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卷482 列傳二百六十九 儒林三 马宗梿子:瑞辰 孙:三俊 张惠言子:成孙 附:江承之 郝懿行 陈寿祺子:乔枞 附:谢震 何治运 弟子:孙经世 柯蘅 许宗彦 吕飞鹏附:沈梦兰 宋世荦 严可均严元照 焦循子:廷琥 附:顾凤毛 鍾怀 李鍾泗 李富孙兄:超孙 弟:遇孙 胡承珙附:胡秉虔 朱珔 凌曙附:薛傳均 刘逢禄附:宋翔凤 戴望 雷学淇附:王萱龄 崔述 胡培翚附:杨大堉 刘文淇子:毓崧 附:孙寿曾 方申 丁晏 王筠 曾钊附:林伯桐 李黼平 柳兴恩弟:荣宗 附:许桂林 鍾文烝 梅毓 陈澧附:侯康 侯度 桂文灿 郑珍附:邹汉勋 王崧 刘宝楠子:恭冕 龙启瑞附:苗夔 庞大堃 陈立 陈奂附:金鹗 黄式三子:以周 兪樾附:张文虎 王闿运 王先谦 孙诒让 郑杲附:宋书升 法伟堂

Volume 482 Biographies 269: Confucian Scholars 3: Ma Zonglian son: Rui Chen, Sun :sanjun, Zhang Huiyan son: Cheng Sun, with: Jiang Chengzhi, Hao Yixing, Chen Shouqi son: Qiao Cong, with: Xie Zhen, He Zhiyun, Di son: Sun Jingshi, Ke Heng, Xu Zongyan, Lv Feipeng with: Shen Menglan, Song Shiluo, Yan Ke Jun Yan Yuan Zhao, Jiao Xun son: Ting Hu, with: Gu Fengmao, Zhong Huai, Li Zhongsi, Li Fusun elder brother: Chao Sun, younger brother: Yu Sun, Hu Chenggong with: Hu Bingqian, Zhu Jian, Ling Shu with: Xue Chuanjun, Liu Fenglu with: Song Xiangfeng, Dai Wang, Lei Xueqi with: Wang Xuanling, Cui Shu, Hu Peihui with: Yang Dayu, Liu Wenqi son: Yu Song, with: Sun Shouceng, Fang Shen, Ding Yan, Wang Yun, Ceng Zhao with: Lin Botong, Li Fuping, Liu Xingen younger brother: Rong Zong, with: Xu Guilin, Zhong Wen Zheng, Mei Yu, Chen Li with: Hou Kang, Hou Du, Gui Wencan, Zheng Zhen with: Zou Hanxun, Wang Song, Liu Baonan son: Gong Mian, Long Qirui with: Miao Kui, Pang Dakun, Chen Li, Chen Huan with: Jin E, Huang Shisan son: Yi Zhou, Yu Yue with: Zhang Wenhu, Wang Kaiyun, Wang Xianqian, Sun Yirang, Zheng Gao with: Song Shusheng, Fa Wei Tang

Chapter 482 of 清史稿 · Draft History of Qing
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1
Biography 269
2
Confucian Scholars III
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祿{{*|-{}-}}
Ma Zongchao, Zhang Huiyan, Chen Shouqi, Xu Zongyan, Lü Feipeng, Yan Kejun, Jiao Xun, Li Fusun, Hu Chenggong, Ling Shu, Liu Fenglu, Lei Xueqi, Hu Peihui, Liu Wenqi, Ding Yan, Wang Yun, Zeng Zhao, Liu Xingen, Chen Li, Zheng Zhen, Liu Baonan, and Long Qirui—with appended biographies of Miao Kui and Pang Dakun—followed by Chen Li, Chen Huan, Huang Shisan, Yu Yue, Wang Kaiyun, Wang Xianqian, Sun Yirang, and Zheng Gao
4
-{}- 椿 -{}- 宿 沿
Ma Zongchao, whose style was Qizhi, came from Tongcheng. Having passed the provincial examination, he held the post of county instructor in Dongliu. He attained the jinshi degree in the sixth year of the Jiaqing reign and died the following year. As a young man he studied poetry and belles-lettres under his uncle Yao Nai, and his writings were noted for depth, breadth, and exceptional polish. He went on to master classical glossology and historical geography. At the provincial examination his interpretation of the Analects lines on not overstepping one's rank and on ascending the hall matched ancient ritual practice, and Zhu Gui of Daxing promptly marked him for advancement. He later studied with Shao Jinhan, Ren Dachun, and Wang Niansun, and his scholarship progressed still further. He argued that exegesis must come before scriptural interpretation, and that although the source materials were vast, no one had yet gathered them into one reference work. With like-minded scholars Sun Xingyan, Ruan Yuan, and Zhu Xigeng he began a rhyme-indexed compilation, but the work stopped when he went home to the south. When Ruan Yuan later served as educational commissioner in Jiangsu and Zhejiang, he assembled leading scholars to compile the Jingji Cuangu; its editorial principles were still those Zongchao had drawn up himself. He was sober and earnest by nature, cared little for pastimes, and found his chief delight in scholarly writing. He wrote three fascicles of supplementary commentary on the Zuo Tradition, drawing widely on Han and Wei commentators and refusing to agree or disagree merely for the sake of novelty. Among his other writings are studies of the Mao and Zheng Odes commentaries, exegesis of Zheng Xuan's Zhouli notes, exegesis of the Guliang Commentary, expanded glosses on the Shuowen, a geographical commentary on the Zhanguoce, a historical survey of the four southern commanderies, and Lingnan shichao—several dozen fascicles in all—plus two fascicles of poetry from the Jiaojing Hall.
5
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His son Ruichen, whose style was Yuanbo. He passed the jinshi examination in the fifteenth year of Jiaqing and was appointed a Hanlin bachelor. When his Hanlin term ended, he was assigned as a secretary in the Ministry of Works' Construction Bureau. Promoted to bureau director, he was caught up in a case and banished to serve at Mukden. He was soon restored to secretary rank, petitioned to stay at the Ministry of Works, and was made vice director. He was implicated again and exiled to Heilongjiang, but was released and sent home not long after. He later headed the teaching chairs at Bailudong Academy in Jiangxi, Yishan Academy in Shandong, and Luyang Academy in Anhui. When rebel forces seized Tongcheng, the people fled in terror. The insurgents tried to force his surrender, and Ruichen cried out: "I am Ma Ruichen, former Hanlin bachelor and vice director in the Ministry of Works' Directorate of Waterways! I sent my two sons to organize the local militia. My second son is dead and my younger son is with the army—do you think I would surrender to rebels?" The rebels seized him by the hair, burned his back, and forced him to march. After several li his curses grew only fiercer, and he died at the age of seventy-nine. When word reached the court, he received the usual posthumous honors and hereditary privileges, and the throne ordered a shrine built in his memory.
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Ruichen studied and wrote without slackening, and remained industrious even in his old age. He once observed: "Once the Qi, Lu, and Han Odes traditions were lost, commentators treated the Mao recension as the oldest surviving text. Zheng Xuan's reply to Zhang Yi states: "In commenting on the Odes I follow Mao as my main authority; where Mao is obscure, I clarify the sense." That was Zheng's essential aim—to expound Mao—and his revised readings in the commentary did not amount to abandoning the Mao tradition wholesale. Yet the Correct Meaning sometimes wrongly treated Mao and Zheng as fundamentally at odds. Zheng had first studied the Han recension under Zhang Gongzu, and wherever his glosses diverge from Mao they usually draw on Han teaching. In the same reply to Zhang Yi he also says: "Where they differ, I state my own view." The Correct Meaning, in turn, sometimes wrongly treated the Mao tradition and Zheng's commentary as a single text. The Mao text uses archaic graphs and relies heavily on phonetic loan characters explained through double initials and rhyming pairs—points the Correct Meaning did not always understand." He therefore wrote thirty-two fascicles of Comprehensive Exposition of the Mao Tradition and Zheng Commentary, comparing the three schools, clarifying interpretive principles across the full text, verifying errors with ancient phonology and semantics, and separating genuine readings from phonetic loans. He adhered faithfully to his family's scholarly method, and his arguments were thorough and deeply grounded. At the same time Chen Huan of Changzhou produced his Exegesis of the Mao Tradition, another specialized work in the field. From that point scholars of the Mao Odes largely looked to these two works as authorities.
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His son Sanjun, whose style was Mingzhi. He was a selected tribute student. Recommended as a Filial and Incorrupt candidate of upright character, he followed the Cheng-Zhu school. Moved by the national calamity and his family's losses, he was determined to fight the rebels. In the sixth month of the fourth year of Xianfeng he led local militia in pursuit of the rebels to Zhouyu City, fell in fierce combat, and died at thirty-five. His writings survive as the Collected Remains of Master Ma the Recluse.
8
Zhang Huiyan, whose style was Gaowen, came from Wujin. He studied the Book of Changes in youth and quickly mastered its main principles. At fourteen he taught village pupils, pursued learning with moral seriousness, observed ritual scrupulously, and won universal respect. After passing the jinshi examination in the fourth year of Jiaqing, he was singled out by Grand Secretary Zhu Gui, then Minister of Personnel, for special appointment as a Hanlin bachelor and compiler at the Veritable Records Office. In the sixth year, when his Hanlin term ended and he was assigned to a ministry post, Zhu Gui again secured a special appointment for him as Hanlin compiler. He died in the seventh year at the age of forty-two.
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Though both his provincial and metropolitan successes came through Zhu Gui's patronage, Huiyan never flaunted his talent and quietly kept pace with the other students. Gui noticed this in secret and was delighted, which is why he promoted him repeatedly; Huiyan, in turn, debated him frankly and never held back his opinions. When Gui argued that the emperor should win the people's hearts through magnanimity, Huiyan replied: "The empire has been at peace for more than a century, and imperial benevolence has surpassed Han, Tang, and Song. Officials and commoners have grown used to leniency, and wrongdoing has taken root. The court should enforce punishment more firmly to restore order at home and abroad." When Gui urged leniency toward erring ministers, Huiyan asked: "What is the point of protecting mediocre men who happen to rise high and then undermine the law?" When Gui said he favored promoting cultivated scholars, Huiyan countered that the court should advance men able to govern the bureaucracy at home and the borders abroad, and debated the point openly with his fellow townsman Hong Liangji.
10
In his youth Huiyan wrote fu in the manner of Sima Xiangru and Yang Xiong. As an adult he turned to the prose models of Han Yu and Ouyang Xiu. He first studied seal script under Li Yangbing, then Han stele inscriptions and the Stone Drum Texts. When ordered to Mukden to engrave the jade seals for the augmented honorific titles of the dynastic founders, he told the officials in charge that the existing seals must not be reworked; and he argued that Hanlin engravers commissioned for imperial seals should petition for courier transport—though precedent prevented the request from being approved.
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His penetrating intellect was extraordinary. He studied antiquities with Jin Bang of She, grounded his scholarship in the Six Classics, and was deepest in the Changes and the Rites. Among his works are Meaning of the Zhouyi according to the Yu School and Yu School Messages. His preface begins: "When Liu Xiang collated texts under Emperor Cheng of Han and surveyed Yi scholarship, he found that every school traced its line to Tian He, Yang Shu, and General Ding and agreed in broad outline, with only the Jing tradition standing apart. Meng Xi inherited the Changes tradition of yin-yang cosmology: his reading begins in qi and only then applies human affairs to clarify it. The eight trigrams, the sixty-four hexagrams, the four cardinal figures, the seventy-two seasonal nodes, and the cycles of change and message—later scholars repeated these doctrines but none could fully expound them. Late in the Han, Ma Rong of Fufeng wrote a commentary on the Changes and taught Zheng Xuan, who produced an annotated edition. Liu Biao, governor of Jingzhou; Wang Lang, administrator of Kuaiji; Xun Shuang of Yingchuan; and Song Zhong of Nanyang all became famous for the Changes, each with his own writings. Only Yu Fan carried on the Meng school tradition; after completing his commentary he submitted it to Emperor Xian. Fan's reading of the Changes works through yin-yang and the message of the six lines, developing lateral connections and cycles of ascent and descent until all returns to the primal Qian and the use of nine by which the world is brought to order. He groups phenomena by kind and weaves comparisons through them; the method seems minute at first, yet as one goes deeper and strips away layers, what looked like scattered branches resolves into a luxuriant order that reaches the Way itself—something later scholars rarely mastered. After Wang Bi of Wei explained the Changes in abstruse metaphysical terms and the Tang made his text the official curriculum, Han scholarship faded. Li Dingzuo of Zizhou alone compiled the Collected Explanations, drawing on earlier Yi masters but relying chiefly on Fan's commentary. Later, when the ancient texts were lost, the Daoist Chen Tuan invented the Dragon Diagram, his disciple Liu Mu identified it with the River Chart and Luo Writ, and Shao Yong of Henan added the Before Heaven and After Heaven diagrams. Song commentators on the Changes adopted these figures wholesale, and they remain entrenched today, while the great yin-yang teaching of the Changes has been largely lost from view. After the Qing founding, the scholar Hui Dong of Yuanhe recovered the ancient teachings of the Meng, Jing, Xun, Zheng, and Yu schools in his Han Learning of the Changes and wrote his own commentary, the Zhouyi shu. Yet he was gathering fragments from the wreckage of tradition, and scarcely two or three parts in ten could be recovered. His work chiefly followed the Yu school, but where he could not master it fully he brought in other traditions to fill the gaps. After more than a thousand years of decay from Tang through Ming, it was inevitably hard to expect the Way to blaze forth again from a few scattered repairs. Fan's learning was profound, and because he could compare the writings of Ma, Zheng, Xun, and Song Zhong and test their claims, his interpretations were especially precise. Although the ancient texts were lost, more than ten Han and Wei masters' teachings survive in fragments; yet only Zheng, Xun, and Yu offer outlines clear enough to follow, and Yu is the most complete of the three. If one seeks the subtle teachings of the seventy disciples as transmitted through Tian He, Yang Shu, and General Ding, where else could one turn but the Yu commentary? He therefore traced its systematic coherence, clarified its principles, resolved its difficulties, and accepted its lacunae in nine fascicles of Yu School Meaning; and summarized its main themes in two fascicles on message cycles." He also wrote two fascicles on Yu School Yi Rites, one on Yu School seasonal nodes, and two on Yu School Yi sayings.
12
When Hui Dong first wrote the Zhouyi shu, following Yu Fan and supplementing him with Zheng, Xun, and others, scholars criticized it for lacking a single focused lineage. Ruan Yuan of Yizheng observed that in Han times the Meng, Fei, and other Changes schools each had its own line of transmission and could not simply be merged. In transmitting the Yu school Changes, Huiyan was transmitting the Han Meng tradition—a solitary classic from a broken lineage. Huiyan also wrote three fascicles on Zheng's Zhouyi, one on the nine Xun-school traditions, three comparing Zheng and Xun, fourteen fascicles of collected Yi glosses, three on the Yi weft texts, and two analyzing the Yi diagrams. In the preface to his Separate Record he warned that judging a tradition without its full wording is like deciding a lawsuit on partial testimony. His writings therefore all served to support the Yu school tradition. On ritual he wrote one fascicle on Yili phrasing and two on reading the Yili, both exceptionally careful. He also left five fascicles of Mingke wen and one of lyric poetry.
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His son Chengsun, whose style was Yanwei. As a boy, Huiyan had him study the Shuowen, arrange the six scripts systematically, and compile two fascicles on pictographic characters. Huiyan had begun a Harmonic-Sound Genealogy of the Shuowen but died before finishing it; Chengsun later studied with Zhuang Shuzu, mastered the method, and brought the work to completion. He revised the arrangement extensively, and the finished work ran to fifty fascicles. The work divides characters into twenty rhyme sections, taking the earliest-occurring Mao Odes graph in each group as the head character, incorporating Changes and Qu Yuan rhyme schemes, and subordinating Shuowen sound classes beneath them in a clear order no earlier scholar had achieved. When he showed it to Ruan Yuan of Yizheng, Ruan marveled at its exceptional precision. Chengsun was also expert in astronomy; when his fellow townsman Dong Youcheng died, he edited and published Dong's posthumous writings. He also left the Collected Writings of the Duanxu Mianyi Studio.
14
Jiang Chengzhi, whose style was Anfu, came from She County. He studied under Zhang Huiyan. At the time, more than ten disciples were studying the Changes and the Rites under Zhang Huiyan; his nephew Dong Shixi studied the Changes and had mastered the Yin-Yang and Five Phases tradition; Jiang Chengzhi studied both the Changes and the Rites under him and wrote the Commentaries on the Zhouyi Hexagrams, Master Yu's Table of Yi Transformations, Names and Objects in the Ceremonies, and Master Zheng's Genealogy of the Odes—all before he was eighteen.
15
Hao Yixing, whose style was Xunjiu, came from Qixia. He passed the metropolitan examination in the fourth year of the Jiaqing reign and was appointed a director in the Ministry of Revenue. In the twenty-fifth year of the reign he was reassigned as director of the Jiangnan bureau. He died in the third year of the Daoguang reign, at the age of sixty-nine.
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退 滿-{}-
Hao Yixing was humble and retiring, so quiet that he seemed barely able to speak, yet he held himself to strict integrity and did not readily seek company. With those he did not already know, he could sit face to face all day without a word; but once the conversation turned to classical interpretation, he would talk on tirelessly. His home was bare on all sides, weeds often filled the courtyard, and he had scarcely any servants, yet Hao Yixing remained perfectly at ease. He spent his career in minor capital posts, treating rank and its loss as matters indifferent to him, and gave himself wholly to scholarship, often writing until the fourth watch of the night for forty years. His writings include Erya Yishu in nineteen fascicles, Chunqiu Shuolue in twelve fascicles, Chunqiu Bi in one fascicle, Shanhai Jing Jianshu in eighteen fascicles, Yishuo in twelve fascicles, and Shushuo in two fascicles.
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Hao Yixing once remarked, "Shao Jinhan's Correct Meaning of the Erya assembles a wide range of material, yet the foundations of phonology and exegesis remain largely blocked, so there is little genuine explanation. In my Yishu, wherever characters are borrowed or sounds shift, the exposition is full and unsparing, because I want to show why things are so." He also said, "I have lived in the countryside for many years; whenever I did not know a plant, insect, or fish, I asked its name, studied its form closely, checked the ancient books, and tested whether the old accounts were correct. Where this commentary departs from earlier views, every point has been checked by my own eyes, not guessed from imagination—that is how my book differs from Shao's." On the Erya, Hao Yixing labored longest; he revised the draft many times and finished it only on the eve of his death. On disputed ancient glosses and doubtful identifications of things, he argued each case in detail and proved his points, and his achievement therefore surpassed Shao Jinhan's. Wang Niansun of Gaoyou edited the text for him, and it was sent to Ruan Yuan in Yizheng for printing. Ruan Yuan had first singled out Hao Yixing during the metropolitan examination, when he distinguished himself in the classical exposition.
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His commentary on the Shanhai Jing draws on every sort of source, corrects nomenclature and identifies objects, cuts errors and absurdities, and keeps the language elegant and restrained. Ruan Yuan observed that Wu Ruan's expansive commentary, for all its breadth of citation, was spoiled by clutter; Bi Yuan's collated edition still left many textual corrections loose and incomplete; only Hao Yixing was precise without being forced, and learned without being excessive.
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Hao Yixing's wife was Wang Zhaoyuan, whose style was Ruiyu. She was widely read in the classics and histories; contemporary scholars spoke of "the Wang father and son of Gaoyou and the Hao husband and wife of Qixia." She wrote Shishuo in one fascicle, Supplementary Commentary to the Biographies of Exemplary Women in eight fascicles, with Nülü in one fascicle and Nüjiao in one fascicle appended. She and Hao Yixing also exchanged questions and answers in verse, which he collected as Shiwen in seven fascicles; his Erya Yishu also occasionally adopts Wang Zhaoyuan's views; Her other writings include Shijing Shiyi in one fascicle, Essentials of the Zhou Writings from the Ji Tomb in one fascicle, Collation of the Bamboo Annals in fourteen fascicles, Supplementary Commentary to the Xunzi in one fascicle, Remains of the Jin and Song Histories in one fascicle, a supplement to the Treatise on Penal Law in the History of Jin in one fascicle, a Treatise on Food and Money in one fascicle, and Collected Writings in twelve fascicles. Wang Zhaoyuan also wrote a Collation of the Liexian Zhuan in two fascicles.
