen in the twenty-fifth year of Wanli. Hearing that Qian Yiben of Wujin was master of the Book of Changes, he went to study under him and grasped its essentials. For many years he failed to pass the metropolitan examination. He devoted himself ever more deeply to the classics and histories and produced a substantial body of scholarly writing. In the second year of Tianqi he ranked third in the palace examination and was appointed Hanlin Compiler. The top-ranked graduate that year was Wen Zhenmeng, likewise a mature scholar of long standing. Scholars throughout the empire celebrated that the examinations had produced men of genuine talent. The following year, when his mother died, he took up mourning residence at her tomb. When mourning ended he was recalled to his former post, soon joined the Classics Lectern, and took charge of drafting edicts and rescripts. Wei Zhongxian fabricated military merit on the frontier and, by forged imperial order, had himself ennobled as a duke and granted a hereditary patent of nobility. When Renxi was assigned to draft the decree he refused. Wei's faction tried to intimidate him, but he declared firmly: 「There are plenty of people in this world willing to draft edicts for you—why must it be me! Wei Zhongxian was enraged when he heard of this. Within days a townsman named Sun Wenzhi was arrested for reciting the 《Song of Pacing the Heavens》; framed for seditious speech and tortured into a case, his testimony implicated Renxi and Wen Zhenmeng, and their fates hung in the balance. Through secret intervention they were spared and allowed to return home stripped of office. When the Chongzhen reign began he was recalled to his former post. He was soon promoted to Right Attendant-in-Waiting, given acting charge of the Vice Directorship of the National University, and again joined the Classics Lectern. For helping compile the Veritable Records of the Wanli and Taichang reigns he was promoted to Right Junior Mentor, then requested leave to return home. Three years later he was summoned from home to serve as Chancellor of the Nanjing National University, but fell ill and died soon after accepting the appointment. Under the Prince of Fu he was posthumously made Vice Director of the Hanlin Academy and given the temple name Wenzhuang (Cultivated and Dignified). Renxi devoted himself to practical statecraft and cared deeply about the affairs of the realm. Naturally studious and fond of writing, among contemporary court scholars few could rival his breadth of learning.
30
使 使
Dong Qichang, styled Xuanzai, was a native of Huating in Songjiang Prefecture. He passed the jinshi examination in the seventeenth year of Wanli and was appointed a Hanlin bachelor. When Vice Minister of Rites Tian Yijun died in office while serving as an instructor, Qichang took leave and traveled thousands of miles to escort his coffin home for burial. He was subsequently appointed Hanlin Compiler. When the heir apparent left the palace to establish his household, Dong Qichang served as his lecturer; on many occasions he offered candid counsel, and the crown prince would invariably fix his gaze on him. For falling out of favor with those in power, he was posted out as vice commissioner of Huguang; he pleaded illness and returned home. Recalled to his former post, he oversaw Huguang provincial education; he refused to yield to solicited favors, and powerful families resented him—they incited several hundred scholar-students to raise a clamor and demolish his official residence. Qichang immediately submitted a memorial requesting leave; the emperor refused, but ordered the relevant office to investigate; Qichang ultimately resigned his duties and returned home. He was appointed Shandong vice commissioner, Denglai military intendant, and Henan administrative commissioner—in every case he declined to take up the post.
31
仿
When Guangzong ascended the throne, he asked, "Where is the former lecturer, Master Dong?" Thereupon Dong was summoned as vice minister of the Directorate of Ceremonies, in charge of the affairs of vice director of education in the Imperial Academy. In the second year of the Tianqi reign he was promoted to director of his directorate and concurrently appointed lecturer-in-waiting in the Hanlin Academy. At the time the court was compiling the 《Veritable Records of Emperor Shenzong》; he was ordered to travel south to collect memorials and anecdotes from the previous reign. Qichang searched widely with evident delight and compiled three hundred volumes. He also gathered memorials held back at court that bore on the foundation of the state, enfeoffment of princes, talent, customs, waterways, food and goods, governance of officials, and frontier defense, arranging them separately into forty volumes. Following the example of historical commentaries, he appended to each piece his own judgment in brush. When the work was finished he submitted it by memorial; an edict praised him, and the compilation was ordered sent to the Historical Archives. The following autumn he was promoted to right vice minister of rites and assistant director of the Crown Prince's Household; soon after he was transferred to left vice minister. In the first month of the fifth year of Tianqi he was appointed minister of rites at Nanjing. At the time power lay with the eunuchs, and factional persecution was fierce. Qichang kept himself deeply aloof; after more than a year he requested leave to return home. In the fourth year of Chongzhen he was recalled to his former post and put in charge of the Crown Prince's Household. After three years he repeatedly submitted memorials begging to retire; an edict added the title grand guardian of the heir apparent and granted him retirement. Two years later he died, at the age of eighty-three. He was posthumously granted the title grand tutor of the heir apparent. Under the Prince of Fu he was given the posthumous name Wenmin.
