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孟子荀卿列傳

Biographies of Mengzi and Xun Qing

Chapter 74 of 史記 ✓ Translated
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Chapter 74
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1
The Grand Historian remarks: I read the Book of Mengzi, and when I came to King Hui of Liang's question 'What can benefit my state?', I could never help but set down the book and sigh. He said: Alas, profit is truly the beginning of chaos! The Master rarely spoke of profit because he was constantly on guard against its source. Therefore it is said: 'To act with profit as one's sole aim invites much resentment.' From the Son of Heaven down to the common people, how different is the calamity that comes from the love of profit!
2
退
Meng Ke was a man of Zou. He received instruction from a disciple of Zi Si. Once his Way was established, he traveled to serve King Xuan of Qi, but King Xuan could not employ him. He went to Liang, but King Hui of Liang did not adopt his words, viewing him instead as circuitous and far removed from practical affairs. When this time, Qin use Shang Jun, enrich state strengthen soldiers; Chu and Wei employed Wu Qi and won victories against weak enemies; Kings Wei and Xuan of Qi employed Sun Zi and the likes of Tian Ji, and the feudal lords faced east to court Qi. The world was just striving for vertical alliances and horizontal connections, considering conquest and invasion worthy pursuits, while Meng Ke expounded the virtues of Tang, Yu, and the Three Dynasties. This is why wherever he went, he did not find agreement. Retiring, he arranged the Poetry and Documents with the likes of Wan Zhang, expounded the intentions of Zhong Ni, and composed the seven chapters of the Mengzi. Afterward there were the likes of Master Zou.
3
Qi had three Masters Zou. The earlier one was Zou Ji, who sought audience with King Wei by playing the qin, thereby reaching state affairs, was enfeoffed as Marquis of Cheng and received the chancellor's seal, before Mengzi.
4
The next was Zou Yan, who came after Mengzi. Zou Yan observed that those who possessed states grew increasingly licentious and extravagant, unable to esteem virtue. If the Grand Odes were rectified in one's person, they would extend to the black-haired common people. Thereupon he deeply observed the waxing and waning of yin and yang and created strange and circuitous changes, composing the chapters on 'End and Beginning' and 'Great Sage' totaling more than one hundred thousand words. His words were vast and unconventional. He would first verify small things, then extrapolate them to the great, extending to the boundless. He first arranged the sequence from the present upward to the Yellow Emperor, the common arts of scholars, greatly paralleling the world's rises and declines, thereby carrying their good fortunes and regulatory systems, pushing them far back to before heaven and earth were born, to the profound darkness that cannot be examined, to find their origins. He first listed China's famous mountains and great rivers, the connecting valleys and birds and beasts, what the waters and soils produce, and precious things among the categories, then extrapolated from these to reach things overseas that people cannot see. He cited and led from since heaven and earth split apart, the transfer of the Five Virtues, how governance each had its proper time, and how the symbolic responses were thus. He considered that what the Confucians called 'China' occupied but one part of eighty-one in the world. China was named Red County Divine Continent. Within Red County Divine Continent there are nine zhou of its own—that which Yu arranged as the Nine Zhou—and they cannot be counted in the zhou number. Outside China there are nine like Red County Divine Continent, which are called the Nine Zhou. Thereupon there are encircling Pi seas, where people, birds, and beasts cannot communicate with each other, like those in one area, and this constitutes one zhou. Thus there are nine such, and then there is a great encircling Ying Sea outside them, the boundary between heaven and earth. His arts were all of this kind. Yet if one summarizes its purport, it must come to rest in benevolence, righteousness, frugality, and the applications of ruler and minister, superior and inferior, and the six relations. At the beginning it was merely diffuse. Kings, dukes, and great men, upon first seeing his arts, were fearful and considered changing, but afterward they could not practice them.
5
Therefore Master Zou was honored in Qi. When he went to Liang, King Hui welcomed him at the suburbs and performed the rituals of guest and host. When he went to Zhao, Lord Pingyuan walked sideways and spread his mat. When he went to Yan, King Zhao embraced a broom and drove ahead, requested to arrange a disciple's seat to receive instruction, built the Jieshi Palace, and personally went to study under him. He composed 'The Lord of Fate.' His travels among the feudal lords and the honored rituals he received were thus—how can this be compared to Zhong Ni's hungry face in Chen and Cai, or Meng Ke's distress in Qi and Liang! Formerly King Wu used benevolence and righteousness to attack Zhou and became king, but Bo Yi starved rather than eat Zhou grain; Duke Ling of Wei asked about battle formations, but Confucius did not answer; When King Hui of Liang planned to attack Zhao, Meng Ke addressed him as 'Great King' and told him to abandon Bin. How could this have been intended merely to flatter the world and casually fit in! To hold a square tenon and wish to insert it into a round socket—can it enter? Some say: Yi Yin carried a tripod and urged Tang to become king; Bai Li Xi fed oxen under a cart and Duke Mu employed him to become hegemon. They made themselves fit first, then led them to the great way. Though Zou Yan's words are not on track, might they also have the intention of the ox and tripod?
