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卷481 列傳二百六十八 儒林二 顾炎武 张尔岐附:马骕 万斯大兄:斯选 子:经 从子:言 胡渭子:彦昇 附:葉佩荪 毛奇龄附:陆邦烈 阎若璩子:咏 附:李铠 吴玉搢 惠周惕子:士奇 孙:栋 附:余萧客 陈厚耀 臧琳玄孙:庸 礼堂 任启运 全祖望附:蒋学镛 董秉纯 沈彤附:蔡德晋 盛世佐 江永程瑶田 褚寅亮 卢文弨顾广圻 钱大昕族子:塘 坫 王鸣盛附:金曰追 吴凌雲 戴震附:金榜 段玉裁附:钮树玉 徐承庆 孙志祖附:翟灏 梁玉绳 履绳 汪家禧 刘台拱附:朱彬 孔广森 邵晋涵附:周永年 王念孙子:引之 附:李惇 贾田祖 宋绵初 汪中附:江德量 徐復 汪光爔 武亿 庄述祖再从子:庄绶甲 同族:庄有可 戚学标附:江有诰 陈熙晋 李诚 丁杰附:周春 孙星衍附:毕亨 李贻德 王聘珍 凌廷堪附:洪榜 汪龙 桂馥附:许瀚 江声附:孙沅 钱大昭子:东垣 绎 侗 附:朱骏声

Volume 481 Biographies 268: Confucian Scholars 2: Gu Yanwu, Zhang Erqi with: Ma Su, Wan Sida elder brother: Si Xuan, son: Jing, Cong son: Yan, Hu Wei son: Yan Sheng, with: Ye Peisun, Mao Qiling with: Lu Banglie, Yan Ruoqu son: Yong, with: Li Kai, Wu Yujin, Hui Zhouti son: Shi Qi, Sun :dong, with: Yu Xiaoke, Chen Houyao, Zang Lin Xuan Sun : Yong, Li Tang, Ren Qiyun, Quan Zuwang with: Jiang Xueyong, Dong Bingchun, Shen Tong with: Cai Dejin, Sheng Shizuo, Jiang Yong Cheng Yao Tian, Chu Yinliang, Lu Wen Chao Gu Guang Qi, Qian Daxinzu son: Tang, Dian, Wang Mingsheng with: Jin Yuezhui, Wu Lingyun, Dai Zhen with: Jin Bang, Duan Yucai with: Niu Shu Yu, Xu Chengqing, Sun Zhizu with: Di Hao, Liang Yusheng, Lv Sheng, Wang Jiaxi, Liu Taigong with: Zhu Bin, Kong Guangsen, Shao Jinhan with: Zhou Yongnian, Wang Niansun son: Yin Zhi, with: Li Dun, Jia Tianzu, Song Mianchu, Wang Zhong with: Jiang Deliang, Xu Fu, Wang Guangxi, Wu Yi, Zhuang Shu Zu Zai Cong son: Zhuang Shoujia, Tong Zu : Zhuang You Ke, Qi Xue Biao with: Jiang Yougao, Chen Xijin, Li Cheng, Ding Jie with: Zhou Chun, Sun Xingyan with: Bi Heng, Li Yide, Wang Pinzhen, Ling Tingkan with: Hong Bang, Wang Long, Gui Fu with: Xu Han, Jiang Sheng with: Sun Yuan, Qian Dazhao son: Dong Yuan, Yi, Dong, with: Zhu Junsheng

Chapter 481 of 清史稿 · Draft History of Qing
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Chapter 481
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1
Biography 268.
2
Confucian Scholars, Part Two.
3
耀
This chapter treats Gu Yanwu, Zhang Erqi, Wan Sida, Hu Wei, Mao Qiling, Yan Ruoqu, Hui Zhouti, Chen Houyao, Zang Lin, Ren Qiyun, Quan Zuwang, Shen Tong, Jiang Yong, Chu Yinliang, Lu Wenjiao, Qian Daxin, Wang Mingsheng, Dai Zhen, Duan Yucai, Sun Zhizu, Liu Taigong, Kong Guangsen, Shao Jinhan, Wang Niansun, Wang Zhong, Wu Yi, Zhuang Shuzu, Qi Xuebiao, Ding Jie, Sun Xingyan, Wang Pinzhen, Ling Tingkan, Gui Fu, Jiang Sheng, and Qian Dazhao.
4
'''' '' '' ''
His vitality was extraordinary: from boyhood to old age he was never without a book in hand. Wherever he traveled he loaded his books on two mules and two horses; at frontier posts and watchtowers he would summon old soldiers and question them about the terrain, and whenever their account disagreed with what he had learned he would open his books and check. On open plains he would recite from memory the commentaries on the classics as he rode. He once told friends in a discussion of learning: "For more than a century scholars have talked endlessly about mind and human nature, yet remain utterly confused about what these mean. Destiny and benevolence the Master rarely discussed; and nature and the Way of Heaven were topics Zigong said he had never heard explained. The principles of nature and fate are set forth in the Changes, yet the sage never made a habit of preaching them. When answering students he urged them to 'conduct themselves with a sense of shame'; in study he taught them to 'love antiquity and pursue it diligently.' In instructing Duke Ai on cultivating goodness, he began with broad learning. Yan Hui, who came close to sainthood, still prayed, 'Enrich me with culture.' From Zengzi downward, none was so solid and practical as Zixia; on benevolence he said, 'Learn broadly and hold firm purpose, inquire earnestly and think on what is near at hand.' Today's scholars do the opposite: they assemble dozens or hundreds of guests and pupils and lecture them on mind and nature; they abandon wide learning for a shortcut to unity, ignore the suffering of the empire, and discourse on subtle metaphysical unity; as if their Way surpassed the Master's and their disciples outshone Zigong. Mencius too speaks earnestly of mind and nature; yet the questions of Wan Zhang, Gongsun Chou, Chen Dai, Chen Zhen, Zhou Xiao, and Peng Geng, and Mencius's answers, usually turn on advancement and withdrawal, acceptance and refusal, giving and taking. Thus nature, fate, and Heaven—what the Master seldom mentioned—are what today's scholars never stop talking about. The ethics of public service and retirement, of accepting or refusing office and gifts—what Confucius and Mencius discussed constantly—is what today's scholars rarely mention. What then do I mean by the Way of the sages? I say: 'Learn broadly in culture; conduct yourself with a sense of shame.' From the cultivation of the self to the ordering of empire and state—all belong to learning. From the duties of son, minister, younger brother, and friend to every social exchange of giving and receiving—shame applies everywhere. A scholar who does not put shame first is rootless; without love of antiquity and wide learning, his study is hollow. Rootless men pursuing hollow learning may daily invoke the sages, yet I see them only drifting farther from them."
5
滿
He also sought out worthy elders everywhere, discussing scholarship with an open mind and without pretension. In his "Broad Masters" he wrote: "In learning that spans heaven and humanity, firm and unshakable—I am not the equal of Wang Yinxi; in reading for oneself and plumbing the deepest mysteries—I am not the equal of Yang Xuechen; in mastery of the Three Rites alone, standing out as a classicist—I am not the equal of Zhang Jiruo; in detachment from the world and natural spontaneity—I am not the equal of Fu Qingzhu; in arduous self-taught scholarship—I am not the equal of Li Zhongfu; in enduring every hardship and adapting to the times—I am not the equal of Lu Anqing; in encyclopedic memory and mastery of books—I am not the equal of Wu Zhiyi; in elegant prose and a generous heart—I am not the equal of Zhu Xichang; in tireless love of learning and devotion to friends—I am not the equal of Wang Shanshi; in mastery of the Six Scripts and faithful love of antiquity—I am not the equal of Zhang Lichén. As for eminent men in office, many are also worthy of praise, but that is not for a common scholar like me to judge."
6
His elder brother Si Xuan, styled Gongze. He studied under Huang Zongxi. He held that learning must be tested in one's own conduct before it qualifies as genuine scholarship. Applying this in practice, he grasped that intent is the mind's abiding master, not something the mind produces. Principle resides within material force; it does not exist prior to qi. His moral cultivation was pure. He died at sixty. Huang Zongxi wept bitterly and said, "Of all who studied with me in Ningbo, only one could carry on Jishan's tradition—and now he is gone!"
7
沿 使
He also wrote Clarifying the Diagrams in ten juan, devoted specifically to settling the questions of the Hetu and Luoshu. Originally Chen Tuan developed the principles of the Changes into a series of diagrams based on the classic itself; when the hexagram lines were examined against them, everything matched. Later transmitters mystified the doctrine and attributed the diagrams to Fuxi, claiming the Changes were derived from the diagrams rather than the reverse. Drawing on the Appended Remarks' mention of the Hetu and Luoshu, they used Great Expansion numerology to construct a fifty-five-dot diagram for the Hetu; and the Taiyi Nine Palaces method from the Chapters on the Qian Trigram to make a forty-five-dot diagram for the Luoshu; whose yin-yang and odd-even patterns were made to match the Changes point for point. Transmitters went further, treating the diagrams as literally borne by the dragon-horse and divine tortoise and claiming Fuxi derived the Prior Heaven diagrams from them. In fact no pre-Tang text attests to them; they appeared suddenly in the Northern Song. From Shao Yong to Zhu Xi scholars seized on numerical coincidences without tracing their antiquity, so the first nine diagrams in the Essentials of Learning and the Original Meaning all followed this account. Yuan Shu and Xue Jixuan dissented at the time, yet Zhu Xi had commissioned Cai Yuanding to draft the Essentials rather than writing it himself, and his collected works say: "The Essentials were meant to have students work from the Great Commentary's account of hexagrams and stalk-divination, not indulge in empty speculation. Yet even the Hetu and Luoshu, viewed today, still contain redundant passages." The nine diagrams prefacing the Original Meaning were added by disciples; Zhu Xi himself never firmly endorsed them. Chen Yingrun's Meaning of Line Changes first identified the diagrams as Daoist borrowings. Wu Cheng, Gui Youguang, and others followed in attacking them; Mao Qiling and Huang Zongxi argued most fiercely. Yet each attacked from his own angle without tracing origins fully or exposing every source. Hu Wei cited ancient texts on the Hetu, Luoshu, Five Phases, Nine Palaces, Cantong, Prior and Posterior Heaven, Supreme Ultimate, Dragon Diagram, Hidden Numbers, and related abuses, cross-verifying them to close the mouths of those who relied on forgery. He showed scholars that Hetu-Luoshu doctrine was a side branch of alchemy and numerology, not the foundation of the Changes—a contribution to classical learning even greater than his Pointer to the Yugong.
8
穿
In Correcting the Hongfan in five juan he argued that Han scholars' focus on omens and forced Five-Phase schemes, like weft apocrypha, corrupted the classic on moral order—harm one; that the Luoshu text remains in the Hongfan and was not tortoise script, yet Song scholars invented dot diagrams and ninety positions, turning prose into charts—Liu Mu and Cai Jitong endlessly revising them—harm two; that the Hongfan had no textual corruption until Wang Bai and Hu Yizhong tampered with it—harm three. In Wings to the Authentic Great Learning in seven juan he broadly followed Zhu Xi, arguing only that the investigation-of-things chapter needed no supplemental commentary and refuting Wang Yangming's revised text. His views were concrete and practical, far surpassing vague talk of nature, fate, principle, and qi.
9
He first wrote Continued Commentary on the Mao Odes in thirty-eight juan; fleeing enemies on the Yangzi and Huai he lost the manuscript and rewrote from memory the Abbreviated Airs, Notes on the Odes, and Record of the Scribes. At Jiangxi he discussed the Odes with Yang Hongcai in Shi Runzhang's residence and wrote one juan on the subject. When Feng Fang of Ningbo forged Zigong's and Shen Pei's commentaries in the Jiajing era, Mao wrote five juan refuting them with citations from many sources. After entering office he presented his Comprehensive Rhymes Through the Ages in twelve juan; the emperor approved and ordered them sent to the Historiography Institute.
10
After retirement he rented lodgings in Hangzhou and wrote the Zhongshi Changes, one hexagram per day for sixty-four days, attributing it to his brother Xiling's unfinished teachings—hence "Zhongshi." He also wrote Beginning and End of Changes in four juan, Divination Book of the Spring and Autumn in three juan, Brief Notes on the Changes in five juan, Rhymes of the Changes in four juan, and one juan each on errors in the Hetu-Luoshu and criticisms of the Supreme Ultimate Diagram. His commentaries on the Changes drew on Xun, Yu, Gan, and Hou and also hexagram transformation and synthesis. While grading Spring and Autumn papers as an examiner he had rejected the partiality of the Zuo commentary; he now wrote thirty-six, two, and four juan on the classic with clear organization and rigorous evidence. He hoped to complete a full Rites commentary but his illness prevented it; instead he wrote Q&A on wedding, mourning, sacrifice, clan law, temples, suburban rites, and schools, often anticipating what earlier scholars had missed. He also produced textual studies of the Analects, Great Learning, Doctrine of the Mean, and Mencius, and in Evidential Text of the Great Learning and Questions on the Filial Classic he used ancient and modern sources to refute later alterations of the canon.
11
Skilled in music theory, he possessed a Tang flute chart from a Ming imperial fief and at the Historiography Institute wrote the Jingshan Music Record in four juan based on it. After retirement he heard the emperor's lecture on the pipe-ratio method of tone generation and wrote two and eight juan explaining and verifying it. In the thirty-eighth year of Kangxi, when the emperor toured the south, Mao met him at Jiaxing and presented two juan; the emperor warmly praised and rewarded him. On the emperor's third southern tour to Zhejiang he again presented himself and received an imperial calligraphic scroll. He died at home in the fifty-second year of Kangxi, aged ninety-one. His disciple Jiang Shu edited his collected works into classics and prose: fifty works in the classics section from the Zhongshi Changes onward, and two hundred thirty-four juan of poetry, fu, prefaces, and miscellany in the prose section. The Complete Library catalogue lists more than forty of his works. His correction of the Hetu and Luoshu and attack on heterodox learning were especially valuable to classical studies. His recorded disciples included Li Gong, Lu Banglie, Sheng Tang, Wang Xi, Zhang Dalai, Shao Tingcai, and many others. Li Gong and Shao Tingcai have biographies of their own.
12
His son Yong. Yong passed the jinshi examination in the forty-eighth year, served as Secretariat Drafter, and was himself a capable writer. Contemporary scholars included Li Kai and Wu Yujin.
13
Hui Zhouti, styled Yuánlóng, originally named Shu, was a native of Wu County. His father Yousheng taught the Nine Classics in the countryside and was a friend of Xu Fang. Zhouti studied under Xu Fang in his youth and also studied with Wang Wan. In Kangxi 18 he was nominated for the erudition examination but was in mourning and did not compete. In the thirtieth year he passed the jinshi examination and was appointed a Hanlin Bachelor. After leaving the Academy he was appointed magistrate of Miyun County, where he governed well until he died in office.
14
谿
Zhouti was deeply versed in the classics; his prose was measured and disciplined. He wrote a Commentary on the Changes, Questions on the Spring and Autumn and Three Rites, and the Yanxi Poetry and Prose Collection. In his two-juan Commentary on the Odes, he held that the Greater and Lesser Ya sections are categorized by musical mode rather than by political theme. He argued that the "regular" and "variant" Ya odes, with their mingled praise and rebuke, need not be split at "Sixth Month"—treating everything above as regular and everything below as variant. Nor need one treat "King Wen" and what follows as regular, and "The People Are Weary" and what follows as variant. He maintained that all twenty-six poems of the Two Nan were pieces for the inner chambers, and that one should not rigidly insist on identifying specific persons they address. He argued that both the Son of Heaven and the feudal lords were entitled to Song odes, that the Lu Songs were not an act of presumption, and that each of these claims rested on solid evidence. For more than two centuries of Qing scholarship on Han Confucian learning, scholars invariably ranked the Hui family of eastern Wu at the forefront. The Hui family passed down classical learning through three generations, with Zhou Ti as its founder.