20
Chen Shouqi also wrote Variorum Exegesis and Verification of the Different Meanings of the Five Classics in three fascicles, Classical Discrimination of the Zuohai in two fascicles, Collected Writings of the Zuohai in ten fascicles, Parallel Prose of the Zuohai in two fascicles, Collected Poems of the Jiangkui Hall in six fascicles, Later Account of the Confucian Scholars and Literary Garden of Eastern Yue in two fascicles, and Surviving Drafts from the Eastern View in one fascicle.
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-{}- 宿
His son was Chen Qiao Cong, whose style was Puyuan. He passed the provincial examination in the fifth year of the Daoguang reign, and in the twenty-fourth year was selected through the da-tiao and assigned as a county magistrate. He served successively as magistrate of Fenyang, Yiyang, Dehua, and Nancheng, and acted as prefect of Yuanzhou, Linjiang, and Fuzhou. He brought classical learning to bear on governance and earned a strong reputation in office. He died in office in the seventh year of the Tongzhi reign, at the age of sixty-one. Earlier, noting how often Zheng Xuan's Liji commentary changed the readings, he had also collated lost passages and interpretations from the Qi, Lu, and Han versions of the Odes and compared them with the Mao tradition, but left the compilation unfinished. On his deathbed he told his son, "You love Han Learning and understand how to follow a master's transmission in the classics; if you can one day fulfill my ambition, I shall die without regret!" His son then worked up the old notes into definitive texts: Investigation of Zheng Xuan's Variant Readings in the Liji in six fascicles, and Investigation of Lost Teachings of the Three Schools of the Odes in fifteen fascicles. He also wrote Exegesis and Verification of Master Yi's Qi Odes Learning in two fascicles and Collected Verification of the Apocryphal Commentaries on the Odes in four fascicles. He held that Qi Odes scholarship rests on three principles: the Four Beginnings, the Five Epochs, and the Six Sentiments. All were meant to illuminate the cosmic cycle of yin and yang, trace the roots of human fortune and failure, and explain why dynasties rose, fell, and stood in safety or peril. The Qi school was the first to disappear and is the hardest to document; only Yi Feng preserved a fraction of it, and his doctrines largely derive from the apocryphal Odes literature—reading the heavens, calculating chronology, and testing omens—which formed the basis of Qi learning. Once the apocryphal Odes texts were lost, Qi Odes scholarship became a dead tradition. He also wrote Investigation of the New-Text Exegesis of the Documents in thirty-four fascicles and Investigation of the Exegesis of the Ouyang and Xiahou Schools in one fascicle. He argued, "All twenty-nine new-text chapters of the Documents survive intact; for the sixteen lost chapters there is no new text to consult, so their meaning cannot be fully recovered. The transmission of the old-text Changes, Documents, Odes, Rites, Analects, and Classic of Filial Piety all depended on new-text scholarship as their pioneer; what the new text lacked was set aside. Without Fu Sheng, the classics would have remained in darkness for ten thousand generations. Ouyang Gao and the Elder and Younger Xiahou each preserved his master's line; had scholars recovered even a single phrase to pursue what had gone untransmitted for a millennium, the new text's service in keeping the scriptures alive would have been no small matter! He also wrote Investigation of Variant Readings among the Four Schools of the Shijing in five fascicles, Discussion of Character Changes in Master Zheng's Mao Odes Commentary in four fascicles, Classical Exegesis of the Litang in two fascicles, and finally Shangshu Shuo. By then the great scholars of an earlier age were fading, and evidential scholars were widely mocked; only Zeng Guofan of Xiangxiang, reading his books, thought them worth preserving. Apart from the Hui lineage of Yuanhe and the Wang lineage of Gaoyou, only Chen Qiao Cong could sustain the family calling and expand its scholarly tradition.
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Among those in Chen Shouqi's home district who studied ancient learning were Xie Zhen and He Zhiyun.
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Xie Zhen, whose original given name was Zaizhen and whose style was Diannan, came from Houguan. He passed the provincial examination in the fifty-fourth year of the Qianlong reign and served as prefectural instructor in Shunchang. Xie Zhen, together with Lin Yigui of Min County and Wan Shimei of Ouning, was deeply versed in the Three Rites; Xie Zhen was especially devoted to learning and fond of antiquity. Yet he stubbornly championed Han Learning and delighted in attacking what he saw as the Song Confucians' forced and hollow doctrines. Chen Shouqi and Xie Zhen sat for the provincial examination together; Shouqi was six years younger and regarded Xie as a senior friend he deeply respected. Xie Zhen prized loyalty and friendship and aspired to serve the world, but found no opportunity in his day and died at forty. His disciples compiled his posthumous writings, including Ritual Cases in two fascicles, more rigorous and superior to the Ao family's work. He also left a Brief Commentary on the Four Books in one fascicle and a Chronological Genealogy of the Four Sages in one fascicle. He was also accomplished in poetry and left the Collected Poems of the Yingtao Studio in two fascicles.
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He Zhiyun, whose style was Zhihai, came from Min County. He passed the provincial examination in the twelfth year of the Jiaqing reign. Widely informed and with a formidable memory, he was deeply committed to Han Learning. The Guangdong governor-general Ruan Yuan once engaged him to help compile the Guangdong Gazetteer. He later traveled to Zhejiang, where Governor Chen Ruolin had four fascicles of his scriptural exegeses and discursive writings printed under the title Mr. He's Learning. He died in the first year of the Daoguang reign, at the age of forty-seven. He Zhiyun was Chen Shouqi's friend; when Zhiyun died, Shouqi lamented that he had lost the one person with whom he could test his ideas and could no longer find a companion to help bring his scholarship to completion.
25
Sun Jingshi, whose style was Jihou, came from Huian. He was a disciple of Chen Shouqi. Chen Shouqi taught without a single fixed curriculum; among his students, Wang Jienan of Xianyou mastered the Odes, Rites, Spring and Autumn, and the histories; Du Yanshi of Jinjiang, paleography; Chen Jincheng of Huian, Han Changes scholarship; Liang Wen of Jiangle, Neo-Confucian moral principle; and Ding Rugong of Jian'an, Lai Qiying of Dehua, and Zhang Jiliang of Jianyang, poetry and ancient prose—each was accomplished enough to stand as a master in his own right. Sun Jingshi, however, matured early and died young; posterity ranks him among the Confucian scholars. As a youth Sun Jingshi loved the Jinsi Lu; later he plunged into scriptural meaning and held that without classical learning there can be no true Neo-Confucianism; without exegesis one cannot master the classics; and without knowing the origins of sound and writing one cannot clarify exegesis. His writings include Comprehensive Exposition of the Shuowen in sixteen fascicles, Erya Yinshu in six fascicles, Textual Verification of the Shiwen in fourteen fascicles, Tracing the Origins of Rhyme Studies in four fascicles, a definitive reading text of the Thirteen Classics in eighty fascicles, and Continuation of Exegesis of the Classics in eight fascicles. He also wrote Examples and Discriminations in the Spring and Autumn in eight fascicles, Exposition of the Classic of Filial Piety in two fascicles, Exposition of the Xia Xiaozheng in one fascicle, Revision of Odes Rhymes in two fascicles, Classical Exegesis of the Tizhai in six fascicles, and Collation Notes on Reading the Classics in four fascicles.
26
Ke Heng came from Jiaozhou. He studied the Xu and Zheng tradition under Chen Shouqi and argued that the tables in the Records and the History of Han form the framework of their annals and biographies, yet textual corruption makes them the hardest part to handle; he therefore sorted them systematically and wrote Collation and Supplement to the Seven Tables of the Hanshu in twenty fascicles. He laid down ten principles: distinguish factual errors; distinguish character errors; distinguish commentary errors; distinguish errors in earlier scholars' reconstructions; correct the text by internal evidence from the same book; correct it by cross-checking the Records and the Han; correct it by cross-checking the Hanshu and the Xun Ji; correct it by cross-checking the Hanshu and the Commentary on the Water Classic; fill gaps in the tables from the annals and biographies; and test the tables against modern geography. Digging into obscure points, he weighed every earlier opinion for right and wrong; where predecessors had not gone, he found another twenty or thirty cases—specialized scholarship in its own right. He was especially gifted in poetry and wrote Elucidation of Tonal Poetry in two fascicles and the Collected Poems of the Jiuyu Thatched Hall in four fascicles; his exegeses and historical studies were compiled by his disciples as the Notes of the Jiuyu Thatched Hall.
27
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Xu Zongyan, whose style was Jiqing, came from Deqing. At nine he could read the classics and histories. He wrote well; Vice Minister Wang Chang admired his talent and composed an essay explaining his style name Jiqing as a gift. He passed the metropolitan examination in the fourth year of the Jiaqing reign and was appointed a director in the Ministry of War, but after only two months he resigned abruptly to care for his aging parents. After their deaths he never took office again. He settled in Hangzhou, shut his doors, and devoted himself to reading. His learning knew scarcely any bounds; probing the recondite and pursuing the obscure, his insight was outstanding, and he articulated what scholars had not articulated in a millennium. Examining the Zhou institution of five ancestral temples and two elevated shrines, he argued that beyond the five temples the Zhou maintained two separate elevated shrines as the stage at which temples were shifted—a way to deepen the benevolence of honoring one's kin. Outside the main temple line they also established ancestral and imperial shrines, which, like the ti and jiao sacrifices, were great rites expressing the highest form of reverence. No classic text supports the theory that the temples of King Wen and King Wu were never destroyed; the error began with Wei Xuancheng, Liu Xin adopted it, and Zheng Kangcheng followed suit. An elevated shrine means a temple subject to transfer, yet they treated it as a temple that is never transferred—name and reality were at odds. He also examined the Wen and Wu "world-shrines" and held that in the Zhou both King Wen and King Wu were enshrined in the Grand Chamber of the Bright Hall, hence the designation "world-shrines of Wen and Wu." Kong Yingda mistakenly held that Bo Qin was called "the Wen world-shrine" and the Duke of Zhou "the Wu world-shrine." Checked against the Gongyang tradition, in which the Duke of Zhou is called "Grand Temple," the Lord of Lu "world-shrine," and the lesser lords "palace," Kong's reading is deeply wrong.
28
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He also examined the Three Jiang of the Yugong and argued that the Treatise in the Han History states, "The head of the divided Jiang water receives the Jiang and flows east to enter the sea at Yuyao." Since the text says "divided Jiang water" and "head receives the Jiang," it cannot be the main course of the southern Jiang; and since it says "flows east to enter the sea at Yuyao," it cannot be the route that enters the sea at Wu—so it has nothing to do with the Three Jiang of the Yugong. He also studied Tai Sui and Tai Yin and held that Tai Sui is the year star in the same celestial station as the sun—the chronogram established by the handle of the Dipper. Tai Yin runs from yin to chou; Tai Sui runs from zi to hai. The Treatise on Calendar and Music in the Han History records: "In the first year of Taichu, on the new-moon morning of the eleventh month preceding the year, at the winter solstice, the year was lodged in Xingji, six degrees into Nü, under the year-name Kun Dun." —solid proof that Tai Sui begins at zi. An edict of Emperor Wu states: "The year-names are Maofeng and Shetige." —solid proof that Tai Yin begins at yin. The Astronomical Treatise in the Han History first misapplied Gan De and Shi Shen's remarks on Tai Yin to Tai Sui, throwing Tai Sui in the Taichu era off by two chronograms; scholars then imagined that stars advance and lag—a mistake.
29
He also treated the "derived annotation" category of the Six Scripts as meaning that characters within a radical family annotate one another in turn. The Shuowen states: "Derived annotation establishes a category under one head-character; forms that share a meaning receive one another—'lao' and 'kao' are the model." The postface says, "In establishing the heads, one character is taken as the stem"—that is precisely "establishing a category with one head." Take shi (spirit) as the head: characters built on shi yield shenqi and the like; from shenqi come cisi, jizhu, and the like—each turn annotating the next, all one semantic class. Dai Zhen took Erya glosses to be derived annotation, unaware that glossing came later and was never part of the original act of making characters. Duan Yucai followed Dai and added that Erya characters are mostly loan characters—yet borrowing means there was no character to begin with; glosses such as chu, zai, shou, and ji do not mean that "head" never existed and that chu or zai stood in for it. In his other writings he could hold the even ground between Han and Song learning. His essays on ritual and on governance examine the past to clarify the present and show a firm grasp of how government works.
30
西
He excelled in astronomy, mastered Western methods of celestial calculation, built his own armillary sphere, and showed an insight all his own. Drawing on apocryphal accounts of the Four Traversals, he clarified how heaven's height varies—and saw that a non-concentric model cannot be truly spherical. He studied the north polar Xuanji in the Zhoubi to reconstruct how the ancients measured the heavens. Because the Seven Regulators all answer to heaven, he saw that before the Eastern Han scholars used the equator rather than the ecliptic—and thus touched the root of every motion. On the single principle behind the sun's left and right rotation: Wang Xichan explained the ecliptic as rotating rightward and the equator as moving parallel; Dai Zhen split the yellow path and the pole into two motions—doctrines none too clear. Xu dissected them with penetrating subtlety, going where astronomers had not.
31
I2
Filial and brotherly by nature, careful in friendship, slight in build yet lucid in mind—everyone who met him stood in quiet respect. Ruan Yuan of Yizheng, who had been his metropolitan examiner, esteemed his scholarship and character and joined their families in marriage, giving his children to Xu's in alliance.
32
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Lü Feipeng, styled Yunli, was from Jingde. He studied ritual under Ling Tingkan of Ningguo; Tingkan prized him and believed he could carry on his school. When Wang Tingzhen of Shanyang served as education intendant in Anhui, he favored men versed in the old classics and enrolled Feipeng as a supplementary student at the county school.
33
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Feipeng read the Zhouli as a boy and never lost the passion. Tingkan had written on the nine bows and nine sacrifices of the Zhou Offices and on the five items of district archery—grounding every point in the ritual canon with proofs clear enough to open what earlier scholars had missed. Feipeng took his teacher's approach and adapted it, producing a Supplementary Commentary on the Zhouli in six juan. Its guiding principle is the school of Zheng Xuan. In his preface he writes: "Han and Wei commentators on the Zhouli—Jia Kui, Zhang Heng, Sun Yan, Xue Zong, Chen Shao, Cui Lingen—left fragments and anecdotes scattered through many works. Some align with Zheng; some oppose him—agreement yields a unified view, disagreement widens one's sense of the text's range. So he gathered opinions widely, filled the gaps, and arranged them line by line beneath the classic—sometimes from old notes on other classics, sometimes from recent scholars—all to restore the ancient sense." He also wrote Evidence for Ancient and Modern Readings of the Zhouli in six juan. He showed that Zheng Kangcheng first studied the Xiao Dai Li, then collated it with the ancient text and kept readings that were sounder and smoother—thus the Zheng school. He annotated the forty-nine chapters of the Liji in the Xiao Dai transmission and once drafted a Mao Shi commentary: "Use Zheng's own school to test Zheng's glosses and the wording clears at once; even where passages clash or contradict, one need not argue at length—the truth shows itself. Hence I rely most on these three sources. Xu Shen's Shuowen cites the Zhouli in ways that do not always agree; Feipeng used those citations to extend Zheng's doctrine and did not shrink from the tension. Passages from other histories, matters bearing on the present dynasty, ritual usage that follows Zhou precedent—all were gathered for later arrangement and review. —still Zheng's method, as it were, tempered by the spirit of Han institutions."
34
At home he wrote moral admonitions on the walls of his study—purely in the spirit of the sages before him. When famine struck his district he organized grain relief; many blessed his name. When neighbors quarreled, a single word from him would settle the matter. He once warned his son Xianji: "Winning a name is easy; becoming a whole man is hard." He also said: "The censor's role is not easy: do not tout narrow gain and miss the larger design, nor serve private ends while chasing a grand name." Such was the man at his core. Xianji in the end won fame for loyal resolve unto death. He died in the twenty-ninth year of Daoguang, at seventy-three. His son Xianji, Vice Minister of Works, was posthumously honored as Wenjie and has a separate biography.
35
Qing masters of the Zhouli included Hui Shiqi, Shen Tong, Zhuang Cunyu, Shen Menglan, Duan Yucai, Xu Yangyuan, and Song Shiluo.
36
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Shen Menglan, styled Guchun, was from Wucheng. He passed the provincial examinations in Qianlong 48 and served as magistrate of Yidu in Hubei. Menglan mastered the classics with a sober eye for fact and was deepest in the Zhou Offices; he produced a comprehensive study of the Zhouli. He organized his work in thirteen topics—from canals and the royal domain to states, districts, walls, palaces, offices, salary lands, tribute, armies, chariots, archery ritual, and weights and measures—cross-reading the Sima Fa, Lost Zhou Documents, Guanzi, Lüshi Chunqiu, Fu's traditions, and Dai's Records with the Documents, Odes, Liji, Three Commentaries, and Mencius until contradictions that had troubled earlier scholars fell into place. He drew several diagrams and glossed, throughout the work, every passage in the classics and commentaries that throws light on the Zhou Offices. He also wrote studies of the Changes, Documents, Odes, and Mencius, and an Illustrated Explanation of Canals in Five Provinces. In the preface to his study of the Changes he writes: "While compiling my Zhouli work I found in the hexagram images Jing, Bi, Shi, Song, Tongren, Dayou, and several others; woven together they show that the Changes holds the Former Kings' entire program of rule." His study of Mencius gathers what remained after he had used that classic to test and confirm the Zhou Offices." His canal treatise fits in a palm-sized volume, yet covers terrain north and south, river courses and sources, changes through the dynasties, rival theories, the layout of ditches, paths, and field boundaries, dimensions in chi—and every hydraulic task: storing, holding, sluicing, equalizing, releasing, and draining water. He then checked every point against the Zhou Offices with painstaking care. In Hubei office he was ordered to help build the Jingzhou dikes and submitted proposals on upper-river revetments and on governing the Jing. When Mianyang flooded he was again sent to inspect jointly and wrote an essay on waterworks to instruct the people there. Grounded in the classics yet useful in the world—such was the pattern of his work.
37
西
Song Shiluo, styled Youxun, was from Linhai. He passed the examinations in Qianlong 53 and, via an instructor posting, became magistrate of Fufeng in Shaanxi. The county lay on the road to Sichuan and Tibet; corvée and horses were wrung from the people. Fees were calculated by the mu and collected under the name "Public Bureau." Shiluo abolished much of it and took nothing without just cause. The White Lotus rebellion had only just been suppressed; magistrates often won promotion by seizing "bandits." In Fufeng, men who kept vegetarian fasts were denounced by personal enemies; urgent orders came to arrest and try them. Shiluo found only honest folk and let them go, ignoring the pressure. After leaving office he threw himself into exegesis, mastered phonetic parallelism and loan characters, and wrote Exegesis of the Ancient Zhouli Text in six juan and Exegesis of Ancient and Modern Yili Readings in two juan.
38
Yan Kejun, styled Jingwen, was from Wucheng. A provincial graduate, he served as county instructor in Jiande, then pleaded illness and retired. Kejun was encyclopedic in memory and a master of evidential scholarship; with Yao Wentian he compiled the Long Compilation on the Shuowen, also called the Classified Investigation. It ran to forty-five fascicles in categories—astronomy, mathematics, geography; plants, birds, beasts, insects, and fish; sound; Shuowen citations of other books and other books' citations of the Shuowen. He also gathered bronze inscriptions into Wings to the Shuowen in fifteen sections, planning a collated Shuowen with full commentary. Sun Xingyan pressed him to finish; he therefore set down the main outlines. Using the Mao family's first Jiguge imprint, he wrote thirty chapters of collation devoted to correcting Xu Xuan's mistakes.
39
-{}--{}- -{}- -{}-
With Ding Rong he collated the Tang stone classics and wrote Collation Text in ten juan. His preface says: "In my youth I took up the classics and caught glimpses of Song printed editions. Then I thought how Han, Wei, Tang, Later Shu, and Song Jiayou and Shaoxing each carved stone classics—today only four Jiayou stones and eighty-seven Shaoxing stones survive, all broken. Yet the two hundred twenty-eight stones of the Tang Dahe wall still stand whole—the oldest and most complete canonical text on earth. Tang libraries rivaled Liang and Sui in wealth; Zheng Tan, Tang Yuandu, and their peers were true scholars who had handled old books. Had they corrected accumulated error and restored the true text, they might have matched the Xiping stones—but they stopped short. Ancient editions are gone; to see the old canon whole again is beyond our power—a grief. Later Tang block editions copied the stone text's phrasing and punctuation; Song, Yuan, and Ming reprints piled error on error—yet the stones survive. They cannot restore antiquity, but they are more than enough to correct today's texts. What astonishes me is that for centuries few scholar-officials have cared; the rare antiquary treats them like any tomb or temple stele. Early in Kangxi, Gu Yanwu made a start—but his Wrong Characters in the Nine Classics and Record of Metal and Stone Inscriptions excerpt little and judge poorly; he even trusted Wang Yaohui's forged supplements and called the stones false. If Gu Yanwu fared so, what of lesser men? Alas! The stone classics are the last witness of the old canon and the ancestor of every text we read today. To study the classics without ancient books, then neglect the stones—not merely neglect them but slander them together—is that any blessing to the canon? Beyond my measure, I mean to correct today's printed texts, explain the Tang stones' difficulties, and clear the confusion sown by Gu Yanwu and others. I collate as I read, recording every worn passage, marginal addition, and divergence from modern texts, supporting each point from commentaries, Shiwen, histories, and Han and Tang citations—and append the Stone Platform Classic of Filial Piety at the end."