32
Qichang was gifted with extraordinary talent; from youth he bore a great reputation. Earlier, in Huating since Shen Du and Shen Can, the prefect of Nan'an Zhang Bi, junior mentor Lu Shen, provincial administration commissioner Mo Ruzhong, and Mo's son Shi Long had all been acclaimed for skill in calligraphy. Qichang came later and surpassed all the schools, initially taking the Song calligrapher Mi Fu as his model. Later he formed a school of his own, and his fame spread even beyond the realm. His painting gathered the strengths of Song and Yuan masters, executed with his own intent—effortless and vivid, beyond what human effort could achieve. For stone inscriptions throughout the realm, to obtain both his design and his own hand in writing was regarded as a double perfection. Visitors came without a day free; letters and brief notes circulated among the people, and all competed to purchase and treasure them. He was skilled at connoisseurship; collectors prized even a phrase or a single character from him. His nature was easygoing; he mastered Chan Buddhist principles, and in quiet ease practiced breath control—throughout the day he spoke no vulgar words. People compared him to Mi Fu and Zhao Mengfu. Those famed at the same time for calligraphy were Linyi's Xing Tong, Shuntian's Mi Wanzhong, and Jinjiang's Zhang Ruitu; contemporaries called them Xing, Zhang, Mi, and Dong, or again "Dong in the south, Mi in the north." Yet the three of them fell far short of Qichang.
33
使 西 仿 西使
Mo Ruzhong, courtesy name Ziliang. He passed the jinshi examination in the seventeenth year of the Jiajing reign. He rose through successive offices to provincial administration commissioner of Zhejiang. He cultivated purity and kept himself above reproach. When Xia Yan died, he managed his funeral arrangements. He was skilled at cursive script; his poetry and prose had structure and substance. Shi Long, courtesy name Yunqing; later he was known by his courtesy name and changed his style name to Tinghan. At ten he could compose essays; as an adult he excelled at calligraphy. Huangfu Fan, Wang Shizhen, and their circle praised him highly. He ended his career as a tribute student. Xing Tong, courtesy name Ziyuan. He passed the jinshi examination in the second year of the Wanli reign. He ended his career as vice minister of the Court of the Imperial Stud in Shaanxi. His family wealth ran to tens of thousands; he built the Coming-Birds Pavilion at ancient Liqiu, reduced his estate to entertain guests, and so fell into moderate ruin. His younger sister Cijing was skilled at imitating her brother's calligraphy. Mi Wanzhong, courtesy name Youshi. He passed the jinshi examination in the twenty-third year of the Wanli reign. He rose through successive offices to surveillance commissioner of Jiangxi. In the fifth year of Tianqi, Ni Wenhuan, a partisan of Wei Zhongxian, impeached him, and he was struck from the rolls. At the beginning of the Chongzhen reign he was recalled as vice minister of the Court of the Imperial Stud and died in office. As for Zhang Ruitu, he rose to grand secretary and was a man implicated in the eunuch faction cases.
34
Yuan Hongdao, courtesy name Zhonglang, was a native of Gong'an. Together with his elder brother Zongdao and younger brother Zhongdao he shared literary fame; at the time they were called "the Three Yuans." Zongdao, courtesy name Boxiu. In the fourteenth year of Wanli he placed first in the metropolitan examination. Appointed Hanlin bachelor, he advanced to compiler and died in office as right subdirector of the Eastern Palace. During the Taichang reign he was posthumously recorded among Guangzong's lecturers and granted the posthumous office of right vice minister of rites.
