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卷484 列傳二百七十一 文苑一 魏禧兄:际瑞 弟:礼 礼子:世效 世俨 附:李腾蛟 邱维屏 曾灿 林时益 梁份 侯方域附:王猷定 陈宏绪 徐士溥 欧阳斌元 申涵光附:张盖 殷岳 吴嘉纪附:徐波 钱谦益附:龚鼎孳 吴伟业附:曹溶 宋琬附:严沆 施闰章附:高咏 邓汉仪 王士禄弟:士祜 附:田雯 曹贞吉 颜光敏 王苹 张笃庆 徐夜 陈恭尹附:屈大均 梁佩兰 程可则 方殿元 吴文炜 王隼 冯班附:宗元鼎 刘体仁 吴殳 胡承诺附:贺贻孙 唐甄 阿什垣附:刘淇 金德纯 傅泽洪 汪琬 计东附:吴兆骞 顾我锜 彭孙遹 朱彝尊附:李良年 谭吉璁 尤侗附:秦松龄 曹禾 李来泰 陈维崧附:吴绮 徐釚 潘耒附:倪灿 严绳孙 徐嘉炎附:方象瑛 万斯同附:钱名世 刘献廷 邵远平附:吴任臣 周春 陈鳣 乔莱附:汪楫 汪懋麟 陆葇兄子:奎勋 庞垲附:边连宝 陆圻附:丁澎 柴绍炳 毛先舒 孙治 张丹 吴百朋 沈谦 虞黄昊 孙枝蔚附:李念慈 丁炜附:林侗 林佶 黄任 郑方坤 黄与坚附:王昊 顾湄 吴雯附:陶季 梅清附:梅庚 冯景附:邵长蘅 姜宸英附:严虞惇 黄虞稷 纳兰性德附:顾贞观 项鸿祚 蒋春霖 文昭附:蕴端 博尔都 永忠 书诚 永𬤇 裕瑞 赵执信附:葉燮 冯廷櫆 黄仪附:郑元庆 查慎行弟:嗣瑮 昇 史申义附:周起渭 张元臣 潘淳 顾陈垿 何焯附:陈景雲 景雲子:黄中 戴名世

Volume 484 Biographies 271: Literary Figures 1: Wei Xi elder brother: Ji Rui, younger brother: Li, Li son: Shi Xiao, Shi Yan, with: Li Tengjiao, Qiu Weiping, Ceng Can, Lin Shiyi, Liang Fen, Hou Fangyu with: Wang Youding, Chen Hongxu, Xu Shipu, Ou Yangbinyuan, Shen Hanguang with: Zhang Gai, Yin Yue, Wu Jiaji with: Xu Bo, Qian Qianyi with: Gong Dingzi, Wu Weiye with: Cao Rong, Song Wan with: Yan Hang, Shi Runzhang with: Gao Yong, Deng Hanyi, Wang Shilu younger brother: Shi Hu, with: Tian Wen, Cao Zhenji, Yan Guangmin, Wang Ping, Zhang Duqing, Xu Ye, Chen Gongyin with: Qu Dajun, Liang Peilan, Cheng Keze, Fang Dianyuan, Wu Wenwei, Wang Sun, Feng Ban with: Zong Yuanding, Liu Tiren, Wu Shu, Hu Chengnuo with: He Yisun, Tang Zhen, A Shen Yuan with: Liu Qi, Jin Dechun, Fu Zehong, Wang Wan, Ji Dong with: Wu Zhaoqian, Gu Woqi, Peng Sunyu, Zhu Yizun with: Li Liangnian, Tan Jicong, You Dong with: Qin Songling, Cao He, Li Laitai, Chen Weisong with: Wu Qi, Xu Qiu, Pan Lei with: Ni Can, Yan Shengsun, Xu Jiayan with: Fang Xiangying, Wan Sitong with: Qian Mingshi, Liu Xianting, Shao Yuanping with: Wu Renchen, Zhou Chun, Chen Zhan, Qiao Lai with: Wang Ji, Wang Maolin, Lu Rouxiong son: Kui Xun, Pang Kai with: Bian Lianbao, Lu Qi with: Ding Peng, Chai Shaobing, Mao Xianshu, Sun Zhi, Zhang Dan, Wu Baipeng, Shen Qian, Yu Huanghao, Sun Zhiwei with: Li Nianci, Ding Wei with: Lin Dong, Lin Ji, Huang Ren, Zheng Fangkun, Huang Yujian with: Wang Hao, Gu Mei, Wu Wen with: Tao Ji, Mei Qing with: Mei Geng, Feng Jing with: Shao Zhangheng, Jiang Chenying with: Yan Yudun, Huang Yuji, Na Lan Xing De with: Gu Zhenguan, Xiang Hongzuo, Jiang Chunlin, Wen Zhao with: Yun Duan, Bo Er Dou, Yong Zhong, Shu Cheng, Yong Yin, Yu Rui, Zhao Zhixin with: Ye Xie, Feng Tingkui, Huang Yi with: Zheng Yuanqing, Cha Shenxing younger brother: Si Li, Sheng, Shi Shenyi with: Zhou Qiwei, Zhang Yuanchen, Pan Chun, Gu Chenxu, He Chao with: Chen Jingyun, Jing Yun son: Huang Zhong, Dai Mingshi

Chapter 484 of 清史稿 · Draft History of Qing
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Chapter 484
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1
Biographies 271
2
Literary Figures 1
3
祿
Wei Xi, Hou Fangyu, Shen Hanguang, Wu Jiaji, Qian Qianyi, Wu Weiye, Song Wan, Shi Runzhang, Wang Shilu, Chen Gongyin, Feng Ban, Hu Chengnuo, A Shen Yuan, Wang Wan, Ji Dong, Peng Sunyu, Zhu Yizun, You Dong, Chen Weisong, Pan Lei, Xu Jiayan, Wan Sitong, Liu Xianting, Shao Yuanping, Qiao Lai, Lu Rou, Pang Kai, Lu Qi, Sun Zhiwei, Ding Wei, Huang Yujian, Wu Wen, Mei Qing, Feng Jing, Jiang Chenying, Xingde, Wenzhao, Zhao Zhixin, Huang Yi, Cha Shenxing, Shi Shenyi, Gu Chenxu, He Chao, and Dai Mingshi
4
Qing scholarship surpassed that of the Han and exceeded that of the Song. Some scholars went so far as to propose a distinct label of "Qing Learning," and with literature held in equal regard, Qing culture could well stand as a separate tradition alongside those of the Han, Tang, Song, and Ming—what an age of brilliance! By the late Ming, letters had fallen into deep decline! When the Qing dynasty rose, the literary spirit revived in turn. Qian Qianyi submitted to the new regime and towered over his age in poetry and prose, bearing the burden of reviving a fallen literary tradition; while Wei Xi, Hou Fangyu, Shen Hanguang, and Wu Jiaji, recluses dwelling in the hills, quietly moved with the changing times and helped open the new literary climate. Under the prosperous reigns of Kangxi and Qianlong, culture and learning flourished as never before. Sage emperors and capable ministers alike made the advancement of culture their personal charge. Men of letters and learning rose in great numbers, reaching a peak unrivaled in their day. From Wang Shilu and Zhu Yizun to Fang Bao and Yun Jing, each mastered his own field of excellence. The fortunes of literature rise and fall in step with those of the dynasty itself. Such matters must be judged as a whole; to fix on one figure or one region alone is to take too narrow a view—how could that be a final verdict? During the Daoguang and Xianfeng reigns, amid constant upheaval, literary styles changed by the day. Figures such as Gong Zizhen and Wei Yuan seized the moment to advance new doctrines. With the Tongzhi revival, literary culture flourished once more. Zeng Guofan wrote with disciplined form and backed his words with moral stature and practical achievement, bringing the tradition to its fullest expression. After the Guangxu and Xuantong reigns, letters grew fragmented and chaotic, and have scarcely deserved the name of literature for some time. This Literary Figures chapter selects only those poets and prose writers who each established a distinctive voice of their own, gathering them in one volume to show the brilliance of Qing letters. Questions of literary faction and affiliation are deliberately left aside. Those already treated in the biographies of eminent officials and Confucian scholars are not included again here.
