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卷四十九 列傳第四十三 文學上

Volume 49: Men of Letters 1

Chapter 49 of 梁書 · Book of Liang
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Chapter 49
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1
Dao Hang · Qiu Chi · Liu Bao · Yuan Jun · Yu Yuling · Jianwu (brother) · Liu Zhao · He Xun · Zhong Rong · Zhou Xingsi · Wu Jun
2
Long ago Sima Qian and Ban Gu each wrote a Sima Xiangru biography though Xiangru never shaped Han statecraft—they chose him for supreme literary fame. Gu also wrote the Jia–Zou–Mei–Lu group biography, again honoring men who wrote well enough to endure. Fan Ye's Later Han includes a Garden of Letters with very full notices already. Yet binding statecraft to rites and music and threading ages to judge good and evil demands writing alone. So every sovereign has cherished its doctrine; every scholar-official has honored its path—unchanged through time. Gaozu, clear-minded and literary, lit the realm, sought Confucians everywhere, and summoned odd talents until letters blazed in one place. Wherever he traveled he made ministers write poems; the best won gold and silk, and some who brought fu and hymns to court were received in audience. At court Shen Yue, Jiang Yan, and Ren Fang led in literary brilliance, unmatched then. Pengcheng's Dao Hang, Wuxing's Qiu Chi, Donghai's Wang Sengru, Wu's Zhang Shuai, and others served at Wende or Shouguang feasts—rising stars all. Yue, Yan, Fang, and Sengru appear elsewhere for their achievements. Here I collect Dao Hang and fellow writers and scholars through the Taiping period in this Biography of Men of Letters.
3
Dao Hang, styled Maoxie, came from Wuyuan in Pengcheng. His great-grandfather Yanzhi served Song as a general. His father Hui was Qi minister of the five arms.
4
便 簿 殿使 殿使 殿 殿
At five Hang heard his father copy poems on a screen, asked to learn them, read once, and recited every line from memory. Grown, he studied hard, wrote well, and mastered seal and clerical script. He had fine presence and pleasing manners. Under Qi Jianwu he began as Rear Guard army adjutant. Early Tianjian he became chief clerk of the expeditionary force. Gaozu, newly ruling, sought talent and prized Hang highly. When the crown prince was named he became the prince's libationer. Wende Hall then held a scholars' office of eminent readers collating the classics; Hang received palace access. At a Huaguang feast Gaozu ordered poems but gave Hang alone two hundred characters and three quarters of an hour. He wrote seated, presented it, and the piece was excellent. Soon he managed Eastern Palace records and drafted superior memorials for the Secretariat. Year three made able Secretariat gentlemen into vice directors; Hang became vice director of the palace bureau. His cousins Gai and Qia, both famed writers, alternated in that bureau—a contemporary glory. Year four he rose to crown prince household attendant. He never boasted or gossiped about others; Ren Fang and Fan Yun were close friends. That year he became Danyang assistant magistrate, fell ill, and shifted to northern army consulting colonel. Fifth year he died in office at thirty. Gaozu mourned him and granted twenty thousand cash and thirty bolts of cloth. He left more than a hundred poems and fu.
5
Qiu Chi, styled Xifan, was from Wucheng in Wuxing. His father Lingju, a noted writer, reached Qi Grand Master of Palace Counsel.
6
便 西 殿 殿 簿 殿
At eight Chi wrote prose; Lingju said his spirit matched his own. Xie Chaozong and He Dian both marveled at him young. Grown, he was a staff aide, nominated outstanding talent, and made imperial university erudite. He rose to grand marshal army aide, then left for mourning. After mourning he became western army aide. He rose to palace gentleman, then left for his mother's mourning. After mourning he returned as palace gentleman, then army registrar. When Gaozu took the capital he made Chi rapid cavalry chief clerk and honored him. Memorials urging Liang Wang to advance and for special rites were Chi's work. At enthronement Chi became secretariat gentleman, then vice director, Wuxing chief, and Wende attendant. Gaozu's Linked Pearls drew dozens of continuations; Chi's was best. Tianjian year three he governed Yongjia poorly and was impeached; Gaozu shelved it for love of his gift. Year four Prince Linchuan marched north; Chi was consulting colonel and chief secretary. Chen Bozhi held the north against Wei; Chi's letter persuaded him to surrender. Returning he became secretariat gentleman, then secretariat attendant. Seventh year he died in office at forty-five. His poems and fu circulated widely.
