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第一 律曆上 律準 候氣

Volume 91: Rhythm and the Calendar Part One

Chapter 102 of 後漢書 · Book of Later Han
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1
Treatise I of the Later Han: musical pitch (upper scroll)—regulators for tuning pipes and the qi-detection method.
2
[1][2] [3] [4] [5] [6] [7]
Ancient thinkers defined reckoning in stages: "beings yield forms, forms yield proliferation, and only then do numbers apply." Once heaven, earth, and humanity existed, mathematics followed inevitably. Tradition credits Da Nao with the stem-branch cycle note one and Li Shou with systematic numbering note two. Those tools calibrated gnomon shadows note three and ordered every administrative reckoning. Digits from one through myriad underpin every tally; but pitch, linear measure, volume, balance, and celestial reckoning each branch separately. Bodies are gauged with rulers note four; bulk is poured into standard measures note five; weight rests on beam balances note six; sound divides into clear and muddy tones harmonized by the pitch-cycle; sun, moon, and stars ride calendrical mathematics note seven until even arcane shifts yield to systematic grasp.
3
使 [8] [9]
At the dynastic founding Zhang Cang of Beiping Marquis reorganized harmonics and astronomy. Emperor Wu standardized court music and appointed specialists to tune the bells. Yuanshi-era commissions collected tuning theory; Liu Xin’s Directorate of Astronomy codified it for the throne, and Ban Gu folded that dossier into his monographs. Palace attendant Jing Fang (Junming), contemporary with Yuan Emperor, knew the five tones and six-pitch arithmetic inside out. The throne tasked Wei Xuancheng and Counselor Zhang with cross-examining him at the imperial conservatory. Fang answered: “I studied under former Xiaohuang magistrate Jiao Yanshou. Sixty-pitch derivation uses three-halves downward steps and four-thirds upward steps until Zhonglü closes the duodecimal set. Zhonglü ascends to Zhishi, Zhishi descends to Qumie, and the ladder finishes at Nanshi—sixty names in all. Twelve pipes blooming into sixty notes mirrors eight trigrams blooming into sixty-four hexagrams. Fuxi’s Zhou yi anchors yang qi’s primal emergence—the same logic pitch computation follows. On the jian day of midwinter you tune Huangzhong to keynote gong, slot Taicu as shang, Guxian as jue, Linzhong as zhi, Nanlü as yu, Yingzhong as biangong, Ruibin as bianzhi note eight. That cluster forms the acoustic foundation and canonical pentatonic template. Each configuration therefore governs an entire day. Other days rotate the pattern; the daily tonic becomes gong while shang and zhi shift by analogy note nine.
4
[10]
The Liyun line about twelve tubes cyclically serving as keynote captures exactly this note ten. Splitting sixty tones across the calendar begins and ends at Huangzhong on midwinter day, feeding weather divination. Against that grid every musical tone lines up unless it is mere rustling vegetation. “Thus,” he concluded, “the Documents command pitch to harmonize voice.”
5
調
Fang continued: “Because bamboo defies abstract calibration, I built a tuning regulator to nail the ratios. It resembles a se: thirteen strings over one zhang, nine chi of vibrating length answering Huangzhong’s nine-cun tube; its middle string carries engraved fen and cun used to mark every bright or dull step among sixty tones." His theory ran deeper than Liu Xin’s submission and became standard for historians and seasonal qi observers. Most detail is omitted here for length. This section condenses the core to continue the earlier monograph.
6
Harmonic theory: yang manifests as round motion and tends toward movement. Yin squares itself into boundaries and stays quiescent. Active numbers ride three; static numbers ride two.
7
Yang generating yin doubles the prior value; yin generating yang multiplies by four before the universal division by three. Down-generation lowers the pipe; up-generation raises it.
8
[11] [12]
Ascending steps cannot surpass Huangzhong’s upper bound; descending steps cannot undershoot its canonical mass-number. The arithmetic embodies heaven-three earth-two, dome over square plane, even couples lifting odd centers. Huangzhong seeds every subsequent pipe note eleven. Each link applies the classical subtract-one-third or add-one-third rule. Twelve iterations therefore pile to 177,147—the canonical Huangzhong “solid” note twelve. Two-thirds of that mass defines down-generated Linzhong. Four-thirds steps back upward to Taicu’s mass. Repeat the ladder to enumerate sixty tonal solids. Use 19,683—nine cubed times three—as the modular divisor. Pipe lengths translate to chi on the regulator at ten-to-one scale. Fractional remainders become fen by decimal promotion. Smaller scraps refine again into micro-fen. Residual micro-units mark acoustic strong or weak bias.
9
Huangzhong solid: 177,147. Down-generates Linzhong. Mode: Huangzhong tonic, Taicu shang, Linzhong zhi. Nine cun on the pipe, nine chi on the regulator.
10
Seyu solid: 176,776. Down-generates Qiandai. With Seyu as tonic the matching shang pipe goes unrecorded; Qiandai supplies zhi. Occupies six days in the cycle.
11
Pipe measure 8.98+ strong micro-fen. Regulator line 8 chi 9 cun and 15,973 residual ticks. Zhishi solid: 174,762. Down-generates Qumie. Mode: Zhishi gong, Shixi shang, Qumie zhi. Six-day span. Pipe 8.87+ marked strong. Regulator 8 chi 8 cun, remainder 15,516. Bingsheng solid: 172,410.
12
Down-generates Andu. Mode: Bingsheng gong, Juqi shang, Andu zhi. Six days. Pipe 8.76 slightly weak. Regulator 8 chi 7 cun, remainder 11,679. Fendong solid: 170,089. Down-generates Guijia. Mode: Fendong gong, Suiqi shang, Guijia zhi. Six-day allocation. Pipe 8.64 strong. Regulator 8 chi 6 cun, remainder 8,152.
13
Zimo solid: 167,800. Down-generates Fouyu. Mode: Zimo gong, Xingjin shang, Fouyu zhi. Six days. Pipe 8.52 strong. Regulator 8 chi 5 cun, remainder 4,945.
14
Dalü solid: 165,888. Down-generates Yize. Mode: Dalü gong, Jiazhong shang, Yize zhi. Eight-day span.
15
Pipe 8.43 weak. Regulator 8 chi 4 cun, remainder 5,508. Fenfou solid: 163,654. Down-generates Jiexing. Mode: Fenfou gong, Kaishi shang, Jiexing zhi. Eight days. Pipe 8.31 strong.
16
Regulator: 8 chi 3 cun plus 2,851 micro-units. Lingyin solidity: 161,452. Down-generates Qunan. Mode: Lingyin tonic, Zujia shang, Qunan zhi. 8-day span in the cycle. Pipe length recorded as 8 cun 2 fen minor-fen 1 weak. Regulator: 8 chi 2 cun plus 514 micro-units. Shaochu solidity: 159,280. Down-generates Fenji. Mode: Shaochu tonic, Zhengnan shang, Fenji zhi.