5
Wei Xi, courtesy name Bingshu, was a native of Ningdu. His father Zhao Feng was a licentiate. When the Ming fell, he wailed and refused to eat, shaved his head to become a Buddhist mendicant, and withdrew to Cuiwei Peak. That winter, having divined the hexagram Li changing into Qian, he named his hall the Hall of Change. He died shortly afterward.
6
From boyhood Xi was devoted to antiquity, and when he discussed history his judgments were sharp and incisive. At eleven he enrolled as a supplemental county student. Together with his elder brother Jirui, his younger brother Li, Peng Shiwang and Lin Shiyi of Nanchang, and fellow townsmen Li Tengjiao, Qiu Weiping, Peng Ren, and Zeng Can—nine men in all—he formed the Hall of Change school. They all worked their own fields for their livelihood, studied with tireless diligence, and the fame of the "Three Weis" spread across the land. Xi held himself to the strictest standards of conduct, and his talent and learning stood above the rest. A pond lay before his gate, and he named his residence Spoon Court; scholars addressed him as Master Spoon Court. He was tall and slender in build, with a gaze that seemed to pierce those before him. From youth he was frequently ill and rarely went without ginseng and atractylodes on his lips. By nature he was kind and magnanimous, generous in his dealings with others, and never kept account of others' faults. He dealt with others in good faith, and even when deceived remained perfectly at ease. Yet he possessed a bold and unconventional spirit; when discussing affairs he spoke with sweeping force, pouring out argument after argument without end. When affairs grew tangled and complex, his plans showed clear method and design. He anticipated trouble before it arose, read the signs early, and of the policies he proposed in advance, eight or nine times out of ten events proved him right. When rebel armies rose, the land had known peace so long that people were ignorant of war and assumed the bandits were too distant to strike suddenly. Xi alone was alarmed and moved his family into the mountains. The mountain stood forty li from the city, its cliffs rising sheer on every side more than a hundred zhang high. A fissure ran straight through it from base to summit, as though the mountain had been cleaved by an axe. They carved steps and ladders along the fissure for ascent and erected gates for watch and defense. Scholars and friends gradually gathered there for refuge. Several years later, when Ningdu was overrun by bandits, Cuiwei Peak alone remained unscathed. He loved reading history, especially the Zuo Commentary and the prose of Su Xun. His prose was fierce, bold, and commanding. When treating themes of loyalty, filial devotion, and heroic integrity, he grew all the more impassioned and rendered them with overflowing force.
7
At forty he finally set out on his travels. In Suzhou he befriended Xu Fang and Jin Junming; in Hangzhou, Wang Fen; in Zhapu, Li Tianzhi; in Changshu, Gu Zuyu; in Changzhou, Yun Richu and Yang Yu; among Buddhist monks, Yaodi and Gaomu—all loyalists of the fallen Ming. At that time Xie Wenjin of Nanfeng taught on Cheng Mountain and Song Zhisheng of Xingzi on Ji Mountain, each with dozens or hundreds of registered disciples, their schools answering the spirit of the Hall of Change. The Hall of Change alone took the practical learning of the ancients as its ideal, and Xi stood at the head of the movement that revived the age. The monk Wuke once visited the mountain and exclaimed, "The Hall of Change has a vital spirit unmatched anywhere under heaven!" Wuke was Fang Yizhi, Hanlin reviewer under the Ming. When a friend died leaving an orphan who could not fend for himself, Xi took the boy in, educated him, and helped him establish a livelihood. Whenever kin or friends faced words too delicate to speak, or when he stood between feuding relatives, Xi would cut to the heart of the matter with a single remark and dissolve the quarrel. When someone expressed surprise at this, Xi said, "Whenever I face something difficult to say, I must build up sincerity over time and wait until our minds are fully attuned—only then do I speak." In the eighteenth year of Kangxi, when an edict summoned men of broad learning and eminent talent, Xi declined on grounds of illness. When officials pressed him to set out, he had no choice but to be carried, feigning illness, to Nanchang for medical treatment. The governor had him brought in for inspection; Xi lay wrapped in quilts claiming grave illness, and was sent home. He died two years later, at the age of fifty-seven. His wife, née Xie, starved herself to death in devotion to him. His works include a collected prose in twenty-two juan, a daily record in three juan, poetry in eight juan, and Applying the Zuo Commentary to Statecraft in ten juan.