40
Yan Yuanzhao, styled Jiuneng, was from Gui'an. At ten he could write in the four script styles and was enrolled as a licentiate. Ruan Yuan of Yizheng and Zhu Gui of Daxing held him in high regard. Deep in the Erya, he wrote Rectifying Names in eight juan, gathering variant readings and lost glosses and proving each point. His writings include collected prose, poetry, and lyrics from the Huian Studio and Elegant Words to Delight One's Parents, among others.
41
-{}- 歿
Jiao Xun, styled Litang, was from Ganquan. He passed the provincial examinations in Jiaqing 6; his great-grandfather Yuan, grandfather Ai, and father Cong had handed down Yijing learning for generations. As a boy Xun was unusually bright. At eight, in Ruan Gengyao's house, he argued with guests over the wall inscription "Feng Yi": "It should be read as in the Chuci, pi-bing—not like feng, 'seam.'" Ruan was astonished and gave him his daughter in marriage. Grown to manhood, he devoted himself to the classics and stood equal in renown with Ruan Yuan. When Ruan Yuan served as education commissioner in Shandong and Zhejiang, he invited Xun to accompany him in both provinces. He was profoundly filial. When his father and his stepmother Lady Xie died, he mourned and wasted away in full accordance with ritual. He sat the Ministry of Rites examination once, but when his birth mother Yin recovered from illness yet remained frail in mind and body, he never traveled north again. When Yin died, Xun mourned with the same devastating grief as before. After the mourning period, he pleaded a foot ailment and stayed out of the cities for more than ten years. He restored his old home as the Half-Nine Book Hall and added a tower, the Carved Millet Studio, with fine views of lake and hills, where he read and wrote for years. He once sighed and said, "Our house is poor, but at least we never lack vegetables. Heaven's affliction is Heaven's blessing. I shall grow old here!" He died at fifty-eight.
42
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Xun possessed encyclopedic learning and a formidable memory, with judgment both sharp and deep. Whatever book he took up, obscure or straightforward, he traced to its roots; thus he excelled alike in the classics and histories, calendrical science, phonology, and textual exegesis. As a boy he loved the Yijing. His father asked why the phrase "dense clouds" in Xiao Xu reappears in Xiao Guo; Xun turned the problem over and over without success. After mastering the Dongyuan Nine-Rong mathematical methods, he applied numerical proportion to the proportions of the Changes, came gradually to understand them, and wrote Comprehensive Explanation of the Changes in twenty juan. What he claimed to have grasped was threefold: lateral penetration, mutual crossing, and movement in season. He held, too, that among those in antiquity who mastered the Changes and truly caught the intent of Fu Xi, King Wen, the Duke of Zhou, and Confucius, none surpassed Mencius. After Mencius, the one who knew his teaching most deeply was Zhao Qi. The forged commentary was muddled and incoherent and failed to illuminate the text, so he wrote Correct Meaning of Mencius in thirty juan. He observed that writing a commentary on Mencius posed ten difficulties, yet the great scholars of recent times had already resolved eight or nine. He therefore drew widely on earlier schools, added his own conclusions, and aligned them with the orthodox intent handed down from Confucius and Mencius; he also wrote Supplementary Commentaries on the Six Classics in twenty juan. Scholars of Han Changes routinely dismissed Wang Bi, yet Bi's gloss on Jizi followed Zhao Bin: reading peng as pang, borrowing yong for weng, tong fu as fu, jie si as si—all by the rules of phonetic loan in the Six Scripts. His method of exegesis was not far removed from Ma Rong and Zheng Xuan; he wrote Supplementary Commentary to Wang Bi's Zhouyi Notes in two juan. Where the forged Kong commentary on the Documents was sound—as in Metal Coffer, glossing bi as "law," taking "dwelling in the east" as the eastern expedition and "the criminals" as Guan and Cai, and in the Great Announcement having the Duke of Zhou speak as Cheng's minister rather than as king—he showed points beyond Ma and Zheng; he wrote Supplementary Commentary to the Kong Clan Documents Tradition in two juan. Because the Mao and Zheng readings of the Odes often diverge and the Correct Meaning mingles them, he wrote Supplementary Commentary to Zheng's Mao Odes Commentary in five juan. The Zuoshi line "when the ruler is named, it is the ruler's want of the Way; when the minister is named, it is the minister's fault" Du Yu inflated and elaborated. As Sima Yi's son-in-law and witness to Cheng Ji's killing, he dressed the Simas in moral language—and himself as well. Wan Sida, Hui Shiji, Gu Donggao, and others had failed to expose Du's duplicity; Xun wrote Supplementary Commentary to Du's Collected Explanations of the Spring and Autumn Commentary in five juan. Since ritual honors timeliness and demands close study of terms and objects, he wrote Supplementary Commentary to Zheng's Record of Rites Notes in three juan. The Analects, he held, unfolds the intent of Fu Xi, King Wen, and the Duke of Zhou through combinatorial and analogical reasoning akin to the patterns of the Changes; he wrote Supplementary Commentary to He's Collected Explanations of the Analects in three juan. Together these works fill twenty juan. He also anthologized forty-one contemporary scholars on the Documents in fifty-seven works, following Wei Kan's model for the Record of Rites and arranging them chronologically in forty juan as Collected Excerpts on the Meaning of the Documents. He also wrote Explication of Zheng's Tribute of Yu Commentary; Geographical Explication of the Mao Odes in four juan; Explication of Birds, Beasts, Plants, and Insects in the Mao Odes in eleven juan; Verification of Lu Ji's Commentary; Diagrams of Palaces in the Classics in two juan; and Comprehensive Explanation of the Analects. His other writings include twenty-four juan of prose from the Carved Millet Tower, three juan of lyrics, and one juan of poetic criticism.
43
歿-{}-
While still in his prime Xun was renowned throughout the empire; Qian Daxin, Wang Mingsheng, Cheng Yaotian, and others held him in the highest regard. On his first visit to the capital he paid his respects to his examiner Ying He, who said, "I know your style is Litang—you are a distinguished Jiangnan scholar long kept in obscurity!" After his death Ruan Yuan wrote his biography, calling his learning "profound, broad, and worthy of the name tongru—a scholar who masters all learning"—and contemporaries agreed the praise was just.
44
-{}- 西 西 西
His son Tinghu, styled Huyu. He was an outstanding granary-supported student. Sincere and steady in character, he carried on the family scholarship well; Ruan Yuan called him a man of upright conduct. Xun once worked with Tinghu on a thirty-juan Long Draft of Mencius; when he later wrote the Correct Meaning, he preserved Tinghu's insights on the model of Fan Zu's Guliang commentary. Xun found that Measuring the Circle Sea Mirror and Augmenting Ancient Segments did not fully explain root extraction, and ordinary methods failed to square with them. Once he obtained Qin Daogu's Nine Chapters with its true-circle root-extraction method and wrote Comprehensive Explanation of Root Extraction, he told Tinghu, "List the sixty-four problems in Augmenting Ancient Segments and work them by true-circle root extraction." Tinghu laid out the rods and calculated every case to a match, and wrote Supplement on Root Extraction for Augmenting Ancient Segments in one juan. Sun Xingyan of Yanghu rejected the Western doctrine of a spherical earth and likened Yang Guangxian's attack on it to Mencius' repudiation of Yang Zhu and Mozi. Tinghu replied that ancient cosmology knew three schools: Xuanye, Gaitian (Zhoubi), and Huntian. Xuanye had no lineage; both Huntian and Gaitian teaching held the earth to be round. The Chen family of Taizhou and the Mei family of Xuancheng argued from differing noon shadows east and west and differing star altitudes north and south—evidence consistent with a spherical earth. Moreover Zengzi speaks in the Da Dai Record, Qibo in the Inner Canon, and Shao Yong and Cheng Yi in the Song—all long before any Western novelty. He therefore combed the ancient sources and wrote Treatise on the Round Earth in two juan. His other writings include Collected Poetry and Prose from the Dense Plum Blossom Hall.
45
椿 -{}-
Gu Fengmao, styled Chaozong, was from Xinghua in Jiangsu. In Qianlong 49 he placed second class in the imperial tour examination; in Qianlong 53 he became a tribute student on the supplementary list. His father Jiubao, styled Wenzi, excelled in the Odes and Rites. Jiubao's mother, née Ren—a paternal aunt of Ren Da Chun—was steeped in the classics and history. What Jiubao knew, his mother had taught him. He passed the metropolitan examination in Qianlong 46 but died on the journey home; none of his writings survive. Fengmao studied the classics with his grandmother as well and knew all Five Classics by eleven. As a young man he studied with Jiao Xun, who debated difficult points with him and thereupon threw himself into classical learning. He also studied phonology and pitch standards under Qian Tang of Jiading and wrote Rhyme Studies of the Chuci, of the Entering Tone, and of the Mao Odes—all in the true spirit of Tang's teaching. He also drafted Collected Explanations of the Mao Odes, Study of Dong Zhongshu's Rain Prayer, and Study of the Field Systems of the Three Dynasties, but died unfinished at twenty-seven. After his death Xun arranged the funeral and wrote Summoning a Departed Friend in lament.
46
Zhong Huai and Li Zhongsi were both well known, both from Ganquan. Zhong Huai, styled Baoqi. He was an outstanding tribute student. He was close to Ruan Yuan and Jiao Xun. Together they pursued classical studies, debating day and night in search of truth. In daily life he held to ritual propriety, shunned worldly fame, and was known among friends as a true gentleman. He died in Jiaqing 10 at forty-five. He wrote Archaeological Records from the Qinyin Cliff in four juan. His study of Han scholars names more than ten figures omitted from Lu Deming's catalog.
47
Zhong Si, styled Binshi. A provincial graduate of Jiaqing 6, he specialized in the Zuoshi Spring and Autumn, wrote Every Rule Has Its Exception to challenge Liu Xin and Du Yu, and won Jiao Xun's admiration for its depth.
48
Li Fusun, styled Jifang, was from Jiaxing. He was selected as a tribute student in Jiaqing 6. He was a descendant of Li Liangnian, who has his own biography. His collateral ancestor was Li Ji. Styled Jingtang, he passed the metropolitan examination in Qianlong 28 and served as magistrate of Yun County. Deep in classical learning and devoted to Han and Tang models, he wrote Regulations for Learning to test mastery of texts and statecraft; his Collected Essays from the Original Learning Studio survives.
49
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Fusun's scholarship was firmly grounded; with his elder brother Chaosun and cousin Yusun he was known as one of the "later three Lis." He traveled widely and studied under Lu Wenchao, Qian Daxin, Wang Chang, and Sun Xingyan, drinking in their teaching. When Ruan Yuan governed Zhejiang, Fusun studied at the Jingyi Studio, immersed himself in classical learning, favored the Changes above all, and wrote Remaining Meanings in Explanation of the Changes. He held that Yijing studies fall into three lines: Han scholarship, in which the schools of Zheng, Yu, Xun, and Lu excel; Jin and Tang learning, represented by Wang Bi and Kong Yingda, with Northern Song figures such as Hu Yuan, Shi Jie, Su Dongpo, and Cheng Yi as lesser tributaries; and the Song teaching of Chen Tuan and Shao Yong, rooted in Neo-Confucian metaphysics, inventing diagrammatic lore about matters never touched by Fu Xi, King Wen, the Duke of Zhou, or Confucius, nor by Han scholars, to sanctify their forced parallels. They pursued a Reason not the Changes' own and numbers not the Changes' own, until the sages' Way of the Changes was lost in obscurity. Li Dingzuo's Tang anthology of Yijing commentaries, subtle and vast, preserves something of the sages' intent. Yet he had not exhausted the thirty-six traditions; stray passages still scattered through other works could be gathered. He therefore compiled them in three juan and added two juan of variant readings.
50
沿 使 -{}- 沿 -{}-
He also wrote Explanation of Variant Texts in the Seven Classics, collating citations in the classics, histories, commentaries, and masters against Han, Tang, and Song stone editions and Song and Yuan prints. Whether the issue was archaic versus current graphs, phonetic loan, or corrupted transmission, he explained each by ancient usage; and he gathered earlier scholars' views, corrected errors, weighed strengths and weaknesses, and adjudicated toward a single standard. The work runs to six juan on the Changes, eight on the Documents, sixteen on the Mao Odes, twelve on the Three Commentaries to the Spring and Autumn, and eight on the Record of Rites. His townsman Feng Dengfu called it exhaustive and profound—the crowning synthesis of variant-reading scholarship. He observed, too, that the Shuowen alone preserves the Registrar's teaching of the Six Scripts. As seal gave way to clerical script and clerical to regular, characters multiplied and corruption spread. Some graphs differ sharply in form, sound, and sense; others look alike yet differ in meaning—yet later readers often conflated them. Sometimes a single seal form with ancient, Zhou, or variant components was wrongly split into two characters by later scholars. Classical texts were often altered in ignorance of sound and meaning, sometimes flatly against the original sense—a revolution, and a calamity, in philology. Phonetic loan is licit where the Shuowen gives a base graph; some loans are valid, others are vulgar mistakes that should not be generalized. Citing the classics throughout, he made persistent errors plain and wrote Correcting Vulgar Usage in Shuowen Character Discrimination in eight juan. Qian Taiji of his hometown said it generally harmonizes with Duan Yucai yet goes beyond him—the indispensable bridge to the Shuowen.
51
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His other books include Compendium of Epitaph Forms from Han, Wei, and the Six Dynasties; Records of Hezheng and a twelve-juan sequel; his commentary on Zhu Yizun's song lyrics; the Gazetteer of Meili; and eighteen juan of Draft Essays from the Jiao Jing Studio.
52
Chao Sun, whose style was Yinshu. He passed the provincial examination in the sixth year of Jiaqing and held the post of county instructor in Kuaiji. He parsed the classics with care and was deepest in the Odes. He noted that Mao Odes scholarship already had Zheng Xuan's commentary on flora and fauna, Mao's exegesis of names and objects, and geographical studies—yet no one had compiled the people mentioned in the poems. He therefore collected poets' clans and personal names, drew on the classics, histories, philosophers, and Qing scholars, arranged them by state and period together with biographical notices, and produced his Study of Clans in the Odes in six juan. At Kuaiji he drilled his students in Lei Ao's school regulations from Ninghua, and local scholarship improved steadily. He also published the Collected Works of the Humble Guardian Studio.
53
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Yu Sun, styled Jinlan and also known as Jisun. A selected tribute student, he served as assistant instructor of Chuzhou prefecture. Trained from boyhood in his grandfather's teaching, he mastered the classics and histories and wrote his eight-juan Commentary on the Clerical-Ancient Fixed Documents. In Han times Kong Anguo, finding tadpole script illegible, arranged Fu Sheng's modern text into the clerical-ancient fixed version; the Song scholar Xue Xuan followed that tradition in his ancient-text commentary. Yu Sun found the clerical-ancient graphs equally obscure; he drew on the Shuowen and related works to clarify them, correcting errors and leaving doubtful cases unmarked. He had a passion for epigraphy and wrote an eight-juan Record of Steles from the Zhisheng Studio and a four-juan Record of Epigraphic Studies. At Chuzhou he found that Ruan Yuan's Two-Zhejiang Epigraphic Gazetteer, thorough as it was, had missed many inscriptions from that remote hill country; he therefore collected several hundred specimens into his eight-juan Gazetteer of Kuocang Epigraphy. His other books include supplements to Gu Yanwu's Record of Daily Learning, Recoveries from the Ancient Prose Garden, the Record of Heavenly Fragrance, six juan of miscellany, and eighteen juan of poetry and prose.
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Hu Chenggong, styled Mozhuang, came from Jing County in Anhui. He took his jinshi in the tenth year of Jiaqing, entered the Hanlin Academy as a bachelor, and on completion of his term was made a compiler. In his fifteenth year of service he assisted at the Guangdong provincial examinations, was soon made a censor, and then a supervising secretary. He held that a man on the remonstrance track must know the empire's ills and report them frankly to the throne if he was to do his duty. In a few years he submitted many memorials, and many of his proposals were adopted. His most telling critique was a set of articles on the abuses behind fiscal deficits: "First, reckless borrowing must be stopped. Treasuries habitually withheld twenty or thirty percent when paying out funds and grain, so provincial clerks advanced money that should never have been borrowed and drew on accounts without restraint. Recipients, pressed for cash, dared not demand the full amount; while paymasters profited by skimming more and never asked whether the deduction was fair—so even legitimate payments became indistinguishable from fraud. Second, coercive settlement of accounts must be forbidden. Statute sets strict deadlines for prefectural and county handovers, and offsetting old debts against new revenue is forbidden. Yet officials still settle accounts with fictitious receipts and IOUs, because superiors bully incoming magistrates into assuming their predecessors' deficits. Third, wasteful levies should be cut. Surely not every provincial surcharge and allowance is indispensable. I hear that the silver counties and prefectures send up for superiors' meals, seasonal gifts, and similar charges rises every year. The Court Gazette alone costs Anhui ten thousand taels a year, assessed across the province. If one province is like this, others surely are; and if one charge is like this, the rest may be inferred. Fourth, promotions and transfers must be made with care. Officials appointed through the Board of Civil Appointments are often in their first post and may still hesitate to accept a ruinous assignment. But deputies promoted by memorial and veterans transferred into difficult posts have usually spent years in office and learned every trick. The first group grasp at a post even when they know its debts, never glancing backward; the second accept a transfer to escape a deficit in their old post, hoping to cover one hole by digging another. In the end these 'assumptions' and 'make-goods' are empty forms—robbing Peter to pay Paul, and often making the wound worse." His words were trenchant and plain. In his twenty-fourth year of service he became Fujian intendant for the Yanjian-Shao circuit, reorganized the baojia registers, issued eight regulations for pursuit and arrest, and banditry subsided. He was transferred to serve as acting Taiwan military intendant and brought the foreign pirate Zhang Chong and his gang to justice. He soon petitioned for leave and returned home. Taiwan had long been considered ungovernable; Chenggong enforced frugal, upright administration and suppressed banditry until settlers and indigenous peoples alike lived in peace. After he left, Changhua and Tamsui soon erupted in armed feuds. He died in the twelfth year of Daoguang, aged fifty-seven.
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Chenggong devoted himself to classical studies, above all the Mao commentary on the Odes. Back home he shut his door to the world and wrote, corresponding endlessly with Chen Huan of Changzhou, and produced his thirty-juan Later Commentary on the Mao Odes. The work chiefly restates the Mao school's readings. Beyond Zheng Xuan's commentary and Mao's gloss, he cites Tang, Song, Yuan, and Qing Odes scholars without stint; wherever names, objects, or readings diverge between Mao and the Three Schools, his analysis is minute and his judgments balanced. His greatest strength was reading the Mao commentary itself as a whole to recover its intent, and mining pre-Han texts again and again to unify the poem's meaning and vindicate the Mao school's readings. He revised it three or four times and copied out the fair version in his own hand. Illness overtook him at the Lu Eulogy "Pan Water"; he left instructions for Chen Huan to edit and finish the book, which Huan did. He also observed that Zheng Xuan's Yili commentary draws on both ancient and modern text traditions, and distilled its principles: sometimes the standard graph is required, sometimes a loan graph is used outright; sometimes antiquity is preserved, sometimes the present is accommodated; sometimes one passage decides another, sometimes two readings stand side by side. These broad and subtle principles matter greatly for reading the classics. He therefore collected the commentary's recurring graphs and every "read like," "read as," and "should be" note, ordered and analyzed them, clarified phonetic loans, cross-checked other sources, and wrote his seventeen-juan Exegesis of Ancient and Modern Text in the Yili. Finding that Hui Dong's Ancient Meanings of the Nine Classics omitted the Erya, he added several dozen entries in two juan. The Lesser Erya had long been lost except for the version embedded in the Kongcongzi, widely dismissed as a forgery; his thirteen-juan Evidential Study of the Lesser Erya argued for its authenticity. He also left thirty-four juan of poetry and prose from the Seeking-Truth Hall.