7
Liu Bao, styled Xiaochang, was from Pengcheng. Grandfather Xun had been Song Minister of Works. His father Xuan was Qi crown prince vice-supervisor.
8
His father died when he was four; at six or seven he wept at sight of his uncles. His uncles Juan, Hui, and others were eminent; his mother thought fear made him weep and scolded him. Bao answered: "Orphaned young I never knew them; told my uncles are much alike, I grieve from the heart only—no other motive." ; he sobbed, and his mother wept bitterly too. Parents and two elder brothers had died in turn and lain in temporary graves. At sixteen he moved and reburied them without uncles' aid; Hui marveled when all was finished.
9
簿殿 殿 退
Young he loved learning and wrote well. He was offered secretariat army aide but declined. Early Tianjian, as the Linchuan princess's brother, he rose from expeditionary clerk through treasury, Danyang, tutor, palace, and Xuzhou posts until dismissed on public grounds. Later he was crown prince libationer, kept records, and lectured at Shouguang. Since Gaozu's accession Bao, Xiaochuo, Ru, Dao Gai, Qia, Hang, Lu Chun, and Zhang Shuai shone at court feasts; ranks differed but gifts did not. Tianjian year ten he died at thirty. Dying he asked Liu Zhilin to bury him thriftily. Able in office, gentle yet frank, he criticized friends openly and praised them privately; all mourned that honesty.
10
Yuan Jun, styled Xiaogao, of Chen Yangxia, eighth generation from Wei's Yuan Huan. Orphaned early, poor, bookless, he copied every loan at fifty sheets a day and would not rest short of quota. Slow-spoken, he excelled in literary phrasing. When the army took the capital Jun followed Prince Poyang Hui east and kept his records. Early Tianjian he became Poyang vice director and followed the prince to Jingkou. When the prince went to Yingzhou he was army registrar too. Gaozu loved fu; writers thronged the southern gate and the ornate sometimes won office. Year six he modeled Yang Xiong's Admonition on Offices and submitted it. Gaozu praised him and gave silk. He became supernumerary secretariat gentleman, served Wende scholars, and copied Records and Han, twenty scrolls each. Ordered with Lu Chun to write New Palace inscriptions—most text omitted here.
11
簿使 簿 殿
Yu Yuling, styled Zijie, was younger brother of Regular Attendant Qianlou. At seven he could expound dark learning. Grown, he was clear, alert, learned, and inventive. Qi Prince Sui in Jingzhou made him chief clerk to collate books with Xie Tiao and Zong Que. When Zilong returned he again led the farewell staff. Mingdi soon killed Zilong; staff fled—only Yuling and Que arranged the funeral. Prince Shian Yaoguang made him army aide and chief secretary. Late Yongyuan he governed Sui'an in Dongyang and won praise from people and officials. Early Tianjian he reviewed Jiankang prison, then became works gentleman and Wende attendant. He was Xiangzhou vice governor, then rapid cavalry registrar and secretariat courier. Soon he headed the southern chief, became crown prince libationer, and kept courier duty. Eastern Palace posts were pure picks; the libationer's documents were purest of all. Lately only great clans with fame were chosen; Yuling and Zhou She were picked, and Gaozu said: "Men ennoble office—why bind it to clan?" ; the age praised it. Soon he was secretariat gentleman and Jingzhou chief. He rose to secretariat vice director while keeping courier and chief posts. He was Jin'an prince chief of staff and Guangling governor, acting prefecture, then dismissed. Reappointed palace attendant, soon minister of ceremonies and again Jingzhou chief. He died in office at forty-eight. He left collected works in ten scrolls. His younger brother Jianwu.