15
使
His son was Shiqi, styled Tianmu. He passed the jinshi examination in the fiftieth year of Kangxi, was selected as a Hanlin bachelor, and was appointed a compiler. He twice served as associate examiner for the metropolitan civil service examination. Kangxi once asked his ministers who were the finest composers of fu; Grand Secretary Jiang Tingxi named Wang Youling, Tang Youceng, and Shiqi. In the fifty-seventh year of Kangxi, after the enshrinement rites for Empress Xiaohuizhang were completed, Shiqi received a special commission to announce the event with sacrifices at the tombs of the Yellow Emperor Yan and Emperor Shun. By custom only officials of grand-secretary rank or higher were nominated as sacrificial envoys; that Shiqi went as a mere compiler was an exceptional honor. In the fifty-ninth year he served as chief examiner for the Huguang provincial examination, then was appointed educational commissioner of Guangdong, where he championed classical studies; within three years a great many candidates had mastered the classics. He also declared: "Local school officers were the ancient erudites—if they lack an erudite's learning, what model can their pupils follow? Discovering the Haizhou jinshi Weng Tingzi, he memorialized the throne to appoint him professor at the Shaozhou prefectural school; the Ministry of Rites refused the request. Kangxi replied: "Hui Shiqi's recommendation was surely not self-serving; grant his request, but do not treat this as precedent in future. Thus ended the imperial reply."
16
Early in the Yongzheng reign he was ordered to continue in office. Recalled to court, he failed to satisfy the emperor in audience and was assigned to supervise repairs on the Zhenjiang city walls; when his assets ran out and the work halted, he was struck from the rolls. In the first year of Qianlong he was reinstated as a reader, absolved of the outstanding repair levy, and charged with compiling the Three Rites. Four years later he retired to his home, where he died.
17
使
In his prime Shiqi pursued both classics and history; in later life he devoted himself above all to exegetical learning, producing a six-juan Commentary on the Changes, a fourteen-juan Commentary on the Rites, and a fifteen-juan Commentary on the Spring and Autumn Annals. In his work on the Changes he explicated the hexagrams and lines with imagery at the center, deliberately correcting the vague, abstract commentaries that had prevailed since Wang Bi. In the Rites he clarified archaic pronunciations and characters until every obscurity was resolved, drawing on texts from every school of thought—some to document Zhou institutions, others to verify the Han practices Zheng Xuan had cited—thereby reconstructing the Zhou order and explaining the deeper intent behind each ritual form. For the Spring and Autumn Annals he followed Zuo Qiuming for narrative facts but drew interpretive judgments chiefly from the Gongyang and Guliang traditions, building on Song Zhang Daheng's Categories of the Five Rites in the Spring and Autumn and Shen Fei's Parallel Events in the Spring and Autumn yet surpassing both in textual rigor. His one-juan Commentary on the Great Learning, a late work, reads qin min ("cherishing the people") rather than the alternative xin min ("renewing the people"). He held that "investigating things" is simply a matter of discerning root from branch, beginning from end, and sequence—and that "squaring the compass" means nothing more than knowing above from below, front from back, left from right—yet even in this simplicity he reached the heart of Neo-Confucian doctrine. He also authored Examples of Eclipses in three juan and an Investigation of the Principles and Numbers of the Qin and Di Flutes in four juan. He had seven sons, of whom Dong was the most celebrated.
18
Dong, styled Dingyu. He was a licentiate of Yuanhe district. From childhood he pursued learning with single-minded devotion; surrounded by the family's large library, he read and debated day and night. He ranged without omission across the classics and histories, the philosophers, unofficial histories, and the apocryphal "weft" texts attached to the seven classics. He took the Erya as his foundation in philology and the Shuowen jiezi as his foundation in the six scripts; beyond these he studied the Rapid Composition Primer, the Classic Glosses, and Han and Wei stele inscriptions—disdaining even to mention such later reference works as the Yupian and Guangyun. In Qianlong 15 an edict sought scholars distinguished for classical mastery and moral integrity; the governors Yin Jishan of Shaan-Gan and Huang Tinggui of Liangjiang both recommended him in separate memorials. When the grand secretaries and the nine ministers demanded to inspect his writings, he had not yet submitted them and was sent home without appointment.
19
Thoroughly at home in every classic, Dong maintained that only a true classicist could decipher archaic glosses, characters, and pronunciations; he compiled Ancient Meanings of the Nine Classics in twenty-two juan. He was deepest in the Changes; his eight-juan Han Learning on the Changes collected what remained of the commentaries of Meng Xi, Yu Fan, and Xun Shuang to recover the broad outlines of Han-dynasty Yijing scholarship. The final chapter added his own views to expound Han-dynasty Yijing doctrine and to refute the cosmological schemes of the River Chart, the Luo Document, Before Heaven, and the Supreme Ultimate. His two-juan Principles of the Changes synthesized earlier commentaries to define the fundamental interpretive rules of the Changes, serving as the programmatic preface to all his Yijing writings. His twenty-three-juan Exposition of the Zhou Changes took Xun Shuang and Yu Fan as its main authorities, supplemented by Zheng Xuan, Song Xian, and Gan Bao, distilling their views into commentary and elaborating them in subcommentary. He fell deathly ill just as the work neared completion, leaving the fifteen hexagrams from Revolution through Not Yet Fording unfinished, along with the Sequence and Miscellaneous Hexagram appendices. Imperfect though it was, the book restored to brilliant life a Han-dynasty tradition of Yijing study extinct for fifteen hundred years. He also wrote an eight-juan Record of the Bright Hall and Great Way and a two-juan Commentary on the Di Sacrifice, arguing that the di rite was conducted in the Bright Hall and that Bright Hall design derived from the Changes. His two-juan Investigation of the Old Text Documents argued that the twenty-four chapters in Zheng Xuan's recension were the authentic wall-text Shangshu, while the twenty-five-chapter version that surfaced in Eastern Jin was forged. He also authored a twenty-four-juan supplementary commentary on the Book of Later Han, a twenty-four-juan annotated compilation of Wang Shizhen's Essence Record, and works including Notes from the Nine Glories Studio and Literary Selections from Pine Cliff. Qian Daxin of Jiading once observed: "Since Song and Yuan times commentaries on the classics have filled every shelf—the eminent dismissing ancient glosses to parade their own insights, the humble passing off others' opinions as original thought. Only the Hui family, generation after generation, upheld the ancient learning—and among them Dong's achievements were the finest. Measured against the great exegetes of antiquity, he belongs between He Xiu and Fu Qian; scholars of the stature of Ma Rong and Zhao Qi cannot match him. Thus Qian Daxin concluded." Dong died at the age of sixty-two. His best-known pupils were Yu Xiaoke and Jiang Sheng, both noted for the purity and solidity of their scholarship.
20
Yu Xiaoke, styled Gunong, was a native of Changzhou. Xiaoke produced Recovery of Lost Ancient Classic Commentaries in thirty juan, recording every pre-Tang gloss he could recover from earlier commentaries, histories, biographies, and encyclopedias—down to the smallest fragment of a phrase. During the Qing revival of classical studies, scholarly families competed to recover antiquity; Xiaoke's work stands among the finest of that enterprise. He also authored Annals of the Wen Xuan in thirty juan and Pronunciation and Meaning of the Wen Xuan in eight juan. Jiang Sheng has a separate biography of his own.
21
耀 耀 耀
Chen Houyao, styled Siyuan, came from Taizhou. A jinshi of Kangxi 45, he served as professor at the Suzhou prefectural school. Grand Secretary Li Guangdi recommended him for his expertise in astronomy and mathematics; after an imperial audience he was reassigned as a drafting clerk in the Grand Secretariat. The emperor tested his computational skills by having him draw a triangle and calculate its median and the dimensions of its arc and chord; Houyao submitted a full set of answers, every one correct. He was appointed Hanlin compiler and entered service in the inner palace. Already a scholar of vast erudition, Houyao after entering the inner court also mastered Euclidean mathematics, and his learning advanced still further. He rose to vice director of the Directorate of Education, then to left mentor in the Eastern Palace, retired on grounds of age, and died at home.
22
耀 耀 退
Houyao applied astronomical reckoning to the Spring and Autumn Annals, extending Du Yu's Long Calendar into his ten-juan Long Calendar for the Spring and Autumn. The work has four sections. "Calendar Evidence" gathers statements from the Hanshu, Hou Hanshu, Jinshu, Suishu, Tang histories, Song and Yuan histories, Zuo commentary commentaries, Chunqiu Shuci, and Principles of the Celestial Origin Calendar to document divergences in calendrical calculation. In citing the Chunqiu Shuci he preserves a passage of Du Yu's on discrepancies in solar and lunar reckoning found nowhere in the standard commentaries. He also preserves a passage from the Dayan Calendar's Spring and Autumn Calendar Investigations that does not appear in the Tang dynastic records. Second is "Ancient Calendar": using the traditional nineteen-year cycle, he tabulated the Zhou calendar's new-moon and winter-solstice alignments at the start of each cycle, listed the computational methods first, then arranged the Spring and Autumn reign-years horizontally in four cycles and the twelve rulers vertically, building a table to locate the calendrical epoch. Third is "Calendar Compilation": for all 242 years of the Spring and Autumn period he calculated new moons, intercalary months, and month lengths, cross-checking against the sexagenary dates given in the classic and its commentaries while reviewing and critiquing Du Yu's conclusions. Fourth is "Calendar Preservation": the ancient calendar places the new moon of Duke Yin's first year on gengxu day, whereas Du Yu's Long Calendar gives xinsi—the twelfth-month new moon of the preceding year under the ancient reckoning, implying one intercalary month was omitted before Yin's first year, as can be verified by arranging all sexagenary dates in the classic and commentary. Houyao argued that while Du Yu's scheme fits many recorded dates from years one through seven, it fails to account for the gengchen day of the second year, eighth month, and the wushen day of the fourth year, second month. He further showed that Du Yu's calendar misses the solar eclipses recorded on yisi new moon, second month of Duke Yin's third year, and renchen new moon, seventh month of Duke Huan's third year. The problem, Houyao concluded, was not a missing intercalary month before Duke Yin's first year but an extra one; setting Yin's first-month new moon on gengchen day—two months earlier than Du Yu's calendar—he recalculated forward through Duke Xi's fifth year. From that point every new moon and intercalary month matched Du Yu's calendar exactly, so he carried the computation no further.
23
耀 耀
He also wrote Divergent Statements of the Spring and Autumn and Warring States Periods in fifty-four juan, Comprehensive Tables in two juan, Gathered Remnants in one juan, and Genealogies of Spring and Autumn Clans in one juan. Ma Si of Zouping had compiled the Continuation of History by drawing on the Three Commentaries, Guoyu, and Strategies of the Warring States; Houyao's work drew exclusively on sources beyond those five texts—a far more difficult undertaking. His work on clan genealogies, cross-verified against Gu Donggao's Chronological Tables of Major Events, brought the study of Spring and Autumn clans nearly to completion. Houyao also wrote a Classified Record of the Rites of Zhou and Corrections to the Seventeen Histories, among other works, none of which survive today.
24
Zang Lin, styled Yulin, was a native of Wujin. He held licentiate status. He grounded his classical studies in Han commentaries and Tang subcommentaries and taught his pupils to begin with the Erya and Shuowen, declaring: "Without understanding characters, how can one read at all? Without mastery of philology and exegesis, how can one understand the classics? Secluding himself at home to write, he remained unknown to the world. His works include a 120-juan Collected Explanations of the Documents and a 30-juan Miscellaneous Notes on Classic Meaning. Yan Ruoqu praised Zang Lin's deep command of Han-dynasty scholarship; Qian Daxin, who edited his works, wrote: "He sought truth from concrete evidence, distinguishing issues with meticulous precision, yet never lightly disparaging the sages of old—a scholar truly devoted to substance rather than reputation. Thus Qian Daxin concluded."
25
His fourth-generation descendant Yong, born Yongtang and styled Zaidong. He and his younger brother Litang both studied under Lu Wenjiao of Qiantang. Quiet and unassuming, his scholarship was rigorous and exacting. He revived his great-great-grandfather's nearly extinct tradition, modeling his eight-juan Diary of Veneration for the Classics on Zang Lin's Miscellaneous Notes on Classic Meaning—a work Wang Niansun of Gaoyou praised repeatedly. In his chronological biography of Mencius, where he corrected confusions between Kings Xuan and Min of Qi, Chen Shouqi of Min County hailed it as a work of singular insight. His other works include a four-juan Collected Writings on Veneration for the Classics, a one-juan Miscellaneous Notes on the Monthly Ordinances, a one-juan commentary on the twenty-three chapters of the Record of Music, a one-juan Investigation of Variants in the Classic of Filial Piety, a one-juan edition of Zixia's Commentary on the Changes, a four-juan Investigation of Variants in the Odes, a two-juan Remaining Sayings on the Han Odes with a one-juan volume of corrections, and a two-juan collated edition of Zheng Xuan's Commentary on the Changes. In his edition of Zixia's Commentary on the Changes he demonstrated that the text was the work of the Han scholar Han Ying, not the historical Zixia. His Investigation of Variants in the Odes follows the general approach of Wang Yinglin, but Yong independently verified every entry rather than simply following Wang's edition. Yong first met Ruan Yuan of Yizheng through the introduction of Liu Taigong of Baoying, and thereafter spent much of his time as a guest in Ruan's offices. Ruan Yuan copied Yong's manuscripts for his own use and returned the originals to the family. He died in Jiaqing 16 at the age of forty-five.
26
Litang, styled Hegui. He was devoted in his filial care for his parents. His father Jihong suffered from chronic malaria and could not bear the heat of a brazier in winter; Litang would quietly warm the bedding with his own body before his father retired. During mourning he observed every propriety, and even when he smiled he never showed his teeth. When his mother fell critically ill, he cut flesh from his thigh to mix into her medicine, prayed privately to the gods, and vowed to shorten his own life in exchange for hers. He married a woman of the Hu clan and on their wedding night lectured her at length on filial piety and sibling duty before they ever drank together from the nuptial cup—a gesture that moved the entire household to reform their conduct. He excelled at philology and textual collation, and men of learning everywhere held him in high regard. Under Qian Daxin as his master, his scholarship steadily deepened. An admirer of Xu Shen's Explaining Graphs and Analyzing Characters, he wrote An Examination of the Classics through the Shuowen in thirteen juan. Inspired by ancient tales of filial sons, daughters, and daughters-in-law, he compiled Biographies of Filial Devotion in more than a hundred juan. He also produced six juan of Notes on the Collected Explanations of the Documents, six juan collating characters in the commentaries on the Three Ritual Classics, and six juan correcting the Spring and Autumn Annals commentaries. He died at thirty.
27
Ren Qiyun, courtesy name Yisheng, was a native of Yixing. As a youth reading Mencius, he would break into sobs at the closing chapter, tormented by the fear that the sage's lineage might die with him. Poor and without a library of his own, he read whatever books he could borrow. When he had no lamp oil at night, he read by moonlight, following the shifting light along the wall without ever stopping. He was widely known for his devotion to his parents. He did not pass the provincial examination until he was fifty-four. In Yongzheng 11, while in the capital for the metropolitan exams, he came to the Yongzheng Emperor's attention when the emperor asked for scholars versed in moral philosophy and Minister Zhang Zhao recommended him by name. The emperor summoned him for a special court examination, where he answered the question 'What is the Great Ultimate like?'; his response was submitted to the throne and won imperial praise. Having passed the jinshi examination, he was received in audience the day before the results were proclaimed and was specially appointed Hanlin Academician Expositor, with duties in the princes' study hall. The emperor once asked him about the meaning of 'hear the Way in the morning and die content in the evening'; Qiyun answered with Confucius's words: 'Life and death are one principle—if you do not yet understand life, how can you understand death?' The emperor replied: 'That is the answer of a worthy man—it has not yet reached the level of a sage. Continue on this path, and in time you will understand it yourself.' The next year he fell ill, and the emperor sent medicine and physicians. When he came to offer thanks a month later, he was specially told to enter by the side corridor rather than the main hall. The emperor told him directly: 'I know you would not speak before the throne unless your words were worthy of Yao and Shun. Take good care of yourself.' He had attendants help him out and watched him from a distance until he was gone.
