← Back to 南史

卷四十八 列傳第三十八 陸澄 陸慧曉 陸杲

Volume 48 Biographies 38: Lu Cheng, Lu Huxiao, Lu Gao

Chapter 48 of 南史 · History of the Southern Dynasties
← Previous Chapter
Chapter 48
Next Chapter →
1
殿
Lu Cheng loved study from boyhood and read so widely that he seemed to know everything. Whether he was walking, sitting, asleep, or at table, he never put his books down. In the early Taishi reign of Song he was made acting registrar in the Secretariat and argued that taboo lists for the empress should continue to give her surname as before. Left Vice Director Xu Yuan invoked Sima Fu's argument that an empress should not be named by surname, pointing out that when the Spring and Autumn Annals records the queen's journey to Qi, it never mentions her surname. Cheng pressed his own view and was stripped of office for it, though he kept performing his duties in plain dress without rank.
2
Corporal punishment was nominally prescribed for secretariat officers but almost never applied; Cheng, in office, actually ordered beatings hundreds and even thousands of times. He later held the Left Vice Director post as well.
3
In the sixth year of Taishi the crown prince was ordered to wear court dress with dragon robe and nine emblems. Cheng and Qiu Zhongqi of the protocol office argued: "Wearing the dragon robe at court is plainly set out in the classics; Qin abolished the six caps, and Emperor Ming of Han restored them. Since Wei and Jin, rulers had not wanted subjects to wear dragon robes, so men of ducal rank were given attendant offices instead. The crown prince's ritual standing now surpasses everyone else's; he should follow the great ceremonies of the sage-kings and set aside recent practice." He rose in due course to censor-in-chief of the inspectorate.
4
便
Jian answered: "The Changes is subtle and far-reaching and truly underlies all the classics; we cannot treat Wang Bi's commentary alone as sufficient. Keep Zheng Xuan's as before and give it equal standing with the later schools. Du Yu's commentary and tradition outstrip the earlier Confucians; the Guliang is a minor classic and needs no second commentary. Keep the Mao school's Brief Exemplar and adhere to the established form. On all these points I agree with your refined view. I doubt that the Classic of Filial Piety was annotated by Zheng Xuan. I take this book to illuminate the foremost of the hundred practices and to stand first in human relations; both the Qilue and the Yiwen place it among the Six Classics, not with primers such as the Cangjie or Fanjiang. Whether Zheng's commentary is genuine is disputed, but earlier ages did not mind; I believe it can rest undisturbed and should remain established as before."
5
便便
Jian took himself for erudite and believed he had read more than Cheng. Cheng told him: "Since youth I have had nothing to do but read; and my years and rank are already advanced. You have managed state affairs since you were young; though you grasp things at a glance, I doubt you have seen as many scrolls as I have." Jian gathered the academicians He Xian and others and held forth at length. Cheng waited until he had finished, then raised several hundred omissions Jian had never noticed. Jian could only sigh in admiration. At the Secretariat Jian brought out scarf-boxes, desk pieces, and assorted ornaments and had the academicians name as many as they could; each man took away one or two. Cheng arrived afterward, named several more items no one else knew, and took back the things the others had already claimed.
6
祿
He became regular attendant of the scattered cavalry, director of the secretariat library, rectifier for Wu commandery, and grand master for splendid happiness, with an additional appointment as palace attendant, and soon headed the imperial university as libationer. Prince Ziliang of Jingling acquired an ancient vessel with a narrow mouth, square belly, and flat base holding seven or eight sheng, and asked Cheng what it was. Cheng said: "This is called a fu-ni; the Chanyu gave one to Su Wu." Ziliang looked closely at the base and found characters faintly legible, exactly as Cheng had said.
7
祿
In the first year of Longchang, owing to age and illness, he was made grand master for splendid happiness with an additional appointment as regular attendant of the scattered cavalry; before he could assume office he died, and was given the posthumous name Jingzi.
8
Cheng was hailed in his day as a great scholar, yet read the Changes for three years without understanding it and tried to write a history of Song but never finished. Wang Jian teased him: "Master Lu is a walking bookcase." His house held many rare books others seldom saw; he wrote a geographical work and miscellaneous biographies that appeared only after his death.
9
簿
Cheng's younger brother Xian had offended the Song court and was condemned to die. On the road Cheng met palace attendant Wang Daolong and knocked his head until it bled; by this Xian was spared. Yangzhou registrar Gu Ce had pledged two slaves to Xian as security for a loan; after Xian died, his son Hui falsely claimed they had been sold outright. When Cheng became censor-in-chief, Ce was thwarted by him, and contemporaries thought somewhat less of Cheng for it.
10
Lu Huxiao
11
Lu Huxiao, style Shuming, was from Wu in Wu commandery, the great-great-grandson of Jin grand commandant Wan. From Wan down to Huxiao's grandfather Wanzai, the family had held the palace attendant post for generations, each man noted for character and conduct. Huxiao's uncle Zhongyuan also served as palace attendant; people of the day ranked the Lu with the Jin and Zhang clans.