35
At sixteen Hongdao became a registered student and immediately formed a literary society south of the city, serving as its head. In his leisure he wrote poetry and ancient-style prose and gained a reputation in the district. He passed the jinshi examination in the twentieth year of Wanli. Returning home, he lowered the curtain and devoted himself to reading; in poetry and prose he advocated intuitive insight. Selected as magistrate of Wuxian, he judged cases with swift decisiveness, and there were few matters pending in the public hall. With literati he discoursed on poetry and prose, styling himself a man of refined taste. Soon he resigned his office and left. Recalled, he was appointed professor in Shuntian, then served successively as tutor in the Imperial Academy and director in the Ministry of Rites; he pleaded illness and returned home. After a long interval he was recalled to his former post. Soon, on account of his reputation for integrity, he was promoted to director in the Ministry of Personnel for the verification and sealing section, then transferred to the selection section. Soon transferred to assistant director in the Ministry of Personnel for merit evaluation, he established the law for year-end review of all officials, stating, "Outside officials are inspected once every three years, capital officials every six years, military officials every five years—how can this group alone be exempt?" When the memorial was submitted, approval was granted, and it became fixed regulation. He was transferred to director in the Ministry of Personnel for meritorious deeds; later he pleaded illness and returned home, and died several months later.
36
Zhongdao, courtesy name Xiaoxiu. Before he was ten he wrote the two fu 《Mount Huang》 and 《Snow》, more than five thousand characters in all. As he grew he became even more bold and free; following his two elder brothers on official tours to the capital, he made many acquaintances among famous men throughout the realm, and his footsteps covered half the world. Not until the thirty-first year of Wanli did he pass the provincial examination. Fourteen years more passed before he became a jinshi. Starting as professor in Huizhou, he served successively as doctorate in the Imperial Academy and director in the Nanjing Ministry of Rites. In the fourth year of Tianqi he was promoted to director in the Nanjing Ministry of Revenue and died in office.
37
便
Earlier, the Wang and Li school flourished widely; the Yuan brothers alone inwardly disapproved of it. While in the Hanlin Academy, Zongdao together with his colleague Huang Hui strongly opposed their doctrine. In the Tang he favored Bai Juyi; in the Song he favored Su Shi; he named his studio White-Su. By Hongdao's time the movement overcorrected further toward freshness, clarity, lightness, and wit; many students abandoned Wang and Li and followed him, calling it the Gong'an style. Yet with jesting ridicule mixed in and vulgar speech at times, those shallow of learning found it convenient. Afterward the Wang and Li vogue gradually faded, while the doctrines of Zhong and Tan blazed greatly. Zhong and Tan—that is, Zhong Xing and Tan Yuanchun.
38
Xing, courtesy name Bojing, was a native of Jingling. He passed the jinshi examination in the thirty-eighth year of the Wanli reign. Appointed traveling censor, he was gradually promoted to director in the Ministry of Works, then transferred to the Nanjing Ministry of Rites and advanced to director. Promoted to education intendant of Fujian, he returned home to mourn his father and died there. Xing's appearance was unprepossessing; he was frail and barely filled his clothes. In conduct he was stern and cold and disliked receiving vulgar guests—thereby he gained release from worldly affairs. While serving in the southern capital he rented a waterside pavilion on the Qinhuai to read history, often until the third watch of the night; whatever he observed he wrote down at once, calling it 《Reflections on History》. In his later years he took refuge in Chan Buddhism until his death.
39
滿
After Hongdao had overcorrected the defects of Wang and Li poetry by advocating purity and truth, Xing again overcorrected those defects, changing the style into depth, remoteness, solitude, and austerity. Together with his fellow townsman Tan Yuanchun he selected and appraised Tang poetry as 《Return to Tang Poetry》, and also selected pre-Sui poetry as 《Return to Ancient Poetry》. The names of Zhong and Tan filled the world; this was called the Jingling style. Yet the learning of the two men was not very rich; their interpretations were often eccentric, and they were greatly ridiculed by the broadly learned. Yuanchun, courtesy name Youxia; though junior in reputation to Xing, because of the 《Poetry Returns》 he was ranked equally with him. Not until the seventh year of Tianqi did he place first in the provincial examination—by then Xing had already died.