28
When Emperor Gaozong took the throne, Qiyun continued in the study hall, served as acting Daily Lecturer and Recorder of the Emperors Actions, and was soon promoted to Junior Subeditor. In Qianlong 4 he was made Reader-in-Waiting and then promoted to Academician Reader-in-Waiting. In Qianlong 7 he was promoted to Left Assistant Censor-in-Chief of the Censorate. In Qianlong 8 he became Associate Director of the Three Rites Bureau and soon after was promoted to Vice Director of the Imperial Clan Court. He died in Qianlong 9 at his imperially granted residence, aged seventy-five. The court provided treasury funds for his funeral and granted him the honors of state sacrifice and burial.
29
使 仿
Qiyun's scholarship followed Zhu Xi, who he felt had commented on every classic except the Ritual Classic; to fill that gap he wrote the Rites of Presentation, Libation, and Feeding Sacrifice in three juan. Because the Te Xing, Shao Lao, and Feeding Sacrifice rites in the Ceremonies and Rites are all commoner rituals, he reconstructed royal ritual by drawing on the Three Rites and other records that touch on kingship; where the classics fell short, he turned to commentaries. The work comprises five sections: Sacrificial Regulations, Auspicious Purification, Morning Presentation, the Main Sacrifice, and the Secondary Sacrifice. He took the title from the Zhou Rites phrases on presenting libations and food offerings to former kings; compared with Huang Gan's continuation of the Sacrificial Rites, his reconstruction is more rigorous. He also wrote An Examination of Palaces and Chambers in thirteen juan, organizing material beyond Li Rugui's Explication of Chambers into categories such as gates, watchtowers, courts, temples, sleeping quarters, schoolrooms, rest halls, rank and insignia, named objects, gate dimensions, the Bright Hall, the Square Bright Hall, and the Imperial Academy—backed by exceptionally careful evidence. The Ceremonies and Rites had long been a moribund field; Qiyun's painstaking research restored its coherence and fully earned him the reputation of a true classicist. His ten-juan Chapter-and-Sentence Commentary on the Record of Rites argued that since Zhu Xi had already done so for the Great Learning and Doctrine of the Mean, the remaining forty-seven chapters from Qu Li onward could likewise be organized into chapter-and-sentence form. Because the transmitted chapter order was confused, he rearranged the text into forty-two chapters, following Zheng Xuan's method for ordering the Ceremonies and Rites. On points of major ethical import that dynasties from Qin through Ming had casually altered, he laid out competing views for future ritual scholars to judge and choose among. His other works include Cleansing the Mind through the Book of Changes in nine juan, Essential Guide to the Four Books in nineteen juan, Chapter-and-Sentence Commentary on the Classic of Filial Piety in ten juan, Commentary on the Xia Xiaozheng, Examination of the Bamboo Annals, Supplements to Lost Books, Investigation of Contemporary Events in Mencius, and the Qingfen Lou Collected Writings. Cleansing the Mind through the Book of Changes, written at sixty, contemplates the hexagram images and teases out their subtlest principles.
30
Qiyun pursued his studies with relentless austerity, and the extraordinary favor the throne had shown him only deepened his resolve to repay it. At seventy-two he still wrote words of self-reproach: 'Confucius, Zengzi, Zisi, and Mencius are your true masters. They instruct you every day, yet you remain dull and heedless—I punish myself in anguish, my face awash with tears. Alas, I am old—only closing my eyes awaits me.' When he was appointed Director of the Three Rites Bureau he was overjoyed; he threw open the imperial archives, revised the texts with impartial care, and copied them out by hand, often working until the small hours of the morning without pause. His commentaries always rooted themselves in Heaven's Way and human feeling, striving to honor Zhu Xi's original intent—but the strain wore down his mind and body, and in the end it killed him.
31
In Qianlong 14, when the court issued an edict summoning scholars of classical learning, the emperor singled out Ren Qiyun for 'exhaustive mastery of the classics and commendable plain sincerity.' In Qianlong 37, when the court ordered a nationwide search for books ancient and modern, Emperor Gaozong instructed: 'Famous ministers of past dynasties and long-respected scholars of our own, such as Gu Donggao, Chen Zufan, Ren Qiyun, and Shen Deqian, have each produced substantial collections of poetry and prose or deep studies of the classics and histories rooted in genuine literary tradition—they are not to be lumped together with plagiarized or empty verbiage. All such works should be located; those in bookshops might be purchased at fair prices, and those in private collections might be officially bound and printed. Where only manuscript copies existed and no printed edition had yet been cut, the court might transcribe a duplicate while returning the original to its owner. Copies would then be kept in the Shiqu Pavilion for imperial consultation.' Four of Qiyun's works were accordingly submitted and entered into the Siku Imperial Library.
32
Among his disciples was a man from the same county, whose style name is no longer recorded in the received text. He passed the provincial examination in Qianlong 36. Through his master's instruction he absorbed the school's learning and above all inherited its tradition of historical scholarship.
33
Shen Tong, courtesy name Guotang, was a native of Wujiang. From youth he applied himself to learning with tireless energy, dedicating his life to mastering the classics. He wove together earlier scholars' agreements and disagreements and reconciled them with impeccable judgment. In Qianlong 1 he was nominated for the Erudite Literati examination but was not selected; he then helped compile the Three Rites and the Unified Gazetteer. When the compilations were finished he was given a ninth-rank post but went home to care for his aging parents.
34
祿沿 祿 祿
Tong was deeply versed in the Three Rites. Ouyang Xiu had questioned whether the Zhou Rites assigned too many offices to too little land for salaries to suffice; later scholars mostly followed him, and even dissenters could only invoke acting appointments as a reply. He therefore undertook a thorough investigation of Zhou institutions and wrote An Examination of Salary Lands in the Offices of Zhou to refute Ouyang's thesis. In three sections on the number of offices and ranks, public fields, and salary fields, its cumulative calculations are extraordinarily precise. Since the commentaries of Zheng Xuan and Jia Gongyan, no comparable argument had appeared. He also wrote a one-juan Brief Commentary on the Ceremonies and Rites, annotating the Capping, Wedding, Feasting, Mourning Garments, and Commoner's Funeral rites—enough to correct longstanding errors in interpretation. His twelve-juan Guotang Collection contains many essays correcting classical scholarship—On Agreements and Disagreements in Field Allotments, On the Five Ditches, On Well-Field Military Levies, Explicating the Land Tax in the Offices of Zhou, and others—all grounded in rigorous canonical evidence. He also wrote Brief Commentaries on the Zuo Tradition of the Spring and Autumn Annals and on the Documents, A Brief Examination of the Acupuncture Points, and Basic Treatises on the Inner Canon.
35
歿
Shen Tong was profoundly filial; after his parents died he ate no meat and slept outside the inner chamber throughout the three-year mourning period. In daily life he often discussed practical affairs of governance; Wu Dexuan later read his essay On the Baojia System and declared it the finest treatment of the subject. He died at sixty-five.
36
Cai Dejin, courtesy name Renxi, was a native of Wuxi. He passed the provincial examination in Yongzheng 4. In Qianlong 2, Minister of Rites Yang Mingshi recommended Dejin for clarity in the classics and rectitude in conduct; he was appointed Instructor at the Imperial Academy and later transferred to Clerk in the Ministry of Works. Dejin held that Zhang Zai's teaching through ritual best captured the Confucian balance of breadth and focus, and he therefore disciplined himself with exceptional rigor. His writings on the Three Rites broke ground on many points earlier scholars had not addressed. He wrote Original Meaning of the Ritual Classic in seventeen juan, Original Meaning of the Ritual Tradition in twenty juan, and Comprehensive Rites in fifty juan.
37
Sheng Shizuo, courtesy name Yongsan, was a native of Xiushui. He served as magistrate of Longli in Guizhou. He compiled the Ceremonies and Rites Collected Edition in forty juan, gathering and critically weighing earlier commentaries with careful and rigorous argument. Yang Fu's Diagrams of the Ceremonies and Rites had long circulated, but its explanations sometimes diverged from the commentaries on which they were based; Shizuo corrected these point by point and refuted other schools' errors with especial thoroughness.
38
谿
Jiang Yong, courtesy name Shenxiu, was a native of Wuyuan. A licentiate for decades, he mastered learning ancient and modern and devoted himself to the Thirteen Classics commentaries, achieving his deepest work in the Three Rites. Zhu Xi had spent his later years on ritual, producing the Comprehensive Explanation of the Ceremonies and Rites Classic and Tradition. He died before finishing it; the Huang and Yang families continued the work in turn, but the result was still incomplete. Jiang therefore undertook a wide-ranging investigation, organizing outline and detail according to the traditional sequence of the five rites—auspicious, inauspicious, military, festive, and guest—in his Outline and Details of the Ritual Classic, eighty-eight juan in all. Drawing on a wide range of sources to clarify and extend earlier scholarship, it truly completes the work Zhu Xi left unfinished. On a visit to the capital he was questioned on knotty points in the ritual classics by Fang Bao of Tongcheng and Wu Fu of Jingxi—and both were completely won over. He read with deep reflection, excelled at comparative analysis, and was versed in astronomical calculation, pitch standards, and phonology. The variation in the length of the tropical year had long been debated; Mei Wending cited the Shoushi Calendar but still had doubts. Jiang's solution was to use mean solar terms as the standard, calculating the fixed terms from their seasonal positions while setting aside variation in the tropical year—a theory of exceptional precision. In music he used the Guanzi and Lüshi Chunqiu to correct the Huainanzi on the Yellow Bell mode; in phonology he divided the level, rising, and departing tones of ancient rhyme into thirteen groups and entering tones into eight, bringing order to the sounds of the age before the Three Dynasties. In his later years he jotted down whatever insights reading brought him. He argued that the Book of Changes orders its hexagrams by opposition and that hexagram transformation should be read from opposing pairs. Pi transforms into Tai and Tai into Pi—hence 'the small departs and the great arrives' and 'the great departs and the small arrives' illustrate the principle. Whenever the text says 'comes,' 'descends,' or 'returns,' the outer trigram of the opposing hexagram moves into the inner position. When it says 'goes,' 'ascends,' 'advances,' or 'rises,' the inner trigram of the opposing hexagram moves into the outer position. He also argued that the separation of soldiers and farmers dated to the Spring and Autumn period and did not begin under Qin and Han. Evidence from the Guanzi and Zuo Tradition shows troops stationed near the capital while farmers in the countryside were not subject to military service. His meticulous investigations of the classics and commentaries follow this pattern throughout.
39
西
His works include Essential Points on Doubtful Passages in the Rites of Zhou in seven juan, Selected Interpretations of the Record of Rites in six juan, Corrections to the Deep-Garment Rites in one juan, Elucidation of Pitch Pipes in ten juan, New Discourses on Pitch Pipes in two juan, Verified Geography of the Spring and Autumn Annals in four juan, Illustrated Study of the Village Party in eleven juan, Reading Notes in twelve juan, Standard of Ancient Rhyme in four juan, Table of the Four Tones and Cut Rhymes in four juan, Subtle Distinctions in Phonology in one juan, Essence of the River and Luo Charts in nine juan, Explanation of Astronomical Calculation Methods in five juan, and one-juan treatises on the Seven Regulators, Mercury and Venus, Winter Solstice Measurements, Mean Solar Terms in Calendrical Annotation, Variation in the Tropical Year, Supplements to Calendrical Learning, and Draft Synthesis of Chinese and Western Methods, plus Collected Commentary on Reflections on Things at Hand in fourteen juan and Revised Genealogy of Master Zhu in one juan. He died in Qianlong 27, aged eighty-two. He had many disciples, but Dai Zhen, Cheng Yaotian, and Jin Bang above all inherited his scholarly lineage. Wu Lingyun and Jin Bang each have separate biographies.
40
Cheng Yaotian, whose courtesy name was Yichou, came from She County. In his studies he preferred profound reflection, training under Jiang Yong. He became a provincial graduate in Qianlong 35 and was appointed Director of Studies at Taicang Prefecture. He led by example in teaching and maintained personal integrity throughout his career. When he retired, Qian Daxin and Wang Mingsheng both sent him poems of high esteem, ranking him alongside Lu Longqi of Pinghu. In Jiaqing 1 he was nominated as a Filial and Incorrupt appointee. Of those nominated at the same time, Qian Dazhao, Jiang Sheng, and Chen Shan were the most respected, but Ruan Yuan alone declared that Yaotian stood foremost among them. His scholarly method favored wide-ranging research and subtle textual verification; he disdained leaning on traditional commentaries. Among his works are Mourning Garments with Full Evidence, Brief Record on Clan Law, Brief Record on Ditches and Fields, Investigation of the Three Rivers in the Tribute of Yu, Investigation of the Nine Grains, Ancient Meaning of the Bell-Angle, Brief Record on Water and Land, Brief Record on Character Analysis, Brief Record on Prosody, Brief Record on Craftsmen\u2019s Creations, and Brief Record on Interpreting Plants and Insects. Even when old and blind, he dictated to his grandsons to complete his Record of Qin Tones. Dai Zhen of Dongyuan himself acknowledged that his own scholarship still fell short of Yaotian's precision.
41
便
Chu Yinliang, whose courtesy name was Jinsheng, came from Changzhou. Summoned for palace examination as a provincial graduate in Qianlong 16, he became a Secretariat drafter and eventually rose to Vice Director in the Ministry of Justice. From youth Chu was renowned for erudition; his mind was penetrating, and he could spot and correct textual errors in historical works at a glance. In midlife he devoted himself to classical studies, grounding his work in traditional commentaries and subcommentaries. For nearly thirty years he worked on the ritual classics, adhering strictly to established methods and championing Zheng Xuan's school of learning. Zheng Xuan's commentaries on the Rites of Zhou and the Record of Rites drew widespread mockery from shallow critics, but the Ceremonies remained a neglected specialty: almost no one could truly expound it, and mistaken criticism was still comparatively rare. Only Ao Jigong's Collected Explanations stood out for subtly tampering with the text to fit his own interpretations. Later scholars, struggling with the difficulty of the original commentaries, welcomed Ao's accessible style and raised no objections. Wan Sida and Shen Tong also challenged Zheng's commentary in many places, while Zhang Erqi and Ma Jiong offered only rough paraphrases; none succeeded in correcting Ao's plausible but erroneous readings. Chu wrote Ceremonies: Personal Views in three juan, penetrating the heart of Ao's errors and clearing away his obscurities.
42
By then He Xiu's Gongyang learning had long lacked active followers; doctrines such as the Five Beginnings, Three Categories, Nine Purposes, Seven Grades, Six Aids, and Two Types had fallen out of transmission. Only Zhuang Cunyu of Wujin had silently recovered their meaning, and Chu was able to expound them in thirty chapters of Exemplary Patterns in the Gongyang. He held that of the Three Commentaries only the Gongyang represented authentic Han learning: Confucius wrote the Spring and Autumn to provide models for future kings, and critics of the Gongyang in fact betrayed the classic's intent. Drawing on He Shao's claim that ritual had both Yin-dynasty forms and forms of the reigning king, distinct from the Rites of Zhou, he wrote Divergent Meanings between the Rites of Zhou and the Gongyang in two juan—a work hailed as a supreme achievement. He was also skilled in mathematics, writing Broad Questions on Right Triangles in three juan. In correcting the printed text of the Three Systems Calendar Derivations he found many errors, including a passage on the moon's phases where "six positions" should read "seven positions"; and a line reading "add ten to locate the intercalary remainder," where "add ten" should read "add seven"—these were all Chu's corrections.
43
His unpublished manuscripts included Collected Notes on the Thirteen Classics in ten juan, on various histories in eight juan, on various masters in two juan, and on collected works of famous authors in seven juan. In Qianlong 46 he retired on grounds of illness and headed Longcheng Academy in Changzhou for eight years. He died in Qianlong 55, aged seventy-six.