12
His father Zizhen served Song as governor of Hailing. The secretariat attendant Qiu Dang was then in favor; his family was in Hailing, and he took leave to bury his father, but Zizhen would not deal with him. Dang asked for laborers to repair a bridge, but Zizhen refused on the ground that it would interfere with the harvest. Prince Pengcheng Yikang heard of it and praised him. Wang Sengda, a nobleman's son, was gifted and arrogant. As governor of Wu commandery he entered Chang Gate and said: "There are men of note over there. Gu Chen is one duke and two aides—a splendid house; Lu Zizhen has five generations of inner attendants—men of my own rank." Zizhen came back from Linhai because of eye trouble, was made master of the palace for scattered cavalry, and died.
13
Huxiao was upright and austere and kept to himself; Zhang Xu of the same commandery called him "the Pei and Yue of the lower Yangtze." He first answered provincial summons, was nominated cultivated talent, and served as traveling aide in several offices; when his mother grew old he went home to care for her and held no office for more than ten years.
14
殿
When Emperor Gao of Qi was regent, Huxiao was made acting registrar in the Secretariat. Neighbors came to congratulate him. Huxiao raised his cup and said: "Lu Huxiao is past thirty; his father-in-law runs personnel selection, and I am only now made a secretariat officer—do you really mean to celebrate this?"
15
The emperor memorialized to forbid extravagance; Huxiao drafted the reply edict, won the throne's praise, and was made libationer of the grand tutor's eastern pavilion. At the opening of Jianyuan he was made groom of the heir apparent. He Dian of Lujiang often said: "Huxiao's mind is like a bright mirror; whatever he meets, nothing stays obscure. Wang Siyuan is always as if holding ice—even in midsummer he seems frosted." People of the day took this for the plain truth.
16
便便
Huxiao and Zhang Rong lived on adjoining estates with a pond between them and two willows above the water. He sighed and said: "This pond is the Sweet Spring itself; these trees are the Hand-over Trees." When Prince Wuling Ye governed Kuaiji, the court carefully chose his staff, made Huxiao merit officer of the punitive campaign against the barbarians, and he took up his post together with the prince's aide Liu Qin of Pei. Qin was an upright man. When he reached Wu he said: "I hear Zhang Rong and Huxiao live side by side with water between them; it must have a special savor." So he had his carriage brought, went to draw from it, and drank. He said: "Drink this water and every trace of meanness is gone."
17
西
He Dian recommended Huxiao to Prince Yuzhang Ye, who made him aide to the minister of works and treated him with special favor. He rose in due course to adviser of the pacification of the west and concurrently recorder under the champion general.
18
使
The emperor's third son, Prince Ziqing of Luling, was made governor of southern Yuzhou. The emperor used his childhood name and told minister of works Prince Ziliang of Jingling: "Black Bear is dull as a bear; unless the foremost man in the realm runs affairs for him, he cannot hold down a province." Then he said: "I believe I have found the man." He then made Huxiao chief clerk with authority to act. When he took leave of the emperor, the throne asked: "How will you support Luling?" He answered: "Through stillness to cultivate the person, through frugality to nurture the nature. When there is stillness, people are not disturbed; when there is frugality, people are not wearied." The emperor was greatly pleased.
19
西
He later became right chief clerk under the minister of works. Xie Tiao of Chen commandery was then left chief clerk. Prince Ziliang of Jingling asked Wang Rong: "To whom in former ages can my household be compared?" Rong said: "Your Grace's two chief aides are the finest men under heaven; seldom in antiquity has their like been seen." Ziliang had books copied at his western lodge and put Huxiao in charge of the work.
20
西 便退
At the opening of Jianwu he was made chief clerk of the western central guard, retaining his authority to act and his post as interior governor. Soon he was summoned as gentleman of the yellow gate; before he could assume office he was made director of the ministry of personnel. Minister of works Wang Yan chose his disciples to fill important posts inside and outside the court; Huxiao appointed only a few and stopped. Yan resented him. He sent a female entertainer, wishing to establish friendly ties; Huxiao would not accept her. Chief clerk of the personnel bureau Li Zheng came to consult on selections; Huxiao acted on his own authority and never spoke with him. The emperor sent chief secretary Shan Jingjun to say: "The chief clerk knows the old precedents well; you may consult with him." Huxiao told Jingjun: "At sixty I can no longer consult the chief clerk in order to serve as director of personnel. If Your Majesty thinks me unfit, I shall shake out my robes and withdraw." The emperor feared him greatly. Later they wished to make him palace attendant, but stopped because he was short in stature. He went out as pacification of the north major under Prince Jin'an, chief clerk of the northern campaign, and governor of Donghai, with authority over the princely establishment and the province. He returned to court as minister of the five armies and acted for Yangzhou. After Cui Huijing's affair was settled, he concurrently held the post of general of the right army. He went out to oversee southern Xuzhou. Court discussion again favored making him palace attendant. Wang Liang said: "Ji and He need men; for now let us borrow him from the court to secure southern Yanzhou." Wang Ying and Wang Zhi both said: "The palace attendant post especially requires brilliance; for a frontier command there should still be a choice." Liang said: "Weigh the two: the court cap and scepter can wait, but repelling the enemy is urgent. The court today is very weak; we should follow what is urgent." He was therefore made assisting-state general and governor of southern Yanzhou with supervisory powers. When he reached his post he soon returned home on account of illness. He died and was posthumously made minister of ceremonies.