12
西
Jianwu, styled Zishen. At eight he wrote verse and was Yuling's favorite brother. He began as Jin'an regular attendant, then prince Xuanhui army aide. Whenever the prince moved fief Jianwu followed. He was princely middle attendant, cloud-banner aide, and chief secretary. Zhongdatong year three the prince became heir; Jianwu was Eastern Palace courier and Xiangdong recorder, soon Jingzhou chief. He rose to central records consulting colonel, crown prince commissioner of seasons, and household vice-supervisor. In the fief Taizong loved writers; Jianwu, Xu Chi, Lu Guo, Liu Zun, Xiaoyi, and Xiaowei were favored. As crown prince he reopened Wende scholars—Jianwu's Xin, Chi's Ling, Zhang Changgong, Fu Hong, and Bao Zhi among them. Qi Yongming brought four-tone verse; now rhyme grew tighter and ornament surpassed the past. The crown prince then wrote Prince Xiangdong, saying:
13
We have no pastime but reading; nature loves letters and we sometimes write short pieces. Mediocre as they are, we cannot stop writing—ashamed of the itch, we fall back into old ways. Lately capital style is dull; all chase the shallow and slack. Winter nights yield nothing—unlike bixing, betraying the Winds and Sao. The six canons and three rites apply only where they belong; luck, rites, guest and host each have their occasion. Never heard feeling sung while imitating Neize; intent written while copying the Wine Admonition; spring days spent imitating Guicang; deep waters matched to the Great Commentary.
14
退
I am a poor writer and dare not pick faults lightly. Yet comparing today's wording and intent with Yang, Sima, Cao, Wang, Pan, Lu, Yan, and Xie—they do not resemble at all. If today is right, antiquity is wrong; if the ancients deserve praise, present style should be abandoned. Each side says "to each his own"—I cannot agree. Some imitate Xie Lingyun or Vice Minister Pei—with delusion. Why? Xie's words soar naturally; lapses are dregs; Pei was a historian's mind, not a poet's gift. Study Xie and you miss essence, keep length; Take Pei and you scorn strengths, keep flaws. Xie's craft cannot be climbed; Pei's plainness is not to be copied. Name-chasers split flesh on a benevolent beast, play Xi Ke at Handan, enter brine and forget stink, imitate ugliness and invite harm. Break feathers before Xie—can three thousand match? Bow to Pei—fearing the two Tang histories will not pass down. Jade pipes are laughed at by dull eyes; Ba songs and lower village better please Ying's ear. Yangchun is too high to harmonize; fine sound dies unheeded. They never weigh ounce or scruple or text and substance; unlike the Clever Heart, they shame the skilled hand. Men with jade see Zheng and withdraw; Men in caps look to Min and sigh. Poetry being so, prose is the same. Ink does not speak yet drives them; Paper has no feeling yet is folded at will. Alas! letters have flooded to this!
15
使 使
Recent Xie Tiao and Shen Yue in poetry, Ren Fang and Lu Chun in prose—are the cap and belt of letters. Zhang Shijian's fu and Zhou Shengyi's debate are fine hands rarely seen again. Letters have not fallen—outstanding ones must exist; to lead—who but you, brother? I want to discuss but have no partner; I think of you, Zijian, to judge together. Sort clear from muddy like Jing and Wei; judge like Ru'nan on the first of the month. Once red and yellow are fixed, let frauds in the bosom feel shame. Like Yuan Shao fearing Zi'ang; like the cattle thief ashamed before Wang Lie. "Longing, yet not seeing—how I toil!"
16
使
In Taiping Hou Jing took the capital; When Taizong reigned he made Jianwu Minister of Revenue. Princes on the upper Yangtze resisted Jing; Jing forged an edict sending Jianwu to persuade Daxin, who surrendered Jiangzhou. Jianwu fled into Jianchang, later reached Jiangling, and soon died. His works circulated.
17
Liu Zhao, styled Xuanqing, of Pingyuan Gaotang, ninth generation from Jin's Liu Shi. Grandfather Bolong was famed for mourning filial piety; Wudi sent princes to condole; he reached vice director of the palace bureau. His father Biao was Qi Jin'an prince chief secretary.
18
Young Zhao was alert; at seven he mastered Laozi and Zhuangzi. Grown he studied and wrote; uncle Jiang Yan praised him early. Early Tianjian he was court gentleman, northern expedition aide, treasury gentleman, then Wuxi magistrate. He was chief secretary to Yuzhang Xuanhui and Linchuan center army princes. Uncle Yin had compiled Jin history; Zhao annotated Fan Ye's Later Han with variants—the age called him thorough. He became palace attendant, governed Shan, and died in office. He left Annotated Later Han in 180 scrolls, Young Children in 10, and collected works in 10.