17
6-day span in the cycle. Pipe length recorded as 8 cun minor-fen 9 strong. Regulator: 8 chi plus 18,160 micro-units. Taicu solidity: 157,464. Down-generates Nanlü. Mode: Taicu tonic, Guxian shang, Nanlü zhi. 1-day span in the cycle. Pipe length recorded as 8 cun. Regulator: 8 chi.
18
Weizhi solidity: 157,134. Down-generates Bailü. Mode: Weizhi tonic, Nanshou shang, Bailü zhi. 6-day span in the cycle.
19
Pipe length recorded as 7 cun 9 fen minor-fen 8 strong. Regulator: 7 chi 9 cun plus 16,383 micro-units. Shixi solidity: 155,344. Down-generates Jiegong. Mode: Shixi tonic, Bianyu shang, Jiegong zhi. 6-day span in the cycle. Pipe length recorded as 7 cun 8 fen minor-fen 9 modestly strong. Regulator: 7 chi 8 cun plus 18,166 micro-units. Quqi solidity: 153,253.
20
Down-generates Guiqi. Mode: Quqi tonic, Lushi shang, Guiqi zhi. 6-day span in the cycle. Pipe length recorded as 7 cun 7 fen minor-fen 9 weak. Regulator: 7 chi 7 cun plus 16,939 micro-units. Suiqi solidity: 151,190. Down-generates Weimao. Mode: Suiqi tonic, Xingshi shang, Weimao zhi. 6-day span in the cycle. Pipe length recorded as 7 cun 6 fen minor-fen 8 strong. Regulator: 7 chi 6 cun plus 15,992 micro-units. Xingjin solidity: 149,155. Down-generates Yihan. Mode: Xingjin tonic, Yihang shang, Yihan zhi. 6-day span in the cycle. Pipe length recorded as 7 cun 5 fen minor-fen 8 weak. Regulator: 7 chi 5 cun plus 15,325 micro-units.
21
Jiazhong solidity: 147,456. Down-generates Wuyi. Mode: Jiazhong tonic, Zhonglü shang, Wuyi zhi. 6-day span in the cycle.
22
Pipe length recorded as 7 cun 4 fen minor-fen 9 strong. Regulator: 7 chi 4 cun plus 18,018 micro-units. Kaishi solidity: 145,470. Down-generates Biyan. Mode: Kaishi tonic, Nanzhong shang, Biyan zhi. 8-day span in the cycle. Pipe length recorded as 7 cun 3 fen minor-fen 9 slightly strong. Regulator: 7 chi 3 cun plus 17,841 micro-units. Zujia solidity: 143,513. Down-generates Linqi. Mode: Zujia tonic, Neifu shang, Linqi zhi. 8-day span in the cycle. Pipe length recorded as 7 cun 2 fen minor-fen 9 slightly strong.
23
Regulator: 7 chi 2 cun plus 17,954 micro-units. Zhengnan solidity: 141,582. Down-generates Qibao.
24
Mode: Zhengnan tonic, Wuying shang, Qibao zhi. 8-day span in the cycle. Pipe length recorded as 7 cun 1 fen minor-fen 9 strong. Regulator: 7 chi 1 cun plus 18,327 micro-units. Guxian solidity: 139,968. Down-generates Yingzhong. Mode: Guxian tonic, Ruibin shang, Yingzhong zhi. 1-day span in the cycle. Pipe length recorded as 7 cun 1 fen minor-fen 1 slightly strong. Regulator: 7 chi 1 cun plus 2,187 micro-units.
25
Nanshou solidity: 139,670. Down-generates Fenwu. Mode: Nanshou tonic, Nanshi shang, Fenwu zhi.
26
6-day span in the cycle. Pipe length recorded as 7 cun minor-fen 9 strongly. Regulator: 7 chi plus 18,930 micro-units. Bianyu solidity: 138,084. Down-generates Chinei. Mode: Bianyu tonic, Shengbian shang, Chinei zhi. 6-day span in the cycle. Pipe length recorded as 7 cun minor-fen 1 half strong.
27
Regulator: 7 chi plus 3,030 micro-units. Lushi solidity: 136,225. Down-generates Weiyu. Mode: Lushi tonic, Ligong shang, Weiyu zhi. 6-day span in the cycle. Pipe length recorded as 6 cun 9 fen minor-fen 2 slightly strong. Regulator: 6 chi 9 cun plus 4,123 micro-units. Xingshi solidity: 134,392. Down-generates Chishi. Mode: Xingshi tonic, Zhishi shang, Chishi zhi.
28
5-day span in the cycle. Pipe length recorded as 6 cun 8 fen minor-fen 3 weak. Regulator: 6 chi 8 cun plus 5,476 micro-units. Yihang: 132,582. Generates Seyu. Mode: Yihang tonic, Qiandai shang, Seyu zhi. 7-day span in the cycle. Pipe length recorded as 6 cun 7 fen minor-fen 3 strongly. Regulator: 6 chi 7 cun plus 7,059 micro-units.
29
Zhonglü: 131,072. Generates Zhi-shi. Mode: Zhonglü tonic, Qumie shang, Zhi-shi zhi. 8-day span in the cycle. Pipe length recorded as 6 cun 6 fen minor-fen 6 weak. Regulator: 6 chi 6 cun plus 11,642 micro-units. Nanzhong: 129,308. Generates Bing-sheng. Mode: Nanzhong tonic, An-du shang, Bing-sheng zhi. 7-day span in the cycle. Pipe length recorded as 6 cun 5 fen minor-fen 7 micro-weak.
30
Regulator: 6 chi 5 cun plus 13,685 micro-units. Neifu: 127,567. Generates Fen-dong.
31
Mode: Neifu tonic, Gui-jia shang, Fen-dong zhi. 8-day span in the cycle. Pipe length recorded as 6 cun 4 fen minor-fen 8 strong. Regulator: 6 chi 4 cun plus 15,958 micro-units. Wuying: 125,850. Generates Zimo. Mode: Wuying tonic, Fouyu shang, Zimo zhi. 7-day span in the cycle. Pipe length recorded as 6 cun 3 fen minor-fen 9 strong. Regulator: 6 chi 3 cun plus 18,471 micro-units. Ruibin: 124,416. Generates Dalü. Mode: Ruibin tonic, Yi-ze shang, Dalü zhi.
32
1-day span in the cycle. Pipe length recorded as 6 cun 3 fen minor-fen 2 slightly strong. Regulator: 6 chi 3 cun plus 4,131 micro-units.
33
* () **[]*
Nanshi: 124,154. (lower) does not generate. When southern affairs are exhausted, there is no shang or zhi note, and it does not serve as gong.