21
His three sons—Liao, Ren, and Chui—all had fine reputations; people of the day called them the Three Lus. When Huxiao was first appointed to Yanzhou, the three sons in turn each drafted a memorial declining the honor; the language was elegant throughout, and contemporaries sighed in admiration.
22
姿 西
Liao read widely in the Masters and histories and had a gift for subtle argument. He was handsome, with beard and brows as finely drawn as in a portrait. He served as chief administrator to the Marquis of Xichang and as governor of Shu commandery.
23
西
Chui, styled Zuogong, studied hard from boyhood and wrote with real skill. He built two thatched huts in his courtyard, shut out all callers, and read day and night like this for years. Whatever he read through once, he recited aloud from memory. Once he borrowed a Book of Han and lost four scrolls of the Treatise on the Five Phases; he secretly copied them out from memory and returned the book, scarcely a word missing. As a boy he struck his maternal grandfather Zhang Dai as extraordinary. Dai once told his sons, "This boy is the yang force of your house." At seventeen he was nominated as a provincial talent. When the inspector, Prince Ziliang of Jingling, opened his Western Residence and gathered brilliant men, Chui was invited.
24
簿
In the early Tianjian reign of Liang he was secretary to Prince Ancheng of the Right Army, became friends with Ren Fang of Le'an, and wrote an "Ode on Sensing a True Friend" for him; Fang answered with a piece named in his turn. When Fang became censor-in-chief, officials thronged about him; only Yin Yun, Dao Gai, Liu Bao, Liu Ru, Liu Xian, Liu Xiaochuo, and Chui were admitted to his gatherings—they called themselves the "Gatherings at Dragon Gate." Even sons of the highest families were not admitted. He was made eastern bureau aide to the Prince of Linchuan.
25
Emperor Wu of Liang admired Chui's talent and ordered him to write an inscription for the new water clock; the piece was superb. He rose to attendant-in-ordinary to the crown prince, then was ordered to write an inscription for the stone gate-tower; the throne praised the work and gave him thirty bolts of silk. He rose in due course to minister of ceremonies and died. His son Zuan was brilliant early; at seven he knew the classics, was made a youth attendant, and died. Next came Mian, who looked so like Chui that at a glance one could hardly tell them apart.
26
Shan, styled Shirui, was Chui's nephew. His father Ren had been censor-in-chief of the inspectorate. Shan had high aspirations from youth and was known for refined integrity. In the Chengsheng era of Liang he was vice director of the Secretariat and kept the crown prince's records. When Wei captured Jiangling, Shan slipped away in plain dress and made his way back to Jiankang.
27
Later he was again made censor-in-chief, but since his father had died in that post he firmly declined; when the court would not hear of it, he arranged a temporary swap of offices and moved into his father's old quarters. In the Taijian era he served in turn as minister of revenue, palace attendant, grand tutor of the crown prince, and right vice director of the Secretariat. He was soon made left vice director and helped manage personnel selection. By special edict he joined Xu Ling and six others in deliberating state affairs. He died and was posthumously made special grand master with the posthumous name Anzi. Because Shan had been an old crown prince official, the court specially granted him an ancestral funeral ceremony.
28
殿
Shan's son, only a few years old, was summoned into the palace by edict; his bearing recalled his father's, and Emperor Xuan therefore gave him the name Bianhui and the style Jingren.
29
Shan's nephew Jianxian was likewise upright and refined; he rose to minister steward and died.
30
Xian, styled Xiaye, was Huxiao's nephew. He had real force of character, would not make friends lightly, and in youth won the notice of Zhang Xu of the same commandery. He rose in office to vice governor of Yangzhou. When Emperor Ming of Qi died, Xian told those close to him, "The emperor is gone; the hundred offices will now look to the regent. The young prince holds heavy power but has little strength; he will never set things right—trouble is coming." He then feigned heart sickness and withdrew from prefectural business.
31
At the end of Yongyuan the governor, Prince Yao Guang of Shi'an, seized the Eastern Residence and rebelled; some urged Xian to flee. Xian said, "I am another man's officer—how can I run from death?" When the imperial army took the city, Xian was seized as a subordinate aide and taken to Old Woman Du's house; Chief Minister Xu Xiaosi reported that Xian had taken no part in the plot. Before the reply arrived, Xu Shibiao ordered him executed. Xian had four sons: Jue, Jiang, Wan, and Xiang. Jiang, styled Weiqing, was with Xian at the time; he threw his arms around his father's neck and begged to die in his stead, and when this was refused he covered him with his body—so the executioners killed them both.
32
西
Jue, styled Hanqing, had force of character from youth and loved to write. In the ninth year of Yongming of Qi the throne ordered officials to recommend talent; Gu Huozhi, western bureau aide on the left of the minister of works in the same commandery, memorialized in Jue's favor, and the province nominated him as a talent.