44
Lu Wenjiao, whose courtesy name was Zhaogong, came from Yuyao. His father Lu Cunxin passed the special erudition examination in the early Qianlong reign. Lu became a top-ranked jinshi in Qianlong 17, was appointed Hanlin Compiler, and served in the imperial Upper Study. He served successively as Left Assistant in the Left Secretariat and as Reader-in-Waiting and Academician in the Hanlin Academy. In Qianlong 30 he served as chief examiner of the Guangdong provincial examination. In Qianlong 31 he was appointed Educational Commissioner of Hunan; after submitting recommendations on educational policy, the ministry ordered his demotion by three ranks. In Qianlong 33 he retired to care for his parents.
45
使 便
Lu was filial, conscientious, and sincere, devoting himself to Han learning and maintaining close friendships with Dai Zhen and Duan Yucai. He loved textual collation. Among the fine editions he collated and published were the Lost Book of Zhou, Meaning of Mencius' Sounds, Xunzi, Lü's Spring and Autumn Annals, Jia Yi's New Book, Han Ying's Outer Commentary on the Odes, Luxuriant Gems of the Spring and Autumn, Fangyan, Baihu Tong, Du Duan, and Jingdian Shiwen. Finding it impractical to carve blocks for every work separately, he combined thirty-eight works from the classics, histories, masters, and collections into Collected Supplements from Various Books. His own works include Collected Works from the Baojing Hall in thirty-four juan, Detailed Collation of the Ceremonies with Commentary in seventeen juan, Zhongshan Miscellany in four juan, Longcheng Miscellany in three juan, and Commentary below "Interpretation of Heaven" in Guangya in two juan—works that helped scholars correct accumulated errors and resolve long-standing doubts. He observed: "When Tang scholars produced meaning subcommentaries, these were originally issued separately rather than combined with the classic commentary. Separate editions of commentaries remained common through the Tang, but from the Song onward subcommentaries were bound together with commentaries—and the commentaries used were not necessarily those Kong Yingda and Jia Gongyan had relied on. The two layers then conflicted with each other. After the Southern Song, Jingdian Shiwen was inserted among commentaries and subcommentaries, but Lu Deming's base text was again not what Kong and Jia had used—creating still more inconsistencies. Shallow editors try to harmonize everything, cross-correcting texts until the originals are lost. Yet precisely because complete harmonization is impossible, the remaining inconsistencies alert careful readers to investigate further. Combined editions of commentary, subcommentary, and Shiwen may seem convenient, but they depart from ancient practice." His distinctive insights were mostly of this kind.
46
Lu successively headed academies in Jiangsu and Zhejiang, guiding students through classical learning. Scholars across the region followed him, and academic practice shifted accordingly. He died in Qianlong 60, aged seventy-nine.
47
In collating texts Lu compared multiple editions and chose the best readings, often citing other works to emend the base text rather than adhering to a single theory. Yan Yuanzhao criticized his Detailed Collation of the Ceremonies, Gu Guangqi mocked his Evidential Study of Shiwen, and later Huang Pilie, in reproducing Song editions, listed variant readings separately for each edition. The two schools each had their principles and also complemented one another.
48
Gu Guangqi, whose courtesy name was Qianli, came from Yuanhe. He held licentiate status. In the Wu region, after the Hui family, Jiang Sheng carried on their tradition, and a new generation of scholars devoted to antiquity and classical learning flourished. Gu read the Hui family's works and mastered their methods completely. On classical learning he said: "Han scholars treated the classics above all through received master traditions. Old Text and New Text traditions differ in their explanations. Mix them together and the resulting confusion becomes unbearable." On philology he said: "The Shuowen merely outlines the Six Scripts; it was never meant to exhaust all character meanings."
49
輿
Gu's natural gifts surpassed ordinary scholars. He mastered classics, histories, exegesis, astronomy, mathematics, and geography without exception; in bibliography he was especially expert, and contemporaries ranked him alongside Wang Zhongbao and Ruan Xiaoxu. He was also an expert collator. Sun Xingyan, Zhang Dunren, Huang Pilie, and Hu Kejia engaged him to collate Song editions of the Shuowen, Record of Rites, Ceremonies, Discourses of the States, Intrigues of the Warring States, and Selections of Refined Literature; for each he produced reading notes verifying the text for the benefit of later scholars. Among Qian-Jia scholars famed for textual collation, Lu Wenjiao and Gu Guangqi were the most celebrated. At a time when many Han-learning scholars mocked Song Confucianism, Gu alone compiled practical passages from earlier Confucians into Bitter Words of the Recluse in one juan to instruct students. His works include Collected Writings from the Sishi Studio in eighteen juan. He died in Daoguang 19, aged seventy.
50
A disciple from the same county, Jin Yuezhui, whose courtesy name was Duiyang. He held licentiate status. Deeply versed in the Nine Classics Correct Meaning, he recorded every doubtful corruption he found, eventually completing seventeen juan of Corrections to the Ceremonies Commentary. When Ruan Yuan was commissioned to collate the Stone Classics Ceremonies, he adopted many of Jin's corrections.
51
At the time another classicist from the same county was Wu Lingyun, whose courtesy name was Deqing. In Jiaqing 5 he became a tribute student. He pursued his studies to great depth and mastered the transmitted teachings of classical masters without exception. Once lodging at Qian Daxin's Chan Shou Studio, he read Qian's entire library and his learning grew deeper still. His Investigation of Variants in the Thirteen Classics, with precise and verified evidence, contained many insights not previously brought forth. He also wrote Classic Discourses in three juan, Philological Discourses and Guangyun Discourses each in one juan; Chen Qigan of Haiyan combined and published them under the title Wu Family Posthumous Writings.
52
His character was exceptionally upright and uncompromising. At twenty-eight he became a licentiate. Though his household was repeatedly destitute, his learning advanced daily. He formed friendships across generations with Hui Dong and Shen Tong. Fleeing enemies he went to the capital, where northern scholars such as Ji Yun and Zhu Yun and southern scholars such as Qian Daxin, Wang Mingsheng, Lu Wenjiao, and Wang Chang all sought his acquaintance. When Minister Qin Huitian compiled the Comprehensive Investigation of the Five Rites, Dai Zhen undertook the editorial work.
53
His philological works include Six Scripts Discourse in three juan, Investigation of Sounds and Rhymes in four juan, Table of Sound Categories in nine juan, and Commentary on Dialect Expressions in ten juan. After the Han, the doctrine of zhuanzhu (extended meaning) was lost; even an antiquarian like Gu Yanwu did not examine it deeply. Dai Zhen said: "The four categories—indication, pictograph, phonetic loan, and combined meaning—form the structure of writing; the two—phonetic borrowing and extended meaning—constitute its function. When one character serves several uses, that is jiajie; when several characters share one meaning, that is zhuanzhu. The forms chu, zai, shou, and ji all mean "beginning"; gongjie, wu, tai, and yu all mean "I"—their meanings mutually extend and annotate one another." From the Han onward ancient phonology gradually declined, leaving scholars no clear entry into the principles of the Six Scripts. In Gu Yanwu's Ancient Sounds Table, entering tones stand opposite to those in the Guangyun. Dai Zhen said: "Rhyme groups with and without entering tones should be paired in twos, with entering tones serving as the pivot. The fourteen rhyme groups from zhen to xian share entering tones with zhi, wei, qi, jie, and hui; The four groups from dong to jiang and the eight from yang to deng share entering tones with zhi, zhi, jia, hai, xiao, xiao, yao, hao, you, hou, and you; The entering tones of the nine groups from qin to fan follow the Guangyun, with no corresponding open-tone groups. The six groups yu, yu, mo, ge, ge, and ma have no entering tones; today duo is uniformly assigned as their entering tone, which does not match Tang practice. Yet the successive shifts of ancient sounds and the principles of phonetic formation in the Six Scripts can all be recovered through this method." These were all insights not previously articulated by earlier scholars.
54
西 西 '' 西
His astronomical and mathematical works include Original Images in one juan, Record of Advancing the Sun and Calculating Periods in one juan, Record of Right Triangles and Circle Division in three juan, Calendrical Questions in one juan, Investigation of Ancient Calendars in two juan, Supplement to the Brief Account of Astronomy in three juan, and Calculations with Counting Rods in one juan. From the Han onward Chinese calendar experts did not recognize the yellow pole. When Western astronomers arrived in China, they declared that beyond the equatorial pole lay a yellow-path pole—the pivot of the seven regulators and the fixed stars' westward rotation—claiming this was unknown to the Six Classics. Dai Zhen said: "What Westerners call the red pole is precisely the true north pole in the Zhou Bi; the yellow pole is the north pole Xuanji in the Zhou Bi. "In Xuanji and the Jade Balance, to align the seven regulators"—this means setting up Xuanji to model the yellow-path pole. The yellow pole lies southeast of the Steward star, between Upper Assistant and Lower Assistant, never shifting with precession through the ages. The red pole stands at the center with the yellow pole circling outside—the Zhou Bi already stated this. The concept did not originate with Western astronomers."
55
Early on Duan Yucai and Wang Niansun both studied under Dai Zhen, giving rise to the Duan and Wang lines of Dai's school. Though Duan was only four years younger, he remained deeply deferential: even in old age, whenever Dai was mentioned he would stand with hands folded in respect, and on each new and full moon he solemnly recited one of Dai's letters. After Duan Yucai died, Wang Niansun told his disciples: "With Ruoying gone, there are no scholars left in the world! His disciples Xu Ying, Shen Tao, and son-in-law Gong Lizheng were all well known, but Chen Huan especially inherited his learning and has his own biography.
56
仿 輿
Sun Zhizu, whose courtesy name was Yigu, came from Renhe. After passing the jinshi examination in Qianlong 31, he served in the Ministry of Justice, rose to director, was appointed Censor of the Jiangnan Circuit, then retired to care for his parents. Sun lived austerely and pursued learning rigorously, never resting until he had resolved every doubt in the classics and histories. His Miscellaneous Reading Notes in seven juan examine classics, masters, and miscellaneous schools with balanced precision, avoiding arbitrary judgments. In Family Sayings with Evidential Commentary in six juan, he argued that Wang Su wrote the Sheng Zheng Lun to attack Zheng Xuan and forged the Family Sayings to embellish his views and deceive the world. He gathered sources broadly and demonstrated every passage Wang Su had plagiarized. He also argued that the Kong Congzi was Wang Su's forgery, and that the Small Erya was Wang Su's borrowing from ancient texts to lend himself authority; he wrote evidential commentaries exposing both. From youth he knew the Wenxuan thoroughly; later, following the model of Han Yu's Textual Variants, he collated various explanations and corrected popular-edition errors in Textual Variants of the Wenxuan in four juan. He also compiled predecessors' and colleagues' discussions into Corrections and Supplements to the Wenxuan Commentary in four juan. He also wrote Supplement to the Origins of Neo-Confucian Learning in the Wenxuan in one juan. He compiled lost passages of the Customs and Mores in one juan and corrected Yao Zhi'er's compilation of Xie Cheng's Later Han in five juan. He died in Jiaqing 6, aged sixty-five.
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便
Zhai Hao, whose courtesy name was Dachuan, also came from Renhe. A jinshi of Qianlong 19, he served as professor at the Jinhua and Quzhou prefectural schools. Zhai's learning was broad and his citations ran to obscure sources. Once, discussing with Liang Yusheng of Qiantang Wang Su's forged Family Sayings and its challenge to the Zheng school, they took up pens and each noted sources—several dozen in moments. He was drunk at the time and left before finishing the draft; his scholarly energy was extraordinary. His Supplement to Guo's Erya in two juan addresses 142 entries where Guo's commentary was insufficient and Xing's subcommentary covered only ten, supplying full explanations from multiple sources. He also argued that the ancient Erya originally included a chapter on ritual, paired with the chapter on music. The chapters on sacrificial names, martial review, and banners and flags are displaced fragments of the lost ritual chapter. He also wrote Textual Variants of the Four Books in seventy-two juan, a penetrating and precise work widely admired. His other works include Exposing the Family Sayings, Popular Essays, Illustrated Guide to Lakes and Mountains, and collected writings from the Wubuyi Studio. He died in Qianlong 53.
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Liang Yusheng, whose courtesy name was Yaobei, came from Qiantang. He held augmented tribute-student status. Though his family was prominent for generations, Liang did not aspire to wealth or rank, styling himself the Pure White Scholar. He once told his younger brother Lvsheng: "The Fan clan of Xiangyang in Later Han was prominent in its day. Though their descendants held no great office, they maintained a scholarly household for generations. I hope we may encourage each other likewise! Accordingly, before turning forty Liang abandoned the examination track and devoted himself to scholarship. His Brief Notes in seven juan mostly explain the classics and clarify ancient meanings. Liang was especially expert in historical texts, writing Doubts about the Records of the Grand Historian in thirty-six juan, correcting discrepancies against the classics and comparing Ban Gu and Xun Yue. Qian Daxin called it a meritorious servant of Sima Qian's tradition. In Investigation of the Tables of Persons in nine juan, he argued that Ban Gu borrowed the nine grades of field and tax from the Tribute of Yu, an idea originating with Ma Yuan. The Biography of General Li in the Records states: "Li Cai's character was lower-middle." This reading is quite correct.
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Lvsheng, whose courtesy name was Chusu. He became a provincial graduate in Qianlong 53. He and his elder brother Yusheng sharpened each other's scholarship, earning comparison to the Yuan brothers of the Cao Wei period. Among the classics he was especially expert in the Zuo Commentary. The Sui Records list Jia Kui's Exegesis and Fu Qian's Explanation in dozens of juan each, but both are now lost. Du Yu drew on Jia and Fu; Kong Yingda wrote the subcommentary with occasional citations, but their complete works were no longer available. The same is true of Ma Rong and other Han commentators, of whom only isolated phrases survive. Among post-Tang commentators on the Zuo, Zhang Qia and Zhao Fang were clearest, though they emphasized calligraphic method over historical narrative. Lvsheng surveyed all schools and gathered wide sources to supplement what Du Yu had omitted, producing Supplementary Explanations to the Comprehensive Zuo in thirty-two juan. He also planned five unfinished categories: Broadening the Tradition, Investigating Variants, Refuting Evidence, Ancient Sounds, and Speculative Discussions. Qian Daxin read the work and declared it a supreme achievement. He mastered the Shuowen and wrote with scarcely a vulgar character. He died at forty-six.
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Wang Jiaxi, whose courtesy name was Hanjiao, came from Renhe. He held licentiate status. Exceptionally quick-minded, he mastered the Han Changes and wrote Explanations of the Changes' Messages. His writings, several tens of juan in all, were destroyed by fire. His friend Zhuang Zhongfang of Xiushui and his disciple Xu Naigu of Renhe compiled his surviving writings into Collected Remains of the Dongli Scholar in three juan. The essays mostly expound the classics with pure and disciplined method.
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歿 椿
Liu Taigong, whose courtesy name was Duilin, came from Baoying. Deeply filial by nature, he grieved like an adult when his mother surnamed Zhu died at the age of six. He served his stepmother surnamed Zhong exactly as he would his birth mother. At nine he composed a eulogy to Yan Hui, already polished and accomplished; observers hailed him as a prodigy. He passed the provincial examination in Qianlong 35 but repeatedly failed the metropolitan examination. At that time the court opened the Siku Library, and renowned scholars from across the empire gathered in the capital. In the capital Liu associated with Academician Zhu Yun, Compiler Cheng Jinfang, Hanlin Bachelor Dai Zhen, Academician Shao Jinhan, and his fellow townsman Censor Ren Dachun and Censor-in-Chief Wang Niansun, investigating classics and antiquities in daily discussion. From astronomy and pitch pipes to phonology and philology, he mastered every field. In evaluating Han and Song Confucians, he did not adhere to any single school but sought only what was correct. Where his penetrating thought reached, it was as if conversing with ancient authors in one room and grasping their intent—roughly equal to Yan Ruoqu. Duan Yucai often said, "In devotion to the Three Rites, I am not his equal."