34
* () **[]*
7-day span in the cycle. Pipe length recorded as 6 cun 3 fen minor-fen 1 weak. Regulator: 6 chi 3 cun plus 1,500 micro-units. Editorial parenthesis marking alternate reading note 3. eleven. Shengbian: 122,741. Generates Fenfou. Mode: Shengbian tonic, Jiexing shang, Fenfou zhi. 7-day span in the cycle.
35
* () **[]* * () *
Pipe length recorded as 6 cun 2 fen minor-fen 3. (greater) a little more than half. Regulator: 6 chi 2 cun plus 7,064 micro-units. Ligong: 121,800... Editorial parenthesis marking alternate reading note 101. The manuscript omits characters before the figure 19. Generates Lingyin. Mode: Ligong tonic, Qunan shang, Lingyin zhi. 7-day span in the cycle. Pipe length recorded as 6 cun 1 fen minor-fen 5 slightly strong. Regulator: 6 chi 1 cun plus 10,227 micro-units. Zhishi: 119,460. Generates Shaochu. Mode: Zhishi tonic, Fenji shang, Shaochu zhi. 8-day span in the cycle. Pipe length recorded as 6 cun minor-fen 7 weak. Regulator: 6 chi plus 13,620 micro-units. Linzhong: 118,098. Generates Taicu. Mode: Linzhong tonic, Nanlü shang, Taicu zhi. 1-day span in the cycle. Pipe length recorded as 6 cun. Regulator: 6 chi.
36
Qiandai: 117,851. Generates Weizhi. Mode: Qiandai tonic, Bailü shang, Weizhi zhi. 5-day span in the cycle.
37
Pipe length recorded as 5 cun 9 fen minor-fen 9 weak. Regulator: 5 chi 9 cun plus 17,213 micro-units. Qumie: 116,508. Generates Shixi. Mode: Qumie tonic, Jiegong shang, Shixi zhi. 7-day span in the cycle. Pipe length recorded as 5 cun 9 fen minor-fen 2 weak. Regulator: 5 chi 9 cun plus 3,783 micro-units. An-du: 114,940. Generates Quqi.
38
*[]*
Mode: An-du tonic, Guiqi shang, Quqi zhi. 6-day span in the cycle. Pipe length recorded as 5 cun 8 fen minor-fen 4 weak. Regulator: 5 chi 8 cun plus 7,786 micro-units. Gui-jia: 113,393. Generates Suiqi. Mode: Gui-jia tonic, Weimao shang, Suiqi zhi. 6-day span in the cycle. Pipe length recorded as 5 cun 7 fen minor-fen 6 slightly strong. Regulator: 5 chi 7 cun plus 11,999 micro-units. Fouyu: 111,867. Generates Xingjin. Mode: Fouyu tonic, Yihan shang, Xingjin zhi. 5-day span in the cycle. Pipe length recorded as 5 cun 6 fen minor-fen 8 strong. Regulator: 5 chi 6 cun plus 16,422 micro-units.
39
* () *
Yi-ze: 110,592. Generates Jiazhong. Mode: Yi-ze tonic, Wuyi shang, Jiazhong zhi. 8-day span in the cycle. Pipe length recorded as 5 cun 6 fen minor-fen 2 weak. Regulator: 5 chi 6 cun plus 3,672 micro-units. Jiexing: ten... Editorial parenthesis marking alternate reading note 1. The manuscript omits characters before the figure 19,103. Generates Kaishi. Mode: Jiexing tonic, Biyan shang, Kaishi zhi. 8-day span in the cycle. Pipe length recorded as 5 cun 5 fen minor-fen 4 strong.
40
* () **[]* * () **[]*
Regulator: 5 chi 5 cun plus 8,465 micro-units. Qunan: 107,635. Generates Zujia. Mode: Qunan tonic, Linqi shang, Zujia zhi. 8-day span in the cycle. Pipe length recorded as 5 cun 4 fen minor-fen 6 strongly. Regulator: 5 chi 4 cun plus 13,468 micro-units. Accumulated fraction: 106,180... Editorial parenthesis marking alternate reading note 8. seven. Generates Zhengnan. Mode: Fenji tonic, Qibao shang, Zhengnan zhi. 7-day span in the cycle. Pipe length recorded as 5 cun 3 fen minor-fen 9 half strong. Regulator: 5 chi 3 cun plus 18,600 micro-units. Editorial parenthesis marking alternate reading note 8. seventy-one. Nanlü: 104,976. Generates Guxian. Mode: Nanlü tonic, Yingzhong shang, Guxian zhi. 1-day span in the cycle. Pipe length recorded as 5 cun 3 fen minor-fen 3 strong. Regulator: 5 chi 3 cun plus 6,561 micro-units.
41
Bailü: 104,756. Generates Nanshou. Mode: Bailü tonic, Fenwu shang, Nanshou zhi. 5-day span in the cycle.
42
* () **[]* * () *
Pipe length recorded as 5 cun 3 fen minor-fen 2 strong. Regulator: 5 chi 3 cun plus 4,300 micro-units. Editorial parenthesis marking alternate reading note 7. sixty-one. Jiegong: 103,563. Generates Bianyu. Mode: Jiegong tonic, □Nei shang, Bianyu zhi. 6-day span in the cycle. Pipe length recorded as 5 cun 2 fen minor-fen 6. (lesser) a little more. Regulator: 5 chi 2 cun plus 12,114 micro-units. Guiqi: 102,169. Generates Lushi. Mode: Guiqi tonic, Weiyu shang, Lushi zhi. 6-day span in the cycle. Pipe length recorded as 5 cun 1 fen minor-fen 9 slightly strong. Regulator: 5 chi 1 cun plus 17,857 micro-units. Weimao: 100,794. Generates Xingshi.
43
* () **[]*
Mode: Weimao tonic, □Shi shang, Xingshi zhi. 6-day span in the cycle. Pipe length recorded as 5 cun 1 fen minor-fen 2 slightly strong. Regulator: 5 chi 1 cun plus 4,000 micro-units. Editorial parenthesis marking alternate reading note 80. one hundred and seven. Yihan: 99,437. Generates Yihang. Mode: Yihan tonic, Seyu shang, Yihang zhi. 7-day span in the cycle. Pipe length recorded as 5 cun minor-fen 5 strong. Regulator: 5 chi plus 10,220 micro-units.
44
Wuyi: 98,304. Generates Zhonglü. Mode: Wuyi tonic, Zhi-shi shang, Zhonglü zhi. 8-day span in the cycle. Pipe length recorded as 4 cun 9 fen minor-fen 9 strong. Regulator: 4 chi 9 cun plus 18,573 micro-units. Biyan: 96,980. Generates Nanzhong. Mode: Biyan tonic, Bing-sheng shang, Nanzhong zhi. 8-day span in the cycle. Pipe length recorded as 4 cun 9 fen minor-fen 3 weak.