33
Literary composition was then at its height; Shen Yue of Wuxing, Xie Tiao of Chen commandery, and Wang Rong of Langya urged one another on as kindred spirits, and Zhou Yong of Runan had a keen ear for tone and rhyme. Yue and the others wrote with gong-shang tonal patterning, arranging the four tones—level, rising, departing, and entering—to govern rhyme, with faults called flat-head, upper-tail, wasp-waist, and crane-knee. Within five characters every tone had to differ; within two lines jue and zhi could not match; not a word could be added or dropped. People of the age called this the "Yongming style." After Shen Yue discussed the matter in his Song Shu biography of Xie Lingyun, Jue wrote to him:
34
調 便
Minister of the Household Fan writes in his preface, "By nature I distinguish gong from shang and clear from muddy tones, and I am especially able to balance weight and ease difficulty. Most writers ancient and modern never fully grasp this; even those who sometimes hit upon it need not have reached it from the root." The Minister of Rites also says, "Since Qu Yuan, this secret has never been seen. Some dimly accord with principle, not because thought led them there. Zhang, Cai, Cao, and Wang never saw it first; Pan, Lu, Yan, and Xie fell ever farther away. The gist was that "gong and shang must alternate, pitch must rise and fall in counterpoint; if the first line carries a floating tone, the next must answer with a sharp one; within a single line every tone must differ, and within two lines every stress must differ." The language was already fine, and the principle sound as well; but looking at the worthy writers of every age, they hardly seem wholly blind to this—so to say "this secret has never been seen" comes close to slander, does it not? Fan says, "not from the root"; the Minister of Rites says, "not because thought brought one there"—that is to misread feeling in cosmic terms and to pick out lines only to show off their tonal pattern. Fan also says, "sometimes one hits upon it"; the Minister of Rites says, "sometimes one dimly accords with principle." Then in fine songs and clear lyrics, wherever phrasing and rhyme meet, even with faults there are also points of accord. Push the argument further and the case can be stated plainly. Thought has its unions and partings, which even the sages of old could not escape; writing has its openings and blockages, which no work can lack. That is why Cao Zijian drew mockery from others, and why Lu Shiheng ended a piece with regret. If a work ends in regret, it is not a wholly perfect piece. Principle may be faulted; if a gentleman seizes on the fault and then calls what was sound obscure, how is that like pointing to what was sound and treating the fault as regret?
35
便
From Cao Pi's essay onward, clear and muddy tones were deeply discussed; Liu Zhen's memorial clearly set forth the force of form and momentum. Talk of jarring fit and smooth accord, discourse tying root to crown, raising dark and yellow in the pitch-pipes, comparing them to the harmony of the five colors— if this secret had never been seen, what were those discussions about? I think the earlier masters already knew jue and zhi long ago, but simply did not bend every detail to point it out as explicitly as your discussion does. As for hiding flaws and concealing faults, with few fits and many errors—that is what the man of Linzi said: "In human writing there can be no work without faults." That is what he meant. It is not that they knew and would not change; not to change is not to know—that is what Cao and Lu also meant by "pour out feeling and regret is plentiful; it cannot be forced by strength." That is what they meant. If one now speaks of faults and regrets, one must already know the ground where there is no regret and no fault. To cite what was incomplete or unfitting as obscurity—why slander only their one point of accord, their one point of mastery? I suspect substance and ornament differ by age and ancient and modern tastes diverge; the urgent concern was feeling and object, while phrasing was treated lightly. Feeling and object are what writing urgently seeks, and beauty and ugliness are still half and half; phrasing is what meaning treats lightly, hence few fits and many errors. When meaning embraces both, they surely were not ignorant. Changmen and Shanglin are scarcely the work of one hand; Luoshen and Chiyan became two different styles. Ban Mengjian was precise and upright, and his Historical Odes in no way fell short of the eastern patron; Zhang Pingzi was grand and rich, and his Hunting Rhapsody does not lag behind On the Void. Wang Can's First Journey—his other pieces could not match it; Yang Xiu was quick-witted, yet his Summer Rhapsody took days and was never submitted. Write freely with few faults and the work is done in a day; grow ever more obscure and hidden and the reasoning stretches to seven paces. One person's thought may be swift or slow as heaven and earth apart; one family's writings may be skilled or clumsy worlds apart—why demand that gong-shang pitch-pipes alone be uniform? Critics may say the reach has not been fully exhausted, but they may not say there was never prior insight. Yue replied:
36
便 調 調
The sounds of gong and shang are five; the distinctions among written characters number in the tens of thousands. To match tens of thousands of complexities to the restraint of five tones—high, low, light, and heavy—is not something thought alone can master, and that is not all. In a text of ten characters, reversed and paired, there are no more than ten characters; even a clever reckoner cannot exhaust the combinations—how much less when there are more? Since Qu Yuan, no one has truly applied it in his own breast, so there is no way even to catch its likeness. If the art is so marvelous, yet the sages did not esteem it—why? This is because the subtlety of bent tonal pattern has no bearing on doctrinal meaning; it is not what sages and philosophers urgently seek in profound discourse—therefore Yang Ziyun compared it to "carving insects and seal script" and said, "A full-grown man does not do it." Writers of old—did they not know gong from yu, shang from zhi? Though one knows the five tones differ, the shifting gradations within them remain much obscure—hence my humble view that "this secret has never been seen." That is what I meant. Push this reasoning onward and one sees that writers of earlier ages simply had not grasped this point. If the tonal pattern of literary composition is the same as the sound and melody of lute and pipe, then beauty and ugliness, fair and foul, cannot suddenly turn contrary—just as when Ziye plays a tune, how could there suddenly be a slow, off-key note? Compare Goddess of Luo with Prince Si of Chen's other rhapsodies and they seem the work of different hands—when natural talent awakens, pitch and tone fall into place by themselves; when the six emotions stall, rhythm and rhyme suddenly go wrong. Lu Shiheng said writing should be 'brilliant as brocade,' yet could brocade washed in river waves still contain a scrap of Duke Wen of Wei's shabby garment? That is what Mr. Lu said—and even that does not exhaust the point. Rhyme and non-rhyme also have finer and coarser grades; Lun Bian could not put his craft into words, and this old man cannot fully debate the matter either. Shen Yue's discourse on the four tones is finely argued, yet the various rhapsodies also often clash with sound and rhyme.