6
From Zou Yan and the masters of Qi's Jixia Academy, such as Chunyu Kun, Shen Dao, Huan Yuan, Jie Zi, Tian Pian, and Zou Shi and their kind, each wrote books discussing matters of governance and chaos to seek the world's lords—how could one recount them all!
7
Chunyu Kun was a man of Qi. He was broadly learned and had a strong memory, his studies having no particular master. In his remonstrances and speeches, he admired Yan Ying's conduct as a person, yet his duty was to accept intentions and observe expressions. A guest introduced Kun to King Hui of Liang. King Hui dismissed his attendants, sat alone, and received him twice, but in the end said nothing. King Hui was astonished and reproached the guest, saying: "You praised Master Chunyu as surpassing Guan and Yan, but when I met him, I gained nothing from it. Am I not worth speaking to? Why is that? The guest told this to Kun. Kun replied, "Indeed. The first time I saw the king, his mind was on hunting; The second time I saw the king, his mind was on music. That is why I remained silent." The guest reported everything to the king, who was greatly astonished and exclaimed, "Alas! Master Chunyu is truly a sage! Before Master Chunyu arrived, someone presented me with a fine horse. I had not yet examined it when the master arrived. After the master arrived, someone presented me with a singer. I had not yet tested her when the master came again. Though I dismissed my attendants, my private thoughts were still on those things. It was true." Afterward, when Chunyu Kun was received, he spoke continuously for three days and three nights without tiring. King Hui wished to treat him with the position of minister and chancellor, but Kun declined and left. He was then sent off with a comfortable carriage drawn by four horses, bolts of silk and jade discs, and one hundred yi of gold. For the rest of his life he did not serve in office.
8
Shen Dao was a man of Zhao. Tian Pian and Jie Zi were men of Qi. Huan Yuan was a man of Chu. All studied the arts of Huang Lao and Dao De, and thus developed and arranged the sequence of their principles. Therefore Shen Dao wrote twelve treatises, Huan Yuan wrote upper and lower chapters, and Tian Pian and Jie Zi all had their own writings.
9
Zou Shi was one of the various Zou disciples of Qi. He also collected much of Zou Yan's teachings to record them in writing.
10
The King of Qi praised this. From Chunyu Kun and below, all were named Senior Grand Masters. Residences were opened for them with broad, smooth avenues, high gates, and large houses. They were honored and favored. He surveyed the guests of all the feudal lords under heaven, declaring that Qi could attract the worthy scholars of the world.
11
Xun Qing was a man of Zhao. At age fifty he first came to study in Qi. Zou Yan's teachings were circuitous, grand, vast, and eloquent; Shi was complete in literature but difficult to apply; Chunyu Kun dwelt with him for a long time, and from time to time obtained good words from him. Therefore the people of Qi praised them, saying: "Yan talks of heaven, Shi carves dragons, Kun roasts the hub of a cart." Tian Pian and his kind had all died by the time of King Xiang of Qi, and Xun Qing was the oldest teacher. Qi still maintained the ranks of the Senior Grand Masters, and Xun Qing served three times as their libationer. Some people of Qi slandered Xun Qing, so Xun Qing went to Chu, where Lord Chunshen appointed him magistrate of Lanling. When Lord Chunshen died, Xun Qing was dismissed from office and made his home in Lanling. Li Si had once been his disciple, and later became chancellor of Qin. Xun Qing hated the governance of this muddy age, where perished states and chaotic rulers succeeded one another, not following the great way but camping on witchcraft and blessings, trusting in omens. He despised the Confucians' small constraints, and people like Zhuang Zhou who moreover cunningly examined and disordered customs. Therefore he examined the rise and fall of the conduct of Confucians, Mohists, and Daoists, sequenced and arranged tens of thousands of words, and died. He was therefore buried in Lanling.
12
Zhao also had Gongsun Long who made debates on the firm and white, same and different, and the words of Ju Zi; Wei had Li Kui, who taught the exhaustion of the land's forces; Chu had Shi Zi and Chang Lu; And Xu Zi of A. From Mencius to Xu Zi, the world has many of their books, so I will not discuss their biographies.
13
As for Mo Di, he was a grand master of Song, skilled in defense and protection, advocating frugal use. Some say he was contemporary with Confucius, others say he came after him.
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