45
* () **[]*
Regulator: 4 chi 9 cun plus 5,333 micro-units. Linqi: 95,675. Generates Neifu. Mode: Linqi tonic, Fen-dong shang, Neifu zhi. 7-day span in the cycle. Pipe length recorded as 4 cun 8 fen minor-fen 6 slightly strong. Regulator: 4 chi 8 cun plus 11,966 micro-units. Qibao: 94,388. Generates Wuying. Mode: Qibao tonic, Zimo shang, Wuying zhi. 8-day span in the cycle. Pipe length recorded as 4 cun 7 fen minor-fen 9. (wei) a little more than half. Regulator: 4 chi 7 cun plus 18,779 micro-units. Yingzhong: 93,312. Generates Ruibin. Mode: Yingzhong tonic, Dalü shang, Ruibin zhi. 1-day span in the cycle. Pipe length recorded as 4 cun 7 fen minor-fen 4 slightly strong. Regulator: 4 chi 7 cun plus 8,019 micro-units.
46
* () **[]*
Fenwu: 93,110... Editorial parenthesis marking alternate reading note 7. six. Generates Nanshi. When Fenwu is exhausted in sequence, there is no zhi note, and it does not serve as gong.
47
7-day span in the cycle. Pipe length recorded as 4 cun 7 fen minor-fen 3 slightly strong. Regulator: 4 chi 7 cun plus 6,059 micro-units. □Nei: 92,056. Generates Shengbian. Mode: □Nei tonic, Fenfou shang, Shengbian zhi. 8-day span in the cycle. Pipe length recorded as 4 cun 6 fen minor-fen 8 weak. Regulator: 4 chi 6 cun plus 15,142 micro-units. Weiyu: 90,817. Generates Ligong. Mode: Weiyu tonic, Lingyin shang, Ligong zhi. 8-day span in the cycle. Pipe length recorded as 4 cun 6 fen minor-fen 1 modestly strong. Regulator: 4 chi 6 cun plus 2,752 micro-units. □Shi: 89,595. Generates Zhishi. Mode: □Shi tonic, Shaochu shang, Zhishi zhi. 6-day span in the cycle. Pipe length recorded as 4 cun 5 fen minor-fen 5 strong. Regulator: 4 chi 5 cun plus 10,215 micro-units.
48
[13]
Cutting pipes to make pitch-pipes, blowing them to test the sounds, and arranging them according to the qi of things is the root of the method [13]. Because specialists found their sounds subtle and their substance hard to know, and because the fractional measurements were unclear, they made the zhun to replace them. The sound of the zhun is clear, resonant, and easy to grasp, and its measurements in fen and cun are also coarser. Yet strings depend on slackness and tightness for clear and turbid tones; without pipes there is no way to correct them. When its central string is tuned to correspond with Huangzhong, the marked divisions can be used to seek the several pitch-pipes, and none fails to respond according to the numbers.
49
調 調
Sounds are subtle and minute; those who gather them together understand them. In the first year of Yuanhe, Yin Rong, Expectant Appointee for Observing the Bells and Pitch-Pipes, submitted: "Among the officials, no one understands the sixty pitch-pipes well enough to tune sounds with the zhun. The former Expectant Appointee Yan Chong fully taught the method of the zhun to his son Xuan, and Xuan mastered it. I request that Xuan be summoned and appointed to an academic office, to take charge of tuning musical instruments."
50
The edict said: "If Chong's son has studied and truly understands the pitch-pipes, distinguishes their families, and harmonizes their sounds, he should be carefully tested. He must not rely on his father's learning and treat deafness as hearing.
51
[14]
Sound is subtle and wondrous: if one alone says it is wrong, no one knows; if one alone says it is right, no one understands. Only if the pitch-pipes are blown in mixed order and he can identify the twelve pitch-pipes without missing one may he be considered able to transmit Chong's learning." Assistant Grand Scribe Hong tested the twelve pitch-pipes: two were correct, four were incorrect, and for six he did not know which pitch-pipes they were, so Xuan was dismissed. From then on, no pitch specialist could string the zhun, and the Office of Observations no longer knew how to see it restored [14]. In Xiping 6, the Eastern Lodge summoned Zhang Guang, a Crown Prince's retainer who handled the pitch-pipes, and others to ask about the meaning of the zhun. Guang and the others did not know the method. Searching the old storehouses, they found the instrument and saw that its form matched Fang's description, but they still could not set the strings properly. Its tones could not be captured in writing: those who knew the practice had no way to teach it, and those who sensed it by ear had no master. Thus the officials who could distinguish clear from turbid pitches disappeared. What could be transmitted were only the rough constant numbers and the methods for observing qi.
52
殿 [15] 退 [16]
The five notes arise from yin and yang, divide into the twelve pitch-pipes, and turn to generate sixty; all serve to record the Dipper's qi and model the categories of things. Heaven gives its model through shadows, and earth gives its model through resonance; these are the pitch-pipes. When yin and yang are harmonious, the shadow arrives; when the qi of the pitch-pipes responds, the ashes are expelled. On the winter and summer solstices, the Son of Heaven therefore went to the front hall, assembled specialists in the eight arts, set out the eight classes of instruments, checked the tuning, measured the gnomon shadow, tested bells and pitch-pipes, weighed earth and ash, and modeled the balance of yin and yang. At the winter solstice, when yang qi responds, the musical tuning is clear, the shadow reaches its maximum length, Huangzhong is open, and the earth and ashes are light, so the balance rises. At the summer solstice, when yin qi responds, the musical tuning is turbid, the shadow reaches its maximum shortness, Ruibin is open, and the earth and ashes are heavy, so the balance sinks [15]. Within five days before or after the appointed time, each of the men of the eight abilities reported the observed conditions, and the Grand Scribe sealed and submitted them. If the signs matched, there was harmony; if not, divination was made [16].
53
[17]
For the method of observing qi, a chamber of three layers was made, the doors were closed, the plastering and sealing were made complete, and red silk curtains were densely arranged. In the chamber, each pitch-pipe rested on its own wooden stand, lower toward the center and higher outward according to its direction. Reed-membrane ash was packed against the inner end, [17] and the pipes were watched according to the calendar.
54
* () **[]* 殿 [18]
When the qi arrived, the ashes... (were expelled) moved. When the ashes were moved by qi, they scattered; when they were moved by people or by wind, they gathered together. Observations in the palace used twelve jade pitch-pipes. Only at the two solstices were observations made at the Numinous Terrace, using sixty bamboo pitch-pipes. The days of observation followed the calendar [18].
55
Collation Notes
56
* () **[]*
Page 2999, line 10: "made zi and chou to name..." (day) The Collected Explanations cites Lu Wenchao, who says that "day" should be "month." Since zi and chou are also the twelve earthly branches, this should clearly be attached to the months. Later people, because the text below says that branches and stems are paired to complete the cycle of sixty, changed it to "day," which is very forced. It is now changed accordingly.