19
His son Chao, styled Yanming. Chao loved learning and mastered the three rites. Datong era he was rites gentleman, then left and never served again.
20
西西
Younger brother Huan, styled Handu, was known young. He was Xiangdong chief secretary when the western staff brimmed with letters and he led them. Made palace attendant, then Xiangdong central records, followed Jiangzhou, and died.
21
He Xun, styled Zhongyan, was from Tan in Donghai. Great-grandfather Chengtian was Song censor-in-chief. Grandfather Yi was supernumerary gentleman. Father Xun was Qi grand marshal center army staff officer.
22
At eight he wrote poetry; at weak adulthood the province nominated him outstanding talent. Fan Yun saw his examination answers, praised him, and they became friends ignoring age. Thereafter Yun praised every piece and told intimates: "Writers lately are too plain for Ru or too ornate for the vulgar; those who hold clear and muddy and balance past and present—seeing this, what is He Sheng!" ; Shen Yue loved him too and said: "I read your poems thrice daily and cannot stop." ; such was fame's praise.
23
西
Tianjian era he was court gentleman, then Jian'an guard water bureau aide and chief secretary. The prince loved writers and feasted daily; moving to Jiangzhou Xun still kept records. Returning he was Cheng of Anxi staff officer and works water gentleman, then mourned his mother. After mourning he was Luling chief secretary, followed Jiangzhou, and soon died. Wang Sengru collected his work in eight scrolls. Xun and Liu Xiaochuo were both famed as "He–Liu." Shizu wrote: "Many poems, able—Shen Yue; few, able—Xie Tiao and He Xun."
24
Kuaiji's Yu Xie wrote pentasyllabic verse rivaling Xun and reached princedom vice director. Later Kuaiji's Kong Wengui and Jiyang's Jiang Bi were Nanping grand marshal chief secretaries. Wengui wrote verse well; Bi was learned and reannotated the Analects and Filial Classic. Both had literary collections.
25
Zhong Rong, styled Zhongwei, was from Changshe in Yingchuan, a seventh-generation descendant of Jin Palace Attendant Zhong Ya. His father Tao was a Central Army staff officer under Qi.
26
祿 西
Rong, his elder brother Wan, and younger brother Yu all loved study and thought deeply. In Qi's Yongming reign Rong studied at the National University and mastered the Changes; Wang Jian as Defender-General and Directorate head greatly favored him. The commandery recommended him as Outstanding Talent. He began as a princely Gentleman, became Pacification Army staff officer, then magistrate of An'guo. At Yongyuan's end he joined the Secretariat staff. Early in Tianjian, though institutions changed, days allowed no rest; Rong said: "When Yongyuan's chaos began, men took heaven's ranks while sitting idle; merit came not from war, office from bribes. One gold piece bought nine ranks; one slip of paper summoned six colonels; Horse commandants clogged the markets and gentleman-generals the streets. Robed and ribboned, they still did bondsmen's tasks; though posts were only yellow-gate cadets, they still ran errands themselves. Names and facts were confused—nothing worse. I hold that military officers of plain gentry have their own pedigree and should not gain rank this way—all such rewards should be cut off to check reckless competition. Clerks of poor houses may reach their clan's limit but must not, through army service, flood the clear grades. Migrant Chu riffraff should be soothed: cut salaries and levies, stop their harming government, and grant empty titles only. I offer this loyal counsel, heedless of the crowd." The edict was sent to the Ministry of Personnel to carry out. He became staff officer on Prince Linchuan's central army. When Prince Hengyang Yuan Jian guarded Kuaiji, Rong became his Pacifying-the-North recorder, in sole charge of documents. Layman He Yin built on Mt Ruoye; a mountain flood swept trees and stone away, yet his house alone stood. Yuan Jian had Rong write "Ode on the Auspicious Chamber" to honor it—very classical. He was chosen recorder to Prince Jin'an of the Western Army.