40
使 祿
Wang Weijian, courtesy name Sunzhong, was from Xiangfu. He passed the jinshi examination in the twenty-third year of the Wanli reign. He was appointed magistrate of Weixian County and later promoted to secretary in the Ministry of War's Bureau of Operations. In the spring of the thirtieth year of Wanli, Ma Lin, the regional commander of Liaodong, was arrested after offending the tax commissioner Gao Huai; Minister of War Tian Le and others intervened on his behalf. The emperor was furious and blamed the Bureau of Operations for failing to recommend successors; he emptied the bureau and dismissed its entire staff, and Weijian was also struck from the official rolls and sent home. He remained at home for twenty years until Emperor Guangzong took the throne, when he was recalled to serve as Commissioner of the Imperial Household Department for Sacrifices. He was promoted three times to Vice Minister of the Court of Judicial Review.
41
In the eighth month of the third year of Tianqi he was promoted to Right Assistant Censor-in-Chief and made Grand Coordinator of Shandong. During Xu Hongru's rebellion, many people fled, and Liaodong refugees who came seeking safety often found themselves destitute; Weijian devoted special care to pacifying and resettling them. In the third month of the fifth year he was promoted to Right Vice Minister of War at Nanjing, but never assumed the office. He was transferred to the capital as Right Vice Minister of Works, but the censor Tian Jingxin, a follower of Wei Zhongxian, impeached him, and he was dismissed and forced into retirement.
42
Weijian was quick-witted and devoted to learning. After his first dismissal from office, he devoted himself wholeheartedly to the classics, histories, and the hundred schools of thought. Finding the 《History of Song》 excessively cumbersome, he edited it by hand into a work of his own. He was fond of calligraphy, painting, and antique curios. During the Wanli and Tianqi reigns, among the broadly learned gentlemen celebrated by the age, Weijian was ranked alongside Dong Qichang, with Li Rihua of Jiaxing just below them. Li Rihua, courtesy name Junshi, was from Jiaxing. He passed the jinshi examination in the twentieth year of the Wanli reign. He rose to the post of Vice Minister of the Court of the Imperial Stud. He was calm and easygoing and never at odds with anyone. Weijian, by contrast, was given to subtle sarcasm and loved attacking Neo-Confucian moralism, which people found hard to tolerate. Once at a gathering with contemporaries, when a question from the 《Book of Han》 was raised, he knew the whole story from beginning to end; patting his belly he laughed and said, 「Can a man of such renown be an empty scholar!」 Such was the pleasure he took in himself.
43
調 使 調 西 西使 西 西使
Cao Xuequan, courtesy name Nengshi, was from Houguan. At twenty he passed the jinshi examination in the twenty-third year of Wanli and was appointed a secretary in the Ministry of Revenue. After failing the inspection review, he was transferred to Nanjing as supplementary Left Assistant Director of the Grand Court of Revision. He spent seven years in a supernumerary post with little to do, devoting himself wholeheartedly to study. He was promoted in turn to director in the Nanjing Ministry of Revenue, then to Right Assistant Administration Commissioner and Surveillance Commissioner of Sichuan. When the princely residence in Shu was destroyed by fire, the estimated repair cost came to seven hundred thousand taels of silver; Xuequan rejected the expense under the 《Regulations for Imperial Clans》. He failed the inspection review again, and a transfer was proposed. In the second year of Tianqi he was recalled to serve as Right Administration Vice Commissioner of Guangxi. Earlier, when the Killing-with-a-Staff case broke, Liu Tingyuan and his allies argued that the assailant had been insane. Xuequan wrote the 《Outline of Unofficial History》, setting down the events plainly from beginning to end. In the autumn of the sixth year Xuequan was transferred to Vice Commissioner of Shaanxi, but before he could depart, Tingyuan—now greatly favored as a follower of Wei Zhongxian—impeached him for privately writing unofficial history and subverting the statutes of the state; Xuequan was struck from the rolls and his printing blocks were destroyed. The touring censor Wang Zhengxin, who had once recommended Xuequan, was also forced into retirement. The senior officials of Guangxi assumed Xuequan would face severe punishment and detained him while they waited. Later, when it became clear that Zhongxian had no intention of killing him, he was released and allowed to go home. At the beginning of the Chongzhen reign he was recalled as Vice Commissioner of Guangxi, but firmly declined the appointment.