57
* () **[]*
Page 2999, line 13: "generated it from millet..." Editorial parenthesis marking alternate reading note 10. The Collected Explanations cites Lu Wenchao, who says that for "one grain of millet is one fen," the Garden of Persuasions has "one grain of panicled millet" and lacks the words "ten grains of millet." Note: the Supplement to the Collation says that "ten" should be "one," and that su is the same as shu, panicled millet. Although the Garden of Persuasions also lacks the words "one grain of panicled millet," since it gives no separate number, it is speaking in terms of a single grain. The Treatise on Pitch-Pipes and the Calendar in the Former Han says, "The width of one grain of panicled millet is measured as one ninetieth of the length of Huangzhong. One is one fen." Now Huangzhong is nine cun long, and the width of one grain of panicled millet corresponds to one ninetieth of that length. This is precisely one grain of panicled millet as one fen, so we know that here one grain of millet is one fen. It is now changed according to the Supplement to the Collation.
58
Page 3000, line 2, "ten grains of millet weigh one gui; ten gui weigh one zhu": the Collected Explanations cites Lu Wenchao, who says that in the Garden of Persuasions, "ten grains of millet" is "sixteen grains of panicled millet," and "ten gui" is "six gui."
59
Page 3000, line 4, "broad at ten thousand": the Collected Explanations cites Lu Wenchao, who says that in the Former Han Treatise, "broad" is written "overflowing."
60
* () *
Page 3000, line 6, "Gentleman of the Palace Jing Fang..." (Fang, courtesy name Junming) The four characters "Fang, courtesy name Junming" are deleted according to Lu Wenchao, as cited in the Collected Explanations; Lu's statement appears below. The Collected Explanations also cites Lu Wenchao, who says that where this text has "the sounds of the five notes and the numbers of the six pitch-pipes," the Comprehensive Institutions has "the numbers of the five notes and sixty pitch-pipes." Wang Xianqian says that the Jin and Song Treatises both have "five notes and sixty pitch-pipes," and that this text is corrupt. My note: the term "six pitch-pipes" can also be understood here in the broad sense of pitch-pipes and pitch-standards, so it is not changed.
61
使* () ** () *
Page 3000, line 7, "The emperor had the Crown Prince's Grand Tutor..." (Wei) Xuancheng... (courtesy name Shaoweng) Note: the Collected Explanations cites Lu Wenchao, who says that Zhen Luan's Arithmetic of the Five Classics lacks the graph "Wei," which agrees with the fact that Wang Zhang below is also written without his surname. The three characters "courtesy name Shaoweng" below are also absent. Probably a reader casually wrote them as marginal notes, and they were mistakenly copied into the main text. Together with "Fang, courtesy name Junming" above, they should be deleted. They cannot be compared by analogy with the Shiji phrase "Xie Yang, courtesy name Zihu." They are now deleted accordingly.
62
* () **[]*
Page 3000, line 12: "therefore each..." (end) For "governs one day," the Collected Explanations cites Hui Dong, who says that the Correct Meaning of the Book of Rites quotes "end" as "govern," and the Biography of Niu Hong in the Northern Histories is the same. It also cites Lu Wenchao, who says that the Arithmetic likewise has "govern." It is now changed accordingly.
63
* () **[]*
Page 3000, line 15: "if it is not..." (grass) For "the sounds of hide and wood," the Collected Explanations cites Lu Wenchao, who says that "grass" should follow the Arithmetic and read "hide." It is now changed accordingly. Note: Wang Xianqian says that the Jin Treatise has "grass."
64
* () **[]*
Page 3001, line 6: "by..." (regulate) For "using the lengths and shorts of the pitch-pipes as the standard," this is changed according to the Ji edition.
65
* () ** () **[]*
Page 3001, line 14: "upper generation may not exceed the... of Huangzhong" (clear) "turbid; lower generation may not reach the... of Huangzhong" (number and substance) The Collected Explanations cites Lu Wenchao, who says that the graph "clear" is intrusive. "Its number and substance" should be "its clear tone," and is corrected according to the Arithmetic. It is now changed accordingly. Lu also says that the graph "not" is missing above "reach." My note: "upper generation may not exceed Huangzhong's turbid tone" means the generated note must not fall below the original Huangzhong pitch. "Lower generation may not reach Huangzhong's clear tone" means it must not rise to, or above, the Huangzhong half-pitch. The verbs differ, but their force is parallel; no graph is missing. It is not changed.
66
殿
Page 3001, line 16, "and thereby generates the eleven pitch-pipes": the Ji and Palace editions read "twelve" for "eleven." The Collected Explanations cites Lu Wenchao, who says that a Tongjian note quotes "twelve" as "eleven." My note: the reading "twelve" is corrupt; this is clear by consulting the next collation note.
67
Page 3001, line 16, "therefore the twelve pitch-pipes obtain 177,147": the phrase "the twelve pitch-pipes" is unclear and probably has omissions or corruption. According to the context it should read "eleven threes," meaning that three is multiplied by itself eleven times, producing the number 177,147.
68
* () **[]*
Page 3002, line 2: (number) For "obtains 19,683 as the divisor," this is changed according to Lu Wenchao as cited in the Collected Explanations.
69
*[]*
Page 3002, line 2: for "is cun in the pitch-pipe," the Collected Explanations cites Lu Wenchao, who says that the graph "in" is missing above "pitch-pipe"; the Arithmetic has it. It is now supplied accordingly.
70
Page 3002, line 4, "taking it as the tube of Huangzhong": the Collected Explanations cites Lu Wenchao, who says that the Former Han Treatise reads "gong" for "tube."
71
Page 3002, line 5, "compared with the sound of Huangzhong": the Collected Explanations cites Lu Wenchao, who says that the Former Han Treatise reads "gong" for "sound."
72
Page 3002, line 11, "therefore things sprout at zi": Wang Xianqian says that the Former Han Treatise writes the first graph of "sprout" differently.
73
Page 3002, line 11, "shake forth at chen": in the Former Han Treatise, "forth" is written "beautiful." Note: Wang Niansun says that "beautiful" should be "forth," and that the graph is corrupt.
74
Page 3002, line 11, "grow dim at wei": Wang Xianqian says that in the Former Han Treatise, the final graph is written differently.
75
Page 3002, line 12, "reach completion at ding": the Collected Explanations cites Lu Wenchao, who says that the Former Han Treatise reads "flourish" for "complete."
76
Page 3002, line 12, "grow luxuriantly at wu": Wang Xianqian says that the Former Han Treatise writes the final graph with a variant form.
77
Page 3002, line 13, "and the nature of change can be seen": Wang Xianqian says that the Former Han Treatise lacks the graph "then."
78
Page 3003, line 1, "se yu": the Collected Explanations cites Lu Wenchao, who says that in the Sui Treatise and New Book of Pitch-Pipes, "se" is both written "bao," which should be correct. The Arithmetic and the Correct Meaning of the Book of Rites both write "se."
79
Page 3003, line 2, "lower generation qian dai": in the Sui Treatise, "qian dai" is written "qian shi." The same applies below.