8
Jirui, originally named Xiang, courtesy name Shanbo, was Xi's elder brother. After the fall of the Ming, both Xi and Li renounced their status as licentiates. Jirui sighed and said, "As the eldest son, who will tend the ancestral temples and tombs, who will see to our parents' burial and sacrificial offerings?" So he went out and entered the examinations. In the seventeenth year of Shunzhi he qualified as a tribute student. When the people of Ningdu rose in revolt, the Ganzhou army marched to suppress them and demanded supplies from the mountain strongholds. Jirui personally braved danger and obstruction, going back and forth to handle the matter, repeatedly coming near death. Jirui was a man of faith and honor; for more than thirty years the recluses of Cuiwei Peak and his kinsmen looked to him for their safety in times of peril. In the sixteenth year of Kangxi the Yunnan general Han Daren held Ganzhou, and the authorities discussed offering him terms of surrender. Han Daren said, "Unless Wei Jirui comes in person, I will not believe a word of it!" At the time Jirui was staying with the regional commander Zhe'erken, who sent him on the mission. His family wept and begged him not to go. Jirui said, "This concerns our homeland and our clans; if I do not go, I fear disaster will fall on them. If I go and fail, I alone shall bear the blame." And so he went. He had scarcely entered the camp when government troops suddenly launched a swift attack from the east. Han Daren suspected he had been betrayed and had him detained. Han Daren changed his plan and fled to surrender in Fujian; Jirui was killed in the affair, at the age of fifty-eight. His son Shijie died with him. Jirui devoted himself to ancient-style prose and loved the writings of Zhuangzi and Sima Qian. His works include a collected prose in ten juan and Miscellaneous Notes in five juan.
9
Li, courtesy name Hegong, was Xi's younger brother. As a boy he seemed slow and dull, and studied under Xi. Xi once beat and scolded him, but Li bore no resentment and said, "My elder brother truly loves his younger brother!" Xi was delighted beyond all expectation. When he was nine, his father was about to divide the family property and, holding a land deed, hesitated. "If I give this to Xiang," he said, "Li will be shortchanged. What am I to do?" Li, who happened to be nearby, answered at once, "Let me take the loss; do not shortchange my elder brother." His father laughed and said, "And this is the dull one?" Li spoke little, was quick to keep his word, and liked to take on hard tasks; frustrated in his ambitions, he devoted himself increasingly to long journeys. Wherever he went he sought out men of talent and spirit, tracking down recluses in remote hills and valleys. At fifty, weary of travel, he returned and built a five-bay house on the summit of Zuogan on the left flank of Cuiwei. By then his uncles had died in succession, and the halls of Stone Pavilion and Spoon Court had long stood empty. The brothers had each gone their separate ways and no longer gathered at the Hall of Change. Li lived there alone with his wife and children for seventeen years and never moved elsewhere. He died at the age of sixty-six. He left a collected poetry and prose in sixteen juan. His sons were Shi Xiao and Shi Yan.
10
使 稿
Shi Xiao, styled Zhaoshi. At barely twenty months old, he could already recite the Nine Songs from memory after his mother taught them to him orally. As he grew older, he studied under his second uncle, Wei Xi. By nature he was impatient and quick-tempered, but bold in taking on responsibility. Xi once remarked that his writing matched the man—wherever its edge fell, it often struck with the force of an arrow buried to the feathers. Chronic illness kept him from sitting for the civil examinations. He traveled widely through Yan, Chu, Wu, and the Yue regions, and once journeyed as far south as Lingnan. When Wang Shizhen was dispatched to Guangdong, he read Shi Xiao's work and willingly set aside his own rank to befriend him. He left the Gengwu Drafts in ten juan.
11
稿
Shi Yan, styled Jingshi. Like his elder brother, he was often ill, yet he never abandoned his literary pursuits. Together with Shi Jie and Shi Xiao, he was known at the time as the "Little Three Wei." He left the Weigu Drafts in eight juan.
12
Li Tengjiao, styled Xianzhai, was also from Ningdu. He held the rank of licentiate. At the Yi Hall he was the eldest in years, and the younger men all treated him as an elder brother, with such strict reverence that none dared show disrespect. Later he settled on San Yan Peak and made his living teaching the classics. He wrote Remaining Words on the Book of Changes. He died at the age of sixty.
13
西 退 歿穿
Qiu Weiping, styled Bangshi, was from Ningdu and had married a sister of the Three Wei brothers. He had been a licentiate under the Ming. He was lofty and reserved in manner, plain and dignified in bearing. He read with deep intuitive insight, and Wei Xi once studied under him. In his later years he turned to calendrical science, the Book of Changes, and Western mathematics. The monk Wuke worked through calculations with him and, afterward, told others, "This man is a prodigy!" Peng Shiwang had known Weiping for more than thirty years and never once heard him speak ill of anyone. Yet Weiping alone held Xi in the highest regard and once wrote to him: "To reject remonstrance and cover one's faults is a great evil; but to accept remonstrance in principle yet habitually reject it in practice, and to condemn self-deception yet persistently deceive oneself—that is evil compounded. You dare to trust yourself utterly; you have your reasons for how you conduct yourself and hold to them unyieldingly—rejecting remonstrance and covering one's faults are precisely such things!" When Xi read it, he was deeply moved and fully convinced. Weiping taught his disciples, annotating their work by hand and lecturing orally, and day and night they never ceased their studies. He died in the eighteenth year of the Kangxi reign, at the age of sixty-six. On his deathbed he told his sons, "With plain rice and vegetables to eat and patched clothes to wear, and without deceitful or perverse conduct, one can make a living as a teacher of elementary reading." Shiwang admired what he had said. He left Explanatory Notes on the Book of Changes in twelve juan, the Songxia Collection in twelve juan, and the Bangshi Collected Writings in eighteen juan.
14
西
Zeng Can, styled Qingli, was also from Ningdu and was the second son of the censor Ying Lin. In the yiyou year, Yang Tinglin fought with all his strength to hold southern Ganzhou. Learning that a hundred thousand men had gathered in the mountains and marshes of the Fujian ranges, Ying Lin sent Can to win them over. Can had barely set out when Ying Lin fell ill and died; Ganzhou soon fell as well, and Can disbanded his forces. Before long he shaved his head and became a monk, traveling through Fujian, Zhejiang, and Guangdong and Guangxi. His grandmother and mother pined for him until they fell ill, and so he returned to Ningdu. At his grandmother's command he married, built the Six Pines Thatched Hall, and for several years farmed the land himself without leaving home. He later lived as a sojourner in the Wu region for more than twenty years and died while visiting the capital. He left the Six Pines Thatched Hall Collected Writings and the Xiyan Thatched Hall Poetry Collection.