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Hu Bingqian, styled Bojing, came from Jixi. A jinshi of the fourth year of Jiaqing, he served in the Ministry of Justice, became magistrate of Lingtai in Gansu, rose to subprefect of Dan Gar, and died in office. Bingqian loved learning from childhood and mastered the classics and histories. Studying at the Imperial Academy in the capital, he would burn through two candles every night. He excelled in phonology and glossology and wrote his three-juan Discourse on Ancient Rhymes, adjudicating Jiang, Dai, Duan, Kong, and their rivals with hair-splitting precision that colleagues found unassailable. His three-juan Shuowen Glimpses recovers ancient sounds and meanings, often with insights no one else had reached. His concluding discussion of the Xu brothers' Shuowen editions shows where his keenest insight lay. He also wrote Brief Notes on the Changes, Documents, and Analects, Investigation of Hexagram Origins and Diagrams, a Documents Preface Record, and a Study of Han Western Capital Erudites. He compiled a four-juan Record of Martyrs at the Ming Dynasty's End in Ganzhou and a three-juan Record of Loyal Deeds in Hezhou.
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Zhu Pei, styled Lanpo, came from Jing County. Orphaned at three, he was made heir to his uncle's line on his grandfather's orders. His stepmother Wang had never married but kept her widow's vow; Pei served her as devotedly as his own mother, and he lived in harmony with his brothers. He became a jinshi in the seventh year of Jiaqing, entered the Hanlin as a bachelor, and took part in the imperial linked-verse banquet at the Academy. On leaving the Hanlin he was made a compiler and rose to reader-in-waiting. While helping compile the Mirror of Ming he was implicated in an editorial scandal and demoted to compiler. In the first year of Daoguang he entered the Upper Study, won repeated praise, and was commended for "excellence in character and learning alike." Promoted to right assistant in the Right Eastern Palace, he then petitioned to retire and care for his parents. He cultivated his own integrity, upheld local morals, and encouraged younger scholars. He headed the Zhongshan, Zhengyi, and Ziyang academies in turn and died at eighty-two.
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Pei treasured books as his lifeblood and built his learning on solid foundations. For nearly thirty years in the lecture hall he taught students to master the classics and recover antiquity first. He shared the senior standing of the scholarly world with Yao Nai of Tongcheng and Li Zhaoluo of Yanghu—the three pillars of their generation, it was said. His books include Evidential Study of Shuowen Phonetic Loans, Broad Variants in Classic Texts, Collected Exegesis of the Wenxuan, and seventy juan of poetry and prose from the Little Ten-Thousand-Juan Studio. He also compiled a 272-juan Anthology of Qing Ancient Prose and a 62-juan Excerpted Classics Exegesis collecting Qing masters' commentarial essays—carefully arranged and complete enough, it was said, to serve later students as a thoroughfare into the tradition.
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Ling Shu, styled Xiaolou, came from Jiangdu. He was a student of the Imperial Academy. Shu was a born scholar. Poor as he was, he left home before he had finished the Four Books and worked as a laborer and servant, yet never stopped studying. At twenty he taught village children and asked Bao Shichen of Jing what to study. Bao replied, "You must follow one school's method: master a single tradition first, and the rest will open to you." He then showed him several dozen entries from Zhang Huiyan of Wujin's collection of Han readings of the Four Books. Shu investigated ritual precedent and ancient glosses and wrote his six-juan Verification of Four Books Anecdotes, which Hong Wu of She highly praised. He then took up Zheng Xuan's learning and mastered its essentials; and studied doubtful points with Shen Qinhan of Wu, growing ever more rigorous. Later he heard Liu Fenglu of Wujin lecture on He Xiu's Gongyang commentary and was converted. In the capital he helped Ruan Yuan of Yizheng compile the Jingyuan and read every Spring and Autumn commentary from Wei and Jin times onward. He became convinced that the Spring and Autumn's moral vision lives in the Gongyang tradition, and that the Gongyang school descends from Dong Zhongshu. Dong's Luxuriant Dew of the Spring and Autumn grasps the root of ritual and righteousness and understands when to hold to the norm and when to bend it. Benevolence is the foundation; rectifying names comes first. He traced yin-yang and the five phases and clarified how ritual and music were instituted. Vast in scope and subtle in thought, drawing the hidden into view, he ranks among the great expounders of the classics' deepest meanings. Yet the text is dense and easily misread; shallow critics carped at it, and the thread of the sages' teaching nearly snapped. He therefore researched widely, followed Dong's intent line by line, combed and ordered the text, and produced a seventeen-juan commentary. He deplored the empty Song and Yuan talk and held that only concrete scholarship—above all ritual—could restore the tradition, and wrote his Exegesis of Gongyang Ritual, Discourse on Gongyang Ritual, and Gongyang Questions and Answers. At home he studied ritual, especially mourning dress as the backbone of human relations; finding later scholars often wrong, he wrote a hundred Ritual Discourses extending Zheng Xuan's views. When Ruan Yuan brought him to Guangdong to tutor his sons, their correspondence yielded an abridged one-juan selection of thirty-nine discourses. He died in the ninth year of Daoguang, aged fifty-five.
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His nephew Liu Wenqi of Yizheng was poor but brilliant; Shu loved him and trained him, and Liu's fame—and learning—ultimately came from Shu, it was said.
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Xue Chuanjun, styled Ziyun, came from Ganquan. He held licentiate status. He read widely, remembered fiercely, and understood with precision. Chen Yongguang, Fujian's educational commissioner, hired him; reading his books, Chen lamented they had not met sooner. He soon fell ill and died in the Tingzhou examination hall, aged forty-one. His deepest work was on the Thirteen Classics' commentarial tradition, above all philology. In Xu Shen's Shuowen he traced usages until meaning and wording alike were clear. Building on Qian Daxin's Questions on the Shuowen, which explains loan and extended characters, he cited classics and histories throughout and produced six juan of Exegesis and Evidence. The Wen Xuan abounds in archaic characters; he collected each case, explained it, and wrote Comprehensive Archaic Characters in the Wen Xuan in twelve juan.
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Liu Fenglu, styled Shenshou, came from Wujin. His grandfather Liu Lun, a Grand Secretary posthumously titled Wendi, has a separate biography. His maternal grandfather Zhuang Cunyu and uncle Zhuang Shuzu were renowned classicists; Fenglu received their entire tradition. He passed the jinshi examination in Jiaqing 19, entered the Hanlin Academy as a bachelor, and on leaving was appointed a secretary in the Ministry of Rites. When Emperor Renzong died in Jiaqing 25, Fenglu compiled the state mourning rites into a full chronicle from the opening ceremonies to burial on the imperial hill. In Daoguang 3, Lu Zhe proposed enshrining Tang Bin in the Confucian temple. Opponents recalled Bin's disgrace under Kangxi in the Upper Study and Qianlong's earlier rebuke. Fenglu drafted a reply: "Even Hou Kui, who presided over music, had Zhu and Jun to contend with; and Lü Wang laid out his plans, yet could not save Guan and Cai from ruin." Wang Tingzhen endorsed the lines, and the court approved. The next year he was posted to the Ceremonial Regulations Division. A Vietnamese tribute mission asked that ginseng be sent to their queen mother; the throne agreed. The edict spoke of the "tribute route of outer barbarians"; the envoys wanted "outer feudatories" instead, but the ministry said an imperial text could not be lightly changed. Fenglu answered in a draft: "The Offices of Zhou divide the realm beyond the capital into nine domains. The Yi domain lay seven thousand li from the capital, the Fan domain nine thousand—so Fan was farther out and Yi closer in. In the Shuowen, Qiang, Di, Man, and Mo all use the beast radical; only Yi combines "great" and "bow." The eastern Yi were called humane; the humane live long, and legend placed the land of immortality in the east—Confucius himself said he would go east to live among them. Qianlong had forbidden the Siku editors to substitute other graphs for yi; Shun came from the eastern Yi and King Wen from the western Yi. The Qing realm is one family under heaven, free of Han and Tang squeamishness about the word—and the envoys were told to accept it. The Vietnamese envoys withdrew without another word. For twelve years in the Ministry of Rites he settled doubtful cases by scripture, winning the respect of colleagues again and again.
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His learning aimed at large meaning, not mere philological detail. From Dong Zhongshu's Spring and Autumn he traced the Six Arts' school traditions; through them he sought the sage's purpose. He said: "Among classical traditions, Former Han offers the Mao Odes and Later Han the Yu Changes—both relatively intact. Mao Hong excels at glosses but not at deep doctrine; Yu Fan at hexagram change but not at moral scope. True penetration of the hidden belongs to Gongyang learning—Dong in Han, He Xiu in Later Han, and Zheng Xuan on mourning dress. Former Han scholarship sought the whole; Dong Zhongshu did not teach mere exegesis. Later Han was more systematic, with He Xiu and Zheng Xuan as anchors—yet mourning dress is only one ritual among five. The Spring and Autumn runs to tens of thousands of words with thousands of governing aims—heaven and earth in full, human affairs complete. It threads the classics and finds their root everywhere; applied to history it clears the empire's doubts; applied to conduct and government, the former kings' way can live again." He traced its threads, fixed its lineage, and wrote Exemplary Patterns of He's Gongyang Spring and Autumn in thirty chapters, plus a commentary and two juan answering objections. He weighed Guliang against Zuo in Upholding He and Challenging Zheng, four juan. He collected historical cases where penal law and ritual failed in Adjudication by the Yili, four juan. He also wrote The Analects Expounding He, a commentary on the Xia Season transmission, On Honoring Ritual in the Doctrine of the Mean, and Exemplary Patterns in the Han Annals—one juan each. He also left Apocryphal Digest in two juan and the Spring and Autumn Grid of Rewards and Punishments in one. He deplored Song-style "plain recording" in Spring and Autumn studies. Kong Guangsen's Gongyang Comprehensive Meaning broke that habit, yet even Kong doubted the three categories and nine aims; Fenglu wrote Discourses on the Spring and Autumn to restore the sage's sovereign judgment. His Textual Verification of the Zuo Spring and Autumn in two juan was compared to Yan Ruoqu and Hui Dong's campaign against the forged ancient Documents.
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On the Changes he followed Yu Fan; on the Documents he revised Ma and Zheng; on the Odes he began with Mao and turned to the three schools. His Yi works include tables of movement and side-connection, the yin-yang meaning of hexagram images, and a supplement to Yu's commentary—one juan each. He also wrote Rhapsody on Change Images and Hymn on Hexagram Qi to distill the essentials. His Documents scholarship includes Collected Exegesis in thirty juan, Narrative Prefaces Investigated, and Extension of Ode Sounds in twenty-seven juan. He left roughly fifty pieces of poetry, rhapsody, linked pearls, essays, prefaces, steles, and records. He died in Daoguang 9, aged fifty-six. Disciples Pan Zhun, Zhuang Binshu, and Zhao Zhenqi were noted for Gongyang learning and ritual.
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Song Xiangfeng, styled Yuting, came from Changzhou. A Jiaqing 5 provincial graduate, he became magistrate of Xinning in Hunan and was Zhuang Shuzu's nephew. Zhuang Shuzu said the Liu nephew was fit to teach and the Song nephew fit to befriend—Liu being Fenglu, Song being Xiangfeng. Xiangfeng excelled at exegesis and ritual nomenclature, pursued Former Han methods, and inherited the Zhuang school's subtle doctrines. His Meaning of the Analects, ten juan, opens: "The Analects Exegesis says Zixia's sixty-four disciples compiled Confucius' subtle words to stand in for the uncrowned king. Subtle words are speech about nature and Heaven's way. These twenty chapters, read for structure and intent, contain the blueprint of great peace and the uncrowned king's work. Since Han, commentators have agreed and disagreed without ever settling on one reading. He once compiled a comprehensive collection of sayings. That work grew too large; he excerpted his own views separately as Meaning. He also wrote on Zheng's Analects, the Great Learning, Mencius, geography in the Four Books, hexagram qi, the Documents, the Erya, the five classics, and Records beyond the Court—sixteen juan of the last alone. In Xianfeng 9 he attended the Deer Cry banquet again. He died the next year, aged eighty-two.
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Dai Wang, styled Zigao, came from Deqing. He was a licentiate. He began with literary composition, then read Yan Yuan of Boye and joined the Yan school. He later studied with Chen Huan of Changzhou and mastered phonology and glosses. From Xiangfeng he learned Gongyang Spring and Autumn and mastered that tradition. His Commentary on the Analects in twenty juan applies Gongyang method to Fenglu's Analects Expounding He. He also left Collation and Commentary on the Guanzi, Record of the Yan School, and Posthumous Writings from the Exiled Unicorn Hall.
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Lei Xueqi, styled Zhanshu, came from Tongzhou in Shuntian. His father Lei Zun, styled Zongyi, passed the provincial exam in Qianlong 27 and became magistrate of Chongren in Jiangxi. Early in Daoguang the throne ordered strict observance of dress codes; Zun wrote Ancient and Modern Garment Apocrypha to recover ancient usage and curb extravagance. The book was finished in Daoguang 9, when he was ninety.
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Xueqi passed the jinshi in Jiaqing 19, governed Heshun in Shanxi, then Yongcong in Guizhou. He loved systematic debate: every solution had to cohere, and no classic text could contradict another. He annotated his father's Garment Apocrypha, adding an essay of questions and two tables of differences. He held that the Xia Seasonal Classic encodes the three calendrical systems and studied it for over twenty years. Drawing on Yao's lodge stars, calendrical passages, Yu historiography, and Zhou succession texts, he collated, corrected, and recovered lost material in Investigation of the Xia Seasonal Classic and Commentary, two juan. He then verified classic and commentary and wrote Original Meaning of the Xia Seasonal Classic in four juan.
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Lamenting the Bamboo Annals' damage since the Five Dynasties, he reconstructed it from pre-Tang citations over nine years. He argued: "Mencius reached Liang before Qi—the text says so plainly, and even without other proof that order should stand. The Bamboo Annals places King Wei of Qi's death in Hui of Liang's fifteenth later-yuan year and Hui's own death two years later—so Xuan of Qi acceded in year sixteen and Mencius reached Liang the year before Hui died. The Records wrongly gives Hui thirty-six years, dates Mencius' visit to his thirty-fifth year, and treats the sixteen years after his era change as King Xiang's reign. The Bamboo Annals shows that after Hui met the lords at Xuzhou and took the title king, Mencius rightly called him king. The Records place Mencius' visit two years before Hui's death and Xiang's accession—a reading that fits the Mencius. Hui actually died in year seventeen after changing his era, not in year thirty-six. Disappointed in Xiang, Mencius went east to Qi—in the Bamboo Annals, the second year of King Xuan. Liang to Qi is a thousand li and more—hence "seeing the king after a thousand li." Had he seen Xuan of Qi first from Zou, only six hundred-odd li lay between them—not a thousand. Qi's seizure of Yan was, Mencius says plainly, under King Xuan. The Records skip two Qi rulers and shift Wei and Xuan's accession back twenty-two years. On Yan they ignored Mencius and dated the campaign to King Min's tenth year; Sima Guang, unable to reconcile the accounts, pushed Xuan's accession ten years later to fit Mencius. Later scholars split between belief and doubt; none had a firm answer. On the Annals' dating, Yan fell in Xuan's seventh year—the first year of King Nan of Zhou. Where Mencius' dates clash with the Records and History, the Bamboo Annals align them. He also used the Annals' long chronology to test lodge precession and solar eclipses from antiquity onward without error. He said of himself: "Commentarial traditions differ; I do not presume to judge the ancients—I only seek what fits the facts." Other works include collated Shiben, Investigation of Ancient and Modern Astronomy with diagrams, and thirty-two juan of classical studies and essays from the Yiaoyao Studio.
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Wang Xuanling, styled Beitang, came from Changping. In Daoguang 1 he became a senior tribute student, was recommended as Filial and Incorrupt, and taught in Xin'an and Baixiang. A devotee of Han learning and fine exegesis, he studied with Wang Yinzhi of Gaoyou, whose Jingyi Shuwen cites him repeatedly. He also wrote a one-juan Supplement to Exegesis of Zhou and Qin Personal Names, filling the gaps in Wang Yinzhi's work.
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Cui Shu (Cuī Shù), styled Wǔchéng, came from Daming. In Qianlong 27 he passed the provincial examination and was appointed magistrate of Luoyuan in Fujian. Military officers often used pirates to win credit, branding merchant vessels as pirates; Shu overturned those verdicts. Soon afterward he resigned and went home. He wrote more than thirty works, but Finding the Trustworthy was the focus of his life's labor. These include Archaeological Essentials (2 juan), Finding the Trustworthy for High Antiquity (2), Tang and Yu (4), Xia and Shang (4), Feng and Hao (8), Feng and Hao Supplementary Records (3), Zhu and Si (4), Zhu and Si Remainder Records (3), Factual Record of Mencius's Affairs (2), Continued Archaeological Discussions (2), and appendices (2). He also wrote Investigation of the Three Great Canons of Royal Government (3 juan), Occasional Insights from Reading the Odes (4), Discerning Forgeries in the Documents (2), Remaining Discussions on the Analects (1), and Remaining Discussions on Reading the Classics (2)—published together as Miscellaneous Archaeological Records.
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His central principle was that commentaries must not be confused with the classics, nor the hundred schools with commentaries. With the classics as the standard, he retained commentarial material that fit the text, challenged what did not, and cut away heterodox or uncanonical claims. He argued, for instance, that the Yi commentary reaches only to Fuxi and the Chunqiu commentary only to the Yellow Emperor—later ages should not know more than antiquity did. The apocryphal Ten Registers and the histories' Heavenly, Earthly, and Human Sovereigns are all fictions. In the Warring States, he said, Yangists and Mohists debated freely, often denigrating Yao and Shun and belittling Tang and Wu to serve private ends. To attack Yao they invoked Xu You; to attack Yu, Gaozi; Confucius, Laozi; King Wu, Boyi. Sima Qian favored Huang-Lao thought and drew freely on heterodox lore; students should trust the Analects and Mencius, not the Records of the Historian. He held that Xia, Shang, and Zhou knew no personal title "Lord X"; "Lord Danfu" is a compound like "Lord Liu," not an honorific plus name. "Ancient Lord Danfu" means simply "the former Lord Danfu." He took Kuang as a Song town and the episodes at Kuang and in Song as one event—the parallel sayings "what can the men of Kuang do to me?" and "what can Huan Tui do to me?" differ only in minor recording. Many of his views are keenly argued.
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Cui Shu's scholarship was as exacting as the Han commentators, yet he never clung to tradition without testing whether it satisfied reason; and as subtle as the Song moralists, yet he never traded in empty theory without grounding it in evidence. Yet he trusted his own judgment boldly, and often weighed matters by personal preference. Other works include Diagrammatic Explanation of the Yi Hexagrams, Collected Investigation of Differences in the Five Garments, Investigation of Daming Waterways, Miscellaneous Records of Things Heard, Record of Knowing Flavor, Collection of Knowing Error, Collection Without Reputation, and Little Grass Collection. He died in Jiaqing 21. He was seventy-seven.
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Hu Peihui (Hú Péihuī), styled Zàipíng, came from Jīxī. His grandfather Kuangzhong (Kuàngzhōng), styled Pǔsū, was a tribute student. He made many original contributions to classical meaning and did not follow or reject the ancients lightly. His works include Notes on the Three Rites, Investigation of the Well-field Diagram, Investigation of Well-field Taxation, and Exegesis of Offices in the Etiquette. On the well-field he largely followed Zheng Xuan, but on field allotment he showed that the Sui ren passage describes the district system and the Grand Minister of Instruction the capital-and-border system—Zheng's notes contradict each other. His Solid Investigation of Field Allotment within the Capital Domain is a model of precise calculation. His Exegesis of Offices cross-checks the Rites, Zuozhuan, Guoyu, and Etiquette with exact argument, filling gaps in the commentarial tradition. He also wrote Doubtful Points in the Yi Zhuan and Right Meaning, Wings to Robes in the Zuozhuan, Evidence of Variants in the Ancient Analects Text, Supplementary Commentary on the Analects, Collected Critiques on Zhuangzi, Collected Commentary on the Lisao, and the Puzhai Collected Writings. He died at seventy-four.