80
Page 3003, line 6, "the pitch-pipe is eight cun, eight fen, and seven small parts, greatly strong": the Collected Explanations cites Hui Dong, who says that "seven, greatly strong" is also written "eight, weak." My note: the Correct Meaning of the Book of Rites has "eight small parts, weak." Another note: the Collected Explanations cites Lu Wenchao, who says that "great" should be written "grand."
81
Page 3003, line 10, "the fraction moves": the Collected Explanations cites Hui Dong, who says that "moves" is also written "merit." My note: the Sui Treatise has "moves." The same applies below.
82
殿
Page 3003, line 13, "zhi mo": the Collected Explanations cites Lu Wenchao, who says that in the Sui Treatise and the Correct Meaning of the Liyun, "mo" is written "wei." Note: the Palace edition writes "wei." The same applies below.
83
Page 3003, line 14: for "xing Jin," the Sui Treatise reads the graph xing as "punishment." The same applies below.
84
*[]*
Page 3003, line 15, "two small parts, a little more than half": the Collected Explanations cites Lu Wenchao, who says that in the Arithmetic, the graph "half" appears above "strong," which is correct. It is now supplied accordingly.
85
Page 3004, line 5, "lower generation Jiexing": in the Sui Treatise, Jiexing is written with the graph for "punishment." The same applies below.
86
Page 3004, line 7, "Lingyin": the Collected Explanations cites Lu Wenchao, who says that in the Sui Treatise and the Correct Meaning, Ling is written with the graph for "mound."
87
Page 3004, line 8, "Zujia": the Sui Treatise has "Yixi." The same applies below.
88
Page 3005, line 11, "lower generation Weimao": in the Sui Treatise, Mao is written as Ang.
89
* () **[]*
Page 3005, line 13, "149,150..." Editorial parenthesis marking alternate reading note 5. The Collected Explanations cites Lu Wenchao, who says that where this text has "fifty-five," the Arithmetic has "fifty-six," which is correct. It is now changed accordingly.
90
Page 3005, line 14, "lower generation Yihan": in the Sui Treatise, Han is written Wu. The same applies below. Another note: "Yi" was originally corruptly written "Wu," and is corrected directly.
91
* () **[]*
Page 3005, line 15, "seven chi, five cun, 15,300..." Editorial parenthesis marking alternate reading note 2. thirty-five. Note: all editions have "twenty-five"; it is now changed according to the mathematical principle.
92
Page 3006, line 5, "lower generation Biyan": in the Sui Treatise, Yan is written An. The same applies below.
93
* () **[]*
Page 3006, line 6, "nine small parts, slightly..." (weak) strong. Note: the Collected Explanations cites Lu Wenchao, who says that the Arithmetic has "slightly strong," which is correct. It is now changed accordingly.
94
Page 3006, line 8, "Neifu": in the Sui Treatise, Fu is written Zhen. The same applies below.
95
*[]*
Page 3007, line 1, "139,674": the Collected Explanations cites Qian Daxin, who says that it should read "seventy-four" and that the graph "four" is missing. It also cites Lu Wenchao, who says that the Arithmetic has the graph "four." It is now supplied accordingly.
96
Page 3007, line 2, "lower generation Fenwu": in the Sui Treatise, Wu is written Yan. The same applies below.
97
Page 3007, line 10: for "xing began," the Sui Treatise reads the graph xing as "punishment."
98
* () **[]*
Page 3007, line 15, "three small parts..." (greater) a little more than half. The Collected Explanations cites Lu Wenchao, who says that the Arithmetic has "half strong," which is correct. It is now changed accordingly.
99
*[]*
Page 3008, line 9, "eight small parts, slightly strong": the Collected Explanations cites Lu Wenchao, who says that the Arithmetic has "slightly strong," which is correct. It is now supplied accordingly.
100
* () **[]*
Page 3009, line 2: (lower) does not generate. The Collected Explanations cites Qian Daxin, who says that the transformations of the twelve pitch-pipes are exhausted at Nanshi, so how could it say "lower generation"? He suspects that "lower" is a corruption of "not." It also cites Lu Wenchao, who says that "lower generation" should read "does not generate." It is now changed accordingly.
101
* () **[]*
Page 3009, line 3, "six chi, three cun, 1,500..." Editorial parenthesis marking alternate reading note 3. eleven. Note: all editions have "thirty-one"; it is now changed according to the mathematical principle.
102
* () **[]*
Page 3009, line 6, "three small parts..." (greater) a little more than half. The Collected Explanations cites Lu Wenchao, who says that the Arithmetic has "half strong," which is correct. It is now changed accordingly.
103
* () *
Page 3009, line 7, "121,800..." Editorial parenthesis marking alternate reading note 101. nineteen. The Collected Explanations cites Qian Daxin, who says that it should read "1,089." It also cites Lu Wenchao, who says that the two characters "hundred and one" are mistakenly intrusive and are absent from the Arithmetic. They are now deleted accordingly.
104
*[]*
Page 3010, line 9, "four small parts, slightly weak": the Collected Explanations cites Lu Wenchao, who says that the Arithmetic has "slightly weak," which is correct. It is now supplied accordingly.
105
* () *
Page 3011, line 4, "ten..." Editorial parenthesis marking alternate reading note 1. "...ten thousand, nine thousand, one hundred and three": the Collected Explanations cites Qian Daxin, who says that it should read "one hundred thousand." It also cites Lu Wenchao, who says that the graph "one" after "ten" is intrusive and absent from the Arithmetic. It is now deleted accordingly.
106
* () **[]*
Page 3011, line 10, "106,180..." Editorial parenthesis marking alternate reading note 8. seven. The Collected Explanations cites Qian Daxin, who says that it should read "eighty-seven." It also cites Lu Wenchao, who says that "eight" is corrupt, and that the Arithmetic has "seven." It is now changed accordingly.
107
Page 3011, line 12, "nine small parts, half strong": the Collected Explanations cites Lu Wenchao, who says that the Arithmetic lacks the graph "half" and that it should read "slightly strong." My note: according to the mathematical principle, it should read "half weak."
108
* () **[]*
Page 3011, line 12, "five chi, three cun, 18,600..." Editorial parenthesis marking alternate reading note 8. seventy-one. Note: all editions have "eighty-one"; it is now changed according to the mathematical principle.
109
* () **[]*
Page 3012, line 3, "five chi, three cun, 4,300..." Editorial parenthesis marking alternate reading note 7. sixty-one. Note: all editions have "seventy-one"; it is now changed according to the mathematical principle.
110
* () *
Page 3012, line 6, "six small parts..." (lesser) strong. The Collected Explanations cites Lu Wenchao, who says that the Arithmetic has "slightly strong"; by the case, it should simply read "strong." It is now deleted accordingly.
111
* () **[]*
Page 3012, line 12, "five chi, one cun, 4,000..." Editorial parenthesis marking alternate reading note 80. one hundred and seven. Note: all editions have "4,087"; it is now changed according to the mathematical principle.