15
Lin Shiyi was originally a member of the Ming imperial clan; his birth name was Yi Piao, styled Quezhai, and he was from Nanchang. He was from the same home district as Peng Shiwang. The two men planned where to settle. Shiwang and Wei Xi became friends at first meeting; Xi spoke at length of how the mountains around Jin Jing could serve as farmland north of the ranges, and so Shiyi took his family and went there with Shiwang. He lived there as a sojourner for more than ten years, studying together with the Wei brothers. In the seventh year of the Kangxi reign, an edict declared that the many descendants of the former Ming imperial clan who had hidden in the mountains should return to their fields and homes and resume their original surnames. Shiyi had long lived as a guest in Ningdu and had no wish to go back. He settled at Guanshi, built a hut, and rented fields to farm; he would eat only what his own labor had produced. Guanshi was well suited to tea; Shiyi devised his own method of preparing it, and its fragrance and flavor rivaled Yangxian tea—this was the tea known as Lin Tea. In his later years he took delight in Chan Buddhism. He left the Guanshi Poetry Collection in five juan and the Quezhai Collected Writings.
16
西 西 西
Liang Fen, styled Zhiren, was from Nanfeng. In youth he studied with Peng Shiwang and Wei Xi, learning the arts of statecraft. He excelled at ancient-style prose. He once traveled ten thousand li alone, reaching as far west as Wuwei and Zhangye and as far south as Guizhou and Yunnan; he traversed the old lands of Yan, Zhao, Qin, Jin, Qi, and Wei, surveyed mountains and rivers, investigated the successes and failures of past ages, and committed even remote and little-known events to writing. Fang Bao and Wang Yuan both held him in high esteem. In his discussion of Shanhai Pass he wrote: "The pass was first established in the Hongwu reign of the Ming; in the Sui the Lin Yu post was placed to the west, and in the Tang it was called Yu Pass. The ancient Great Wall to the northeast, built by Yan and Qin, stood far from the pass and mattered little. The Jin conquest of the Liao began with absorbing relocated commoners. Li Zicheng swept through the capital, was defeated at the Shi River, and lost everything. The rise and fall of dynasties and the success or failure of men were decided at this one corner where mountains meet the sea. For more than a thousand years it lay in wilderness and neglect, yet its decisive importance was concentrated in the last three hundred. When the realm was settled, the pass was secure; when the pass was threatened, the whole realm was threatened—such was its strategic weight." Throughout his life he regretted never having visited Shanhai Pass. Plain, sincere, and steadfast, he held to poverty and restraint until old age without the least weakening. He died at the age of eighty-nine. He left the Huaige Hall Collected Writings in fifteen juan and the Brief Account of the Western Frontier in eight juan.
17
Hou Fangyu, styled Chaozong, was from Shangqiu. His father Xun had been Minister of Revenue under the Ming; his younger uncle Ke had served as Chancellor of the National University: both had clashed with the eunuch faction through their Donglin affiliations.
18
Fangyu studied under Ni Yuanlu. Bold and unrestrained by nature, he wrote with singular force. At the time Zhang Pu of Taicang led the Fushe society and Chen Zilong of Qingpu led the Jishe society; both held Fangyu in high esteem, and celebrated scholars throughout the realm vied to befriend him. When Xun was appointed supreme commander to relieve Bian, Fangyu urged him: "Father, you have received an edict to suppress the rebels, yet court deliberations impose many restraints. You should set bureaucratic convention aside, take the imperial sword, and execute one prefect or magistrate of jinshi rank who fails to meet levies and supplies; and as for the Shanxi commander Xu Dingguo, whose troops are in an uproar, behead him at once as a warning. Do this, and authority will be established and the army brought to order; then cross the river to rally the fortified communities of the Central Plain, join Zuo Liangyu at Xiangyang, and coordinate with the Shaanxi governor Sun Chuanting for a pincer advance—the siege of Bian will lift of its own accord." Xun rebuked him for arrogance, rejected his advice, and sent him home at once.
19
With his talent unused, Fangyu gave himself over to music and entertainers and lingered along the Qinhuai. Ruan Dacheng of the eunuch faction was also living in retirement in Jinling at the time, scheming for reinstatement. Leading scholars jointly denounced Dacheng's crimes and composed the Manifesto Against Disorder in the Southern Capital, chiefly authored by Chen Zhenhui of Yixing and Wu Yingji of Guichi. Dacheng knew Fangyu was close to the two men and privately thought that by winning over Hou Sheng he could reach them and settle the matter; he sent clients to offer friendship. Fangyu saw through the scheme and declined the visitors; Dacheng hated him to the bone. Before long Dacheng was suddenly restored to power and set about killing his factional enemies; he arrested Zhenhui and imprisoned him. Fangyu fled by night to the regional commander Gao Jie and escaped harm. In the eighth year of Shunzhi he sat for the provincial examination and placed on the supplementary list. He died in the eleventh year of Shunzhi, at the age of thirty-seven.
20
Fangyu excelled in letters and was famed alongside Wei Xi and Wang Wan as the Three Masters at the Founding of the Dynasty. He left the Zhuanghui Hall Collection.
21
西
At the same time, Jiangxi writers of note included Wang Youding of Nanchang and Chen Hongxu, Xu Shipu, and Ouyang Binyuan of Xinjian.
22
Youding, styled Yuyi. He was a selected tribute student. His father Shixi was a jinshi who served as Vice Minister of the Imperial Stud and was known as a Donglin associate. Youding was fond of the unusual and had a gift for debate, and his writing showed the same quality. He left the Sizhao Hall Collection.
23
Hongxu, styled Shiye. His father Daoheng was a jinshi who served as Minister of War. After submitting a memorial to save Yang Lian, he was dismissed and sent home. He amassed a library of ten thousand scrolls. Hongxu refused office, compiled the Record of Song Loyalists to declare his convictions, and left the Shizhuang Collection.
24
Shipu, styled Juyuan. His father Liangyan was a jinshi. After crossing Cui and Wei, he was struck from the rolls and exiled to Qinglang. Chen Mingxia of Liyang, hearing that Shipu excelled in ancient-style prose, wrote to summon him in his own hand; Shipu refused the invitation. He left the Yuxi Collection.
25
Binyuan, styled Xianwan. He once drafted for the Southern Vice Censor Lu Daqi a memorial impeaching Ma Shiying on twenty-four major counts, and also served on Shi Kefa's staff. He left a collected works in twelve juan.