44
He lived at home for twenty years, writing in his Stone Granary Garden; his 《Stone Granary Anthology of Poetry from Twelve Dynasties》 became widely popular. He once said, 「Buddhism and Daoism each have their canon—why should Confucianism alone have none?」 and planned to compile a Confucian treasury to stand alongside them. For more than ten years he gathered books from the four repositories and arranged them by category, but the work was still unfinished when both capitals fell in succession. When the Prince of Tang established his court in Fujian, Xuequan was recalled and appointed Minister of Ceremonial. He was soon made Right Vice Minister of Rites and Concurrent Lecturing Academician, then promoted to Minister of Rites with the additional title of Grand Mentor of the Heir Apparent. When the cause collapsed, he fled into the mountains and hanged himself at the age of seventy-four. His poetry and prose were voluminous, collected under the title 《Collected Works from the Stone Granary》. During the Wanli reign literary culture flourished in Fujian under Xuequan's leadership, and in his later years he became even more celebrated for dying for his principles.
45
Among those who rose later from the same district was Zeng Yizhuan, courtesy name Furen, a native of Jinjiang whose family lived in Houguan. His father was a licentiate who died young. His mother was née Zhang; he was born after his father's death. The family was desperately poor; they spun thread to keep themselves fed from day to day. Yizhuan grew up fatherless and served his mother with the utmost filial devotion. In famine years they gathered sweet-potato leaves mixed with chaff to stave off hunger; his mother and wife would carry baskets and hoes to gather dry grass for fuel. Yet he was fiercely upright; when senior officials learned of his poverty and wished to help him along, he refused. Pan Zenghong of Wuxing, as provincial education commissioner, reported his mother's chaste conduct, and she received imperial commendation. When Zenghong became Grand Coordinator of southern Jiangxi, he obtained Wang Weijian's revised 《History of Song》 and summoned Yizhuan and Xu Shipu of Xinjian to revise it further, but the project was abandoned before it was finished. Yizhuan remained a licentiate for many years, devoting himself to statecraft; his poetry had a singular force. In the twelfth year of Chongzhen he passed the provincial examination at forty-nine; he died shortly after returning from a second attempt at the metropolitan examination.
46
Wang Zhijian, courtesy name Ruosheng, was from Kunshan. His father Linheng was a jinshi. He served as prefect of Hangzhou. Zhijian passed the jinshi examination in the thirty-eighth year of Wanli, was appointed a secretary in the Nanjing Ministry of War, and rose to vice director and then director. In his spare time he gathered fellow officials into a History-Reading Society and wrote the 《Historical Discussions》. He was appointed Education Intendant of Guizhou but declined the post, requesting leave to return home and care for his parents. In the second year of Tianqi he was recalled to supervise postal stations in Zhejiang, but rushed home when his mother died. In the fourth year of Chongzhen he again served as education intendant for Huguang; the Ministry of Rites ranked him first among all education intendants. He died in office in the sixth year of Chongzhen.
47
Zhijian studied in youth with Li Liufang and modeled his poetry and prose on the great masters of the Tang and Song. After entering official life he settled at the Old South Garden in Suzhou, shut his doors to visitors, and devoted himself to reading—classics first, then histories; histories first, then masters and collected writings. In reading the classics he began with commentaries and glosses before turning to disputation. In reading history he began with evidence before moving to interpretation. In reading masters he held that after the Tang and Song there were no true philosophical masters, and that one should supplement them with commentators whose work illuminated the classics and histories. In reading collected writings he organized post-Qin and Han ancient prose into five compilations, examined Tang and Song stele inscriptions and epitaphs, drew on historical biographies and gathered miscellaneous accounts to compare events and assess the reliability of texts. In Buddhist scriptures as well he made deep distinctions among the schools of nature and appearance. He wrote a great deal of poetry but selected only some seventy pieces for preservation.
48
His younger brother Zhichang, courtesy name Pingzhong, passed the provincial examination and was also deeply versed in classical learning.