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漿
He was appointed instructor of Dantu County. He diagrammed each of the seventeen chapters of the Ceremonies except Mourning Garments and practiced ritual deportment with his students, elucidating the refined intent of ancient royal institutions. He brought both parents to live at the school office and cared for them with joyful devotion; though fifty, he retained a child's adoring affection. Once while away as a guest he felt sudden heart pain and rushed home. His mother's illness was critical; he nursed her day and night for weeks without removing his clothes, and she recovered. When mourning both parents, he took no food or drink. After the encoffining he slept on straw, drank thin gruel, and wept with a grief that moved the whole neighborhood. He ate only vegetables throughout five years of mourning, slept outside the inner chamber, and died at fifty-five from grief beyond what ritual required.
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歿
He shared a friendship in literature and moral principle with his fellow townsman Wang Zhong; when Wang died, Liu raised his orphan Xisun and saw him established in life. Zang Yong of Wujin often submitted essays on classical interpretation for Liu's guidance, which Liu warmly encouraged. He relieved Zang's poverty, fed and taught him for seventeen years without wavering, and Zang was deeply moved. Liu admired Huang Shudu's character; Wang Chang said he possessed the filial piety of Zengzi and Minzi. His works include Excess Branches of the Analects, Brief Notes on Classics and Traditions, Supplementary Collation of the Discourses of the States, Supplementary Commentary on Xunzi, Supplementary Collation of Fangyan, Supplementary Collation of Huainanzi, Remains of Han Learning, and collected writings—Duilin's Posthumous Writings in eight juan in all.
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Zhu Bin of the same district, whose courtesy name was Wucao. He became a provincial graduate in Qianlong 60. From youth Zhu showed exceptional conduct; at eleven, when his mother died, he grieved like an adult. As an adult he mourned his father with full encoffining and burial rites, eating vegetables for three years and dwelling outside the inner chamber. From youth to old age he loved learning without tiring. He inherited the classical methods of his townsman Wang Maozu and mutually sharpened his learning with his cousin by marriage Liu Taigong. Whenever he gained an insight, he debated it with Liu by letter until they reached a correct conclusion. He applied himself especially deeply to exegesis, phonology, and philology. His Evidential Investigation of Classics and Traditions in eight juan and Compiled Interpretations of the Record of Rites in forty-nine juan draw on the Tiger Watch Tower discussions, Zheng's disciples' questions, Wei-Jin and later commentators, and relevant passages from book excerpts, the Tongdian, and the Imperial Readings, taking the commentaries as primary and weaving in ancient and modern explanations. Where he added his own views, the evidence was precise and often broke new ground. He also wrote Collected Poetry and Prose from the Youdao Studio in four juan. He died in Daoguang 14, aged eighty-two. His son Shiyan, Minister of Personnel, has his own biography.
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使
Where Kong differed from He Xiu's Exegesis, several major points stand out. He held that in antiquity feudal lords held divided lands and governed divided peoples, retaining a measure of independent authority, and therefore each could record years within his own domain. Yet He Shao held that only the king could change the era and establish a reign title, and that the classic's "first year" entrusted kingship to Lu—thereby falling into the very error of contradicting the tradition that he himself condemned. This is the first major difference. He held that the Spring and Autumn divides the reigns of twelve dukes into three ages. The traditional "age of what is heard by transmission" comprises the reigns of Duke Yin, Duke Huan, Duke Zhuang, Duke Min, and Duke Xi; "the age of what is heard" comprises Duke Wen, Duke Xuan, Duke Cheng, and Duke Xiang; "the age of what is seen" comprises Duke Zhao, Duke Ding, and Duke Ai. Yan Anle argued: in Duke Xiang's twenty-third year the entry "came fleeing" asks "Zhu Lou has no grandee—why is this written? Because it is recorded from nearby"; and in Duke Zhao's twenty-seventh year "Kuai came fleeing" asks the same: "Zhu Lou has no grandee—why is this written? Because it is recorded from nearby." Since the two passages are identical and belong to the same age, he determined that the "age of what is seen" begins after Confucius's birth, and followed this view. This is the second major difference. He held that in Duke Huan's seventeenth year the classic lacks "summer"; the Zuo and Guliang texts all include it, and only the Gongyang text omits it. He Xiu said: "Summer represents yang and the month represents yin; removing summer makes clear that the wife is not subordinated to the duke. On this point Kong declined to follow He Xiu's explanation. This is the third major difference. He held that the Spring and Autumn takes Heaven's Way as its upper foundation, royal law as its middle application, and human sentiment as its lower principle. Heaven's Way comprises seasons, months, and days. Royal law comprises censure, demotion, and cutting off. Human sentiment comprises honoring, kinship, and esteem for worth. These constitute the three categories and nine purposes. Yet He Xiu said: "The three categories and nine purposes mean new Zhou and old Song, treating the Spring and Autumn as the new king—this is one category and three purposes." He also said: "What is seen, heard, and heard by transmission each has different wording." This yields three categories and six purposes. He also cited "making one's state inner and the various Xia outer, making the various Xia inner and the barbarians outer" as the three categories and nine purposes. This is the fourth major difference. Where He Xiu's sources erred, Kong corrected and refined them extensively to form his own school of interpretation. He also held that the Zuo is detailed in events, the Gongyang strong in meaning, and the Spring and Autumn values meaning over narrative. All reflect deep learning and insight into the classic's intent. His explanations fuse and penetrate so that judgments of right and wrong never stray from the sage's great intent, as he explains in his preface. Ruan Yuan said that reading Kong's book reveals where the sage's true intent lies.
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He also wrote Supplementary Commentary on the Records of the Elder Dai in fourteen juan, Poetic Sound Categories in thirteen juan, Brief Words on Ritual Learning in six juan, Brief Words on Classical Learning in six juan, and Inner and Outer Chapters on Positive and Negative Rectangular Methods in six juan. His parallel prose combined the strengths of Han, Wei, Six Dynasties, and Early Tang style; Wang Zhong read it and declared it supreme craftsmanship. Yet Kong was not self-satisfied. He built a hall at home called Revering Zheng, hoping to emulate Zheng Xuan. Yao Nai said he would use Confucius's descendant to transmit Confucius's learning—a mission that even Zheng Xuan could not fully encompass. Alas, burdened by family troubles and worn down by overwork, he died young without fulfilling his ambition—a loss deeply regretted in the scholarly world.
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西
Shao Jinhan, whose courtesy name was Eryun, came from Yuyao. A jinshi of Qianlong 36, he returned home to await appointment. When the Siku Library opened, an imperial edict specially summoned Shao along with Zhou Yongnian of Licheng, Dai Zhen of Xiuning, Yu Ji of Renhe, and others to compile its contents. He became a Hanlin Bachelor and was appointed compiler. In Qianlong 45 he served as chief examiner of the Guangxi provincial examination. In Qianlong 56 he was promoted to Left Assistant in the grand palace examination. Promoted to Reader-in-Waiting and Academician, he served as Direct Attendant of the Wenyuan Pavilion and Daily Recorder of the Emperor's Actions.
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Shao suffered from cataracts in his left eye and was thin and frail. A voracious reader, he investigated everything from the Four Categories to the Seven Records. He held that the Erya is the gateway to the Six Arts, but Xing Shu's subcommentary was shallow and unworthy of the text; he therefore wrote his own Correct Meaning in twenty juan, taking Guo Pu as primary authority while drawing on She, Fan, Liu, Li, Sun, and other commentators, supplementing Guo wherever he was insufficient. Thereafter most scholars abandoned Xing and followed Shao.
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仿廿 使
He was especially skilled in history. Raised in eastern Zhejiang, he was steeped in the teachings of Liu Zongzhou and Huang Zongxi, and his accounts of late Ming affairs often went beyond orthodox histories. In the History Office, finding Xue Juzheng's History of the Five Dynasties in the Yongle Encyclopedia, he gathered and arranged it, recovering eight or nine tenths of the text, then supplemented the gaps from the Cefu Yuangui, Taiping Yulan, and other works. Drawing on the Comprehensive Mirror Long Compilation, various histories, Song anecdotal collections, and stele inscriptions, he verified and arranged the text to match the original one hundred fifty juan. When the work was complete, library officials proposed listing it among the Twenty-Three Histories following the precedent of Liu Xu's Old Book of Tang and publishing it for schools; the emperor approved. Thus Xue's History and Ouyang's History were both transmitted. He observed that the Song History after the southern crossing contained many errors; during the Qingyuan period praise and blame lost truth—not as reliable as Wang Cheng's Outline Events of the Eastern Capital. He planned first to compile Outline Events of the Southern Capital and also to write a gazetteer for the Zhao-Song dynasty—neither was completed. Later Bi Yuan of Zhenyang compiled the Continuation of the Comprehensive Mirror for Song and Yuan and entrusted Shao to revise and verify it; traces of Shao's work appear in the Revised Continuation Comprehensive Mirror.
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退 輿
Shao was upright and uncompromising and would not defer to powerful men. Once discussing the purpose of compiling the Song History with Zhang Xuecheng of Kuaiji, Shao said: "Song factionalism and the vulgar style of recorded sayings are indeed contemptible. Yet their conduct in daily life arose from ordinary human relations—how can that be abandoned? Scholar-officials may be broadly learned and towering over their age, yet in accepting or declining gifts, advancing or withdrawing from office, they cannot avoid choosing between integrity and gain. Once the moral heart is lost, what else remains worth discussing! This is the true purpose of writing the Song History. Zhang Xuecheng was deeply struck by this. His other works include Exposition of Mencius, Correct Meaning of the Guliang, and Investigation of Han Ying's Inner Commentary on the Odes—works sufficient to correct Zhao Qi, Fan Ning, and Wang Yinglin and supplement their omissions. He also wrote Records of Posthumous Titles of Great Ministers of the Dynasty, Catalogue of Regional Steles and Metal Inscriptions, Diary from the Traveling Carriage, and collected writings from the Nanjiang Studio. He died in Jiaqing 1, aged fifty-four.
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歿
Zhou Yongnian, whose courtesy name was Shuchang, came from Licheng. Broadly learned and penetrating, he was highly esteemed in his time. A jinshi of Qianlong 36, he was summoned with Shao to compile the Siku books, became a Hanlin Bachelor, and was appointed compiler. In Qianlong 44 he served as associate examiner of the Guizhou provincial examination. In the library Zhou loved deep reflection. Across military, agricultural, astronomical, mathematical, and numerological works in the Four Categories, he investigated essential meanings with apt judgments and was esteemed by fellow compilers. Finding many lost Song and Yuan works in the Yongle Encyclopedia, he selected and edited them—from the Yongxin Liu brothers' Collections of What Is and Is Not onward, recovering more than ten previously unknown schools, all entered in the catalogue. He also observed that Buddhism and Daoism had scriptural repositories while Confucians had none. He therefore opened the Borrowing Books Garden, assembling one hundred thousand juan of ancient and modern books for public reading and copying to broaden transmission. Alas, after Zhou's death the collection gradually dispersed—he had not established a lasting institution.
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西 調 鹿
Wang Niansun, whose courtesy name was Huaizu, came from Gaoyou Prefecture. His father Wang Anguo, who rose to Minister of Personnel and was posthumously titled Wensu, has his own biography. At eight he had finished the Thirteen Classics and was already reading histories. When the Qianlong Emperor toured south, as a minister's son he welcomed the imperial carriage, presented a literary portfolio, and was granted provincial graduate status. A jinshi of Qianlong 40, he became a Hanlin Bachelor and after completing his academy term was appointed a clerk in the Ministry of Works. He rose to director, was appointed Censor of the Shaanxi Circuit, then Censor-in-Chief in the Department of Personnel. In Jiaqing 4, when the Jiaqing Emperor took power, teaching-bandits ravaged Sichuan and Hubei. Wang submitted six proposals for suppressing them, opening with an impeachment of Grand Secretary Heshen; the memorial's classical reasoning greatly accorded with the emperor's intent. That year he was appointed Commissioner of the Yongding River Circuit in Zhili. In Jiaqing 6, after a dike breach he was dismissed but retained by special edition to supervise river works. When the work was completed, he was rewarded with the rank of clerk. When the Hengjialou River in Henan breached, he was ordered to investigate and then rushed to Taizhuang to manage river affairs. Soon appointed Commissioner of the Shandong Transport River Circuit, he served six years before transferring to the Yongding River Circuit. When the Eastern Rivers Governor-General and Shandong Governor disagreed on diverting the Yellow River to benefit transport, Wang was summoned to the capital to decide the issue. Wang memorialized that diverting the Yellow River into the lake would inevitably cause some silting but could proceed temporarily without harm; the emperor approved. Soon the Yongding River flooded again as severely as in Jiaqing 6; Wang accepted blame and received permission to retire. At the repeat Lu Ming banquet in Daoguang 5 he died, aged eighty-nine.
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Wang was thoroughly versed in hydraulic engineering; while serving in the Ministry of Works he wrote Upper and Lower Discourses on Guiding Rivers. When ordered to compile the Outline of the River Source, some debaters misidentified the source; Wang forcefully corrected the error and settled the debate—the section on correcting errors in the Outline was his work. After retirement he devoted himself to writing Miscellaneous Reading Notes in eighty-two juan, covering the Lost Book of Zhou, Intrigues of the Warring States, Guanzi, Xunzi, Yanzi Spring and Autumn, Mozi, Huainanzi, Records of the Grand Historian, Book of Han, and Remains of Han Clerical Script. Obscure ancient meanings, copyist errors, and rash emendations—all were corrected one by one. Evidence for a single character could extend across ten thousand juan—such was his precision in textual collation.
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He first studied phonology, philology, and exegesis under Dai Zhen of Xiuning. In the classics he mastered Han-learning methods, personally compiling rhymes for the three hundred poems, Nine Classics, and Songs of Chu, dividing ancient sounds into twenty-one parts. In dividing the zhi, zhi, and zhi groups, Duan Yucai's Six Scripts Phonological Table also reached this insight; but Wang's division of zhi, ji, he, and ji into four parts went beyond Duan. Because Duan's book appeared first, Wang set his own work aside.
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Because Shao Jinhan had already written Correct Meaning of the Erya, Wang composed Evidential Commentary on the Guangya. At three characters per day, he completed the work in ten years—thirty-two juan in all. The book seeks ancient meanings through ancient sounds, extending by analogy into the Erya and Shuowen without limit. Yet the strictness of its phonological and philological divisions leaves not a thread out of order. It uses Zhang Yi's Guangya to gather explanations, yet contains much unknown to Zhang and beyond the reach of contemporaries Hui Dong and Dai Zhen.
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He once told his son Yinzhi: "The aim of exegesis lies in sound. Characters with the same or similar sounds in the classics are often phonetic loans. The scholar uses sound to seek meaning; break the loan character and read the original, and confusion melts like ice. Force an explanation through the loan character itself and the text becomes impenetrable. Master Mao's Commentary on the Odes often replaces loan characters with original ones—already opening the way to altered readings. By Zheng Xuan's commentaries, with repeated readings of 'X reads as Y,' the principle of phonetic loan was fully clarified. Later critics who fault Zheng Xuan for emending characters fail to recognize how common phonetic loan was in ancient texts." He also said: "Those who explain classics should seek only the classic's meaning, not rigid adherence to one school. Yinzhi extended this instruction in Records of Classical Meaning in fifteen juan, Explanations of Terms in Classics and Traditions in ten juan, Exegesis of Zhou-Qin Ancient Characters, and Dictionary Verification. Critics say Qing classical learning stands alone through the ages; the Wang family of Gaoyou, with three generations of transmission, equals the Hui family of Changzhou.