37
祿
At the time there was a Wang Bin, and no one knew where he came from. He wrote the Discourse on the Four Tones, which circulated at the time. Bin had first been a Daoist monk. He read widely in the classics, was naturally gifted in debate, wrote well, and could preach and lead others, but paid no attention to dress or deportment. Once, dressed in ragged clothes, he went to Waguan Temple to hear Master Yun lecture on the Satyasiddhi Treatise. Every seat was taken except one beside Abbot Huichao, and Bin simply sat down next to him. Huichao could not bear it and cursed him: "What is this monk doing here? Ragged as Duifu, he rudely offends people." He then ordered him thrown out. Bin smiled and said: "If there is an abbot who records merit, why should there not be a rough-shod monk too?" He did not budge. Then he joined the discussion and pressed hard questions; his language was clear and polished, and everyone in the hall watched him. Later he returned to lay life and amused himself with poetry and music; no one could quite classify his talent.
38
In the first year of Yongyuan the Prince of Shi'an, Yaoguang, rebelled. Jue's father Xian was executed, and Jue was imprisoned in the imperial workshops. An amnesty soon followed, but Jue died of grief, aged twenty-eight. His collected writings circulated in his day.
39
At the time Yu Yan of Kuaiji, noted for literary talent, together with Shen Yue enjoyed extraordinary favor from Crown Prince Wen Hui and rose to General of the Valiant Cavalry.
40
Xiang, styled Shiqing, was Jue's fourth younger brother. His original name was Shuai, styled Zhaoqing, but a memorialist mistakenly wrote the character as Xiang, so Emperor Wu of Liang changed it to Xiang, styled Shiqing.
41
In the third year of Tianjian, Fan Xiu, minister of justice, memorialized recommending Xiang, and he began his career as editorial aide. Later Crown Prince Zhaoming, Tong, heard of Xiang's conduct and learning and asked Emperor Wu to bring him into his company. From secretary to the Prince of Luling he was appointed crown prince's groom, then promoted to palace aide; in both posts he managed the diary. He was sent out as acting inspector of Yangzhou, but because his father had died in that post he firmly declined. The emperor refused, but allowed him to swap offices with the prefectural aide and live in that residence instead.
42
漿 漿
Crown Prince Zhaoming honored the aged. Xiang's mother was nearly eighty, and together with Xiao Chen, Fu Zhao, and Lu Gao he sent monthly inquiries and gifts of delicacies and clothing. Xiang's mother often suffered sudden heart pain, and the prescription called for three sheng of millet gruel. It was winter and nearly dusk; they searched everywhere without success. Then an old man came to the door selling exactly the amount prescribed. They were about to pay him when he vanished. People at the time attributed it to Xiang's filial devotion.
43
使
Later he became the crown prince's household steward and again managed the diary, but left office when his mother died. Xiang was already fifty and mourned so severely that he exceeded ritual propriety. The crown prince worried and sent messengers every day to admonish him.
44
忿
There were also the Peng and Li families, who had quarreled in anger and then brought false accusations against each other. Xiang brought them into an inner room, did not rebuke them, and gently reasoned with them. The two men were grateful and deeply repented. He then set out wine and food for them to enjoy together; when the drinking was over they rode back in the same carriage and became close friends. People also sang: "Under Lord Lu's rule there are no feuding families. When the quarrel ends, enemies ride in the same carriage." He governed for six years, and the commandery was greatly at peace. Four hundred and twenty commandery residents, including Li Ming, went to court with a memorial praising Xiang's virtuous rule and asking that a stele be erected in the commandery; the throne granted it. They also memorialized asking that Xiang be kept on, but Xiang firmly asked to return home.
45
Xiang suffered family disaster at capping age. After mourning ended he still lived as though in grief; all his life he ate plain food and wore coarse cloth, would not listen to music, and for fifty years never spoke of killing. After Hou Jing was suppressed, Emperor Yuan posthumously made him palace attendant and enfeoffed him as Marquis of Yugan County.