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Peihui, a jinshi, served as Secretariat draftsman and principal clerk in the Guangdong Bureau of Revenue. Diligent and meticulous in office, contemporaries said he ran government as he read classics—no word escaped scrutiny. He took no bribes, and clerks feared his eye for hidden abuse. When a forged license scandal broke, dozens of officials were faulted; only Peihui and Cai Shaojiang were clean, yet both were demoted for having countersigned and sent home. He later lectured at Zhongshan and Yunjian, returned repeatedly to Jingchuan, and made mentoring juniors his charge. When he left Jingchuan, farewell feasts lined the road. He was devoted to friends: posthumous works of Hao Yixing and Hu Chenggong reached print only through his care. He died in Daoguang 29, aged sixty-eight.
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The Hu family of Jixi had transmitted classical learning since the Ming scholar Dongfeng. Peihui drew on his family tradition and studied with Ling Tingkan of She, becoming a master of the Three Rites. His early Investigation of the Private Apartment (3 juan) won Wang Yinzhi's praise. His Correct Meaning of the Etiquette traces the teaching of the Duke of Zhou, Confucius, and Zixia, weighs Zheng Xuan and Jia Gong against later scholars, and gathers the whole commentarial debate. It revives a thread of sage learning lost for two millennia. He explained his method to Luo Dunyan of Shunde: "Peihui's Correct Meaning follows four rules: commentate the classic to supplement the note; use the subcommentary to clarify the note; gather schools to append to the note; and adopt rival views to correct the note. The work is forty juan. Jia Gongyan sometimes explains the text against its intent or extends a note past its meaning—those cases must be distinguished. He also wrote Correcting Doubts in Jia's Etiquette Subcommentary. On palace institutions he organizes court, temple, and residential rules under the ranks from Son of Heaven to serviceman. School and lodge systems are treated separately; palace layouts are fixed first, then the seventeen ritual chapters are arranged under them in Outline of Palace Buildings. Lu Deming's glosses on the Etiquette are thin; he planned to supplement them from all classics and later phonological works in Collation and Supplement to Etiquette Glosses." Peihui labored on this book for over forty years; in old age, though crippled by stroke, he kept at it. Five chapters—Scholar's Wedding, District Drinking, District Archery, Banquet, and Great Archery—were still unfinished at his death. His student Yang Daju of Jiangning, who had studied the rites under him, finished the remainder. He also wrote Questions and Answers on Di and Xia Sacrifices and the Yanshi Studio Literary Collection.
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Yang Daju (Yáng Dàjǔ), styled Yǎlún. He was a licentiate. Severe in scholarship and sparing in company, he pursued exegesis to the root. He first studied with Gu Guangqi of Yuanhe and Niu Shuyu of Wuxian, learning the depths of paleography and lexicography. His Investigation of Repeated Graphs in Shuowen traces loan characters by sound and ancient versus Zhou forms by graphic simplification and complexity. His Investigation of the Five Temples refutes Wang Su. When Tao Shu, governor of Jiangsu, tested licentiates on coastal defense, Daju wrote a thousand-word essay arguing that officials treated Westerners like petty peddlers, yet men who crossed ten thousand li of sea could not have come without backing. Rash policy would surely invite border conflict. In a long peace when most echoed official optimism, only Daju spoke with foresight and without fear. Read as if he had foretold Elliot and Pottinger, his words made listeners blanch. His Correct Meaning of the Analects, Supplementary Commentary on the Mao Odes, and Correcting the Subcommentary on the Three Rites are lost.
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Liu Wenqi (Liú Wénqí), styled Mèngzhān, of Yízhēng, was an outstanding tribute student in Jiaqing 24. His father Xiyu was a renowned physician. From youth Wenqi mastered ancient texts and the full classical corpus. He ranged through Mao, Zheng, Jia, Kong, and Song–Yuan exegesis, reading widely and weighing all to one standard. He devoted himself above all to the Zuozhuan, arguing that Du Yu's commentary had long stripped its meaning and what remained was mostly recycled old glosses. He therefore compiled Old Commentary and Subcommentary on the Zuozhuan, beginning with the notes of Jia, Fu, and Zheng and proving them through. Where Du Yu had attacked old glosses he restored them; where Du had silently borrowed, he exposed the source. Passages drawn from Wei Zhao's Guoyu commentary he annotated in full. Zuoshi doctrines in Wujing Yiyi, he held, came from the Zuoshi masters themselves; Zuozhuan citations in Shuowen belong to the Old Text school; and Liu Zijun's views in the Hanshu Treatise on the Five Phases. All belong to the Zuoshi tradition; anonymous Zuozhuan glosses in subcommentaries, histories, and the Yulan that differ from Du Yu are Jia and Fu. He called all such material "old commentary" and supplied evidence. Supplements by Gu and Hui and modern Zuozhuan specialists were included when their views held up. Only at the end did he add his own judgment. He drew evidence from pre-Qin masters, pre-Tang histories, and miscellanies alike. His aim was truth from facts and a clear restoration of Zuoshi's great meaning. After forty years of drafting he arranged his materials into Old Commentary and Subcommentary on the Zuozhuan. He also argued that the Tang Zuozhuan subcommentary largely copies Liu Fang's Shuyi—the Sui bibliography and Xiaojing subcommentary describe Shuyi as stating a thesis for subcommentary debate— so Liu Fang preserved old glosses and debated them, and ought to have named their authors. Kong Yingda's preface says only that he used Shuyi as a base—not that he meant to plagiarize. Only in the Yonghui revision did editors strip old commentators' names and pass their words off as new. From this he produced eight juan of Correcting the Old Subcommentary on the Zuozhuan.
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From the Shiji's Qin–Chu monthly table he showed that Xiang Yu once made Jiangdu his capital. Reconstructing the partition of power, he wrote Territorial Gazetteer of Chu–Han Feudatories in three juan. From the Zuozhuan, Wu-Yue Chunqiu, and Shuijing Zhu he argued that pre-Tang Yangzhou sloped south-high, north-low, without the dikes of today's canal system, and wrote Record of Yangzhou Waterways in four juan. He also left Reading Notes (20 juan), collected writings (10), and one juan of poetry.
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Wenqi was deeply filial: when his aged father went blind, he tended him day and night and on cold nights warmed his father's feet with his own. His uncle Ling Shu died destitute; Wenqi raised the orphan Yurui. He engaged Fang Shen of his home district as tutor and secured him a licentiate's place. Fang Shen mastered Yu Fan's Yi tradition—entirely through Wenqi's instruction. He died at the age of sixty-six.
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His son was Yusong, styled Boshan. In 1840 he was selected as an outstanding tribute student. He studied the classics under his father and, as he matured, threw himself ever more deeply into learning. In Wenqi's footsteps he pursued the Zuoshi tradition and carried on the family scholarship, completing The Great Meaning of the Zuoshi Commentary on the Spring and Autumn in two juan. Building on Wenqi's work on the old Zuozhuan subcommentary, he applied the same method to produce one juan each of Correcting the Old Subcommentaries on the Zhouyi, Documents, Mao Odes, and Record of Rites. He also argued that before the Six Arts took shape, every field of learning had its own official charge—and that the historiographer's office was the oldest of all. Historiography in all its forms, fiction in all its branches, and even the later tripartite canon of classics, masters, and belles-lettres—not to mention the clients and clerks of later ages—all took the historiographer's office as their ultimate model. Even Ban Gu's Treatise on Literature, for all its discussion of historiographers, never drew out this insight. His account of the Nine Schools was meant to show which Zhou office each philosophical tradition descended from, yet several of his attributions were wrong. He reassigned the fictionists among the Nine Schools to the historiographer's office, showed that Daoism did not derive solely from historiography, and traced it instead to the medical office. He added three further schools: the School of Names, from the director of multitudes; the military school, from the minister of war; and the school of arts and techniques, from the director of works—eleven schools in all. After wide reading of the sources he distilled their essentials into General Meaning of Historical Writings and General Meaning of the Masters, four juan each. His other works include General Meaning of the Classics and Commentaries (10 juan), a chronological biography of Wang Fuzhi (2), Record of Pencheng Tributes (10), Record of Former Virtues (1), Tongyi Hall Notes (16), collected writings (16), and one juan of poetry. He died at the age of fifty.
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His grandson was Shouzeng, styled Gongfu. He twice placed on the provincial supplementary list, in 1864 and 1876. Yusong directed the Jinling Publishing Bureau and won the high esteem of Zeng Guofan. After Yusong's death he brought Shouzeng into the bureau, where Shouzeng collated and corrected most of the editions it published. Wenqi had spent years compiling a Zuoshi long draft and in his last years began shaping it into a subcommentary, but completed only one juan before his death. Yusong tried to finish the project but did not live to do so. Shouzeng then threw himself into the task with fierce resolve, kept a strict schedule—and died at Duke Xiang's fourth year, having reached only forty-five. His Reading Notes on the Zuoshi and Fifty General Rules for the Spring and Autumn in tabular form likewise record the collateral insights he developed while working on the subcommentary. He also wrote Separate Discussions on the Ceremonies of Capping with Rebuttals, Collated Meanings and Collected Critiques on the Southern History, the Chuanya Hall Collection, and Zhiyun Miscellany—each in several juan.
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Fang Shen, styled Duanzhai. Orphaned in youth, he studied under Wenqi, mastered the Changes, and wrote Separate Record of Various Schools' Yi Images, Compiled Images of Yu Fan's Yi, Collected Evidence on Zhouyi Hexagram Images, Detailed Account of Zhouyi Mutual Images, and Essentials of Zhouyi Hexagram Change.
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Ding Yan, styled Zhetang, was a native of Shanyang in Jiangsu. When Ruan Yuan served as grain transport commissioner, he set an examination on the fifteen Han schools of the Changes; Yan's reply ran to more than ten thousand characters and was judged the most penetrating of his day. He received his provincial degree in 1821. Following Gu Yanwu's argument that Mei Ze's forged Ancient Text was too polished for Mei to have written, Yan examined the postface to the Kongzi Jiayu and the Shiwen and Zhengyi commentaries and concluded that Wang Su was the real author. Su was a man of elegant talent and vast learning who delighted in forging texts to challenge Zheng Xuan. Zheng Xuan's scholarship dominated the Han, so Su forged a Kong commentary in ancient script to rival it—and later scholars took the forgery for genuine. Hui Dong and Wang Mingsheng had already suspected Su but never fully proved the case; Yan wrote Supplementary Discussions on the Documents in two juan to settle the question. He also criticized Hu Wei's Awl-pointed Guide to the Yugong: though Hu recognized the forged Ancient Text, he never truly embraced antiquarian scholarship and instead repeated errors while pressing his own conjectures. What standard were later scholars to follow? He corrected Hu's mistakes, gathered recovered ancient-text passages, sifted earlier interpretations, cleared away vulgar errors, and judged the matter for himself. His aim was to illuminate the classic itself, not to worship the past uncritically. Whenever he cited a predecessor he named the author, and compiled Collected Exegesis on the Yugong in three juan.
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He devoted his life to Zheng Xuan's tradition and studied the Odes commentary and ritual annotations with particular depth. He believed the Mao school preserved the sages' true transmission and that its doctrines largely agreed with the pre-Qin masters. Zheng Xuan developed Mao's doctrines and wrote the Mao commentary. Kong Yingda failed to follow the argument and wrongly claimed that Zheng's phonetic glosses changed Mao's text. His citations were careless and often missed Zheng's meaning. Yan cross-checked the tradition against old books and elegant records until the evidence aligned, and wrote Exegesis of Mao and Zheng on the Odes in four juan. Zheng Xuan's Odes Genealogy was partly restored by Ouyang Xiu in the Song, but the Tongzhitang edition now in circulation is corrupt and inconsistent. Using the Zhengyi as his base he rearranged the text and wrote Correcting Master Zheng's Odes Genealogy in one juan. Because Zheng drew on all three Odes traditions, Wang Yinglin's Examination of the Three Schools of the Odes was appended to the Jade Sea—but the text is riddled with errors and no reliable edition survives. He recovered the original sources, collated them, and wrote Supplementary Commentary on the Odes Examination in two juan and Supplements in one.
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Zheng Xuan's ritual annotations are extraordinarily precise; writing when antiquity was still near, he never indulged in groundless speculation. Surviving examples, such as his mourning-garb notes in the Ceremonies, show that he often followed Ma Rong's teaching. On "sacrifice in the middle month for removal of mourning" in the Shiyu ji, his note of twenty-seven months follows the mourning schedule in the Dai li. On the Grand Director of Music's "beating the omen drum" in the Rites of Zhou, his note follows Xu Shen and differs from the earlier Zheng commentator. On the minor clerk's "suspending bells and stones," his note that two sets of eight—sixteen pieces—hang on one frame follows Liu Xiang's Essentials of the Five Classics. His note on the five essences and emperors in the minor director of ritual's chapter follows Liu Xiang's Comprehensive Meaning of the Five Classics. Where the archery master speaks of "the Confucians of today," he follows Jia Kui's commentary. On "the mountain by its pattern" in the Artificers' Record, his reading of "roe deer" follows Ma Rong. On "tiles not forming flavor" in the Tanggong, his reading of "foam" follows Ban Gu's White Tiger Treatise. On "great sash, small sash" in the Royal Regulations, his reading of "fringe" follows Liu Xiang's Garden of Sayings. On "dark robe facing the sun" in the Yuzao, his reading of "cap" follows the Dadai li on court ritual. On "dark ancestor and rain sacrifice" in the Jifa, his reading of "supplication sacrifice" follows Xu Shen's Shuowen. Zheng Xuan loved antiquity and grounded every reading in the earlier Ru—always on solid evidence. Each of these glosses fills gaps Kong Yingda left open—insights no earlier scholar had drawn out. His proofs are as clear and penetrating as torchlight. He wrote Exegesis of the Three Rites Commentaries in eight juan, compiled a chronological biography of Zheng Xuan, and named his study the Hall of the Six Arts in homage to Zheng's treatise on them. Yet Yan never used Han learning as a weapon against Song scholars; he called the Han–Song split a sectarian prejudice. Han scholars corrected glosses, and correct glosses brought meaning to light; Song scholars analyzed principle, and clear principle refined glosses—neither approach should be cast aside. On the Changes he expounded the Cheng brothers' tradition in Transmitting the Zhouyi, two juan; on the Classic of Filial Piety he assembled the commentaries of Tang Xuanzong, Sima Guang, and Fan Zuyu in Transmitting Commentary on the Xiaojing, one juan.
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He knew the Comprehensive Mirror especially well and brought a statesman's breadth to public affairs. Discussing paper-money abuses, he argued that pairing light coin with banknotes would do more good than harm. On banning foreign tobacco he warned that without a ban the people would weaken and China exhaust itself, while a ban would concentrate profit in a struggle foreigners would surely join. A smoking ban, he added, should weigh people's lives above profit. Lawmaking should put China's interests first, not foreign convenience. Events later proved him right on every count. While living at home he oversaw dikes, famine relief, repairs to the prefectural city, dredging of the market river, and the opening of the middle branch of the Tongwen Canal—all to his district's lasting benefit.
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In 1853, as the Taiping rebellion spread through the Yangzi valley, provincial authorities ordered every prefecture and county to drill militia and stock grain for defense. Huai'an put Yan in charge, but he was soon impeached, ordered exiled to Heilongjiang, and ransomed himself from the sentence. In 1860, when Nian raiders threatened Huai'an's north gate, Yan rallied the militia to hold the key passes and saved the city. In 1861 the militia commissioner Yan Duanshu recommended him for his defense of the city, and he was promoted from Hanlin reader by brevet and Grand Secretariat secretary to the added third rank.
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Sickly in youth, he strengthened himself through study and disciplined breathing until he grew robust in middle age. He finished one book before starting another and personally collated a vast library, always seeing each project through to the end. He died in 1875, at the age of eighty-two. He wrote forty-seven works in 136 juan; those published appeared as the Yizhi Studio Collectanea.
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Wang Yun, styled Guanshan, was a native of Anqiu. He received his provincial degree in 1821 and later served as magistrate of Xiangning in Shanxi. Xiangning lay deep in the mountains; the people were plain, affairs few, and lawsuits he disposed of at once. In his spare time he never put down his books. He also served as acting magistrate of Xugou and twice of Quwo—both notoriously demanding posts—yet governed each well and never set scholarship aside.
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As a youth he loved seal script; as an adult he ranged widely through the classics and histories and excelled above all in the Shuowen. Shuowen scholarship was dominated by the Gui and Duan schools. He once remarked: "Gui Fu cites ancient texts until Xu Shen's point is clear and never presses his own view. Yet his citations often overreach, and he wanders into ornamental diction. Duan Yucai's work is vast and subtle; his general rules broke ground no earlier scholar had reached. Yet he too could be arbitrary and disjointed." He also held that "the mystery of writing lies in nothing beyond form, sound, and meaning. The ancients coined characters to name the myriad things: meaning came first, sound followed, and only then did form arise. Later readers work in reverse: from form to sound, from sound to meaning—and only then is the full account of writing complete. Among the Six Scripts, indicative and pictographic come first—and therein lies the key to the whole art of writing. When a character denotes an event, the writer must read the event back into the graph—not spin the event out of the graph. When a character names a thing, the writer must read the thing back into the graph—not sculpt the thing to fit the graph. Do not borrow another event to flesh out this event's sense, nor another object's shape for this object's form—only then may one sit in judgment with Cang Jie, Zhou, and Li Si. Phrases in today's Shuowen—feet from mouth, trees from sprout, bird and deer feet alike from dagger—if later hands had not tampered, Master Xu Shen's meaning would stand stripped bare." He then marked out categories, argued them through, and completed Exemplifying the Shuowen in twenty juan. "Exemplifying" means expounding the statutes of Xu Shen's text itself, as Du Yu did for the Spring and Autumn Annals. The two Xu recensions are often slipshod; Li Tao disordered their sequence besides, until the logic of radical arrangement could no longer be followed. Duan Yucai had pioneered general rules, but formal limits kept him from full coverage. He drew on Gui, Duan, and other schools and produced Shuowen Punctuation and Commentary in thirty juan. "Punctuation" borrows Zhang Erqi's term for Zheng Xuan's punctuated Yili: Han commentators usually titled work "chapters and clauses," but this book only unpacks Xu Shen—no chapters to name—so it is called punctuation.
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For nearly thirty years Yun worked the Shuowen; his books carved a path of their own, weighed all sides, and leaned on no one's authority. Critics called him champion of the Xu tradition and equal foe of Gui and Duan. He also left thirty juan of Collation Records for the Shuowen Genealogy and Commentary and four juan of Primary Lessons in Characters. He also wrote one juan on Repetition in the Mao Odes with one on Reduplication, four on Correct Meaning of the Xia Xiaozheng, one on Correct Pronunciation for the Disciple's Duty, two on Compendium of Correct Characters, and Éshu Compilation, Correct Characters in the Yugong, Corrections to Zheng's Yili Punctuation, and Abbreviated Notes on the Four Books. He died in 1854, aged seventy-one.
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Zeng Zhao, styled Minxiu, was a native of Nanhai. A selected tribute student in 1825, he served as director of studies in Hepu and was later transferred as director of the Qinzhou school. Zhao studied with fierce devotion to antiquity; every book he read he collated for wrong characters and lacunae. When he found a rare text he hired copyists or went himself with provisions to transcribe it; in seven or eight years he gathered tens of thousands of juan. He then pressed into the classics' meaning—characters through the Shuowen and Yupian, glosses through the Fangyan and Erya. Even where the text was dark, he moved from graph to sense and sense to sound, explaining one classic by another with firm warrant. On reaching the capital he met Liu Fenglu of Wujin, who said: "With learning as devoted as Mianshi's, my Way has gone east!" Mianshi." That was Zhao's sobriquet.
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When Ruan Yuan of Yizheng governed Guangdong, Ren Zhaolin of Zhenze saw Zhao's collation of the Zilin, told Ruan, and Ruan—astonished—engaged him to instruct his sons. When the Xuehaitang opened to train men in ancient learning, Zhao was named chief instructor to guide the younger scholars. Building on Yuan's argument that sun and moon as change and new-moon conjunction lie in "change at new moon," he developed Meng Xi's hexagram qi, citing the Appended Remarks—"Of suspended images none is greater than sun and moon"—the dead soul meeting at ren and gui, sun above and moon below, the Wei Ji hexagram as the hour of darkness. Ruan judged this a genuine recovery of ancient doctrine and urged a fuller exposition of Meng Xi's school; Zhao therefore wrote seven juan of Commentary on Yu's Zhouyi Meaning. He also wrote four juan of Small Commentary on the Zhouli Zhu-Shu, two of Poems Explicated, one on Mao-Zheng Differences, one each on the Mao Classic Definitive Text (preface, variants, and readings), one on the Command to Xi and He, one of Exegetic Solutions to the Analects, five of Miscellaneous Reading Notes, and ten of the Miancheng Pavilion Collection.