27
Rong once ranked ancient and modern five-character verse and titled the work Critique of Poetry. Its preface reads:
28
Qi moves things; things move people—so feeling stirs and finds form in dance and song. It lights the three powers and adorns the myriad; spirits wait on it for sacrifice, the hidden use it to declare. To move Heaven and Earth and touch gods and ghosts, nothing nears poetry. Of old Southern Winds and Cloud-Coach—their meaning was already vast. Xia Songs have "deeply troubled in heart"; Chu songs name "Zhengze"—verse form was incomplete, yet these were the springs of five-character poetry. By Han, Li Ling first established five-character verse as a category. Ancient poems are distant and ages obscure; by form they belong to Han, not late Zhou. From Wang Bao, Yang Xiong, Mei Cheng, and Sima Xiangru on, fu competed in brilliance while lyric verse was rarely heard. From Li Ling to Lady Ban, nearly a century held one woman poet—and only one. The poets' wind had suddenly died away. Eastern Han's two centuries held only Ban Gu's Ode on History—plain and without literary grace. By Jian'an, the Cao lord and his sons deeply loved letters; the Pingyuan brothers rose as literary pillars; Liu Zhen and Wang Can were their wings. Next came nearly a hundred who clung to dragons and phoenixes and joined the train. Such abundant flowering was complete in that age! Afterward it declined to Jin. Taikang saw the three Zhangs, two Lus, two Pans, and Zuo Zuo revive the art—wind not yet spent, a literary revival. Yongjia honored Huang-Lao and pure talk; verse reasoned past its words—thin and flavorless. South of the river slight ripples remained; Sun Chuo, Xu Xun, Huan, and Yu wrote level pieces like the Dao De Lun—Jian'an's wind was gone. Earlier Guo Jingchun, with lofty talent, changed the form; Liu Yueshi, with pure firm spirit, helped perfect that beauty. Yet the many outweighed the few and could not shift custom. By Yixi Xie Lingyun flourished and continued writing; Early Yuanjia brought Xie Lingyun—great talent, rich diction, splendor hard to follow; he spanned Liu and Guo and towered over Pan and Zuo. Thus Prince Si was Jian'an's crown, Gonggan and Zhongxuan his aides; Lu Ji was Taikang's hero, Anren and Jingyang his aides; Guest Xie was Yuanjia's champion, Yan Yannian his aide—these crown five-character verse and master an age of letters.
29
便 使 使 滿
Four-character verse is brief and broad, modeled on Airs and Elegies, yet words crowd and meaning thins—so the age rarely uses it. Five-character verse holds the key in letters—it flavors all writing and meets the popular current. Does it not point at things, release form, exhaust feeling, and depict objects most closely! The Odes have six meanings: xing, fu, and bi. Words end yet meaning lingers—that is xing; using things to symbolize intent—that is bi; stating the matter directly and entrusting words to things—that is fu. Deploy the three with measure, stiffen with wind-power, moisten with color, so tasters find no end and hearers are moved—that is poetry's height. Bi and xing alone make meaning too deep; deep meaning makes words stumble. Fu alone makes meaning too light; light meaning scatters the text. Play becomes drift; writing lacks mooring—rank luxuriance follows. Spring birds, autumn insects, summer rain, winter cold—the four seasons' impressions in verse. Feasts lodge feeling in verse for kinship; parting entrusts verse for grievance. Chu ministers leave their land; Han palace women leave the court; bones lie on northern wastes; souls chase thistle down; they shoulder spears on distant guard; killing air swells on the border; frontier guests' coats are thin; frost chambers' tears are spent. Gentlemen unfasten pendants and leave court, never to return; women raise moth brows and win favor; a second glance overturns a realm. All such stir the heart—without verse how show meaning, without long song how release feeling? Thus: "The Odes unite and voice grievance." They ease poverty and lighten seclusion—nothing surpasses poetry. Writers of words all love it. Today gentry and commoners fan this wind hotly. Barely clothed, just out of primary school, they gallop in it gladly. Mediocre tones and mixed forms each become a school. Pampered sons, shamed their writing falls short, polish all day and groan all night—alone they call it brilliant; the crowd finds it flat. Next come frivolous men who mock Cao and Liu as crude, call Bao Zhao above Fuxi, and Xie Tiao alone pacing all time; studying Bao they never reach "At noon the market fills"; studying Xie they only get "Yellow birds cross green boughs." They abandon refined hearing and never join the current of letters.