49
Ai Nanying, courtesy name Qianzi, was from Dongxiang. At seven he wrote the 《Essay on the Seven Sages of the Bamboo Grove》. As an adult he became a licentiate; he loved learning and explored every field. Near the end of the Wanli reign, examination essays had grown stale and formulaic; Nanying deplored this deeply, and together with his fellow graduates Zhang Shichun, Luo Wanzao, and Chen Jitai took it upon themselves to revive serious letters; they published the four men's writings. The literary world flocked to them, calling them Zhang, Luo, Chen, and Ai. Nanying first passed the provincial examination in the fourth year of Tianqi. His chief examiner, the reviser Ding Ganxue, and the supervising censor Hao Tugao set examination questions denouncing Wei Zhongxian, and Nanying's answers also contained satirical remarks. Zhongxian was furious; the examiners were struck from the rolls, and Nanying was barred from the examinations for three cycles.
50
Zhang Shichun, courtesy name Dali, was from Linchuan. He was broadly learned with an extraordinary memory. He passed the provincial examination in the first year of the Tianqi reign. During the Chongzhen reign he rose to prefect of Liuzhou; he was already seventy when news of the fall of the capital reached him; grief and indignation brought on an illness, and he died.
51
Luo Wanzao, courtesy name Wenzhi, was from the same county as Zhang Shichun. He passed the provincial examination in the seventh year of Tianqi. During the Chongzhen reign the recommendation system was implemented; Chancellor of the Imperial Academy Ni Yuanlu nominated Wanzao by imperial edict, but he declined the appointment. During the reign of the Prince of Fu he served as magistrate of Shanghang. When the Prince of Tang established his court in Fujian, Wanzao was promoted to secretary in the Ministry of Rites. When Nanying died, Wanzao mourned him and laid him out for burial; several months later he too died.
52
Chen Jitai, courtesy name Dashi, was also from Linchuan; his father had settled temporarily in Wuping, Tingzhou, where Jitai was born. The family was poor; he could not afford a teacher and had no books of his own, so he would borrow a neighbor child's book, slip away alone, and recite it in secret. From a maternal cousin he obtained a copy of the 《Book of Documents》 whose corners were worn away and which had no punctuation; by working out the phrasing on his own he mastered its meaning. At ten he spotted the 《Book of Songs》 in his maternal family's medicine chest, snatched it, and ran off. His father caught him, grew angry, and sent him to work in the fields; Jitai would take the book along, sit on a high mound and chant, and thus memorized it for life. After many years he returned to Linchuan and, together with Nanying and the others, became famous throughout the realm for examination essays. He wrote with extraordinary speed, producing twenty or thirty essays in a single day; his total output eventually reached ten thousand pieces—no licentiate in examination composition was as prolific as Jitai. In the third year of Chongzhen he passed the provincial examination. Four years later he earned his jinshi degree, at the age of sixty-eight. Three years later he was appointed a courier. After four years in office, he escorted the funeral of the former chief minister Cai Guoyong southward and died on the journey.
53
Zhang Pu, styled Tianru, came from Taicang. His uncle Fuzhi served as minister of works at Nanjing. From youth Pu loved learning. Every book he read he copied by hand; once copied he would recite it aloud once, then burn it and copy again—six or seven times before he was satisfied. Where his right hand held the brush, his fingers and palm were covered with calluses. In winter his hands cracked, and he poured hot water over them several times a day. Later he named his study "Seven Recordings" for this reason. He studied together with his fellow townsman Zhang Cai and shared equal fame, being called "The Two Zhangs of Loudong."