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Zhao cared deeply for practical statecraft. In 1841, when the English burned the coast, Qi Ken governed both Guangdongs; Lu Dianbang of Panyu proposed filling the Dashi, Liede, and Li channels to block the steamers. The plan was put to Zhao, who said: "The Changes teaches that defenses do not rest on natural barriers or terrain—they depend on men reading the moment and deploying them. Three waterways enter the province; Liede and Li are shallow, but from Dashi to Dahuang the channel runs several zhang deep. Foreign ships pass here in the third and fourth months; that passage must be held first if the provincial capital is to stand. Secure the city, then push defense outward from the center." Qi Ken strongly approved and sent Zhao to survey blocking positions. Zhao made Dashi the key sector, raised thirty-six thousand militia from Nanhai and Panyu for round-the-clock drill, and the defenses tightened. In 1843 they planned to restore the Humen forts. Zhao submitted ten articles on fort placement; when pirates rose in Lianzhou he was put in charge of operations, knowing that region well. The sea bandits surrendered. He died at home in 1854.
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Lin Botong, styled Tongjun, was a native of Panyu. He received his provincial degree in 1801. He devoted his life to evidential scholarship, upheld the Han commentators, and in conduct revered Zhu Xi—without party spirit. He was filial. In 1826, returning from the metropolitan examination, he learned his father had died and grieved until life itself seemed unbearable. In mourning he kept every ancient rite—plain food and not crossing the inner threshold for three years. He never sat for the metropolitan examination again, devoting himself wholly to his mother. He was close to his two younger brothers, taught more than a hundred pupils, and alike prized moral conduct and urged real learning. Governors Ruan Yuan and Deng Tingzhen both treated him with respect. Ruan kept him as chief instructor at the Xuehaitang; Deng hired him to teach his two sons. In 1844 he was appointed director of studies at Deqing; three years later he died in office, aged seventy.
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Botong mastered every classic and was deepest in the Mao Odes. Where commentary and subcommentary diverged, he held Mao's sense was usually right; Kong Yingda often read Wang Su as Mao and blurred Zheng into Mao. Students of the Mao Odes must keep the strands apart or lose the school's method. He collated Zheng's variant readings, wrote thirty juan of Comprehensive Study of the Mao Odes and two of Principles of the Mao Commentary, and gathered minor points into thirty juan of Small Recognitions in the Mao Odes—all of razor precision. He also wrote twelve juan each of Exemplifying Images in the Yi and Elegance of the Yi Images, twenty on Textual Variants in the Three Rites Zhu-Shu, twelve on Capping, Marriage, Mourning, and Sacrifice, twenty on Zuozhuan Customs, thirty on Encouraging Ancient Sounds and thirty on Historical Probing, two of Minor Sayings from Gongji, eleven of Commentaries on Ancient Proverbs, four on the Water Classic Commentary for the Two Guangdongs, four of Guangdong Customs, four of Xiubentang Drafts, and twenty-four of collected prose and verse.
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Li Fuping, styled Xiuzi, was a native of Jiaying Prefecture. Even as a boy he was precocious. At fourteen he had mastered musical notation. As an adult he took up Han learning and excelled at evidential proof. He passed the jinshi in 1805, entered the Hanlin as bachelor, and after the palace examination became magistrate of Zhaowen. He governed by leniency and kindness, could not bear the lash, and disposed of lawsuits as they arrived. In office hours his hand never left a book; people called him "Scholar Li the Fifteenth." A shortfall in accounts cost him his post and prison; only after several years did he return south. When Ruan Yuan opened the Xuehaitang in Guangdong he was hired to grade essays and remained to teach the classics to Ruan's sons. He wrote twenty-four juan of Mao Odes Explicated. He died in 1832, aged sixty-three. He also left two juan of Corrections in the Yi, two of Variant Meanings in the Wenxuan, and two of Notes on Reading Du and Han.
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Liu Xingen, born Xingzong, styled Binshu, was a native of Dantu. He received his provincial degree in 1832. He studied under Ruan Yuan of Yizheng. He began with the Mao Odes: Mao served Xun Qing, Xun served Guliang—and Guliang Spring and Autumn was an ancient learning nearly lost. In Ruan's Huang Qing Jingjie the Gongyang and Zuoshi each had masters, but Guliang had none. He labored in bitter reflection and completed thirty juan of Comprehensive Meaning of Guliang Spring and Autumn. Zheng Xuan's Six Arts Treatise says, "Master Guliang excelled in the classics"; Xingen took that as his entry—excellence in classics means correlating wording with events, and events and wording are fixed by Spring and Autumn norms of sun, moon, and day. His general principles hold that once the sage classic took the name Spring and Autumn, even when nothing occurred it still named the first month of each season. Later scholars held sun and month were not major norms of the classic—a view that cannot stand. In Guliang's sun-and-month norms, cling to the letter and they jam; set them side by side and the pattern appears. Better trust the classic and keep the commentary than fault the classic to save the commentary. On the sun-and-moon norm, first. The Spring and Autumn judges disorder once it has happened; ritual forestalls disorder before it arises. Guliang studied under Zixia himself; its ritual norms still mirror the Analects on Xia seasons and Zhou caps. On ritual norms, second. The Guliang text diverges from Zuoshi and Gongyang in hundreds of places. The Hanshu Treatise on Confucianists says: "Guliang is Lu learning; Gongyang is Qi learning." That may reflect different readings in Qi and Lu—sound shifted and graphs parted. On variant texts, third. Guliang studied under Zixia, so the commentary cites Confucius and Mencius—and accords in spirit are yet more numerous. On ancient glosses, fourth. Since Han times Guliang masters have been rare; one must not cast teacher-talk aside. On master-teachings, fifth. Of Han master-teachings still visible, only Yin Gengshi and Liu Xiang remain—and what can be recovered is thin. Where doctrine is lost but names survive, scholars from Han onward who treated all three commentaries together are also included. On classic masters, sixth. Guliang long stood alone; here he excerpts every seen record that touches it, adds judgment, and traces the root classic's rise and fall. Comprehensive compilation, seventh. Chen Li of Panyu had begun a Guliang commentary and principles but left them unfinished; when he saw Xingen's book he marveled at its depth, offered his own notes for Xingen to use, and wrote no more.
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He also wrote four juan of Supplement to Zhouyi Hexagram Qi, two of Investigation of Yu's Lost Images, two on Shangshu Chapter Titles, thirty of Corrections to Mao Zhu-Shu, two continuing Wang Yinglin's Geographical Study of the Odes, four of Variant Meanings across the Classics, two of Liu Xiang's Chronological Biography, two of Palace Investigation in the Yili, collation notes on the Shiji, Hanshu, and Nanshi Qishu and on the Shuowen Jiezi, and the collected verse and prose of Suyizhai. He died in 1880, aged eighty-six.
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His younger brother was Rongzong, styled Yinan. He wrote sixteen juan of Textual Variants in Shuowen Citations. Contemporaries in Guliang studies were Hou Kang of Nanhai, Xu Guilin of Haizhou, Zhong Wenyun of Jiashan, and Mei Yu of Jiangdu. Hou Kang has his own biography.
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西西 西
Xu Guilin, styled Tongshu, was a native of Haizhou. He received his provincial degree in 1816. Orphaned young, he was equally filial to his mother and his birth mother, and no discord was ever heard between them. Though poor, he would not exchange a long journey for rich payment; every day his work was glossing the classics. In 1821 he mourned his mother and died of grief, aged forty-three. Guilin advanced every classic, but above all he held to the Guliang school and wrote four juan of Exemplifying the Guliang Tradition and Commentary on Its Calendar and Day-and-Month Formulas. Some passages cite the Gongyang tradition for mutual proof; others refute Gongyang to champion Guliang alone. Sun Xingyan of Yanghu once praised it for its tight structure and clear reasoning. He also wrote twenty juan of Solidifying the Changes, taking Qian as the root and arguing that the whole Changes springs from it—wide reading, tight selection, with real light on the Yi. He also left eight juan of Later Commentary on the Mao Odes, six of Geographical Verification of the Three Spring and Autumn Traditions, four of Long Exegesis on an Alternate Liji from Han times, two of Lectures on the Great Learning and Doctrine of the Mean, and two of Four Books Causal Discussions. In his spare strength he also took up the Six Scripts and the Nine Numbers, writing twelve juan of Xu's Phonology as a companion to the Shuowen. He also wrote ten juan of Later Exegesis of the Shuowen. He also took up Qibo's saying: "The earth—the great qi lifts it." Without a shell outside the qi, the qi will scatter; with a shell outside the qi, what does that shell rest on? He sought a theory to fill what had been left unsaid. Heaven is truly one qi, and its root lies in the north—the North Pole. The North Pole should not be called the Celestial Pivot but the Mother of Qi. He gathered surviving Xuanye texts, bridged them with Western methods, and wrote three juan of Concord between Xuanye and the West. Since mathematicians prize brevity, he drew on the Imperial Digest of Mathematical Principles, excerpted what served daily life, and wrote four juan of the Abacus Window. In his lifetime he wrote more than forty works, altogether well over a hundred juan. Luo Shilin of Ganquan studied under him and later won fame in Western mathematics.
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Zhong Wenyun, styled Ziqin, was a native of Jiashan. He received his provincial degree in 1846 and stood as a candidate district magistrate. There was no branch of learning he did not touch, yet his full strength lay in the Spring and Autumn. After more than thirty years of deep, repeated labor he completed twenty-four juan of Supplementary Commentary on the Guliang Classic and Tradition. That book gathers every school and reconciles them to one standard. Where no one had yet spoken, he likened himself to Mei Ao exposing forged books and Chen Di on ancient rhyme—sketching the thread and leaving the rest for later scholars. Wenyun also studied Song and Yuan masters; on di and xia, ancestral titles and posthumous names, on when the will does not penetrate, when benevolence cannot overcome the Way, and receiving the mandate through the Way, he could always seize the main thread and seek truth from facts. He also wrote one juan of Detailed Correction of the Lunyu Preface. He died, aged sixty.
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Mei Yu, styled Yanzu, was a native of Jiangdu. He received his provincial degree in 1870 and stood as a candidate director of studies. He wrote one juan of Comprehensive Compilation for the Correct Meaning of Guliang.
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Chen Li, styled Lanfu, was a native of Panyu. He received his provincial degree in 1832 and served as director of studies in Heyuan County. At nine Li could already write prose; he later studied poetry under Zhang Weiping and the classics under Hou Kang. Astronomy, geography, pitch pipes, mathematics, seal and clerical script—he studied them all. In midlife he read commentaries on the classics, masters, histories, and Zhu Xi's works on a daily schedule. He first wrote ten juan of Comprehensive Study of Pitch and Mode, saying: "The Zhouli's six pipes and six tong are all patterned with the five tones; the Liji's five tones, six pipes, and twelve tubes cycle as modes. Today's popular music has seven tones but no twelve pipes, seven modes but no twelve palaces, gongche notation but no knowledge of gong, shang, jue, zhi, and yu. Fearing ancient music would perish, he investigated ancient and modern pitch and mode in one book." He also wrote six juan of Investigation of the Qieyun with three supplemental juan, saying: "Sun Shuran and Lu Fayan's learning survives in the Guangyun; one should clarify their method and not be misled by Buddhist monks' theories." He also wrote seven fascicles of Waterway Maps to the Han Treatise, arguing that geography must begin with waterways; once Han waterways are known, Han commanderies and counties can be traced.
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He could unite Han and Song learning, saying: "When Han scholars speak of principle, they differ not from Song scholars; Song scholars who despise Han scholars are wrong. Recent scholars who honor Han scholars but neglect principle are also wrong." He wrote seven juan of Comprehensive Meaning of Han Scholars. In his later years he sought great meaning and traced where classical learning rose, changed, gained, and failed, extending to the Nine Schools, post-Han scholarship, and more—twenty-one juan of Reading Notes from the Eastern Lodge.
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In teaching he did not set up his own doctrine; he took Gu Yanwu's words on learning and expanded them, saying: "To be broadly learned in culture, one should first master one art. The Outer Tradition of the Han Odes says, "Love one thing and you become broad"; love many and you become scattered—that is not breadth. Reading the classics, histories, masters, and belles lettres of the four divisions—all is learning—but the classics should lead, and above all having shame in one's conduct should lead." He was dean of the Xuehai Academy for decades. In old age he headed the Jupo Academy, discussing literature with students and urging steadfast conduct and moral character, and formed many disciples. In 1881, Governor Zhang Shusheng and Intendant Yu Kuan memorialized that Zhu Ciqi of Nanhai and Li were both aged pillars of virtue and secured special honors, granting them the fifth-rank honorary title. He died in 1882, aged seventy-three.
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He also wrote seventeen juan of Shuowen Sound Tables, forty of Shuijing Zhu Outlines, three on southwestern waters in the Shuijing Zhu, three of Detailed Explanation of the Triple Concordance, one on plane methods in spherical trigonometry, one of Qin Pitch Standards, one of Extending the Model, one on Seal Impressions, and six juan of Eastern Lodge Collected Writings.
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Hou Kang, styled Junmo, was also from Panyu. He received his provincial degree in 1835. Orphaned young, he was filial to his mother. The family was poor; when he wished to buy books, his mother borrowed the money. He bought the Seventeen Histories and read them until every volume was worn—thus he mastered historiography. As an adult he immersed himself in commentaries and classical learning and was closest for the longest time to his fellow townsman Chen Li. He once said: "The Han Treatise records that the twelve-fascicle ancient Spring and Autumn text is the Zuo classic, while the eleven-fascicle text is the Gong and Gu classics. Comparing the three traditions today, on the whole the ancient classic is superior. Guliang appeared earliest and its errors are still few. Gongyang appeared latest and its errors grew severe." He then clarified and proved whatever meaning could be traced and wrote two juan of Discourse on the Ancient Spring and Autumn Classic. He also used Guliang to verify the Three Rites; Gongyang mixed many masters and was often one-sided—he refuted it most of all. He wrote Rites Verified by Guliang but did not finish; only two juan were completed. Following Pei Song's method of annotating the Records of the Three Kingdoms, he said: "Annotating ancient history differs from annotating recent history, for in recent history the sources are largely complete; for ancient history lost writings rarely survive. What was once spurned as refuse is today aid to sight and hearing—one should pass it by and preserve it." He therefore wrote one fascicle continuing Supplementary Notes to the Book of Later Han and one fascicle of Supplementary Notes to the Records of the Three Kingdoms; the Later Han volume is termed a continuation because Hui Dong had already annotated it, Hang Shijun's annotation of the Records of the Three Kingdoms was unfinished, so Hou Kang did not call his own work a continuation. He also supplemented the bibliographic treatises for the Book of Later Han and the Records of the Three Kingdoms, each in four fascicles covering classics, histories, and masters; the remainder was left incomplete. He also investigated Han, Wei, and Six Dynasties ritual, threading the Three Rites, and wrote dozens of treatises—Li once sighed that they were deep and vast. He died in 1837, aged forty.
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His younger brother was Du, styled Ziqin. He passed the provincial exam in the same year as Kang, was assigned as district magistrate to Guangxi by senior selection, and acted as prefect of Hechi. When bandits rose in Guangxi, Du felled timber for palisades, linking them along the mountain slopes into a defense that could be held. When the bandits withdrew he resigned on grounds of illness; he reached home and died, aged fifty-seven. Du was thoroughly versed in classics and traditions and excelled in ritual learning; the age called them "the two Hou." Qian Yiji of Jiaxing praised his grinding through traditions and commentaries and dissecting agreements and differences—such as showing Yibo and Huibo were father and son, and the Three Elders and Five Seniors were one office. In proving Zheng's meaning he always had evidence to rely on. His books were burned by foreign raiders; his exegetical essays were carved in the Xuehai Academy collection.
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Gui Wencan, styled Zibai, was the younger brother of Wenyao. He received his provincial degree in 1849. In the first month of 1863 he answered the imperial call with memorials: strict screening to purify official paths; staff posts to weight performance review; three tracks to encourage examination graduates; cutting the feeble to save waste; casting silver coin for practical use. Subsidies for capital officials, building steamships, and shipping Yunnan copper by sea were approved in turn. In 1883 he was selected magistrate of Yun County in Hubei, judged cases well, and died in office from overwork. Wencan upheld Ruan Yuan's testament, saying: "The Duke of Zhou honored culture and disciplined it through ritual; Mount Ni discussed the Way and taught through filial piety. If one is broadly learned but cannot bind it with ritual, clear in judgment but cannot act steadfastly—that is not the sage's learning. Master Zheng and Master Zhu were both great scholars; their conduct was the same, and their learning was the same." Accordingly he wrote two juan of Zhu Xi Expounding Zheng. He also wrote four juan of Commentary on the Four Books Collected Notes, six of Mao Odes Geography, six of Comprehensive Exegesis of the Zhouli, and twelve of Broad Harvest of Classical Learning.
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Zheng Zhen, styled Ziyin, was a native of Zunyi. He was selected as a tribute student in 1825. In 1837 he became a provincial graduate and by senior selection of the second rank was chosen director of studies in Libo County. In 1855 rebel Miao attacked Libo; the magistrate Jiang Jiahe fell ill, and Zhen led troops to resist until the city was preserved. When the Miao withdrew he requested leave to return home. In 1863 Grand Secretary Qi Junzao recommended him to the throne; a special edict assigned him as a Jiangsu magistrate awaiting appointment, but he never took up office. He died in 1864, aged fifty-nine.
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Zheng Zhen first won recognition from Cheng Enze of She County, then pursued the origins of phonology and writing and the institutions of ancient palaces, halls, caps, and garments. At that time, scholars within the seas. Honored evidential scholarship; Zhen inherited that teaching, sought truth from facts, set up no novelty, and agreed without compulsion. He again traveled in Mo Yuchou's circle and thereby came to hear the tenets of six or seven leading scholars of the Qing. Among the classics he went deepest in the Three Rites, saying: "Minor learning has three branches—form, sound, and meaning. Form is the orthodox script of the Three Dynasties, fully preserved in the Shuowen. Strange characters from bronze inscriptions through the ages, bamboo slips, and the Guwen sizhengyun are not all legible, and many are forgeries that violate the Six Scripts—they cannot be treated as the standard. Sound is Kunshan Gu Yanwu's Five Books on Phonology: their reconstruction of ancient phonology is trustworthy and well evidenced, luminous as waking from a dream—the true founder whom no later school can displace. Meaning spans dictionaries, rhyme books, and glossaries vast as smoke over the sea; yet to master classical exegesis, nothing surpasses Duan Yucai's commentary on the Shuowen, Shao Jinhan and Hao Yixing's Erya commentaries, and Wang Niansun's Guangya commentary. They thread the whole field and extend it broadly, surpassing all earlier ages—the full substance and great practical use of minor learning."
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In reading the Rites he constantly lamented that since the Qian-Jia period abuses had piled up: scholars claimed the Gaomi school yet kept inventing new readings, none clearly superior—exposition grew ever more elaborate while the subject grew ever more confused. On the Three Rites he therefore held fast to Zheng Xuan and dared not depart from him lightly. In the other classics he mostly followed the old commentaries. In his spare strength he also ranged through the Masters and histories, generally able to seize the essentials and probe the subtle. All seventeen chapters of the Yili held his discoveries, though half never left draft. His private commentary on the Yili survives in only four sections—Shi Hun, Gong Shi, Daifu Sangfu, and Shi Sang—eight juan in all; yet the Sangfu chapter, pondered again and again, received his deepest effort. He also took the Kaogong ji passage on wheels and chariots in the Zhouli: Zheng Xuan's commentary is subtle, yet since Jia Gongyan's subcommentary no one has found the right reading, and expositors grew ever more diffuse—so he completed three juan of Private Commentary on Wheels and Chariots. He excelled especially in Shuowen studies; his two juan of Omitted Characters in the Shuowen, one juan of appendix, and six juan of Examination of New Additions to the Shuowen were all praised in his day. He also wrote Illustrations of the Fu Clan, Inquiry into the Shenyi, Corrections to the Han Jian, and Discussion of Clerical Script, among other works. He also left Chao Jing, Discussion of the Chao Jing, Poetry Transcripts, and Prose Transcripts, plus a commentary on Master Lu Zhongjie's Wuyu Zhai poems.