46
Lu Yungong
47
Yungong, styled Zilong, was the son of Xiang's elder brother Wan. Wan served as chief clerk of Ningyuan and as magistrate of both Langya and Pengcheng commanderies.
48
西
At five Yungong could recite the Analects and Mao's Odes; at nine he read the Book of Han and could largely remember it. His father's cousin Wei and Liu Xian of Pei tested him with ten questions; Yungong missed none, and Xian marveled at him. When grown he loved learning, had literary talent, and served as traveling aide to Prince Xiao Yi of Xiangdong, general who pacifies the west. Yungong had earlier composed the Taibo Temple stele. Zhang Zuan, administrator of Wuxing, read it while passing through after leaving office and sighed: "This is today's Cai Yong." When Zhang reached the capital and took charge of appointments, he told the emperor, who summoned Yungong as secretariat protocol officer. Yungong entered duty at the Shouguang Bureau and concurrently handled the editorial director's affairs. He rose through the ranks to secretariat yellow gate officer and concurrently managed editorial work.
49
鯿
Yungong was skilled at go. Once, while attending the emperor at night, his martial cap touched the candle flame. The emperor smiled and said: "The candle is burning your marten fur." The emperor was about to appoint him palace attendant, and so joked with him in this way. At the time a new bream-shaped boat, broad and short, had been built at Tianquan Pool, and in his leisure the emperor often sailed it. At court he invited only Director of Ceremonies Liu Zhilin, director of the National University Dao Gai, and Right Guard Zhu Yi; though still young in years and rank, Yungong was also included.
50
He died in the first year of Taiqing. Zhang Zuan was then in Xiangzhou and wrote to Lu Yan, Yungong's uncle and Xiang's elder brother, saying: "Mail from the capital has arrived. I learn that your worthy elder brother's worthy younger brother, the yellow gate officer, has died—not only has your noble house lost a treasure, but all who knew him mourn together." Such was the esteem in which he was held among gentlemen.
51
Yungong's paternal cousin Caizi also had a literary reputation. He served as crown prince's household steward and commandant of justice, and he and Yungong both had collected writings in circulation.
52
退
Yungong's son Qiong, styled Boyu, was clever from childhood and had thoughtful judgment. At six he wrote pentasyllabic poems with real literary grace. Near the end of Datong, Yungong received an edict from Emperor Wu of Liang to revise go rankings, and Dao Gai, Zhu Yi, and others all gathered. Qiong was then eight. Before the guests he reconstructed the whole board from memory, and thereafter the capital called him a prodigy. Zhu Yi told the emperor, who summoned Qiong. His bearing was alert and bright, his manners careful and measured, and the emperor was greatly impressed.
53
西
At eleven he entered mourning for his father and grew so emaciated with grief that his sincerity was unmistakable. His father's cousin Xiang sighed: "This boy will surely sustain the house—as they say, one is not too few." When Hou Jing rebelled, he fled with his mother to the western district of the county, studied hard day and night without rest, and became broadly learned and skilled at writing.
54
殿
During the Tianjia era of Chen he rose through literary talent to secretariat acting registrar. Qiong had long enjoyed a fine reputation and was deeply valued by Emperor Wen of Chen. When the court campaigned against Zhou Di, Chen Baoying, and others, all capital proclamations and major state documents were entrusted to Qiong by imperial order. He was transferred to literary aide to the Prince of Xin'an and managed the eastern palace diary.
55
西 西
When Emperor Xuan became minister of works and carefully selected aides, Minister of Personnel Xu Ling recommended Qiong to him, saying: "Qiong is quick and discerning, fully adequate in history and letters. He entered the secretariat long ago and has waited too long. The left western aide post is vacant and he truly deserves the appointment. Though his rank would be slightly above precedent, his long stagnation has already piled up." He was then appointed left western aide of the minister of works. Soon he also served as regular attendant of the general-in-chief of expeditious cavalry and went as envoy to Northern Qi.
56
In the Taijian era he became supervising secretary and yellow gate officer, then household steward, concurrently headed the grand editorial office, and compiled the national history. When the later lord acceded, he entered duty at the secretariat and managed edicts and proclamations. In the first year of Zhide he was appointed minister of revenue, participated in selection affairs, managed grand proclamations, and concurrently judged cases for the commandant of justice and the two prisons of Jiankang. Earlier Qiong's father Yungong, by edict of Emperor Wu of Liang, had compiled a Record of Auspicious Omens. Qiong followed his intent and continued it from Yongding through Zhide, completing a unified work. He was transferred to minister of personnel while keeping his editorial duties. Qiong was thoroughly versed in genealogical registers and had excellent discernment. When Minister of Personnel Zong Yuanrao had earlier died, Vice Director Yuan Xian recommended Qiong, but Emperor Xuan had not yet appointed him. Now that he held the post, he was said to be fully adequate to it.
57
祿
Qiong was modest and frugal by nature and did not promote himself. Though rank and reputation rose daily, his resolve grew ever humbler. He altered none of his gardens, ponds, or dwellings; he did not favor splendid carriages, horses, or clothes; he gave his seasonal salary to the clan, and his household had no surplus wealth. In his later years he deeply embraced knowing when to stop. Wishing to avoid power and influence, he constantly pleaded illness and declined to attend to business.