30
Rong saw that princes and gentry, in broad talk, always made poetry their topic; tastes differed in judgment. Zi and Ying mingled, red and purple clashed; clamor rose with no mark to aim at. Liu Shizhang of Pengcheng, keen in taste, hated the confusion and wished to grade contemporary verse orally but never finished—Rong, moved, wrote it. Nine ranks judged men and the Seven Summaries cut scholars—comparing substance, much was missed; poetry as craft is fairly known by comparison; by category it is like chess. The Emperor has inborn genius, deep brooding thought, writing that rivals sun and moon, learning that exhausts Heaven and man; among the nobility he was already foremost; now the realm is covered, wind and cloud rise; jade-bearers shoulder to shoulder, pearl-graspers follow in step. He glances past Han and Wei and holds Jin and Song in his breast. This is no farm song or carriage debate—I dare only sort flowing ranks. What Rong records now is only for wandering lanes and balancing in talk.
31
Soon after he died in office.
32
Wan, styled Changyue, became staff officer and Jiankang magistrate. He wrote Biographies of Good Officials in ten juan. Yu, styled Jiwang, was Yongjia assistant administrator. Tianjian year fifteen ordered scholars to compile the Comprehensive Digest; Yu took part. The brothers all had literary collections.
33
西
Zhou Xingsi, styled Sizuan, was from Xiang in Chen, descendant of Han Heir Apparent Grand Tutor Zhou Kan. Ancestor Ning was Jin western-campaign staff officer and Yidu grand administrator.
34
宿 使 滿 西
The Xingsi clan lived at Gushu for generations. At thirteen he studied in the capital; after ten-plus years he mastered records and wrote well. Walking from Gushu he lodged at an inn; at night a voice said: "Your learning surpasses the age; first eminent ministers will know you, then an outstanding lord." When it ended he could not tell where the man went. In Qi's Longchang, Xie Tiao as Wuxing grand administrator discussed only literature and history with Xingsi. Leaving office he greatly praised and recommended him. Recommended as Outstanding Talent, he became Guiyang assistant; Grand Administrator Wang Rong long admired him and treated him generously. When Gaozu took power, Xingsi submitted "Ode on Rest and Peace"—very fine, and Gaozu praised it. He became Prince Ancheng's gentleman and served straight at Hualin. That year Henan sent tribute horses; Gaozu had Xingsi, Dao Hong, and Zhang Shuai compose fu and judged Xingsi best. He rose to cadet-attendant emeritus and served straight in Wende and Shouguang. Gaozu made the Three Bridges old residence Guangzai Temple and ordered Xingsi and Lu Yan each to write a stele. Both were submitted; Gaozu used Xingsi's. Thence the bronze-column inscription, barrier-pond stele, northern expedition proclamation, and verse matching Wang Xizhi's Thousand Characters all went to Xingsi; each submission won praise and gifts of gold and silk. Year nine he became Xin'an assistant; after his term he again became cadet-attendant emeritus and helped compile national history. Year twelve he became supervisor of attendants, writing as before. Xingsi long had wind sores in both hands; that year plague came and his left eye went blind; Gaozu stroked his hand: "That such a man should have such illness!" Gaozu drafted a sore-treatment prescription by hand and gave it him. He was cherished thus. Ren Fang loved his talent and said: "Without Zhou Xingsi's illness, within ten days he would reach vice censor-in-chief." Year fourteen he became Linchuan assistant. Year seventeen he again became supervisor of attendants, serving straight in the Western Office. Zhou She of the Left Guard received an edict to annotate imperial fu and asked Xingsi to assist. In Putong year two he died. He compiled Imperial Veritable Records, Record of Imperial Virtue, Daily Records, Rites of Office, and more—over a hundred juan—and ten juan of collected writings.
35
[1]
Earlier Gao Shuang of Guangling, Jiang Hong of Jiyang, and Yu Qian of Kuaiji all wrote well. Shuang in Yongming presented verse to Wang Jian, won his esteem, and when Jian governed Danyang recommended him as filial and incorrupt. Early Tianjian he served as Prince Linchuan's central-army staff officer. As Jinling magistrate he was imprisoned in the foundry for an offense and wrote "Rhapsody on the Cauldron-Fish" to depict his plight—very accomplished. Later an amnesty freed him; soon after he died. Hong was Jianyang magistrate and was executed for an offense. Qian rose to a princely gentleman. All had literary collections. Editorial footnote marker in the source text.
36
The full text has been collated against the Zhonghua Shuju edition of the Book of Liang, May 1973.
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