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使 簿 使
Yinzhi, whose courtesy name was Boshen. A top-ranked jinshi of Jiaqing 4, he was appointed Hanlin Compiler. In the grand palace examination he ranked first and was promoted to Reader. He eventually rose to Minister of Works. In Fujian, acting Longxi magistrate Zhu Luzhong falsely accused Provincial Administration Commissioner Li Gengyun of taking bribes; Governor-General Wang Zhiyi and Governor Wang Shaolan joined the impeachment. At trial there was no corroborating evidence, yet the accusers pressed the case ever harder. Unable to endure the pressure, Li Gengyun hanged himself. Assigned to judge the case, Yinzhi reversed the verdict, exonerated Li, and dismissed both the governor-general and governor. As Vice Minister of Rites, when some proposed three years of full mourning for a living paternal grandmother, Yinzhi forcefully opposed it. While he was away on an imperial mission, proponents hastily memorialized and implemented the proposal. On his return Yinzhi memorialized that a concubine grandmother is not the grandfather's equal and cannot qualify for full-weight mourning. In sentiment, even lifelong mourning cannot repay boundless debt; but in ritual regulation, full-weight mourning cannot apply to branch-line descendants. He requested restoring the old one-year mourning precedent, and the policy was corrected. He died in Daoguang 14 and was posthumously titled Wensjian.
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使
Li Dun of Tongzhou, whose courtesy name was Chengyu. A jinshi of Qianlong 45. Li worked alongside his fellow townsman Wang Niansun and Jia Tianzu. As a licentiate he won the appreciation of Educational Commissioner Xie Yong. When about to be selected as an elevated tribute student, Jia Tianzu died at an inn; Li arranged the funeral and skipped the examination, prompting Xie Yong to sigh that he was like the ancients. Jiang Fan loved to revile earlier scholars. Li told him: "If Wang Su had not written the Sheng Zheng Lun to attack Zheng Xuan, would he not have been a pure Confucian?" He corrected others' faults to their face in just this way. His Small Recognitions among the Classics in eight juan examines more than two hundred twenty matters of ancient meaning, many not previously articulated. He died in Qianlong 49, aged fifty-one.
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Jia Tianzu, whose courtesy name was Daosun. He held licentiate status. He mastered the Zuo Commentary on the Spring and Autumn and wrote Comprehensive Explanations of the Zuo Commentary.
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綿
Song Mianchu, whose courtesy name was Shouduan, also came from Gaoyou. An elevated tribute student of Qianlong 42, he served as instructor of Wuhe and Qinghe. Profound in classical learning and skilled in the Odes, he wrote Evidential Investigation of Han Ying's Inner Commentary in four juan. He also wrote Interpretation of Mourning Garments in two juan.
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使
Wang Zhong, whose courtesy name was Rongfu, came from Jiangdu. Orphaned at seven, his family was too poor to hire an outside tutor. His mother surnamed Zou taught him the Four Books. As a youth he helped a bookseller in the market and thereby read classics, histories, and the hundred schools; he memorized at a glance and became a comprehensive scholar. At twenty he became a licentiate. An elevated tribute student of Qianlong 42; at each examination Educational Commissioner Xie Yong placed Wang on a separate list ahead of the licentiates. Xie once said: "My deferring to Rongfu is courtesy. Judged by learning, I should serve him as my master." Such was his respect for Wang. Because his mother was old he never attended the metropolitan examination. In Qianlong 51, Vice Minister Zhu Gui presided over the Jiangnan examination and said: "On this trip I am sure to rank Wang Zhong first." He did not know Wang was not taking the examination.
82
西
Wang devoted himself to classical learning and joined Wang Niansun of Gaoyou and Liu Taigong of Baoying in scholarly discussion. His work on the Documents includes Textual Variants of the Documents. His work on ritual includes collated texts of the Ceremonies and Records of the Elder Dai. His work on the Spring and Autumn includes Exposition of the Spring and Autumn. His philological works include Collated Text of the Erya and Seeking Origins in the Shuowen. Wang held that the rise of Qing ancient learning was opened by Gu Yanwu. Fabrications surrounding the River and Luo charts were refuted by Hu Wei. Chinese and Western astronomical calculation reached precision with Mei Wending. The forceful critic of Old Text learning was Yan Ruoqu. The specialist in Han Changes was Hui Dong. All were lost traditions untransmitted for over a thousand years until Dai Zhen gathered them into a great synthesis. He planned Eulogies of the Six Confucians but never completed it.
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使
He also broadly investigated pre-Qin texts and the rise and fall of Three Dynasties education, showing how the ancients studied. His plan comprised five parts: Yu and Xia, institutions of the Rites of Zhou, feudal states during Zhou decline, the disciples of Confucius, and later learners. He also planned six catalogues: General Discussions, Interpreting Classics, Old Reports, Canonical Records, Numerical Canons, and Hereditary Offices. He opened with: "Observing the Grand Historian passage in the Rites of Zhou—each act once had its book; later the book governed action; finally the act vanished and only the book remained. By Song Confucians' time, both the books and the acts they recorded were discarded." He also said: "There were government archives, scholars' archives, and transmitted reports of elders. Each act produced a book; transmitted to later ages as established statute—this was the government archive. When royal ritual, music, and government survived the age's decline, the Minister of Education guarded the texts and elders could speak of the affairs. Antiquarian gentlemen, fearing gradual loss, wrote accounts on bamboo slips—the archive of learned scholar-officials." He also said: "Ancient scholars were official teachers who taught practical affairs and recited only the Odes and Documents. Other canonical records were stored in government offices and hereditarily guarded; common people had none. Without holding the relevant office, one had no access. Scholars meant sons of the nobility or holders of minor office; beyond them were only district and primary schools. When the Bright Hall system vanished and the Grand Historian's office lost its charge, commoners began teaching disciples and unofficial scribes multiplied. Teaching and record-keeping passed from the court to private hands. In decline each master proclaimed his own learning, and the Way of former kings fell into desolation. When feudal lords lost their registers and Qin burned the books, official holdings were utterly destroyed. Yet scholars transmitted what they could, preserving fragments—fortune within misfortune." He also said: "Confucius taught what scholars could practice, preserving it as instruction for the age. Great matters of government and teaching he could not teach without office." He also said: "Ancient learning resided in government offices; men inherited offices and professions together. Once offices lost their charge, specialized learning collapsed. His drafts were roughly complete but remained unfinished. He later gathered his investigations of Three Dynasties ritual, philology, and numerology with discursive essays into Inner and Outer Chapters on Learning in six juan.
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Works serving classical meaning include Explaining the Three Nines, Questions and Answers on Women Without Masters, Discussion on Betrothed Daughters Whose Fiancés Died, and Explanations of Leaving Mourning and Removing Garments. Works highlighting classics and earlier Confucians include Evidential Text of the Rites of Zhou, Resolving Doubts in the Zuo Commentary, General Discourse on Master Xun, and Preface to Jia Yi's New Book. His other evidential essays are equally well grounded.
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Wang was also expert in historical geography, explaining mountain passes and strategic points with clarity. He wrote Comprehensive Gazetteer of Guangling in ten juan, Table of Qin's Gradual Conquest of the Six States, and Investigation of the Map of Jinling. He excelled in poetry, prose, calligraphy, and letters. His Reply on Guangling, Inscription for the Yellow Crane Tower, and Inscription for the Han River Zither Platform were all praised in his day. He also wrote Record of New Insights in Classical Meaning in one juan, Corrections to the Records of the Elder Dai in one juan, and posthumous poetry in one juan. He died in Qianlong 59, aged fifty-one.
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Wang was famed for filial service to his mother, performing every duty at her side without complaint. In mourning his grief exceeded others'; toward friends who fell into decline after bereavement he showed even greater care. In Daoguang 11 he received official commendation as a filial son. Wang's son Xisun has his own biography. Other Han-learning scholars from the same district included Jiang Deliang, Xu Fu, and Wang Guangxi.
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西
Jiang Deliang, whose courtesy name was Liangshu, came from Jiangdu. His father Jiang Xun loved epigraphic inscriptions. His uncle Jiang Yu mastered phonology and exegesis. From youth Jiang inherited family learning; as an adult he befriended Wang Zhong, devoted himself to the classics, and advanced daily. A top-ranked jinshi of Qianlong 44, he became Hanlin Compiler and then Censor of the Jiangxi Circuit. At court he knew much oral tradition and was broadly versed in institutional precedent. In spare time from official duties he immersed himself in books. He wrote Record of Ancient Coins in thirty juan. He died in Qianlong 58, aged forty-two.
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Xu Fu, whose courtesy name was Xinzhong, also came from Jiangdu. He mastered the Nine Chapters on Mathematical Procedures.
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Wang Guangxi, whose courtesy name was Jinfan, came from Yizheng. He held stipend-student status. Broadly versed in classics and histories, he refuted errors in the Hui family's line-position diagram for the Changes and wrote Explanations of Tares and Weeds; contemporaries admired his precision.
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洿 輿
Wu Yi, whose courtesy name was Xugu, came from Yanshi. His father Wu Shaozhou, a jinshi, served as a director in the Ministry of Personnel. While mourning his parents, Wu grieved deeply and emaciated himself, driving his studies through grief. When the Yi and Luo rivers flooded and his house collapsed, he built a platform over the mire to live on, warming himself with rotten wood while never ceasing his studies. Later he studied under Zhu Yun of Daxing and became even more broadly learned. A jinshi of Qianlong 45, he was appointed magistrate of Boshan County in Shandong in Qianlong 56. The county's hills were mostly barren and the people neglected farming. The area produced coal and alum for glassmaking, drawing merchants in crowds. Wu investigated local customs' benefits and harms, exempted glass tribute, abolished coal supply requisitions, and spared the people district-horse fodder burdens. He founded Fanquan Academy, selecting talented students to discuss ethics and practical learning. He decided cases without leaving prisoners in limbo, and rain came immediately when he prayed for it. When someone tried to bribe him, they hesitated; Wu knew their intent and, as thunder crashed, said: "Do you not hear the thunder? I have long prayed against such corruption." The briber stopped in fear, and public sentiment turned strongly in Wu's favor.
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In Qianlong 57 Grand Secretary Heshen headed Metropolitan Banner affairs; hearing a rumor that Shandong rebel Wang Lun might still be alive, he secretly sent banner agents to track him. Eleven banner agents led by Du Chengde ran rampant through the counties; in Boshan they gambled with iron rulers in hand until Wu arrested them all and severely punished the stubborn Chengde. Rumors spread that Wu had rashly punished the innocent and would implicate his superiors. Governor Ji Qing impeached and dismissed him for wantonly punishing commoners, without stating the true facts. Wu served only seven months; when he left, over a thousand people begged the provincial office to keep "our good official," and when refused they daily brought firewood and rice until his gate resembled a market. Ji Qing was moved as well and, entering the capital for audience, traveled with Wu to arrange a donation for his reinstatement. Grand Secretary Duke Agui told Ji Qing: "Banner agents are forbidden outside the capital—why blame a magistrate for enforcing the law and impeach a strong official while concealing the facts?" Ji Qing deeply regretted it, but ministry deliberation blocked reinstatement and Wu returned home. In Jiaqing 4, month 10, the emperor ordered secret recommendations of upright, capable officials with verifiable records; Wu was among those recommended. In month 11 the appointment reached his door, but Wu had already died in month 10, aged fifty-five.
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Wu's learning was pure and refined; he could recite from memory the Seven Classics with commentary, the Three Histories, and Sima Guang's Comprehensive Mirror. After dismissal, too poor to return home, he taught classics, histories, and exegesis wherever he went. Prolific in writing, his works include Evidential Interpretations among the Classics in seven juan, Investigation of Variants in Classic Reading in nine juan, Three Postscripts on Metal and Stone in ten juan, Continued Postscripts on Metal and Stone Inscriptions in fourteen juan, Record of Metal and Stone at Yanshi in four juan, and Record of Metal and Stone at Anyang in thirteen juan. He also wrote Evidential Interpretations of the Three Rites, Notes from the Shoutang Studio, and collected writings—citing widely, probing the slightest textual crack, and forming general rules through precise expression. Zhu Gui of Daxing declared Wu worthy of the title of upright lover of antiquity.
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Zhuang Shuzu, whose courtesy name was Baochen, came from Wujin. His father's elder brother Zhuang Cunyu, who rose to Vice Minister of Rites, has his own biography. Shuzu, a jinshi of Qianlong 45, served as magistrate of Weixian in Shandong. Clear in administration, he balanced criminal cases and subdued the powerful. Surveying alkaline land thought saline, he pointed to roadside grass called horse-broom. He smiled: "The classic names this ping; the Xia Calendar's 'ping in flourish' marks the season—sandy soil with ping grass suits grain; how is this alkaline?" All were convinced. In jiayin he was cited for outstanding merit; returning, he was ordered appointed Taoyuan sub-prefect. Within a month he retired to care for his parents. For sixteen years he wrote while caring for his parents, never leaving their side. He died in Jiaqing 21.
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Shuzu inherited Cunyu's learning with precision; on matters others neglected he thought deeply, opening new paths and seeing through root and branch. His writings all reach broad principles beyond earlier sages. He held that though the Lianshan and Guicang were lost, the Xia Calendar Small Classic and Cang Jie's ancient script survive for tracing meaning. He wrote Investigation and Explanation of the Xia Calendar Small Classic with Commentary, using celestial markers for unchanging motion, solar degree difference, Xia seasons, calendar origin, suburban sacrifice, and di rites. In Ancient Script Parts A and B he argued that Xu's hai sequence sourced radical rules; stems and branches came from Dalao; after Fuxi's teaching, thirty-two categories became the basis for naming things. The Guicang was the Yellow Emperor's Changes; following Xu's radicals and stem-branch order, he classified preserved and epigraphic material—the book unfinished but its structure largely complete. He also wrote on all the remaining Five Classics. He also treated the Lost Book of Zhou, Great Commentary on the Documents, Records of the Grand Historian, and Baihu Tong—correcting errors, lost passages, and displaced text with full evidence, as if consulting the ancients directly. His works include Investigation and Explanation of the Xia Calendar Small Classic with Commentary in ten juan, Evidential Investigation of Old and New Text Documents in seven juan, Evidential Investigation of the Mao Odes in four juan, Oral Exegesis of the Zhou Hymns in three juan, Account of Five Classics Philology in two juan, and nine other titles totaling over thirty juan.
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Cunyu's grandson Shoujia, whose courtesy name was Qingshan. He fully mastered the family learning and was especially cherished by Shuzu. He wrote Textual Variants of the Documents in three juan and Explaining the Book Title in one juan.
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Clansman Zhuang Youke, whose courtesy name was Dajiu. Diligent in learning and conduct, he grew more earnest in old age. Drawing on commentaries and traditions, he finely investigated principle, compared texts across Confucian schools, and formed his own explanations. He wrote on the Changes, Documents, Odes, Rites, and Spring and Autumn—forty-two works in over four hundred thirty juan.
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Qi Xuebiao, whose courtesy name was Hequan, came from Taiping. From youth he studied under Qi Zhaonan of Tiantai and was ranked a top student. When the Qianlong Emperor toured Jiangsu and Zhejiang, Qi presented an Ode on the Southern Tour. He became a jinshi in Qianlong 45 and served as magistrate of She County in Henan. The county suffered from broad-cloth levies; Qi obtained a quota reduction from the provincial office. Acting for Lin County, when brothers disputed an estate he satirized them with a Ballad of Fighting over Millet from Li Bai's lines—all repented. Unyielding by nature, he often clashed with superiors and was ultimately dismissed. Later appointed professor at Ningbo, he soon returned home to write.