112
* () **[]*
Page 3013, line 12, "nine small parts..." (slightly) a little more than half. The Collected Explanations cites Lu Wenchao, who says that the Arithmetic has "half strong," which is correct. It is now changed accordingly.
113
* () **[]*
Page 3014, line 1, "93,110..." Editorial parenthesis marking alternate reading note 7. six. The Collected Explanations cites Qian Daxin, who says that it should read "sixteen." It also cites Lu Wenchao, who says that the Arithmetic has "six." It is now changed accordingly.
114
Page 3014, line 13, "arranging them according to the qi of things": the Collected Explanations cites Hui Dong, who says that in the Jin Treatise, "things" is written "model." My note: the reading "model" seems suitable.
115
Page 3014, line 14, "yet strings depend on slackness and tightness for clear and turbid tones": the Collected Explanations cites Zhang Wenhu, who says that the word "by" in "strings by" may be "of," or that the word "make" is missing after "slackness and tightness."
116
Page 3015, line 1, "Lingdao County": Ling was originally corruptly written Leng, and is corrected directly.
117
Page 3015, line 3, "the former Expectant Appointee Yan Chong": in the Jin and Song Treatises, Chong is both written Song, and the Wei Treatise also writes Song. The Collected Explanations cites Qian Daxin, who says that in ancient writing Chong and Song were interchangeable, and that Emperor Wu of Han changed Mount Songgao to "Mount Chonggao."
118
Page 3015, line 5, "only then may he be considered able to transmit Chong's learning": fang was originally corruptly written li, and is corrected directly. Note: the Jin and Song Treatises both read "then."
119
* () **[]*
Page 3015, line 8, "sound cannot be written to..." (time) "make people understand": Wang Xianqian says that the Jin Treatise reads "sound cannot be written to make clear," and the Song Treatise reads "sound cannot by writing be made clear"; probably "written to" is reversed and the graph "time" is mistaken. Note: Wang takes the graph "understand" as the end of the clause and reads "people" with what follows. It is now changed from "time" to "understand" according to the Jin Treatise, while reading "people" with the preceding phrase.
120
* () **[]*殿
Page 3015, line 12, "all do not correspond to..." (day) "monthly pitch-pipes": changed according to the Ji and Palace editions.
121
殿
Page 3015, line 12, "only then can they accord with Heaven and Earth": in the Ji and Palace editions, "accord" is written "resonate with."
122
* () **[]*
Page 3015, line 15, "may accord with Heaven's bright..." (waiting) time. In the Treatise on Music in the Book of Sui, "waiting" is quoted as "time." It is now changed accordingly.
123
Page 3016, line 2, "all serve to record the Dipper's qi": the graph "Dipper" is suspect and may be "hexagram."
124
* () **[]*
Page 3016, line 4, "weighing earth..." (ashes) charcoal. The Collected Explanations cites Hui Dong, who says that Jin Zhuo quotes Cai Yong's Record of Pitch-Pipes and the Calendar as "earth and charcoal," and the Treatise on Pitch-Pipes and the Calendar in the Han says "hanging earth and charcoal." It is now changed accordingly, and likewise below.
125
* () **[]*
Page 3016, line 4: (imitate) "model yin and yang": the Collected Explanations cites Hui Dong, who says that "imitate" is also written "model," and the Jin Treatise writes "model." It is now changed accordingly.
126
* () **[]* 殿
Page 3016, line 8, "when the qi arrives, the ashes..." (depart) move. The Collected Explanations cites Qian Dazhao, who says that the Min edition has "move." Wang Xianqian says that the Palace edition has "move," while the Jin Treatise has "depart." My note: the text below says, "when moved by qi, the ashes scatter," so the reading "depart" is wrong. It is now changed accordingly.
127
*[]*
Page 3017, line 1, "bore diameter three fen": supplied according to Imperial Readings, chapter 16.
128
* () **[]*
Page 3017, line 1, "all the rest are..." (supplemented) gradually shortened. The Collected Explanations cites Hui Dong, who says that the Li edition writes "supplemented" as "gradual."
129
The Springs and Autumns of Master Lu says, "The Yellow Emperor took Darao as his teacher." The Record of Things Broadly Considered says, "Rongcheng made the calendar; he was a minister of the Yellow Emperor." The Monthly Ordinances, Chapters and Sentences says: "Darao investigated the nature of the five phases and observed what the Dipper handle established. Thereupon he first made jia and yi to name the days, calling them stems, and made zi and chou to name the months, calling them branches. Branches and stems are paired to complete the cycle of sixty."
130
The Record of Things Broadly Considered says, "Lishou was a minister of the Yellow Emperor." One account says that Lishou was skilled in calculation.
131
The biao is the gnomon shadow.
132
The Garden of Persuasions says, "Measures are generated from millet: ten grains of millet make one fen, ten fen make one cun, ten cun make one chi, and ten chi make one zhang."
133
The Garden of Persuasions says, "One thousand two hundred grains of millet make one yue, ten yue make one ge, ten ge make one sheng, ten sheng make one dou, and ten dou make one hu."
134
The Garden of Persuasions says, "Ten grains of millet weigh one gui, ten gui weigh one zhu, twenty-four zhu weigh one liang, sixteen liang weigh one jin, thirty jin weigh one jun, and four jun weigh one shi."
135
The Former Han Treatise says, "In calculating calendars and generating pitch-pipes, making instruments by compass and square, weighing heaviness and balancing level, standardizing cords and approved measures, probing the subtle and seeking the hidden, reaching the deep and extending to the distant, there is nothing for which these are not used. Those who measure length do not miss by a hao or li; those who measure quantity do not miss by a gui or cuo; those who weigh lightness and heaviness do not miss by a grain or thread. They are recorded in one, harmonized in ten, lengthened in a hundred, enlarged in a thousand, and broadened in ten thousand."
136
The Monthly Ordinances, Chapters and Sentences says, "Using Guxian as jue and Nanlu as yu makes the sound slightly turbid."
137
The Monthly Ordinances, Chapters and Sentences says, "A pitch-pipe is a standard, the tube of sound. The sages of high antiquity took yin and yang as the root, distinguished the sounds of the wind, and examined clarity and turbidity, but these could not be carried in writing or transmitted orally. Thereupon they first cast metal to make bells, to govern the sounds of the twelve months, and only afterward used them to model the qi of rising and falling. Since bells were difficult to distinguish, they cut bamboo to make tubes and called them pitch-pipes. Pitch-pipes are the standard method for clarity and turbidity. The clarity and turbidity of sound are regulated by length and shortness."