26
西 鹿 宿
Shen Hanguang, styled Fumeng, sobriquet Fumeng, was a native of Yongnian and the son of Jiaoyin, Vice Director of the Imperial Stud under the Ming. At fifteen he was enrolled as a licentiate. His literary fame was widespread, yet he disdained the grind of examination essays. Day after day he discussed letters and formed literary societies with kindred spirits, finding his joy in wine and spirited outings. When disorder broke out in the sixth year of Wanli, he contributed four hundred taels of gold and two hundred thousand cash from his family fortune to reward the troops defending the city. In 1644 he took his mother to the Western Hills to escape the turmoil, building a thatched hut on the summit of Mount Guangyang. With Yang Sisheng of Julu and Yin Yue and Yin Yuan of Jize he forged bonds of friendship in adversity. When the capital fell, Jiaoyin died in the national calamity; Hanguang was stricken with grief to the point of death, then revived. He then crossed the river south and visited eminent elders such as Chen Zilong, Xia Yunyi, and Xu Shilin, seeking a biography and memorial account for his father. Back home, he cared for his parents and tutored his younger brothers, keeping his footsteps far from the cities. Day after day he exchanged visits and poetic responses with Yin Yue and Zhang Gai of his home district, and people called them the Three Lords of Guangping.
27
Early in the Qing, an edict was issued to seek out Ming officials who had died in the national calamity. Wei Yijie of Baixiang submitted a memorial honoring the loyal dead and listed Jiaoyin's name, but the Ministry blocked it in deliberation. Hanguang went barefoot to the capital, wading through mud and water, and nearly died on the way. Wearing hemp mourning garments and a hemp headband, he wailed along Donghua Road, and all who saw him wept. Yijie submitted another memorial to press the case, and in the end Jiaoyin received posthumous honors and relief according to precedent. Scholar-officials of the time admired his conduct and sought his friendship; feasts, excursions, and exchanges of gifts and poems filled his days.
28
In composing poetry, Hanguang took in every current of the tradition and refined it in his own forge. He took Du Fu as his sole master, yet moved freely among the schools of Gao Shi, Cen Shen, Wang Wei, and Meng Haoran. He once said: "Poetry expresses one's nature and feelings; when those feelings are true, they can move Heaven itself and make spirits and ghosts weep. If one devotes oneself solely to imitation, copying line by line, then laughter and tears alike are false and cannot move a single person." Minister Wang Shizhen said that Hanguang founded the Hebei school of poetry. Academician Xiong Bolong said that among the poets of his age, Fumeng alone was one he would gladly rank above himself.
29
便
He once visited Sun Qifeng and performed the rites of a disciple. Qifeng regretted having found him so late and urged him on with the example of sages and worthies. From then on he first heard the teaching on Heaven, human nature, and life's purpose; he pursued Neo-Confucian learning and wrote no more poetry. In the seventeenth year of Shunzhi an edict ordered the prefectures and counties to recommend men of filial conduct; the local officials nominated Hanguang, but he firmly declined. When recluses were recommended again, he firmly declined and would not accept office. He once regretted that fame had become a burden and withdrew from society. In his later years he studied the recorded sayings of various Confucians morning and evening. He wrote such works as Diagrams of Nature and Habit, Discourse on Righteousness and Profit, Small Talk from Jing Garden, and Advancing Words. He once said: "To uphold reverence is better than to uphold stillness; reverence is stillness of itself. Zhu Xi and Lu Xiangshan alike lead to the Way; Zhu takes the great road—though slow, it is steady; Lu takes the shortcut—though it seems quick, it is perilous: each person must choose for himself." Qifeng said that his painstaking thought and accumulated reflection came from deep experience and mature forbearance in action. Yijie then praised him, saying: "In youth he stood on the literary stage; in old age he pursued the path of principle—this is what the sages call broad learning disciplined by ritual." Such was the esteem in which he was held. He died in the sixteenth year of Kangxi, at the age of fifty-nine.
30
Hanguang also understood the principles of the zither. In calligraphy he followed Yan Zhenqing and was especially skilled in Han clerical script. From time to time he painted landscapes, trees, and rocks with an open, refined elegance. He left the Congshan Poetry Collection in eight juan, a prose collection in four juan, and On Du Fu in one juan.
31
輿 稿
Gai, styled Fuyu. After the fall of the Ming he resigned his status as licentiate, mourned in verse with desolate lament, and eventually developed a mad affliction. He once traveled among Qi, Jin, Chu, and Yu, and upon returning shut himself in an earthen chamber where even his wife and children could not see him. Only when Hanguang and Yue came would he admit them, and their talk was always congenial. His poetry was grief-stricken and indignant beyond measure, and he constantly destroyed his own drafts. After his death Hanguang published his remaining poems as the Persimmon Leaf Collection.
32
西
Yue, styled Zongshan, was a native of Jize. He was a provincial graduate. When the capital fell he entered the Western Hills and with his younger brother Yuan plotted to raise a righteous force. When the plot leaked out, Yuan was killed; Yue hid in Hanguang's home and escaped harm. In composing poetry he shut out everything from Wei and Jin downward, especially disliked regulated verse, and wrote only in ancient forms—vast and rugged, matching his character. He left the Liugeng Hall Collection.
33
使
Wu Jiaji, styled Binxian, was a native of Taizhou. He was a commoner. His family lived at Dongtao by the Anfeng salt works. The place bordered the sea and he had no social contacts. He named his dwelling the Humble Studio. He was extremely poor; even in abundant years he often lacked food. He alone delighted in composing poetry, chanting and singing morning and evening for his own contentment, and kept no company with men of the age. Wang Ji and Sun Zhiwei of his prefecture were his friends and often spoke of him, and thus he came to be known to Wang Shizhen. Shizhen especially admired his five-character lines for their cool clarity and ancient plainness; on a snowy night he poured wine, wrote a preface for him, and sent a messenger three hundred li to deliver it. Jiaji therefore bought a boat and went to Yangzhou to pay his respects and establish friendship; from then on renowned men from all quarters vied to exchange poems with him.
34
Jiaji was skilled at writing words of peril, hardship, severity, and cold; he once composed New Music Bureau poems—desolate, urgent, hidden, and abstruse—able to transform stale forms and establish a school of his own. Most of his Humble Studio Collection was scattered and lost; friends later gathered the remaining pieces into four juan. His poetry had vigorous bone and sinew, and his working of thought was likewise incised and refined. Because fortune had been unkind to him, his work often bore notes of grievance and lament; yet his earnest conduct and quiet cultivation were especially esteemed in his time.
35
Xu Bo, styled Yuantan, was a native of Wu County. In youth he was chivalrous and bold. After the fall of the Ming he lived at Tianchi, built the Falling Tree Hermitage, and ended his days in dry Chan meditation. His poetry was full of sighs and emotion; Qian Qianyi of Yushan was his friend, presented him with poems, and held him in considerable esteem. He left such collections as Yi Xiao Hall and Dyed Fragrance Hermitage.