58
Soon he entered mourning for his mother. When Qiong first served the eastern palace, his mother lived with him in the official residence. When she died and he returned home, the throne added funeral gifts; the later lord himself composed the epitaph, and court and country honored him for it. Qiong mourned so excessively that he died in the fourth year of Zhide. A collection in twenty fascicles circulated in his day.
59
Lu Congdian
60
便
Congdian, styled Youyi, was clever from childhood. At eight he read Shen Yue's collected works, saw a palindrome inscription on an inkstone, took up the brush to imitate it, and at once produced a fine piece. At twelve he wrote a Willow Rhapsody of very fine wording. His father's cousin Yu especially prized and loved him. When Yu was near death he entrusted all the family's books and writings to him. Congdian then collected Yu's writings into ten fascicles and also wrote a preface to the collection in very polished prose.
61
西 簿
Congdian devotedly loved scholarship, read widely, and served as crown prince's groom and left western aide of the minister of works. After Chen fell he entered Sui and served as editorial aide. Vice Director Yang Su memorialized that Congdian continue Sima Qian's Records of the Grand Historian down to Sui. The book was not finished, and he was dismissed because his younger brother accepted office under Prince Liang of Han. He later died while serving as chief secretary of Nanyang County.
62
Yan, styled Wenyu, was Qiong's paternal cousin. His father Linggong was secretary to the Prince of Xuancheng, general of the central army, under Liang.
63
殿 使 使
Yan was orphaned young, loved learning, had firm character, and was nominated as a provincial talent. He rose through successive appointments to external military aide to the Prince of Shixing, entitled Xuanhui, and scholar on duty at the Jiade Hall. In his spare moments from governing, Emperor Wen of Chen took a keen interest in historical records. Finding Yan broadly learned and gifted at recitation from memory, he kept him close at hand. Once the emperor asked him to compose an inscription for a knife. Yan took up the brush and finished at once without changing a word. The emperor admired him at length and gave him a suit of clothes. Soon he also served as regular attendant of the general-in-chief of expeditious cavalry and accompanied Hou, Prince of Langye, on a goodwill mission to Northern Qi. When they reached Ye, Hou died, and Yan became chief envoy. He was then just over twenty, graceful and bright in bearing, quick and polished in audience and reply, and the gentry of Qi were deeply drawn to him. At the beginning of the Taijian era he served as staff officer in the household of the Prince of Wuling, entitled Mingwei, and concurrently as eastern palace diary keeper. When his mother died he resigned office and soon died. In the second year of Zhide he was posthumously enfeoffed as minister of agriculture.
64
Yan wanted little and contended little; his heart rested in the classics, and he was perfectly at ease. Most of the writings he composed did not survive in the original drafts. The later lord sought out his remaining texts and had them compiled into two scrolls.
65
His younger brother Yu, styled Ganyu, devoted himself to learning from youth, had fine literary talent, and was nominated as a provincial talent. After a second promotion he became external military aide to the Prince of Jin'an, military adviser, and eastern palace scholar. His elder brother Yan was then diary keeper. Both entertained the heir with their learning, and contemporaries compared them to the two Yings.
66
祿
In the Taijian era he rose in succession to palace groom of the heir apparent and palace attendant of the heir apparent. Yu was quick-witted with a strong memory. He regularly studied Zhuangzi and Laozi under Zhou Hongzheng of Runan and the Treatise on the Completion of Truth under Master Sen Tao, mastering the main principles of both. At that time the crown prince loved learning and wished to read widely, but the collected writings were too numerous, so he ordered Yu to copy and compile them. The work was not finished before Yu died. The crown prince wept for him, personally composed a sacrificial text, and together with household steward Jiang Zong discussed his virtues in language deeply mournful. In the second year of Zhide he was posthumously enfeoffed as director of the imperial household. He left collected writings in ten scrolls. Yu had a paternal cousin Jie and a younger paternal cousin Chen. Jie, styled Runyu, was the son of Yan, director of imperial construction. He was refined and discerning, loved learning, and could compose prose. When the later lord was in the eastern palace, Jie was summoned as diary keeper and concurrently served as palace attendant of the heir apparent. Before long illness left him blind. When he was about to return home, the crown prince removed his own garment and gave it to him, weeping as he did so. He died in the eighth year of Taijian. In the second year of Zhide he was posthumously enfeoffed as director of the palace revenues. He left collected writings in ten scrolls.
67
Chen, styled Jieyu, was the son of Qiugong, chief clerk to the Prince of Linchuan, entitled Xuanyi. From youth he was sharp and talented and was known for filial devotion to his stepmother. When the later lord succeeded to the throne, Chen became supervising secretary and yellow gate officer and secretariat drafter, participating in confidential affairs. Chen's character was rather careless. For leaking palace secrets he was sentenced to death by edict.