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Zou Hanxun, styled Shuji, was a native of Xinhua. His father Wensu was an annual tribute student who taught ancient learning in the countryside, founded a study hall called the Hall of Ancient Classics, and drilled students in the Yili there. In evidential study of ritual objects he strongly upheld Han learning, yet in discussing mind and nature he followed Zhu Xi. Hanxun mastered Zuoshi exegesis, helped his eldest brother Hanji write a geographical commentary on the Zuozhuan, and helped his second brother Hanhuang compile a catalogue of the hundred things in the classics. At eighteen or nineteen he wrote the Spring and Autumn of the Six States; astronomical calculation, geographical change, the Six Scripts, and the Nine Numbers—nothing escaped his study. Deng Xianhe of the same county greatly admired him and joined him in compiling the gazetteer of Baqing Prefecture. He also went to Qianzhong to compile the gazetteers of Guiyang, Dadin, Xingyi, and Anshun. In 1851 he passed the provincial examination. He visited Wei Yuan at Gaoyou and together they wrote one juan of Explicating Heaven in the Yaodian.
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When the rebels from Guangdong took Jiangning, Hanxun submitted three policies—relief, blocking, and defense—to Zeng Guofan, arguing that without relieving Jiangxi and blocking Guangxi, Hunan too could not be held. Guofan adopted his advice and ordered him with Jiang Zhongshu to lead a thousand Hunan braves to relieve Nanchang; when the siege was lifted, his merit was recorded for appointment as district magistrate. Thereafter he followed Jiang Zhongyuan at Luzhou and defended the Great West Gate; the rebels tunneled and attacked three times, the wall collapsed for several zhang, and as they were about to scale the parapet Hanxun drove them back. He held firm for thirty-seven days; the mines erupted again and the city fell. Hanxun sat on the gate tower, ordered wine and drank alone, and with sword in hand shouted to kill the rebels. When the rebels came he fought hand to hand, personally cut down several, and died when his strength gave out, aged forty-nine; he was posthumously granted the daotong rank.
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His thirty-six juan of Casual Notes on Reading declare that in overturning earlier exegesis he would use only exegesis from before the Tang; and in departing from commentary and tradition on factual proof, he would follow only proof from before the Han. Because Han scholars were not far removed from antiquity and every classic commentary had a lineage, he promoted Han learning with all his strength. He went especially deep in phonology; he first wrote ten juan of Tables of the Guangyun and later the Five Categories Treatise, whose exposition was especially refined—his contemporaries ranked him with Jiang Yong and Dai Zhen. In his lifetime he wrote on the Changes, Odes, Rites, Spring and Autumn, Analects, Shuowen, and Water Classic—more than twenty works in all, totaling more than two hundred juan. In 1863 bandits burned his home and it was consumed to ashes. What survives is only eight juan of Casual Notes on Reading, two of the Five Categories Treatise, two of Chronological Study of Zhuanxu, three juan of prose and one of poetry from the Jiaoyi Studio, one of Exegesis of the Hongya Cliff Inscriptions, and two of the Record of Products of Southern Gaoping.
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Wang Song, styled Leshan, was a native of Langqiong. He became a jinshi in 1799 and was appointed magistrate of Wuxiang County in Shanxi. Song's learning was broad and penetrating; when Ruan Yuan of Yizheng governed Yunnan and Guizhou he invited Song to direct the provincial gazetteer and wrote six juan of Explicating the Weft Texts.
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Liu Baonan, styled Chuzhen, was a native of Baoying. His father Lüxun, styled Dijiu, became a provincial graduate in 1786, served as director of studies in the Imperial Academy, and wrote Autumn Raft Miscellany.
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Baonan was orphaned at five; his mother of the Qiao clan raised and educated him to maturity. Baonan first studied under his father's elder Taigong, a master of profound Han learning; he sought instruction from Taigong and won a reputation in his home district for scholarship and conduct. As a student he was famed equal to Liu Wenqi of Yizheng; people called them the Two Lius of Yangzhou. In 1840 he became a jinshi and was appointed magistrate of Wen'an County in Zhili. Wen'an lay in low ground; dikes and dams were unrepaired, and when the Dog Days came autumn floods swelled and repeatedly harmed the people. Baonan toured the dikes and inquired into the people's hardships, then checked old registers and by precedent supervised banner estates and commoners in joint repairs; the banner estates always relied on their privilege and held back, but Baonan enforced the law without favor and the work was completed. Reassigned to Yuanshi, he met a drought year; locusts in the county's northwest stretched more than twenty li. Baonan prayed at the eastern suburb wax shrine; locusts hurled themselves into pits and wells, some dying clutching the grain stalks, and the year brought a great harvest. In 1851 he was transferred to Sanhe, when troops from the eastern provinces passed through. By precedent military carts were all supplied by the villages. Baonan said the troops were numerous and the corvée too heavy for the people to bear; he hired carts to meet the levy and paid market rates, so the people were not disturbed.
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Baonan served sixteen years in office, his dress as plain as when he was a student. Diligent in hearing cases, as magistrate of Wen'an he disposed of more than fourteen hundred backlog cases; at cockcrow he sat in court with both parties present and judged on the spot. Matters great or small were all settled as he saw fit; the obstinate were punished by precedent. In all suits involving kin and clan he admonished them to live in harmony and generally ordered them dismissed. When litigation was simplified, clerks mostly left the registers and returned to farming; near and far were united, and he won renown as a humane magistrate. He died in 1855, aged sixty-five.
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In the classics Baonan first studied Mao's Odes and Zheng's Rites, then with Liu Wenqi and Mei Zhizhi of Jiangdu, Bao Shenyan of Jing, Liu Xingen of Dantu, and Chen Li of Jurong agreed that each would master one classic. Baonan drew the Analects by lot, found the Huang and Xing commentaries crude, gathered old Han explanations, added Song insights and recent schools, followed Jiao Xun's model for the Mencius Correct Meanings—first a full compilation, then synthesis—and wrote twenty-four juan of Correct Meanings of the Analects. Because official duties were heavy he did not finish; he ordered his son Gongmian to complete it. He also wrote four juan of Explaining Grains, which for beans, wheat, and hemp largely corrected Cheng's Examination of the Nine Grains. His six juan of Han Stone Precedents offer detailed and broad verification of stele and epitaph form. He also left six juan of the Baoying Gazetteer, three of Record of Martyrs of the Victorious Dynasty at Yang, and six of Wen'an Dike Works.
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Gongmian, styled Shufan. He became a provincial graduate in 1879. He kept the family learning and mastered classic glosses; entering the secretariat of Zhu Lan, Anhui education intendant, he collated Li Yide's Collected Jia and Fu Notes on the Spring and Autumn and added or corrected several hundred items. Later he lectured at the Jingxin Academy in Hubei, strict in character and conduct, honoring plain learning. In youth he studied Mao's Odes; in later years he worked on the Gongyang Spring and Autumn, expounding the doctrine of the "New Zhou" and refuting He Xiu's errors—all leading scholars of the time approved. He died, aged sixty. He wrote Supplements to the Correct Meanings of the Analects, Exegesis of He Xiu's Analects Commentary, and Prose Transcripts from the Broad Classics Studio.
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Long Qirui, styled Hanchen, was a native of Lingui. In 1841 he placed first of the first rank among jinshi and was appointed Hanlin compiler. In 1844 he served as associate examiner of the Guangdong provincial examination. In 1847, in the great examination of Hanlin and Imperial Diarists he placed seventh in the second class and was promoted to expositor. In the seventh month he was selected education intendant of Hubei and wrote Essentials of the Classics to guide scholars. He also held that the education intendant's office has three essentials: guard against abuse, encourage solid learning, and rectify hearts and customs. In 1850 he mourned his father and returned home. In June 1851 Guangxi governor Zou Minghe memorialized to organize Guangxi militia training and put Qirui in overall charge. In July 1852 the siege of the provincial capital was lifted; for his effort in defense he was promoted to bachelor of the Hanlin Academy. In April 1856 he was appointed vice commissioner of the Transmission Office. In the eleventh month he was selected education intendant of Jiangxi. In March 1857 he was transferred to Jiangxi administration commissioner. In September 1858 he died in office.
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Qirui cut deep into classic meaning and especially pursued phonology, threading through the works of Gu, Jiang, Duan, Wang, Kong, Zhang, Liu, and Jiang, and wrote twenty juan of Comprehensive Discourse on Ancient Rhymes. He held that in discussing ancient rhymes, work before Gu Yanwu was too loose, work after Duan Yucai too tight, and Jiang Yong's middle course was not yet perfect. Zhang of Yanghu divided rhymes into twenty-one parts, saying: "In all discussion of ancient rhymes, in dividing one need not fear being too fine, in combining one need not fear being too broad. Only when the divisions are fine does combination keep clear threads, so that one does not doubt from a single character that every rhyme may interchange, nor from whole rhyme groups doubt that a single character cannot interchange." Qirui took this saying to heart; therefore in gathering ancient rhymes his intent was strictness, yet in his comprehensive discourse he still found it broader than Gu Yanwu's school. He was not bound by settled doctrine, did not cling to private views, but consulted ancient books to seek what is right—that alone. His discussions of original sounds, connected rhymes, and shifted sounds all have solid grounds; he summed them in the comprehensive discourse, and therefore named the whole book thus. He also wrote three juan of Collected Verification of Erya Classic Commentary and twelve of the Jingde Hall Collection.
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Miao Kui, styled Xianlu, was a native of Sunning. From childhood he loved the study of form and sound in the Six Scripts; reading Xu Shen's Shuowen, he seemed to understand it by innate gift. Later he also obtained Gu Yanwu's Five Books on Phonology and admired them all the more ardently. He said: "I shall keep to this all my life!" He was nominated in 1831 as a senior tribute student; Wang Niansun and his son of Gaoyou honored Kui above themselves, and from this his reputation rose day by day. Kui held that much of Xu Shen's transmitted text had been rashly cut or padded by later hands; he corrected more than eight hundred Shuowen entries and wrote two juan of Shuowen Sound Corrections. Gu Yanwu's ten-part ancient rhyme table already laid out the great framework, yet Kui still found it too fine-grained; ge and ma, having already absorbed Western sounds, should not stand as a separate part. He therefore merged geng, qing, qing, zheng, and deng with the dong and winter groups, merged ge and ma with zhi and qi, fixed seven parts, and thereby embraced the rhymes of the classics. Characters follow sound; rhymes follow parts—he wrote seven juan of Shuowen Sound-Reading Tables. After the Mao commentary and Zheng Xuan's notes on the Odes, most scholars pursued moral principle and few pursued sound and rhythm; though Lu Yuanlang's Shijing yinyi existed, it could not uphold ancient phonology exclusively, yet ancient readings were not always fully displaced. Kui specialized in the Mao Odes and was especially expert in harmonizing-sound study; he used the Qi, Lu, and Han schools to verify Mao, interwove Xu Yaozhang's sound-readings, and drew on the Taiping Qi family's Han Learning Harmonizing Sounds and Correct Reading of the Shijing and the Wuxi An family's Rhyme Evidence to write ten juan of Mao Odes Rhyme Corrections. In May 1857 he died, aged seventy-five.
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Pang Dakun, styled Zifang, was a native of Changshu. A provincial graduate of 1819, he devoted himself to rhyme and sound studies and held that where the schools of Gu, Jiang, Dai, Duan, Kong, and Wang differed in their divisions, the trouble was only that matching entering tones to the Liyun had no fixed standard. Entering tones have principal and medial fanqie initials: modern rhyme books mostly follow the principal, ancient rhymes mostly the medial; yang odd and yin even, paired two by two—one following Lu Fayan's principal initials, one following Gu, Jiang, Dai, and Wang's medial initials. His methods of sound shift were five: first, direct shift—within the same part; second, successive shift—within the same sound; third, lateral shift—rhymes that compare and mutually generate; fourth, double initial—those sharing the same initial. He also held that to master ancient phonology one must first investigate the Tang rhymes before division and merger can be fixed; he wrote five juan of Tang Rhymes Compendium with one supplementary volume, one juan of Phonetic Compendium with one supplementary, two of Ancient Sound Compendium with one supplementary, and three of Dengyun Compendium. He also wrote five juan of Yi Examples Compendium.
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Chen Li, styled Zhuoren, was a native of Jurong. He passed the metropolitan examination in 1841 and took the palace examination in 1844. He was selected a Hanlin bachelor. On leaving the Hanlin academy he became a principal clerk in the Ministry of Punishments, rose to director, and was appointed prefect of Qujing in Yunnan. When he sought imperial audience, Wenzong praised him as "clear and cautious in conduct," but war-blocked roads kept him from taking up the post. In youth he sojourned in Yangzhou and studied under Mei Zhizhi of Jiangdu, learning the Odes and ancient prose; he studied under Ling Shu of Jiangdu and Liu Wenqi of Yizheng, learning the Gongyang Spring and Autumn, Xu Shen's Shuowen, and Zheng Xuan's Rites, yet devoted himself deepest to Gongyang.
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Wenqi once said that Han learning grew all the more obscure once Tang scholars wrote subcommentaries upon it. Xu Yan's Gongyang subcommentary was empty talk without substance. Recent scholars such as the Kong clan of Qufu and the Liu clan of Wujin strictly followed He Xiu, detailed on principles and examples but slight on ritual canon and philology. Li then combed the records broadly: every pre-Tang Gongyang gloss and every Qing scholar on Gongyang he gathered on every side, choosing the finest and setting it forth in detail. For thirty years he drafted; the long compilation was only just complete. After returning south he arranged, compared, and synthesized his materials into seventy-six juan of Gongyang Meaning and Subcommentary.
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When he first took up Gongyang he extended to Han scholars' methods of explaining the classics and held that nothing surpassed the Baihutong. First he wrote subcommentary and verification focused on listing received learning and bringing hidden and subtle points to light, without engaging in polemic, and completed twelve juan of Baihutong Subcommentary and Verification. In youth he studied the Erya; he therefore extracted from the Tang Five Classics Corrected Meaning every citation of the five masters Jianwei Sheren, Fan Guang, Liu Xin, Li Xun, and Sun Yan and fully recorded them. He held that the finest insights in Guo Pu's commentary mostly took their origin here. He appended Guo Pu's phonology and glosses and the fanqie explanations of Gu, Shen, Shi, Xie, and other schools to produce two juan of Old Erya Commentary.
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He also held that ancient rhyme study had long been corroded, yet sound originates in writing: Shuowen phonetic series are the rhyme mothers themselves. He therefore extended the Gui'an Yao family's precedent of Shuowen phonetic series, extracting every phonetic passage in Xu's book, assigning parts, and arranging them in sequence. He treated pictographs, indicatives, and ideogram compounds as mothers and phonetic compounds as sons, appending under each son whatever further characters shared its phonetic. For his divisions he drew jointly on Gu, Jiang, Dai, Kong, Wang, Duan, Liu, Xu, and other schools, refined and verified them, fixed twenty parts, and wrote three juan of Shuowen Phonetic Derivation. His prose was deep, elegant, and ample; he mostly examined dress regulations, ritual canon, sound, and glosses, wrote six juan of Juxi Miscellany, and died aged sixty-one.
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Chen Huan, styled Shuofu, was a native of Changzhou. A licentiate. In 1851 he was recommended as Filial and Incorrupt and Upright. Huan first studied ancient learning under Wu Jiang Yuan; Duan Yucai of Jintan was living in Suzhou and was on good terms with Yuan Zusheng. Duan once said: "Of my Six Scripts Phonology and Rhyme Tables, only the Jiang grandfather and grandson understand them; almost no one else does." Huan spent a whole day and night mastering its main outlines. Yuan once borrowed Yucai's Jingyunlou Collection; Huan secretly read it and marked it in red and black. When Yucai later saw the annotations, he declared Huan's learning above Kong Yingda and Jia Kui; from then on Huan studied under Yucai. Wang Niansun of Gaoyou and his son Yinzhi, Hao Yixing of Qixia, Hu Peihui of Jixi, Hu Chenggong of Jing, and Jin E of Linhai all formed close ties with him.
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Huan once said that Elder Mao's expository transmission is brief in words yet comprehensive in meaning; he therefore poured out his mind and devoted himself wholly to the Mao commentary. Because every ritual detail and named object in the Mao commentary had gone uncited since Han times, lying hidden in obscurity, he combed ancient books broadly to bring out their meaning. He mostly followed pre-Western Han explanations and did not casually agree with Eastern Han Odes scholars. He also held that Mao's school issued from Xunzi and that only Zheng Xuan and Xu Shen truly carried it forward; he therefore drew heavily on the Zhouli commentary and the Shuowen and wrote thirty juan of Subcommentary to the Mao Clan Transmission of the Odes. Because the subcommentary's citations were vast and hard to follow, he further set forth principles and cases, drew tables and diagrams, and wrote one juan of Mao Odes Explanations. Guided by ancient phonology and the four beginnings, he wrote four juan of Mao Odes Phonology. Following the Erya precedent, he arranged the Mao commentary into nineteen topical chapters in one juan. Because Zheng Xuan often followed the three schools of the Odes rather than Mao, he wrote one juan of Investigation of Zheng's Notes. He also wrote thirty juan of Odes Phrase Auxiliary Meanings, one of Gongyang Lost Rites Investigation, one of Masters and Friends Origins Record, and several juan each of Questions on Di and Suburban Rites and Collation Notes on the Song Jiyun.
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He held that the Shangshu dazhuan and the Mao commentary share one thread; in Spring and Autumn study, follow Gongyang to learn principles and study Guliang to master ritual. Guliang's text is extremely terse; only after decades of ritual study can its essentials be grasped. He noted that the Shiming often disagrees with the Mao commentary and the Shuowen, yet it can trace the currents of Han and Song exegetes. On Ding Du's Jiyun he wrote: "The Jiyun's full character tally appears in the Leipian; collate the Jiyun against the Leipian first, then consult the Shiwen, Shuowen, Yupian, Guangyun, and Boya, and more than half the collation is done." He also wrote: "The Song edition of Lu Deming's Shiwen should be recovered through the Jiyun. Today's Shangshu Shiwen is the text cut and altered by Chen E and others in the Kaibao era; the Jiyun was never so altered." Among masters' books he especially loved the Guanzi and once had his disciple Ding Shihan of Yuanhe compile four juan of Guanzi Cases.
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He taught at home; several dozen students studied with him. Among them Guan Qingqi, Ding Shihan, Ma Zhao, and Fei E of his own commandery and Dai Wang of Deqing were especially renowned. In 1863 he died, aged seventy-eight.
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Jin E, styled Chengzhai, was a native of Linhai. A senior tribute student. Broadly learned and keenly retentive, he was profoundly expert in the Three Rites. He won recognition from Wang Tingzhen of Shanyang; debating hard points together, they produced two juan of Rites Discourse. In 1819 he died in his Beijing lodging. His Seeking Antiquity treats palace chambers, dress, suburban sacrifice, well-field, and the like, threading Han and Tang scholars' doctrines together and examining each point in detail. Jin also compiled notes on the Analects' Xiangdang chapter, corrected received explanations, and reached many satisfying interpretations. After his death his drafts were wholly lost; Chen Huan recovered them and arranged fifteen juan of Seeking Antiquity Rites Discourse and one of Xiangdang Correct Meaning.
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Huang Shisan, styled Weixiang, was a native of Dinghai. A tribute student. Filial toward his parents, he once went to the provincial examination; his mother Qiu suddenly fell ill and died at home, and he galloped home in grief until he collapsed. His father was old and ill and lay bedridden for years; for food, clothing, washing, and bathing he always attended personally. When his father died, he observed mourning properly and vowed never again to sit for the provincial examination. In scholarship he set up no school of his own but mastered the classics broadly, studied the Changes and Spring and Autumn, and was especially accomplished in the Three Rites. On di, suburban, and ancestral temple rites he strictly followed Zheng Xuan. On territory, well-field, military levy, schools, Bright Hall, clan regulations, and other institutions, wherever a major doubt arose he corrected it. He wrote Restoring Rites Discourse, Honoring Rites Discourse, and Abbreviated Rites Discourse. He wrote twenty juan of Analects Later Cases and composed its preface himself. He also wrote four juan of Book Opening Enlightenment, one of Odes Cluster Discourse, two of Preface Discourse Comprehensive, two of Commentary Investigation, two of Spring and Autumn Explanation, nine of Zhou Season Compendium, four of Jingju Collection Classic Discourse, and four of Historical Discourse. In 1862 he died, aged seventy-four. His son Huang Yizhou and his nephew Yigong both carried on his learning.