138
Zheng Xuan said: "The number of gong is eighty-one; Huangzhong is nine cun long, and nine times nine is eighty-one. Taking one third from gong generates zhi. The number of zhi is fifty-four; Linzhong is six cun long, and six times nine is fifty-four. Adding one third to zhi generates shang. The number of shang is seventy-two; Taicu is eight cun long, and eight times nine is seventy-two. Taking one third from shang generates yu. The number of yu is forty-eight; Nanlu is five cun and one third of a cun long, and five times nine is forty-five plus one third of a cun, making forty-eight. Adding one third to yu generates jue. The number of jue is sixty-four; Guxian is seven cun and one ninth of a cun long, and seven times nine is sixty-three plus one ninth of a cun, making sixty-four. Taking one third from jue generates altered gong; adding one third to altered gong generates altered zhi. After this, they change with the months. This is what is meant by "returning to take one another as gong.""
139
使西
The Former Han says, "The Yellow Emperor sent Ling Lun west from Daxia to the northern slope of Kunlun. He took bamboo growing in Xie Valley, selected pieces whose cavities and thickness were even, cut between two joints, and blew them, making them the tube of Huangzhong. He made twelve tubes to listen to the phoenix's cry: the male cry made six and the female cry also made six. They were compared with the sound of Huangzhong, and all could be generated from it; this was the root of the pitch-pipes. In an age of perfect order, the qi of Heaven and Earth joins to produce wind. When the wind and qi of Heaven and Earth are correct, the twelve pitch-pipes are then fixed."
140
The Former Han says: "The original qi of the Supreme Ultimate enfolds three as one. Ji means center. Yuan means beginning. It moves through the twelve earthly branches, first stirring at zi. It is tripled at chou, producing three. It is again tripled at yin, producing nine. It is again tripled at mao, producing twenty-seven. It is again tripled at chen, producing eighty-one. It is again tripled at si, producing two hundred forty-three. It is again tripled at wu, producing seven hundred twenty-nine. It is again tripled at wei, producing two thousand one hundred eighty-seven. It is again tripled at shen, producing six thousand five hundred sixty-one. It is again tripled at you, producing nineteen thousand six hundred eighty-three. It is again tripled at xu, producing fifty-nine thousand forty-nine. It is again tripled at hai, producing one hundred seventy-seven thousand one hundred forty-seven. This is the joined virtue of yin and yang, with qi gathering at zi and transforming to generate the myriad things. The cycle names each stage of growth: sprouting at zi, shooting at chou, extending at yin, emerging at mao, shaking forth at chen, flourishing at si, spreading at wu, dimming at wei, hardening at shen, ripening at you, withdrawing at xu, and closing at hai. The stems likewise mark emergence at jia, bursting at yi, brightness at bing, completion at ding, luxuriance at wu, ordering at ji, contraction and change at geng, renewal at xin, pregnancy at ren, and measured display at gui. Thus the transforming action of yin and yang and the end and beginning of the myriad things are both arrayed among the pitch-pipes and standards and pass through the days and branches, so the nature of change can be seen."
141
The commentary to the Former Han says: "In the time of Emperor Zhang, Xi Jing, a scholar of Lingling, obtained a white jade pitch-pipe beneath the shrine to Shun in Lingdao County. In antiquity, jade was used to make pitch-pipes."
142
Xue Ying's letter says that, because Music Assistant Bao Ye and others of the Grand Music Office had submitted matters concerning music, the emperor sent the matter down to General of Chariots and Cavalry Ma Fang. Fang memorialized: "In the seventh month of Jianchu 2, Ye wrote: 'A ruler's food and drink should accord with the four seasons and the five flavors. Hence there is music for presenting food: it follows Heaven and Earth, nourishes the spirits, and seeks auspicious response. For transforming customs and changing practices, nothing is better than music. Music is the harmony of Heaven and Earth and cannot long be abandoned. Now official music has only Taicu, and none of it corresponds to the monthly pitch-pipes. The tunings for the twelve months should be made, each corresponding to the qi of its month; only then can they accord with Heaven and Earth and make harmony and qi respond properly. Emperor Ming first ordered observations of the six pitch-pipes at the Numinous Terrace, but had not yet established their gates. The Classic of Music says that it is performed through the twelve months in order to spread qi and enrich things. Each month opens the gate established by the Dipper and performs songs in its pitch-pipe. It truly ought to be put into practice. I request that, together with Expectant Appointee Yan Chong and those able to make musical instruments, we jointly make and repair them, with the Office of Works supplying what is needed.' The edict sent this down to the Grand Music Office. The Grand Music Office submitted: 'Making the musical instruments will cost 1,460,000 cash. We request that the Grand Coachman have them completed and submitted.' The memorial was set aside. Now that Your enlightened edict has been sent down to me, Fang, I have accordingly asked Ye and the Expectant Appointees who know music and pitch-pipes. They all say that sages made music in order to spread qi, bring harmony, and accord with yin and yang. In my foolish opinion, we should follow Heaven's clear timing: at the year's beginning issue the proper commands, sound the Taicu pitch-pipe, and perform the Odes and Hymns, thereby establishing great peace and welcoming harmonious qi. Its regulations are very complete." The edict took Fang's words and sent them down to the Three Excellencies.
143
The Huainanzi says, "Because water prevails, the summer solstice is damp; because fire prevails, the winter solstice is dry. Because it is dry, the ashes are light; because it is damp, the ashes are heavy."
144
退 退
The Apocrypha of the Changes says, "At the winter solstice the ruler does not leave the palace, rests the troops, follows the music for five days, and strikes the chime-stone of Huangzhong. When the intentions of dukes, ministers, grandees, and ranked officers are fulfilled, the yin-yang shadow accords with the degrees and numbers. On the day of the summer solstice, the same rites were performed as at the winter solstice. On the day of the winter solstice, an eight-chi gnomon was set up, and at midday its shadow was observed. When the shadow accords with the degrees, the year is good and the people are harmonious and compliant. When the shadow does not accord with the degrees, the year is bad, the people have many disputes, and government orders become uneven. If the shadow advances, there is flood; if the shadow retreats, there is drought. If it advances by one chi, there is a solar eclipse; if it retreats by one chi, there is a lunar eclipse. When there is a lunar eclipse, the conduct of ministers and subordinates is corrected; when there is a solar eclipse, the way of the ruler is corrected."
145
Reed membrane comes from Henei.
146
觿
The Monthly Ordinances, Chapters and Sentences says, "In antiquity, those who made bells and pitch-pipes used the ear to align their sounds. Later, when this could no longer be done, they borrowed numbers to correct their measures; when the measures and numbers were correct, the sounds were also correct. For bells, the method was based on their jin and liang, their chi and cun, and the number of sheng and dou they could contain; pitch-pipes likewise used cun and fen, length and shortness, as their measure. Therefore it is said that the tube of Huangzhong is nine cun long, three fen in diameter, and nine fen in circumference; all the rest are made up from the shorter ones, and although they differ in size, their circumferential numbers do not increase or decrease. What is measured can be carried in writing, transmitted orally, and known by the multitude, but it is not as clear as deciding by the ear."
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