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使 宿 便
Skilled in evidential study, he wrote Han Learning Phonetic Correspondence in twenty-three juan and General Discussion in one juan. Using the Shuowen to clarify ancient sounds, he held that in the Six Scripts xingsheng depends on form—form is the root of sound. Sound follows qi; with yin and yang qi, a character's sound may shift between yin and yang or take partial forms. Knowing this, ancients used 'with such-and-such sound' to show a character's phonetic origin and fix its root. 'Read like so-and-so' set up comparisons enabling seekers to find by category. Even when far removed, tracing the root sound reveals changes without mismatch. The Shuowen gives both phonetic root and comparative reading together in formulas such as 'from X with Y sound' and 'read like Z.' Nowhere is the study of sound more complete than this. Later scholars, confused by Sun Mian's fanqie added by the Xu family, ignored original readings; even Gu Yanwu and Jiang Yong analyzed mainly through rhyme books. They failed to see that the Shuowen links form and sound, while rhyme books discuss sound in isolation; the Shuowen seeks sound through qi, while rhyme books only discuss homophonic correspondence. Their departmental arrangements, chaotic in division and merger, mostly reflected subjective views. Scholars seeking convenience settled on a single reading. Clinging to fixed level, rising, departing, and entering tones, they abandoned phonetic correspondence and obscured Shuowen learning. His book takes Xu as basis, deducing changed from root sounds, listing original annotations and searching ancient readings as proof. Appended is Supplementary Investigation of the Shuowen in two juan, mostly correcting the two Xus' errors.
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He also wrote Verified Readings of the Mao Odes, Spectrum Fixing Yin and Yang of Poetic Sounds in four juan, Occasional Talks on the Four Books in four juan, Inner and Outer Chapters, Character Changes, and Literary Notes of Hequan in two juan each.
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使 稿
Jiang Youhao, whose courtesy name was Jinsan, came from She County. Mastering phonology, he devoured the works of Gu Yanwu and Jiang Yong. He held that Jiang supplemented Gu but divisions still had gaps; dividing Jiang's thirteen parts into twenty-one, he largely agreed with Dai Zhen and Kong Guangsen. He sent the work to Duan Yucai, who deeply valued it: "Gu and Kong focus on antiquity; Jiang and Dai also examine sounds. Jinsan chooses the best from predecessors without bias and masters deng-grade letters—not only clarifying ancient sounds but explaining why modern rhymes divide into two hundred six parts, completing rhyme learning. His Jiang's Ten Books on Phonology include Rhyme Readings of the Book of Odes, the Classics, the Songs of Chu, Pre-Qin, and Han-Wei texts, plus tables of phonetic and entering tones—works Wang Niansun and his son both admired. In late life he wrote Record of the Six Scripts in the Shuowen and Rhyme Spectrum by Shuowen Divisions. Late in Daoguang a fire destroyed his house and burned his drafts. Youhao grew old and blind, fell into depression, and soon died.
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滿
Chen Xijin, originally named Jin, whose courtesy name was Ximu, came from Yiwu. He was an outstanding tribute student. As a teaching instructor he served as magistrate of Kaitai, Longli, and Puding in Guizhou, sub-prefect of Renhuai, and was promoted to prefect of Yichang in Hubei. Acting for Kaitai, when teaching-bandit Jiang Changhua disturbed Liping, Chen bound ringleaders and pardoned the coerced, saving countless lives. At Longli a man had falsely confessed to killing someone with a nail-shoe, but wound evidence did not match—Chen was suspicious. While reviewing prisoners he spotted someone in the crowd dragging nail-shoes and glancing furtively; seized and interrogated, the wounds matched exactly and the true culprit confessed. At Puding groups dominated one another, calling their chiefs "Ox Clusters." When they caught thieves, they did not report to officials but burned them alive on piled firewood. Previously someone burned three corpses in revenge, and officials did not dare make arrests. Chen vowed to catch the culprits, punished them severely by law, and the custom was quickly reformed. As prefect of Yichang during a great Chu flood, he pacified refugees, repaired the walls, and used labor projects for relief. When his term ended he was kept six months to complete the work. Several thousand people saw him off, all in tears. He retired to care for his parents and soon died.
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Profound in learning, Chen amassed tens of thousands of books, correcting doubts and exhausting origins with precise judgment. He said Du Yu's Zuo commentary had three blind spots; Liu Guangbo corrected them, but Liu's book was long lost. Only the Correct Meaning cites 173 cases Kong Yingda rejected; Chen drew on classics, histories, and recent scholarship to clarify Liu's views. He expanded where Liu was right against Du, explained where Liu was wrong, and decided by his own judgment where both failed—forming Verified Investigation of Liu's Corrections in nine juan. He argued that Liu's Exposition of the Zuo listed in the Sui catalog likely included his corrections, based on Kong Yingda's preface. The Old Tang catalog lists the Exposition in 37 juan—three fewer than Sui but matching the three juan of corrections. Beyond the 173 anti-Du cases in the Correct Meaning, he found 143 more—all likely from Liu's Exposition. Only thirty cases differ from Du, with few refutations. Probably early Tang editors, favoring Du, deleted Liu's corrections when fixing the standard text. Comparing gains and losses across sources, he completed Supplementary Remains of the Exposition of the Zuo in eight juan.
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Other works include Exposition and Evidential Commentary on the Old Text Filial Classic, Annals of Emperors and Kings, Record of Guizhou Customs, and eight additional titles.
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Li Cheng, whose courtesy name was Jingxuan, came from Huangyan. An elevated tribute student of Jiaqing 18, he served in Yunnan and ended as magistrate of Shunning. He compiled Collected Explanations of the Thirteen Classics in 260 juan, drawing on Han-Wei commentaries, recent scholarship, and solid Tang-Song work. Observing that waterway books were plentiful but mountain geography lacked a comprehensive work, he wrote Comprehensive Outline of Ten Thousand Mountains in sixty juan. He also wrote Supplement and Revision of Waterway Compendium in 28 juan, Diary of Official Travel, Glimpses through a Tube in 36 juan, and Guide for Physicians.
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Ding Jie, originally named Jinhong, whose courtesy name was Shengqu, came from Gui'an. A jinshi of Qianlong 46, he served as professor of the Ningbo prefectural school. Deeply filial, he once rushed to Yunnan to bring his father's coffin home for burial. Poor from youth, he read in bookshops. He studied classics and histories along with the Shuowen, phonology, and mathematics. When the Siku Library opened he assisted collation and studied with Zhu Yun, Dai Zhen, Lu Wenjiao, Jin Bang, and Cheng Yaotian.
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Ding excelled at textual collation, most resembling Lu Wenjiao. For every book he fixed punctuation and collated variants across editions. He worked especially on the Records of the Elder Dai, writing Exposition of the Records of the Elder Dai. Zheng Xuan's Commentary on the Changes had long been lost; Wang Yinglin of Song compiled a recovery, augmented by Hui Dong. Ding found both recoveries interpolated passages from Zheng's Qianzao Du commentary and misattributed Han History notes. He corrected errors and supplemented gaps in Final Determination of Zheng's Commentary on the Changes in twelve juan. Hu Wei's Axe and Pointer to the Tribute of Yu was hailed as supreme learning; Ding pointed out many errors. He cited a weft classic: "Shifting the river as boundary, at Qi filling and blocking the eight streams to expand itself." River calamity stemmed from the Nine Rivers being blocked, with harm beginning in Qi. Guan Zhong was a capable minister and would not have brought such disaster on himself. Ban Gu's Treatise on Ditches and Channels says: "Shang exhausted, Zhou shifted, Qin broke the southern bank; from then to Han, the north lost eight branches." Thus the Nine Rivers were likely blocked during the Qin-Chu period. Hui Dong's compiled Great Commentary on the Documents contained grave errors such as misreading Kunxue Jiwen in "fresh degrees making Jing." The Five Elements Transmission text was corrupt; reading Later Han commentary showed it had been wrongly joined with Huanglan. With Weng Fanggang he corrected dates in Zhu Yizun's Evidential Investigation of Classical Meaning preface. With Xu Yanyan he elucidated Mozi's upper and lower canons with great progress. Dai Zhen began fine Fangyan editions; Ding contributed most, and Lu Wenjiao ranked him not below Dai. Qiantang said his Correct Investigation of the Origin of Han Clerical Characters grasped clerical principles.
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Ding held that the thirty-six initials cannot be increased, merged, or reversed: jian, duan, zhi, bang, fei, jing, and zhao are isolated clear initials and cannot take voiced counterparts; yi, ni, xiang, ming, wei, lai, and ri are isolated voiced initials and cannot take clear counterparts; fei is the light-labial form of bang and cannot merge with zhuan; wei is the light-labial form of ming and cannot merge with feng; ying and yu are deep-throat forms of xiao and xia and cannot be reordered as ying, xiao, yu, xia. He wrote Collected Writings from the Xiaoyou Mountain Studio and died in Jiaqing 12, aged seventy.
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His son Shoujing was an outstanding tribute student of Jiaqing 3; Chuanjing was an outstanding tribute student of Jiaqing 6. Both inherited the family learning and were known as the "Twin Ding." Shoujing assisted Yan Kejun in compiling the ABCD long compilation to collate the Shuowen.
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西 鹿 輿
Zhou Chun, whose courtesy name was Song'ai, came from Haining. A jinshi of Qianlong 19, he served as magistrate of Cenxi County in Guangxi. He abolished corrupt customs without disturbing the people, in the style of ancient conscientious officials. When he left on bereavement, Cenxi built a shrine in his honor. In Jiaqing 15 he again attended the Lu Ming banquet. He died in Jiaqing 20, aged eighty-seven. Broadly learned and loving antiquity, after mourning both parents he did not seek office though not yet fifty. His Outline of Sounds of the Thirteen Classics in thirteen juan, based on Lu Deming's Shiwen and Yupian and Guangyun, rigorously assigns every character to its initial. Other works include Chinese Filial Classic, Supplementary Commentary on Erya, Remaining Discourses on Philology, surname genealogies, and Outline of Alliteration in Du Fu's Poetry in eight juan.
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Sun Xingyan, whose courtesy name was Yuanru, came from Yanghu. From youth his literary gifts matched those of Yang Fangcan, Hong Liangji, and Huang Jingren. Yuan Mei called him a "genius under heaven" and formed a friendship across generations. Sun did not wish fame as a poet, devoting himself to classics, histories, philology, and the hundred schools. A top-ranked jinshi of Qianlong 52, he became Hanlin Compiler and collator of the Three Compendia Office. In Qianlong 54, leaving the Hanlin academy, he used Records' "like in fear" in his Fu on Firm Resolve; Heshen suspected a wrong character and demoted him to a ministry post. Precedent allowed top jinshi to remain in the Hanlin or rise to vice-director—Wu Wenhuan had done so. Heshen hinted he should visit; Sun refused: "A clerk eventually rises to vice-director—why seek favor?" Thereafter Hanlin compilers demoted to clerks became precedent.
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In the Ministry of Justice he was lenient in law; Agui and Hu Jitang valued him. For doubtful cases he judged by ancient principles, saving many lives. After duty he always pursued scholarship. He rose to director. In Qianlong 60 he was appointed intendant of the Yan-Yi-Cao-Ji Circuit in Shandong.
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使 使
In Jiaqing 1, month 7, floods breached at Shan County; Sun and Kang Jitian built upstream dikes in five days and nights to prevent a breakthrough. Kang Jitian said the work saved the state millions in treasury silver. Acting surveillance commissioner for seven months, he reversed scores of cases and saved more than ten death-row prisoners wrongly convicted. In Weixian a martial offender bribed Heshen's gate and sought protection from high officials. Sun searched him out, tried him, and shackled Heshen's messenger in the street. Returning to his post during Cao flood work, he was blamed for defense negligence but retained by special edict. Cao flood work divided three diversion rivers; Sun managed the middle section. When complete, his section saved over three hundred thousand compared with Jidong and Denglai sections. Where others took surplus "deduction fees" from river compensation, Sun took none and applied all funds to diversion work. Before Cao works were joined, superiors hurriedly reported completion and moved Sun; soon they reported the works had reopened. Reopening required sharing ninety thousand taels in dam compensation—half should fall on his successor, but officials assigned it all to Sun. Sun accepted it, saying: "Since I also manage river affairs, I cannot refuse to bear others' faults."
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In Jiaqing 4 he mourned his mother; Ruan Yuan engaged him to head the Gujing Jingshe Academy. He tested students on classical doubts, philology, astronomy, geography, mathematics, and composition; within ten years they became noted writers. After mourning he returned to Shandong; in Jiaqing 10 he became grain commissioner. In Jiaqing 12 he acted as provincial administration commissioner. When Vice Minister Guangxing visited, Sun refused improper disbursements for his entourage. When Guang later fell on bribery charges, many Henan and Shandong officials were punished for treasury disbursements—Sun was not. In Jiaqing 16 he retired citing illness.
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Sun was broadly read and prolific in writing. He loved collecting books and copied fine editions whenever he found them. He investigated the origins of every epigraphic inscription he encountered. Lamenting that the Old Text Documents were corrupted by Mei Ze of Eastern Jin, he began collecting Ma-Zheng commentary while at the Ministry of Justice. After retirement he completed Commentary and Subcommentary to Old and New Text Documents in 39 juan, explaining his method of five schools in three categories: Sima Qian's Old Text tradition from Kong Anguo; Fusheng's New Text line through the Ouyang and Xiahou masters; and Ma Rong and Zheng Xuan's Kong-wall Old Text line mostly from Wei Hong and Jia Kui—all with sources clarified in the subcommentary. He preserved variant Old Text readings from pre-Qin sources, weft texts, Baihu Tong, Han-Wei New Text, and Xu's Shuowen, with explanations in the subcommentary. His aim was to recover lost tradition, chiefly Han-Wei fragments, also drawing on Wang Mingsheng, Jiang Sheng, and Duan Yucai. He excluded Song and later commentaries as lacking reliable transmission and prone to arbitrary invention. The work took twenty-two years to complete.
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Other works include Collected Explanations of the Changes, Corrected Xia Calendar Small Classic Transmission, Investigation of the Bright Hall, and over a dozen more titles totaling well over a hundred juan. He died in Jiaqing 23, aged sixty-six. Late works were mostly completed by Bi Heng of Wendeng and Li Yide of Jiaxing.
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谿 西
Bi Heng, originally named Yitian, whose courtesy name was Tianxi. A student of Dai Zhen of Huining, he mastered Han exegesis and especially the Documents. Sun's Documents commentary drew heavily on Bi Heng, whom he called unmatched in classical learning. A juren of Jiaqing 12, he was appointed to Jiangxi through grand selection in Daoguang 6 and served at Anyi County. In a fratricide case he upheld "confounding moral order—punish without pardon" and refused amnesty. The provincial office nearly impeached him, but Cheng Enze of She intervened. Later posted to Chongyi, he died in office from overwork, nearly eighty. He wrote Literary Remains from the Jiushui Mountain Studio in two juan.
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Li Yide, whose courtesy name was Cibai. A juren of Jiaqing 23. He lodged with Sun and they worked together happily. He wrote Compiled Exposition of Jia and Fu Commentary on the Zuo Exegesis in twenty juan. The work cites broadly and compares texts closely, refuting points he found unsatisfactory. Even Du Yu reborn would not dare raise Du's banner alone and abandon older Zuo traditions. Other works include Investigation of Variants in the Odes, Investigation of Names of Things in the Book of Odes, Remaining Rites of the Zhou, and several more titles.
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使 西
Wang Pinzhen, whose courtesy name was Zhenwu, came from Nancheng. From youth he was known for rigorous scholarship. In Qianlong 54, Weng Fanggang selected him as tribute student; he collated texts for Xie Qikun and Ruan Yuan. While guesting in western Zhejiang he discussed learning with Ling Tingkan, who deeply approved him. Grave, sincere, and incorruptibly self-restraining in character.
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Upholding Zheng Xuan's tradition, he wrote Exegesis of the Records of the Elder Dai in thirteen juan with a one-juan catalog. He argued that Elder and Lesser Dai both studied under Hou Cang from Kong-wall Old Text—not that Lesser Dai deleted Elder Dai or Ma Rong supplemented Lesser Dai. Investigation of Rites and Protector and Tutor, mentioning Qin's fall, was compiled by Kong Xiang and others. Jia Yi drew on ancient records, not the reverse. Record of Three Reigns and Master Zeng were Liu clan assignments among the nine streams, not Elder Dai's compilations."