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Yizhou, born Yuantong, later adopted his present name and took Yuantong as his style. In 1870 he graduated as a senior tribute student. He soon passed the provincial examination; in the great selection he was assigned to teaching office and appointed instructor of Fenshui county. On the education commissioner's memorial he received the zhongshu rank and promotion from instructor; he was soon selected professor of Chuzhou prefecture, but was already seventy and declined the post. Yizhou devoutly upheld his family's learning and held that in classical learning after the Three Dynasties, Zheng Xuan of Han and Zhu Xi of Song stood supreme. Yet the abuses of Han Learning and Song Learning depart from the sage classics and fail even Zheng and Zhu—how much less Confucius and Mencius? The Qing revival of lecturing on the classics began with Gu Yanwu. Gu once wrote: "Classical learning is Neo-Confucian principle learning." He took Gu's teaching as his model, traced Confucius and Mencius' surviving words upward, wrote on the Changes, Odes, and Spring and Autumn, and especially made the Three Rites his chief authority. His Comprehensive Investigation of Rites in one hundred juan lists fifty topics and sets forth the ritual institutions of the ancient kings in full. He also held that Mencius studied under Confucius, returning from breadth to simplicity, yet never sat at Confucius' feet. Between them stood Master Zisi, who synthesized what the seventy disciples had heard, carried Confucius' teaching forward to open the way for Mencius, and therefore wrote seven juan of Collected Explanations of Master Zisi. In adducing what Zisi recorded of the Master's teaching, he held that it must open with the Odes and Documents and close with Rites and Music; in explicating the view that benevolence and righteousness are profit, he took the great purport of transmission to be firm trust in classical learning that is broad in study yet restrained in ritual—the right path of conduct—and he sought Mencius's succession from Confucius with Zisi as the hinge. In old age he was often ill and said: "Grant me a few more years; when my Collected Explanations of Master Zisi is finished, I shall die content!" When the book was done his illness lifted, and he adopted the style Zaisheng. Huang Tifang, education commissioner of Jiangsu, established the Nanjing Lecture Hall at Jiangyin and engaged him as chief lecturer. Huang Yizhou taught broad study and ritual restraint, and seeking truth from facts; his teaching was profound, yet he founded no partisan school. Zong Yuanhan founded the Bianzhi Academy in Ningbo and asked Yizhou to define its name, purpose, and regulations; instruction was devoted wholly to the classics, and more than a thousand students were enrolled. He died at seventy-two.
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Yigong, styled Zhiting. In 1875 he became a provincial graduate. He wrote twenty-eight juan of Book Opening Commentary and twelve juan of Reading the Odes: Tentative Views.
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Yu Yue, styled Yinfu, was a native of Deqing. In 1850 he passed the metropolitan examination and entered the Hanlin Academy as a bachelor. In 1852, after leaving the academy, he was appointed Hanlin compiler. In 1855 he was selected as Henan education commissioner; he memorialized that Gongsun Qiao of Zheng be enshrined in the Confucian temple and that Confucius's elder brother Meng Pi be granted associated sacrifice in the Chongde Shrine—both petitions were approved. In 1857, after censor Cao Dengyong impeached him for splitting examination topics, he was removed from office. After his return Yue settled in Suzhou and taught at the Ziyang Academy in Suzhou and the Qiuzhi Academy in Shanghai, but he lectured longest—over thirty years—at Hangzhou's Guxing Academy. He taught students entirely by Ruan Yuan's methods. Disciples such as Dai Wang, Huang Yizhou, Zhu Yixin, Shi Buhua, Wang Yishou, Feng Yimei, Wu Qingdi, Wu Chengzhi, and Yuan Chang all became famous in their time. After the Taiping rebellion ravaged the southeast and libraries were destroyed, Yue headed the Zhejiang Publishing Bureau, urged the Jiang, Zhe, Yang, and E bureaus to divide printing of the Twenty-Four Histories, and at Zhejiang finely printed twenty-two philosophical texts—hailed empire-wide as authoritative editions.
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He devoted his life to authorship; his collected works filled many juan, but Equal Discussions of the Classics, Equal Discussions of the Masters, and Examples of Doubtful Points in Ancient Books above all preserved sound scholarly method and advanced classical studies. In classical studies he took Wang Niansun and his son Wang Yinzhi of Gaoyou as his authorities. He held that to study the classics one must above all fix punctuation, weigh word meanings, and master ancient phonetic loan; of the three, loan usage matters most. The Wangs' Extension of Meanings in the Classics relies on Han "read as" and "read saying" formulas for half its arguments; in clarifying traditional glosses and correcting characters their work is exceptionally rigorous. Accordingly he composed Equal Discussions of the Classics as a sequel to the Extension. His Equal Discussions of the Masters, following the Wangs' Reading Journal, corrects corrupt passages and explains ancient usage, with even richer results than his work on the classics. He also collected eighty-eight examples from the Nine Classics and the Masters, each illustrating its rule with several instances so readers could master the method and read ancient texts with confidence.
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Yu Yue wrote on every classic, but was deepest in the Changes; his Comprehensive Treatise on the Changes expounds the sage's doctrine of observing images and the appended judgments. In his five essays Playing with the Changes he advances original views and refuses to be bound by prior Confucian commentaries. He also produced Gen Chamber Discourse on the Changes, first and sequel investigations of hexagram qi and duty days, Shao's Changes Supplemented to the Original, Discourse on Exhaustion, Penetration, and Change, and Discourse on Mutual Images and Positions—works that together constitute a distinctive school. The Classic Discourses of the Tea Fragrance Studio, written in his later years, are largely exact in interpretation. His archaizing prose belongs to no faction, yet carries the gravitas of canonical learning. His poetry is gentle, dignified, and lucid, in the manner of Bai Juyi. He excelled at seal and clerical calligraphy. Leading statesmen of the day—Grand Secretaries Zeng Guofan and Li Hongzhang, and Ministers Peng Yulin, Xu Shuming, and Pan Zuyin—were all eager to befriend him. Japanese scholars came to study at his gate as well.
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Profound in the classics and severe with himself, Yu Yue was true to his nature, valued integrity, and lived plainly; scholars everywhere honored him as Master Quyuan. In 1902, on the provincial graduates' reunion, an edict restored his former rank and he again attended the deer-ming banquet. In 1906 he died, aged eighty-six. He left thirty-five juan each of Equal Discussions of the Classics and Equal Discussions of the Masters, plus the First Tower Collectanea, Quyuan Miscellany, Yulou Miscellany, Guest Sprouts Collection, Spring-in-Hall essays, poetry, lyrics, and notes, Youtai Immortal Studio records, Tea Fragrance Studio collectanea and classic discourses, and other works collected as the Complete Works of the Spring-in-Hall Studio.
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A contemporary of like advanced years and solid learning who headed an academy chair was Zhang Wenhu of Nanhui. Zhang Wenhu, styled Xiaoshan. He was a licentiate. Having read the Hu family of Yuanhe, the Jiang family of She, the Dai family of Xiuning, the Qian family of Jiading, and others, he concluded that sound learning must be rooted; he then worked through Han, Tang, and Song commentaries and exegetical writings, using form and sound for characters, glosses for meaning, measures and nomenclature for institutions, and language and historical deeds for the sages' subtle doctrines, extending the same scrutiny to masters and histories. He was skilled in astronomy and calendrical calculation and especially excelled at textual collation. In 1866, when the Liangjiang Publishing Bureau was established, Zhang Wenhu collated the three Shiji commentaries and produced five juan of collation notes, regarded as the best of their kind. He died at seventy-one. He left the Posthumous Writings of the Shuyi Studio.
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Wang Kaiyun, styled Renqiu, was a native of Xiangtan. In 1853 he became a provincial graduate. He loved learning from boyhood, but was slow-witted: each day he could memorize fewer than a hundred words. He rebuked himself and drove on by sheer effort. In the morning he would not eat until he had recited the day's lesson flawlessly; in the evening he would not sleep until he had understood it. By fifteen he had mastered exegesis; by twenty, chapter and sentence; by twenty-four he could lecture on ritual. He investigated Three Dynasties institutions and examined the uses of ritual objects in detail. At twenty-eight he grasped the Spring and Autumn's subtle meanings, championed Gongyang, and upheld He Xiu's tradition, and so mastered the entire canon. He devoted himself to authorship and above all to literary craft. In thought he reached back to Zhuangzi and Liezi and forward to Jia Yi and Dong Zhongshu; in parallel prose he honored Yan Zhitui and Yu Xin, in poetry he stood with Ruan Ji and Zuo Si. For historical narrative he took Sima Qian's Grand Scribe's Records as his only standard.
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Wang Kaiyun studied with relentless discipline in winter and summer alike. He recited and studied the classics, histories, and all major schools without exception. Commentary, annotation, transcription, and collation were his fixed daily tasks. Whenever insight came he set it down at once. In expounding abstruse doctrine he often anticipated what earlier scholars had not yet uncovered. He once said: "To study the Changes, one must first know that the word yi carries several senses and must not spin empty theories from hexagram names alone; for the Documents one must first establish correct punctuation; for the Odes one must first know that the language of romantic exchange is not fit for the state academy or for transmission to posterity. Only after clearing away these three vulgar habits can one speak of ritual. When ritual is understood, only then may one take up the Spring and Autumn." He also said: "In expounding the classics, what matters is recognizing characters in context—not merely the entries of the Shuowen jiezi." He also said: "Writing that takes no measure from antiquity loses craft; writing that wholly imitates antiquity loses meaning." He also exclaimed once: "I am no mere man of letters—I am a scholar!"
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When his training was complete he set out to serve patrons. He first entered the household of Shandong governor Chong'en. He then went to the capital. He accepted an engagement from Minister Sushun. Sushun treated him like a teacher and guardian. On military matters he consulted Kaiyun before acting. This was the case of Zuo Zongtang. Wang Kaiyun was the one who actually secured his release. He later entered Zeng Guofan's secretariat. Hu Linyi, Peng Yulin, and others all treated him with special honor. Confident in his unusual gifts, he found little agreement wherever he went. He withdrew and abandoned further ambition for office. He devoted himself solely to teaching the next generation. Sichuan governor Ding Baozhen appointed him head of the Zunjing Academy and honored him as guest and teacher; his students were numerous and accomplished. On returning to Hunan he headed Changsha's Sixian Lecture Hall and Hengzhou's Chuanshan Academy. The Jiangxi governor Xia ★J9 Yan appointed him chief instructor of the Higher Academy. In 1908 Hunan governor Cen Chunfen memorialized his scholarship and character, and he was specially granted the rank of Hanlin compiler. At the provincial graduates' reunion he received the additional title of reader. In old age, as the world changed around him, Wang Kaiyun kept peace with all and survived by tactful accommodation. After the Republic was founded he briefly headed the History Bureau, then retired home. In 1916 he died, aged eighty-five.
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Most of his published work is philological: Discourse on the Zhou Changes (11 juan), Meanings of the Documents (30), Great Tradition of the Documents (7), Supplementary Commentary to the Book of Odes (20), Commentary to the Record of Rites (46), Gongyang and Guliang commentaries, Commentary to the Offices of Zhou, Commentary to the Analects, Collected Explanations of the Erya, exegesis of Mozi, Zhuangzi, and Heguanzi, Records of the Xiang Army (16), and the Xiangqi Studio collections of poetry, prose, and diaries. His children all mastered the classics and carried on the family tradition. His second son Daifeng died young; he left Tables of Gongyang Cases.
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Wang Xianqian, styled Yiwu, was a native of Changsha. He became a jinshi, entered the Hanlin as a bachelor, and was appointed compiler. , in the palace examination he placed in the second class, was promoted to household vice-director, and appointed daily lecturer and recorder of the ruler's conduct. He repeatedly memorialized on guarding against abuses of the remonstrance channels, planning defenses for the three eastern provinces, and impeaching Yunnan governor Xu Zhiming. In the sixth year of his reign he was promoted to libationer of the Imperial Academy. In the eighth year he went home to observe mourning; when mourning ended he returned to his former post. He memorialized requesting a halt to construction on the Three Seas. He was appointed education commissioner of Jiangsu. In the fourteenth year, citing the eunuch Li Lianying's corrupt solicitation, he memorialized asking that he be disciplined. He wrote in summary: "The mischief of palace eunuchs has been clear since antiquity; the laws of our dynasty are severe, and never before has a eunuch seized power to the nation's harm. The Empress Dowager reigns from behind the curtain, adhering wholly to established policy without the least indulgence—a fact every subject in the realm knows and sees. Yet there is the chief eunuch Li Lianying—treacherous by nature and utterly unrestrained. His habitual scandals and disgraceful acts I dare not detail in a memorial. I only consider that eunuchs serve within the palace and may daily approach the Son of Heaven; or that through some small talent in service they may occasionally win imperial favor—which is also within reason. Why alone does this eunuch boast of imperial favor and solicit on a grand scale, until the nickname 'Eunuch Comb-and-Li' convulses court and country and shocks all who hear—plain proof that he oversteps his station. The Changes says, 'Frost underfoot means solid ice ahead'—calamity comes by degrees. The Empress Dowager and the Emperor pursue governance and the preservation of the realm with unceasing diligence, forestalling trouble at every turn. Petty men already run rampant—the first signs have appeared. Unless he is severely punished, discipline cannot be restored nor public sentiment steadied." The memorial went unanswered.
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Xianqian successively supervised the provincial examinations in Yunnan, Jiangxi, and Zhejiang, recruiting talent with tireless energy. On reaching Jiangsu he first memorialized to establish a publishing bureau; following Ruan Yuan's Explanations of the Classics under the Qing, he printed the Continued Explanations of the Classics in 1,430 juan. The Nanjing Academy had been founded by Huang Tifang; Xianqian raised substantial funds, had each district send its best students, supervised their instruction, and guided and encouraged them—producing many accomplished scholars. When his term ended he returned home and headed the Sixian Lecture Hall and the Yuelu and Chengnan academies, cultivating talent no less devotedly than before. In 1907 governors Chen Kuilong and Cen Chunfen memorialized presenting his writings to the throne, and he was granted the rank of Grand Secretariat academician. In 1910 hungry crowds in Changsha rose in disorder and besieged the provincial yamen; guards opened fire and killed several people, popular anger mounted, and ruffians seized the moment to burn the yamen. Provincial gentry telegraphed demanding a new governor, with Xianqian's name at the head of the list—of which Xianqian knew nothing. Governor-general Ruicheng impeached him; the ministry ordered a demotion of five ranks. Fellow Hunanese officials at court, including Hu Zuyin, petitioned the Censorate that the penalty was unjust; again there was no response. After the fall of the dynasty he took the name Dun, retired to the countryside, and died six years later. He wrote Corrections to Kong Anguo's Tradition of the Documents (36 juan), Collected Explanations of the Three Schools' Odes (28), Supplementary Commentary to the Han History (100), Collected Explanations of Xunzi (20), Inquiry into the Origins of Japan (22), Comprehensive Mirror of Foreign States (30), and the Xushoutang collected poetry and prose (36), among others.
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Sun Yirang, styled Zhongrong, was a native of Ruian. His father Sun Yiyan has a separate biography. Yirang became a provincial graduate in 1867 and served as a clerk in the Ministry of Punishments. He began with the Record of Han Learning Succession and the Explanations of the Classics under the Qing, gradually mastering the methods of the comprehensive scholars in classics, history, and philology. He held that ancient texts and the classics had Three Dynasties loan characters, Qin-Han changes from seal to clerical script, Wei-Jin confusion of regular and cursive forms, Six Dynasties and Tang corruption through vulgar script, and Song-Yuan-Ming adulteration through collation. Correcting errors and recovering lost passages required solid evidence; he first completed twelve juan of Philological Notes.
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He also wrote Correct Meaning of the Rites of Zhou in eighty-six juan, arguing: "Under the Qing, classical learning flourished and new commentaries appeared for every classic; the Rites of Zhou is the book by which the Duke of Zhou brought peace to the age, yet since Qin and Han scholars have failed to master it as a whole. Mastering the classics means mastering concrete facts and concrete terms—heaven and earth, mountains and rivers, the refinements of fortifications, palaces, dress, and ritual institutions, even the minutiae of ale and sauces; Zheng Xuan's commentary is terse and abstruse, Jia Gongyan's subcommentary thin and brief. Readers struggle to penetrate it deeply, and those who apply it to governance err all the more. Liu Xin and Su Chuo under the Xin and Northern Zhou, Wang Anshi in Song—rigid as a peg in a hole, stubborn as the man who marked his boat—once their reforms collapsed they could not recover, and the classic itself was blamed. Yirang used the Erya and Shuowen to establish correct glosses and the ritual classics plus the Elder and Younger Dai Records to verify institutions. After twenty years of study and many revisions of his draft, he broadly gathered the views of classicists from Han and Tang through the Qianlong and Jiaqing reigns, cross-examining them to unfold the depths of Zheng Xuan's commentary and fill the gaps in Jia Gongyan's subcommentary. On ancient institutions his exegesis is lucid and well evidenced—far more comprehensive than earlier subcommentaries. Where the received commentary was inconsistent, he corrected it. In all he emended several dozen points without violating the rule that subcommentary must not overturn commentary; though he did not twist Kangcheng's meaning to suit the Du–Zheng harmonizing tradition, neither was he heterodox. As for national wealth and strength pursued through government and education, whether one follows new or old learning, both may find a middle path in this book." Learned readers concurred.
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In 1903 he was summoned by the special statecraft examination and declined. In 1909 the Ritual Regulations Bureau summoned him; he again declined. He soon died, aged sixty-two. He also wrote Casual Exegesis of Mozi (15 juan), with catalogue and appendix (2 juan) and afterwords (2 juan). Profound and encyclopedic, it was for a time hailed as without peer. He also wrote Recovering Lost Ancient and Seal Script (3 juan), Collation and Supplement to the Lost Book of Zhou (4), and Exposition of the Ancient Meaning of the Nine Banners (1).
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Zheng Gao, styled Dongfu, was a native of Qian'an. His father Minggang served as magistrate of Jimo and died in office. Too poor to return home, the family settled in Jimo. Gao was devoted to his mother. In 1879 he ranked first in the Shandong provincial examination; the next year he became a jinshi and was appointed a clerk in the Ministry of Punishments. He devoted himself to scholarship, making the classics his chief study while also mastering court regulations and statecraft; he labored from dawn to dusk and cared nothing for promotion. He once said: "To master the classics one must trust the ancient transmissions; the classics are a deep sea, and the commentarial tradition is the vessel that crosses it. Han scholars who upheld one school could not grasp another; from Tang and Song onward, though able to see the whole, they rejected every ancient explanation and judged solely by their own opinion. Neither approach, he held, is true mastery of the classics." He returned home to mourn his mother and became chief lecturer at the Luoyuan Academy. When mourning ended he was promoted to vice-director. As the court pursued reform and estrangement grew between the two palaces, Gao alone urged earnestly that the emperor must devote himself wholly to filial piety. He drafted a memorial, but none dared submit it. In the summer of 1900 Mars entered the Southern Dipper; he again memorialized calling for moral self-examination, and again received no answer. He soon died.
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Gao's scholarship centered on the Spring and Autumn Annals. He said: "Zuo Qiuming expounds the old statutes of Lu's chronicle; the Gongyang and Guliang traditions transmit new meanings developed by Confucius and Mencius, handed down orally. Gongyang expounds the Way of Lu; Guliang expounds the kingly Way; Zuo records in full the Way then in practice. The Way then in practice was the hegemonic Way. Lu's Way must be clarified because, as descendants, we emulate our ancestors. Guliang contains the principles of adapting ritual across the four dynasties. Only a sage who suddenly ascends the throne can put it into practice." His doctrine synthesized the three traditions, yet he was especially rigorous in distinguishing service to Heaven, the ruler, and one's father. He said: "The Spring and Autumn opens with scrupulous attention to the first month of the inaugural year; the first month signifies the rectification of enthronement. Scrupulousness in the first month is scrupulousness at the beginning: only one who can be a son to his father can be a son to Heaven. The Annals' three rectifications arise from the three mandates of Heaven, the ruler, and the father. Spring stands for Heaven, the king for the ruler, the first month for the father; intending to hold all three accountable, why name only the first month? Service to Heaven and to the ruler both begin with service to one's father." Such was the tenor of Gao's writings.
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A contemporary of Gao was Song Shusheng, styled Jinzhi, of Weixian. He became a jinshi in 1892 and entered the Hanlin as a bachelor. He lived in retirement for ten years, devoting himself wholly to the classics. He wrote on the Changes, Documents, and Odes, and was especially accomplished in calendrical astronomy.
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Fa Weitang, styled Xiaoshan, was a native of Jiaozhou. A jinshi in 1889, he served as instructor of Qingzhou prefecture; he mastered phonology and collated Lu Deming's Glosses on the Classics, elucidating many points earlier scholars had missed.
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