36
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Qian Qianyi, styled Shouzhi, was a native of Changshu. In the Wanli reign he became a jinshi and was appointed Compiler. Broadly learned and skilled in belles-lettres, he was known as a Donglin associate. In the Tianqi reign the censor Chen Yirui impeached him and had him dismissed. In the first year of Chongzhen he was restored to office and within a few months reached Vice Minister of Rites. When Grand Secretaries were to be jointly recommended, Qianyi feared that if Minister Wen Tiren and Vice Minister Zhou Yanru were recommended together, their names would rank above his own, and he plotted to obstruct it. Tiren pursued the matter of Qianyi's chief examining in Zhejiang and accepting Qian Qianqiu's examination irregularities; Qianyi was sentenced to beating and redemption. Tiren again bribed Zhang Hanru of Changshu to accuse Qianyi of greed, excess, and unlawful conduct. Qianyi sought rescue from the Director of Ceremonial eunuch Cao Huachun, and Hanru was executed. Tiren cited illness and withdrew; Qianyi was also struck from the rolls and sent home.
37
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When the bandits took the capital, Ming officials discussed enthroning a ruler at Jiangning. Qianyi secretly favored enthroning the Prince of Lu, and his views did not agree with those of Ma Shiying. Before long the Prince of Fu was enthroned; fearing punishment, Qianyi submitted a memorial praising Shiying's merits, and Shiying had him appointed Minister of Rites. He again vigorously recommended eunuch-faction figures such as Ruan Dacheng, and Dacheng was duly appointed Vice Minister of War. In the third year of Shunzhi, Prince Regent Dodo pacified the south; Qianyi surrendered and was appointed Vice Minister of Rites in charge of the Secretariat Academy. Feng Quan was chief director of the Ming History Bureau, with Qianyi as his deputy. Before long he asked to retire. In the fifth year, Chen Zhilong, governor of Fengyang, captured Huang Yuqi; Qianyi was implicated for having communicated with him, and the emperor ordered Governor-General Ma Guozhu to arrest and question him. Qianyi pleaded in his own defense, and Ma Guozhu ruled that he and Yuqi had never been acquainted. He was released and returned home, devoting himself to writing for his remaining years; he died ten years later.
38
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Qianyi's prose was broad and learned, he knew court rites inside out, and his poetry was the field in which he truly excelled. In the late Ming, the Wang and Li schools claimed to be restoring classical style even as literary standards sank; Qianyi stepped forward and tried hard to reverse the decline. He maintained a great library at home. In his old age the Jiangyun Pavilion burned down, leaving only a Buddhist image unscathed; he then turned to Buddhism and wrote his Exegetical Notes on the Śūraṅgama Sūtra. His own writings included the Collected Works of Muzhai, the Chuxue Collection, and the Youxue Collection. In Qianlong 34 an edict ordered the blocks destroyed, yet circulated copies survive to this day.
39
使
Gong Dingzi, styled Xiaosheng, was from Hefei. A jinshi of Chongzhen 7, he was appointed supervising secretary in the Bureau of War. When Li Zicheng took the capital, Dingzi was made a direct censor and charged with patrolling the northern city. When Prince Regent Dorgon arrived, he surrendered and was appointed supervising secretary in the Bureau of Personnel. He moved to the Bureau of Rites and was promoted to Vice Director of the Court of Imperial Sacrifices. In Shunzhi 3, while mourning his father, he petitioned for imperial condolences. Supervising Secretary Sun Ziling memorialized: "Dingzi debased himself serving the rebels; honored with office by the court, he has shown none of the tireless dedication a minister owes—only drinking, drunken song, and jousting with actors. Hearing of his father's death, he still caroused and lingered over wine and song, hoping to secure undeserved honors—a violation of propriety and filial duty without equal!" The ministry recommended demoting him two ranks. He was soon pardoned under an amnesty and rose to Left Censor-in-Chief.
40
調
Earlier, Grand Secretary Feng Quan had been impeached, and the Prince Regent assembled the censorate for a formal inquiry. Dingzi denounced Feng Quan as a eunuch-faction ally and adoptive son of Wei Zhongxian. Feng Quan retorted: "And how does that compare with a censor who served the rebel bandits?" Dingzi defended himself by citing Wei Zheng's turn to Emperor Taizong of Tang; the Prince laughed and said, "Only those without blemish may judge others. How dare you compare Li Zicheng's bandits to Emperor Taizong!" The matter was dropped. After an offense he was demoted eight ranks and reassigned as director of the Imperial Park, then dismissed. At the start of the Kangxi reign he was restored as Left Censor-in-Chief and later became Minister of Punishments. He died and was posthumously given the title "Duanyi" (Steadfast and Resolute). In Qianlong 34 an edict stripped his posthumous title.
41
歿使
Dingzi was prodigiously gifted; he could produce a thousand-character essay in a single sitting. The Shizu Emperor read his work in the inner palace and exclaimed, "A true literary genius!" He twice presided over the metropolitan examinations, advancing talented scholars as if he could never reach them soon enough. When Zhu Yizun and Chen Weisong came to the capital in dire poverty, he provided for them. Fu Shan and Yan Ermei were imprisoned; both owed their release to his intervention. On his deathbed he commended Xu Chi to Liang Qingbiao, saying, "A man of talent like Hongting—can we let him go unrecognized?" Xu Chi later entered the History Bureau after Liang Qingbiao recommended him for the Special Examination. After Qian Qianyi's death, Gong Dingzi stood at the head of those at court whose literary gifts commanded the respect of the scholarly world. He wrote the Ding Shan Tang Collection.
42
駿
Wu Weiye, styled Jungong, was from Taicang. A jinshi of Chongzhen 4, he was appointed Compiler. He served as lecturer to the crown prince and was twice promoted to Left Subprefect of the Heir Apparent. Under the Hongguang regime he was appointed Junior Mentor and asked for leave to return home. In Shunzhi 9, on the recommendation of Governor-General Ma Guozhu of the Two Jiangs, he was summoned to the capital. Vice Minister Sun Chengze and Grand Secretary Feng Quan both recommended him in turn; he was made Secretariat Reader and compiler of the Sacred Instructions of Taizu and Taizong. In the thirteenth year he was promoted to Libationer. He returned home to mourn his mother. He died in Kangxi 10.