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He also said recent collators lacked method: Wang Su tampered with the text and Confucius's Family Talk, and others altered the classic from Tang-Song encyclopedias. Some added or deleted words from Tang-Song encyclopedias or claimed Yongle Encyclopedia authority for changes. Using modern meaning, sound, and text to reshape the ancient Kong-wall classic destroyed its meaning. His principles: ritual codes and implements strictly followed Zheng; character exegesis relied on Erya, Shuowen, and Han commentators. Where uncertain he left blanks; he never fabricated readings. Examples include reading "five yi" as yi per Zhou Rites commentary, explaining "five zao" as wu, and Qing Shi Zi's citation of Han History "the gentleman nourishes them" as in "center nour nour." All were grounded in classics and histories and dispelled confusion. Jiao Xun of Jiangdu praised him for preserving the text without arbitrary changes, listing him among thirty-two Reading Praises. Other works include Supplement to Evidential Investigation of Classical Meaning and Study of the Nine Classics.
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Ling Tingkan, whose courtesy name was Cizhong, came from She County. Orphaned at six, he began reading after coming of age, admiring Jiang Yong and Dai Zhen. A jinshi of Qianlong 55, he became professor of the Ningguo prefectural school. He took his mother to office and wrote devotedly for over ten years. He died in Jiaqing 14, aged fifty-three.
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沿 使 ''''''
His learning ranged from Six Scripts and calendrics to territorial and office history—all systematically arranged. Specializing in ritual, he held that ancient sages restored human nature through learning—and what was learned was ritual. When Yan Yuan asked about benevolence, Confucius answered with ritual alone; Yan Yuan sighed at the Way's depth. Only after 'broadly learning and concentrating on ritual' comes 'as if standing'—standing in ritual. Ritual has regulated forms and measures—not empty principle. He wrote Exemplifying the Ritual Classic in thirteen juan, arguing that intricate rites require grasping their patterns. Village drinking, village archery, banquet rites, and grand archery differ yet share patterns of offering, toasting, and rounds; mission and audience rites differ yet share patterns of suburban reception and court offerings; single and lesser victim offerings differ yet share patterns of corpse meal, three offerings, and post-sacrifice drinking. He divided rites into eight patterns—general, food and drink, guest, archery, variant, sacrifice, implements and dress, and miscellaneous—to clarify sameness within difference. Because Han commentators missed the honoring-the-honored principle, he added Investigation of Feudal Honoring-the-Honored Service System after the variant pattern. Zhu Gui of Daxing read the work and praised it in verse.
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Beyond ritual he studied music, holding that vulgar and elegant music were separated by Tang banquet music—unknown to Cai Jitong and Prince Zheng. Taking Zheng Yi's five keys and seven modes as basis and drawing on Duan Anjie, Zhang Shuxia, and Liao History Music Treatise, he wrote Investigation of the Origins of Banquet Music in six juan. Jiang Fan of Jiangdu called it "thought penetrating spirits and ghosts." Other works include Chronological Biography of Yuan Haowen, Collected Writings from the Jiaoli Hall in thirty-six juan, and Poetry Collection in fourteen juan. Ruan Yuan had his son study Scholar's Rites under Ling and praised his investigations of village archery, nine bows, nine sacrifices, and Chu Ci. Most outstanding were his three chapters on restoring ritual.
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Fellow townsman Hong Bang, whose courtesy name was Rudeng. A juren of Qianlong 23. In Qianlong 41 he ranked first in the Tianjin imperial test and became Secretariat Drafting Clerk. He died aged thirty-five. Pure in classical learning; his Clarifying Images remained unfinished, ending at the Yi hexagram. Following Zheng Xuan's Eulogy on the Changes he wrote Expository Eulogy in two juan. He also wrote Table of Balanced Four Tones in five juan and Children's Fanqie in one juan. Jiang Yong had 616 fanqie characters; Hong added 139 and marked initials above Guangyun entries to fix the five sound categories, extending Jiang and Dai. He regulated himself uprightly and treated others sincerely. All his life he devoted himself to Dai Zhen. When others could not grasp Dai Zhen's Evidential Commentary on the Meaning of Mencius, Hong alone ranked its achievement with Yu the Great. In Dai's biography he included a letter to Peng Shaosheng; Zhu Yun said it need not be included—Dai's legacy lay elsewhere. Hong submitted a letter arguing in reply. Jiang Fan in Wu, reading it, sighed: "Master Hong is a Confucian defending the Way."
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Wang Long, whose courtesy name was Chenshu, was also from Ling Tingkan's county. A juren of Qianlong 51. Broadly learned in poetry, he rejected Zheng's miraculous birth explanation for Birth of the People and Dark Bird, preferring Mao's account of Jiang Yuan and Jiandi at the suburban Mei rite. After decades of work he completed Different Meanings of the Mao Odes in four juan and Upholding Mao in ten juan. He died aged eighty-two.
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Gui Fu, whose courtesy name was Donghui, came from Qufu. A jinshi of Qianlong 55, he was magistrate of Yongping in Yunnan and died in office.
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Broadly read, he devoted himself to philology and mastered sound and meaning. He said: "Without mastering classics a scholar cannot serve; without clear exegesis one cannot master classics." For forty years he daily compared Xu's Shuowen with classic meanings, producing Evidential Commentary on the Meaning of Shuowen in fifty juan. Exhausting textual roots, this was his life's work.
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便
Gui and Duan Yucai, contemporaries both studying Shuowen, were equally famed though they never met or read each other's books. Duan's work excels in both sound and meaning, especially sound; Gui's also treats sound but is especially broad in meaning. Duan boldly reconstructed characters and meanings, confident he matched Xu's intent; Gui assisted Xu's text, developing lateral connections so readers could extend meaning themselves. Duan is concise and hard to penetrate; Gui is elaborate and easier to use. In inward grasp Duan wins; in convenience for readers Gui may be ahead. Like Wang's Guangya Commentary and Ruan's Collected Glosses, he cited ancient books without imposing sole judgment.
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In Yunnan office he wrote fragmentary Notes from the Craftsman's Door in ten juan recalling old reports. Gui cited Xu Gan's warning that vulgar scholars pluck chapter sentences without grasping great meaning. Such scholars labor in thought without knowing the Way and achieve nothing. He warned that Six Script fashion produced scholars proud of name objects and strokes but blank on classic great meaning. Few philologists of his day could speak so—enough to awaken the complacent. Other works include Late Learning Collection in twelve juan.
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歿
Xu Han, whose courtesy name was Yinlin, came from Rizhao. A juren of Daoguang 15, he served as instructor of Yixian. Broadly versed in classics, histories, and epigraphy, with deep exegesis. In collating Song-Yuan-Ming editions he matched Huang Pilie and Gu Guangqi. Collating Gui Fu's Shuowen commentary for the Yang clan, he lost everything when blocks were destroyed by Nian bandits and died depressed, aged seventy. Other works include Collation of Errors in Han Poetry Outer Commentary and Essays from the Pangu Studio.
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退 歿
Jiang Sheng, whose courtesy name was Shujun, came from Yuanhe. At seven he asked his tutor why one read; told it was for rank, he sought how to advance beyond that. At twenty-nine, nursing his ill father, he never left the couch and even washed his father's garments to monitor his condition. In mourning he was emaciated with grief; after three years he still looked newly bereaved. He served his mother's illness and mourning with equal devotion. Clansmen pitied his utmost filial conduct. Orphaned, he abandoned the examination career.
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Reading the Documents, he found Old Text unlike New Text. He also doubted Kong's commentary came from Anguo. At thirty-five he studied under Hui Dong, learned Old Text was forged, and collected Han commentary to annotate twenty-nine chapters. He completed Collected Commentary and Phonological Subcommentary to the Documents in twelve juan with supplements and a lineage table of Documents classicists. He wrote classic text and commentary entirely in ancient seal script. Doubters of forged Old Text began with Wu Cailao of Song; later skeptics missed essentials. Yan Ruoju and Hui Dong finally revealed forgery and plagiarism. Correcting text and clarifying ancient commentary awaited Jiang Sheng's summation.
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Rejecting seal-trace zhuanzhu speculation, he wrote On the Six Scripts: establishing category with head means the 540 hai departments; same intent means all of a type follow that type. Sun Xingyan agreed, citing Erya words for beginning—zhao, zu, yuan, tai. Beginning forms a category; zhao, zu, yuan, and tai all mean beginning under same intent. Shuowen has many such pairs; yan and ai in the mouth department illustrate lao-zhuanzhu. Ai means yan. In the run department, zou and qu; qu means zou. Like lao and zhuanzhu mutually defining each other. Sharing the mouth or run department exemplifies establishing category with head. Jiang agreed, but Dai Zhen thought whole-department scope was too broad. Jiang replied: "If only lao is zhuanzhu, is that not too narrow? And does xingsheng not also span whole departments?" Jiang and Dai respected each other yet disagreed thus.
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L0 便
He never wrote regular script, using ancient seal even in letters despite ridicule. For Documents water names not in Shuowen he used Huainan and Erya evidence; skeptics later accepted. Yet his seal-script Documents commentary did not circulate widely.
135
Upright and unyielding, he did not covet glory or profit. Wang Mingsheng, Wang Chang, and Bi Yuan valued him; he never used connections for private ends. In Jiaqing 1 he was recommended as Filial and Incorrupt. He died in Jiaqing 4, aged seventy-nine. In late life, at odds with custom, he styled himself Genting after the Gen hexagram's 'back'; scholars called him Master Genting.
136
His son Liu was a Wuxian student. Grandson Yuan was an outstanding tribute student. The family transmitted his learning for generations.
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使使 M1 沿
Yuan, whose courtesy name was Zilan. Duan Yucai of Jintan sojourned in Suzhou; Yuan studied under him for decades. Yuan first wrote Exemplifying Shuowen; commissioned by Duan, he itemized Duan's seventeen-part phonetic table; tracing sound from sound in sequence, producing Phonological Tables for Explaining Characters in seventeen juan. Yuan annotated Duan's errors: splitting zhi-zhi-zhi and zhen groups was Lu's old system, yet Duan claimed secret discovery and forced divisions. He forced apart Xu's combined rhymes and blocked connections between parts one and twelve. He changed bi's 'read like mi' to bi; deleted yi from yi's yi sound; changed bi's yi also sound to ba also sound. At the opening character he dared not admit three-part rhyme until explaining it under hai's repeated entry. Parts twelve and thirteen connect only at min and hun—so he removed hun to fit his theory. He altered bi's tian sound to avoid fifteenth-part connection with part one via qi/liu. These were Duan's knotty points. Yuan also held ancient had departing not entering—opposite to Duan's no-departing theory; level light became rising, departing heavy became entering; entering tones were fewer because departing became entering. Northern entering tones becoming departing preserved ancient habit—not rash innovation. Yuan debated Duan in person; Duan allowed refutation—hence their differences. Yuan died aged seventy-two.
138
Qian Dazhao, whose courtesy name was Huizhi, came from Jiading and was Qian Daxin's younger brother. Qian Daxin mastered classics and histories; the Qian clan studied ancient learning and were luminaries of the southeast. Twenty years younger, Dazhao studied under Daxin like a strict teacher—they were compared to the two Sus. In the capital he collated the Siku Quanshu, viewing rare texts and greatly expanding his learning. Skilled at selection, his classic and philology works entered Han exegetical depths. When he wished to study Erya, Daxin wrote: "The Six Classics illuminate the Way; none can know the Way without exegesis. To exhaust the Six Classics one must begin with Erya." Dazhao wrote Supplement to Erya Shiwen in three juan and Commentary on the Meaning of Guangya in twenty juan.
139
He also wrote Unified Explanation of Shuowen in sixty juan with ten principles, first collecting classic meanings agreeing with Xu. Second, restoring ancient fanqie, correcting the two Xus' misreadings and Xu's 'read like' formulas; also preserving old Shuowen sounds cited in Sui catalog and Yan Family Admonitions. Pre-Tang commentators' Shuowen pronunciations were collected under each character. Third, reconciling ancient editions and citation variants. Fourth, distinguishing vulgar and erroneous characters including Xu's supplements, in a separate juan. Fifth, clarifying mutual borrowing in classics with textual proof. Sixth, marking derived initials for proliferating forms like wan, wan, kun, yue. Seventh, explaining variant forms in repeated entries—zhou, seal, ancient script, strange characters; where classics use both forms, citing proof. Eighth, correcting publication errors and characters Xu did not include. Ninth, noting ancient-modern character variants such as chen and dan where classics omit the bird radical. Tenth, supplementing thirty-nine missing phonetic parents such as you, xi, mian, lei in a separate juan.
140
Dazhao especially mastered the two Han histories, holding that history annotation aims at events while classic annotation aims at principle through exegesis. History annotation must clarify events—precise exegesis alone is useless if events remain obscure. He lamented that Fu Qian, Ying Shao, Pei Yin, and Xu Guang failed to synthesize abundant early sources, and wrote Doubts on the Two Han Histories in forty juan. He also wrote Doubts on the Records of the Three Kingdoms in three juan. Finding Xiong Fang's Later Han tables too narrow, he wrote Supplementary Tables in eight juan using geography, epigraphy, and other sources. His tables added 130 more nobles than Xiong Fang's—judged superior to Wan Sitong's dynastic tables. Other works include Ancient Exegesis of the Odes, Classic Explanations, Continued Han Bibliographic Treatise, and Nearby Words.
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Not fond of glory, he named his studio Ke Studio, seeking ancient contentment. In Jiaqing 1 he was recommended as Filial and Incorrupt.
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His son Dongyuan, whose courtesy name was Jiqin. A juren of Jiaqing 3. He served as magistrate of Songyang in Zhejiang and returned on bereavement. After mourning he was posted to Shangyu County. Dongyuan and brothers Yi and Tong studied classics, histories, and epigraphy—they were called the "Three Phoenixes." With Yi, Tong, and Qin Jian he collated Zheng's Gazetteer and the Comprehensive Catalog of Chongwen—both prized editions. Finding Mencius commentary corrupt, he compiled ancient commentators and recent scholars including Gu Yanwu and Yan Ruoju with his own views. Correcting readings and comparing variants, he produced Explanations of Mencius in fourteen juan. Other works include Collation of Small Erya, Supplement to Evidential Investigation of Classical Meaning, and Collected Writings from the Qinyou Hall.
143
歿
Tong, whose courtesy name was Tongren. He also mastered calendrics and calculation at their roots. Daxin's unfinished Calendar Intercalation in the Four Histories was augmented by Tong with 1,300 entries from books and epigraphy. He worked day and night until illness killed him.
144
駿
Zhu Junsheng, whose courtesy name was Fengqi, came from Wu County. At thirteen he mastered the Shuowen on first reading. Studying under Qian Daxin, Qian exclaimed: "The master's robe and bowl will pass to you! A juren of Jiaqing 23, he served as director of Yi County. In Xianfeng 1 he entered the capital as selected magistrate, presenting Unified Explanation of Shuowen with Fixed Phonology and related works in forty juan. Emperor Wenzong praised the work and awarded him National University Doctor rank. Soon appointed professor at Yangzhou but declined citing illness. He died in Xianfeng 8, aged seventy-one.
145
駿
Prolific yet seeking no fame, he also mastered astronomy and calendrics. On Erya's "Grand Year in yin" he followed Daxin: the Year Star was observed in hai while Grand Year was fixed in yin as Sheti Ge. The Year Star shifts one sign every 144 years; by Qin-Han jiayin it was in chou and Grand Year should have been in zi. Han edicts kept Taichu 1 as Sheti Ge because the sixty-year cycle could not suddenly skip a sign. Later people wrongly took yin and mao as Grand Year and Sheti Ge as Year Yin. Erya's Year Yang and Year Yin differ from later explanations. Other works include Lateral Connections to the Zuo, Small Records of Zuo Recognition, and supplements to the Xia Calendar and Encountering Sorrow.
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His son Kongzhang, whose courtesy name was Zhongwo. He inherited his father's work, writing Essence of Shuowen in three compilations, Han Commentary on the Thirteen Classics, and Separate Biographies of Restoration Generals.
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