68
Lu Gao, styled Mingxia, was from Wu in Wu commandery. His grandfather Hui, styled Xiuyou, served in Song as acting magistrate of Jiankang. Upright and impartial, he was favored by Emperor Wen. In the fifteenth year of Yuanjia he was appointed general of the suppression of Yue and governor of Guangzhou with supervisory powers. His clean reputation was second only to Wang Zhenzhi's, and gentry and commoners alike praised him in song. In the twenty-third year he became governor of Yizhou, also with supervisory powers. He cared for the distressed with method, authority and kindness were both manifest, bandits were stilled, people and goods flourished, and the land of Shu was at peace. He died in office. On the day of his death his household had no surplus wealth. Emperor Wen deeply mourned him and gave him the posthumous title Marquis Jian. His father Rui served as assistant director of Yangzhou.
69
殿 西
Lu Gao loved learning from youth and was skilled at calligraphy and painting. His maternal uncle Zhang Rong had a lofty reputation, and Lu Gao's bearing and carriage were much alike. People at the time said, "Under the sun there is no peer—only uncle and nephew." He served as acting registrar in the secretariat's central office. On the day of his appointment all the chief ministers and their assistant directors came to the upper secretariat to exchange courtesies, but Lu Gao arrived late and missed the appointed hour, and for this he was dismissed from office. Later he served as aide to the minister of works. When the Liang regime was established, he became western aide in the chancellor's office.
70
In the fifth year of Tianjian he held the post of imperial censor. His nature was upright and unyielding, and he looked to no one for favor. At that time Yu Jian, magistrate of Shanyin, had embezzled several million while in office. Lu Gao memorialized to have him arrested and impeached. Secretariat drafter Huang Muzhi asked Lu Gao to intervene in Jian's case, but Lu Gao did not reply. When Emperor Wu of Liang heard of it he questioned Lu Gao, who answered, "So it is." The emperor said, "Do you know Muzhi or not?" He answered, "I do not know the man." At that time Muzhi was at the emperor's side. The throne pointed and said, "This is the man." Lu Gao said to him, "You are a petty man—how dare you ask the censorate to take up a criminal case for you?" Muzhi turned pale. General of the garrison Zhang Ji was Lu Gao's maternal uncle. Lu Gao once impeached Ji on official business, and Ji, while attending a banquet, complained to the emperor: "Lu Gao is my close relative by marriage, yet for a trifling matter he impeached me without mercy." The emperor said, "Lu Gao's duty is to handle such matters—how can you take offense?" At the censorate Lu Gao was known as one who did not fear the powerful.
71
祿
He served as grand administrator of Yixing. In the commandery he was generous and kind, and those below praised him. He successively held the posts of minister of the left household and director of the imperial ancestral temple. He went out as interior administrator of Linchuan. As he was about to depart he took leave of Emperor Wu and, while seated, submitted an open petition requesting permission to recruit personal retainers. The emperor asked why he had not submitted it through the responsible office for formal review. Lu Gao answered that the responsible office would not accept it. The emperor was rather displeased, but because Lu Gao was already on the road he did not pursue the matter. Later he returned to court as grand master with gold seal and purple ribbon with special advancement. He died and was given the posthumous title Marquis Zhi. Lu Gao had long believed in Buddhism, kept the precepts with great strictness, and wrote Biographies of Monks in thirty scrolls.
72
His younger brother Xu was broadly learned and thoughtful, held the post of household steward to the crown prince, and wrote a History of Jin that was not completed. He also wrote History of the Lu in fifteen scrolls and Record of Lichuan in one scroll, both of which circulated at the time.
73
祿
His son Zhao, styled Dongyuan, devoted himself to learning from youth, read widely in many fields, and was skilled at composition. When Jianwen held a princely fief, Zhao served as recorder on his staff and wrote the preface to the prince's collected writings. He was gradually promoted to household steward of the heir apparent and diary keeper, and was treated with great favor. In the seventh year of Datong he asked to leave office because his mother was old. Officials from the three highest ranks down saw him off at the Zhenglu Pavilion, and the crown prince bestowed fifty catties of gold. People of the time compared him to Shu Guang. After his mother died, he later held the post of grand master for splendid happiness until his end.
74
Earlier, when Jianwen was at Yongzhou, he compiled Linked Pearls of the Dharma Treasure. Zhao together with the assembled worthies copied, selected, and arranged the material for several years. In the sixth year of Zhongdatong the book was completed, and the throne ordered the Prince of Xiangdong to write the preface. Its authors included palace attendant and director of the imperial university Xiao Zixian of Nan Lanling and thirty others, and it was compared to the Imperial Overview of Wang Xiang and Liu Shao.
75
The judgment says: Lu Cheng's learning was praised as ancient and broad, yet its application did not suit the present age. When a Ganjiang sword is valued in its time, what is prized is its power to cut decisively; if in affairs it cannot handle every task thoroughly, the epithet "library cupboard" finds its target. Shuming kept himself in check and was nearly a man others looked up to. Refined tradition passed down through him—one may call him a bearer of virtue. Lu Gao was praised for honest uprightness; Zhao attained advancement through letters—are these also worthy of praise? Formerly Lu Hui had a biography, but the record of his deeds is rather sparse; it is now appended above his grandson Lu Gao, thus.
← Previous Chapter
Back to Chapters
Next Chapter →