43
歿
Weiye's erudition was vast; ask him about any knot in the classics or histories, or any point of court ritual and state precedent, and he could trace every thread to its source. His poetry and prose were exquisitely crafted and stood at the summit of his generation, though he never flaunted it. Deeply filial by nature, he came of age amid dynastic upheaval; with parents still alive he could not but hesitate and cling to both old and new worlds, and as he surveyed his life he often grieved over it. Facing death he said: "In all my days I have known nothing but worry and danger—there was never a moment or a place free of hardship. When I am dead, dress me in monk's robes and bury me beside Dengwei and Lingyan. Place a round stone before the grave and inscribe it: "The Grave of the Poet Wu Meicun." Do not raise a memorial hall; do not ask anyone to write my epitaph." All who heard him were deeply saddened. His works included the Gazetteer of Spring and Autumn Geography, Record of Clans, Chronicle of Pacifying the Bandits, and the Meicun Collection.
44
調 便殿 使西
Cao Rong, styled Jiangong, was from Jiaxing. A jinshi of Chongzhen 10, he served as censor. When the Qing took the capital he kept his original post. He was soon appointed educational commissioner of Shuntian. In a memorial he recommended five Ming jinshi including Wang Chongjian, and asked that honors be granted to twenty-eight Ming loyalists who died for the dynasty, including Grand Secretary Yuan Jingwen and Minister Ni Yuanlu, as well as the filial son Xu Ji, the righteous man Wang Lianghan, and more than ten chaste widows. After the examinations he was promoted to Vice Director of the Court of the Imperial Stud. He was demoted two ranks for failing to detect misconduct during his earlier term as educational commissioner. After some time he rose to Left Vice Minister of Communications and memorialized: "The transmission office exists to channel remonstrance; hereafter, whenever a memorial violates the rules out of private interest, return it at once—but still allow ad hoc proposals on current affairs." He also argued: "When the imperial army entered the passes, garrisons were posted across the realm only as a temporary measure. They should now be concentrated where bandits and rebels haunt difficult country; then numbers will cease to be a worry. Idle troops with no duties should go unfilled when vacancies arise and be sent out the moment they are needed—so rations are not squandered. He also urged reducing provincial commanders and adding vice generals, so that accountability would be clear." He further proposed compiling a concise code of office from recent imperial edicts and Ming administrative precedents, since the ministries lacked any authoritative handbook of duties. He was promoted to Left Vice Censor-in-Chief. He memorialized that the emperor should hold informal audiences, summon ministers for direct discussion, and supply paper and brush to test their judgment; proposals that hit real strengths and weaknesses should be enforced immediately rather than routinely sent down for departmental debate—and the emperor accepted every point. He was promoted to Vice Minister of Revenue, then posted as provincial administration commissioner of Guangdong, and later demoted to intendant of Yanghe in Shanxi. At the start of Kangxi his post was abolished and he returned home. In Kangxi 18 he was nominated for the Special Examination but could not attend because of mourning; Academician Xu Yuanwen recommended him to help compile the Ming History. He died several years later, leaving the Juanpu Poetry Collection.
45
Song Wan, styled Yushu, was from Laiyang. His father Yingheng was a jinshi in the Tianqi reign. As magistrate of Qingfeng he ruled with kindness, and the people erected a shrine in his honor. At the end of Chongzhen he died loyal to the dynasty and was posthumously made Vice Director of the Court of the Imperial Stud.
46
西 調調 使 宿 使
From youth Song Wan wrote poetry and was known for his talent. A jinshi of Shunzhi 4, he was appointed a secretary in the Ministry of Revenue and rose to Director in the Ministry of Personnel. Posted as intendant of Longxi, he passed through Qingfeng, where the people stopped him at Yingheng's shrine and kept him a full day, recalling the past until they wept. Song Wan redoubled his efforts, determined not to disgrace his family's name. Transferred to Yongping and then to Ning-Shao-Tai, he distinguished himself in every assignment. In the eighteenth year he was promoted to provincial surveillance commissioner. At that time Yu Qi had risen in rebellion at Dengzhou. A kinsman of Song Wan's, nursing an old grievance, denounced him; Wan was falsely accused of colluding with Yu Qi, seized and thrown into prison, and his wife and children were imprisoned too. After more than three years the case was tried outside provincial jurisdiction. Governor Jiang Guozhu established his innocence, and in Kangxi 3 he was released and sent home. In the eleventh year an edict recalled him to office as provincial surveillance commissioner of Sichuan. The next year he went to court for audience, leaving his family at his post. When Wu Sangui rebelled and Chengdu fell, the news struck him with such shock that he died.
47
調 歿
When Song Wan first served in the capital he exchanged verses with Yan Hang, Shi Runzhang, Ding Peng, and others, and was counted among the "Seven Masters of the Yan Capital." His poetry married form to melody—bright, lucid, warm, and refined. After his ordeal he sometimes wrote in a desolate, impassioned vein, yet never lost his sense of balance. Wang Shizhen edited his collected works into thirty juan. He once paired himself with Runzhang under the epithet "Southern Shi and Northern Song." After his death his poems were scattered and lost; his clansman grandson Bangxian gathered and edited them into six juan.
48
退
Hang, styled Zican, was from Yuhang. A jinshi of the twelfth year of Shunzhi, he rose to serve as Vice Minister of Revenue. Modest and yielding by nature, he would revise his poems on the spot whenever anyone criticized them. He left a collection entitled Gaoyuan ji.
49
Shi Runzhang, styled Shangbai and known as Yushan, was from Xuancheng. His grandfather Hongyou was noted for scholarly accomplishment. His family kept up its scholarly tradition in the south for generations; when people spoke of exemplary household discipline, the Shi were always cited.
50
滿西西 忿 使 使
Runzhang was orphaned young and treated his uncle with the respect due a father. He studied with Shen Shoumin, read widely across many texts, and excelled in poetry and classical prose. A jinshi of the sixth year of Shunzhi, he was appointed a secretary in the Ministry of Justice and placed at the top of the assistant department director examination. Promoted to educational commissioner of Shandong, he favored solid elegance over shallow display and won a reputation as an incorruptible judge of talent—as a "mirror of ice." When his term ended, he was made assistant administrator of Jiangxi with charge of the western Jiangxi circuit. The prefectures under his charge were devastated and infested with bandits; he traveled through hill and valley to restore order, and the people called him "Bodhisattva Shi." He once wrote such pieces as "Lament at Danzi Ridge" and "Lament at the Great Pit" to reprove local officials; readers said of him, "He is the Yuan Daozhou of our age." He made a special point of promoting moral instruction; wherever he went he restored academies, and his lecture gatherings routinely drew hundreds. Two brothers in Xingan had grown hostile to each other; one day, upon hearing a lecture on ritual, deference, and filial duty, they fell into each other's arms weeping and came before the hall to confess their wrongdoing. When Xiajiang was troubled by tigers, he composed a ritual prayer against them; soon afterward a tiger fell into a deep ditch, and the menace ceased. In drought years his prayers for rain were answered without fail. Early in the Kangxi reign his office was abolished and he returned home. Unable to keep him from leaving, the people pooled funds to found Longgang Academy and enshrined him there. When Runzhang was first posted at Linjiang, a clear river wound below the city walls; people passing by would say, "This river is like our prefect." It was accordingly renamed "Prefect's River." On this occasion the whole city turned out to see him off on the river and followed him as far as the lake. Finding the official boat too light to cross safely, the people vied to buy gypsum and load it aboard so he could get across. In the eighteenth year he was summoned to the poetics examination, appointed Reader-in-Waiting of the Hanlin Academy, assigned to compile the Ming History, and put in charge of the Henan provincial examinations. In the twenty-second year he was promoted to Reader; before long he fell ill and died.