54
In the first year of Chongzhen he entered the capital as a selected tribute student; Cai had just earned his jinshi degree, and both men's names resounded throughout the capital. Before long Cai took office in Linchuan. Pu returned home, gathered eminent scholars of the prefecture to revive ancient learning together, and named their literary society the Fushe Restoration Society. In the fourth year he earned his jinshi degree and was made a Hanlin bachelor. He requested leave to return home to bury his parents and read like a classicist, without pause through summer and winter. Those hungry for fame from every quarter rushed to his door; all were enrolled as members of the Restoration Society. Pu also devoted himself to forming alliances; his associations grew daily, and his influence reached the highest officials at court. The rankings he assigned could greatly bring honor or disgrace. Those who rushed to attach themselves would boast: "We are the successors of the Donglin faction. The great officials in power therefore hated them. A fellow townsman, Lu Wensheng, paid money to become a student of the Imperial Academy and sought to join the society but was refused; Cai had also once beaten him over an affair. Wensheng went to the palace gate and said: "The corruption of customs all originates with the literati. Pu and Cai lead the alliance, advocate the Restoration Society, and throw the realm into disorder. Wen Tiren was then directing state affairs and sent the matter down to the responsible offices. After a long delay, Education Censor Ni Yuangong, Defense Assistant Administrator Feng Yuanyang, and Taicang Prefect Zhou Zhonglian said the Restoration Society was guilty of nothing. All three were demoted and dismissed; stern edicts demanded investigation without end. Zhou Zhikui of Fujian had once served as judicial assistant in Suzhou; dismissed for an offense, he suspected Pu was behind it and hated him deeply. Hearing Wensheng's accusation against Pu, he prostrated himself at the palace gate and said Pu and others controlled the examination system, that his dismissal was actually their doing, and described the overbearing conduct of the Restoration Society. When the memorial was sent down, Grand Coordinator Zhang Guowei and others said Zhikui's dismissal had nothing to do with Pu, but they too received an edict of rebuke.
55
By the fourteenth year Pu had already died, yet the affair was still unresolved. Vice Minister of Justice Cai Yichen, imprisoned for association with Xue Guoguan, not knowing Pu was dead, accused Pu of wielding court power from afar, said his own crime was Pu's doing, and charged Zhang Cai with factionalism and disordering government. An edict demanded that Pu and Cai respond; Cai memorialized: "The Restoration Society is not my affair, yet Pu and I tempered each other throughout our lives; now dead he cannot escape the net, and to save myself by betraying righteousness—friendship does not permit this. Consider that Pu day and night expounded the classics and wrote essays, vowed his heart to repay the realm, never served a single day in office, and took his loyalty to the grave. Even now under stern edicts he cannot weep blood to clear himself—this is truly worthy of mourning. At that time Tiren had already been dismissed earlier; his successors Zhang Zhifa and Xue Guoguan both disliked the Donglin faction, so the responsible offices dared not memorialize again. By then Zhifa and Guoguan had also been dismissed in turn; Zhou Yanru held power—Pu had been his examination patron, and Pu had helped him regain the chancellorship—so when Cai's memorial went up, the affair was immediately resolved.
56
The next year Censor Liu Xizuo and Censor-in-Chief Jiang Kan jointly memorialized that Pu's upright conduct and broad learning, and his compilations of the classics and histories, had served sagely learning and should be collected for the emperor's late-night reading. At the Classics Lecture the emperor asked about the two men; Yanru replied: "They are good scholars who love reading. The emperor said: "Pu is already dead, and Cai is a minor official—why do the remonstrance officials recommend them? Yanru said: "Both men love reading and can write well; the remonstrance officials read their writings when they were examination candidates, and because their talents were not fully used, they regret it—that is all." The emperor said: "That is still somewhat partial. Yanru said: "Truly as Your Majesty says, both Pu and Huang Daozhou are partial—but because they read well, many regret them." The emperor nodded, and thereupon an edict summoned Pu's surviving writings, and Daozhou was also restored to office. The offices recorded and submitted more than three thousand scrolls in succession; the emperor kept them all for reading.
57
Pu's poetry and prose were swift. Those who sought his work from every quarter—he made no draft; facing guests he wielded the brush and finished in a moment, and for this his fame stood highest of the age. When he died he was only forty.
58
Cai, styled Shouxian, was on good terms with Pu. Pu's nature was broad; he made friends widely and loved many. Cai was especially stern and resolute; he liked to distinguish right from wrong, and when someone erred he would rebuke him to his face. As magistrate of Linchuan he crushed the strong and supported the weak; his reputation greatly rose. He resigned on grounds of illness and returned home; officials and people wept and escorted him, filling the roads. Prefects Liu Shidou and Qian Sule held him in high esteem; they consulted Cai about corrupt villains, and on a single sheet of paper he would report—all were punished by law. During the reign of the Prince of Fu he was recalled as secretary in the Ministry of Rites, promoted to vice director, then requested leave and departed. When the Southern Capital fell, villains who had long resented Cai attacked him in a mob and killed him, then stabbed him repeatedly with large awls. Later he revived, fled to a neighboring district, and died three years later.
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