51
Runzhang's scholarship took practical humanity as its foundation. He set up charity fields to support needy kinsmen and took pains to encourage younger scholars. His prose was plain in thought and calm in spirit; in poetry he ranked with Song Wan. Wang Shizhen admired his pentameter verse and painted an "Extracted Lines" scroll in his honor. When one of Shizhen's disciples asked Runzhang about the art of poetry, Runzhang replied, "Ruanting is like the jeweled towers of the Avatamsaka Sutra—you need only snap your fingers and they appear. I am not like that. I am like someone building a house—laying each tile, brick, and stone in place from the ground up." Critics agreed that the comparison was just. His works include the Xueyu Tang ji, Juzhai zaji, and Huozhai shihua—more than eighty juan in all.
52
Runzhang was close friends with his fellow townsman Gao Yong; both were masters of poetry and for decades led literary circles in the southeast, their manner known as the "Xuancheng style."
53
Yong, styled Ruanhuai. In childhood he was hailed as a prodigy. His grandfather Weiyue, who served as prefect of Xingguo, was incorruptible and owned almost nothing beyond the essentials. Yong lived in poverty but studied hard; he failed repeatedly on the examination circuit and was nearly sixty before he entered the Imperial Academy as a tribute student. He took part in the special scholars' examination and was appointed a reviser. Runzhang said of his regulated verse that it rivaled the ancients. He was also accomplished in calligraphy and painting and left the Yishan Tang and Ruoyan Tang collections.
54
Among those recommended for the special examination at the same time was Deng Hanyi of Taizhou, styled Xiaowei. Because of his age, he was appointed a drafting clerk in the Secretariat. He too was a skilled poet. Wherever he traveled he titled a collection after the place, arranging them year by year—seven volumes in all. Poets everywhere held him in high regard.
55
祿 祿 西
Wang Shilu, styled Zidi, was from Xincheng in Jinan. From youth he excelled at literary composition and was known for his integrity and self-restraint. His younger brothers Shihu and Shizhen studied poetry under him. Shizhen went on to become a leading figure in poetry, rose to minister, and has his own biography. Shilu was a jinshi of the ninth year of Shunzhi. He petitioned to change posts, was appointed instructor at Laizhou Prefecture, then assistant instructor at the Imperial Academy, and was eventually promoted to a secretary in the Ministry of Personnel. In the second year of Kangxi, while presiding over the Henan examinations as an assistant department director, he was caught up in a post-examination investigation, censured, and thrown into prison. After a long interval he was cleared, dismissed from office, and sent home. Several years later he was recalled to his former rank. When Academician Zhang Zhensheng and Censor Li Tang were punished in turn for their memorials, he spoke out forcefully on their behalf—an act people considered brave. Before long he was dismissed again and sent home. He died at forty-eight, worn away by grief during mourning for his mother. His prose avoided ornament; his poetry was especially calm, understated, and spacious in spirit. His works include the Xiqiao and Shihu Shanfang collections.
56
''
Shihu, styled Zice. When he was ten, a guest wondered aloud why the scholar Jiao Hong took the style Ruohou? Before anyone at the table could answer, he replied at once: "It comes from the Record of Crafts—'Broaden the width of the cloth to make the selvage. Everyone was astonished by his precocious wit. Early in the Kangxi reign he passed the jinshi examination but died before he could take office. Shizhen edited his poems into the Gubo Shanren yiji, the Posthumous Collection of the Hermit of the Old Bowl.
57
At that time, apart from the Wang brothers, Shandong poets of note included Tian Wen, Yan Guangmin, Cao Zhenji, Wang Ping, Zhang Duqing, and Xu Ye.
58
祿調 調 調
Wen, styled Zilun and known as Shangjiang, was from Dezhou. A jinshi of the third year of Kangxi, he was appointed a drafting clerk in the Secretariat. Previously Secretariat draftsmen had been purchased offices; from this year on jinshi were appointed instead, and the practice became standard. He rose through successive appointments to become a director in the Ministry of Works. As educational superintendent of Jiangnan, he selected many exceptionally gifted scholars. On examination tours he traveled with only two mules and two servants, and warned local officials not to put on display for him. He served as Huguang grain intendant, was promoted to Director of the Court of Imperial Sacrifices, governed Jiangning, and was later transferred to Guizhou. When the Miao and Zhong were acting up, the governor-general of Guangdong proposed a joint punitive campaign. Wen argued: "The way to handle the Miao is to punish offenses and otherwise keep them in check—there is no need to mobilize armies and wear out the people." The proposal was shelved. After mourning he was recalled as Vice Minister of Justice, transferred to the Ministry of Revenue, and later retired home because of illness. In the Kangxi era Shizhen enjoyed a towering national reputation, and his poetics emphasized tone and modulation. Wen, relying on his bold, forceful temperament, sought to counter him with poetry that was strange and gorgeous. He left the Guhuan Tang ji.
59
Zhenji, styled Shengliu, was from Anqiu. A jinshi of the same year as Wen, he served as a director in the Ministry of Rites. His poetry was taut and polished; he left the Shian shilue. He was also an accomplished lyricist; when Wu Qi compiled an anthology of master lyricists, Zhenji's piece was placed at the head of the volume.
60
西
Guangmin, styled Xunfu, was from Qufu and a sixty-seventh-generation descendant of Yan Hui. A jinshi of the sixth year of Kangxi, he was appointed a drafting clerk of the State History Bureau. When the emperor visited the Imperial Academy and extended favor to descendants of the Four Sages, Guangmin was appointed a secretary in the Ministry of Rites and later served as a director in the Ministry of Personnel. His poetry was graceful, spirited, and richly layered, in the vein of Qian Qi and Liu Yuxi. Ji Dong of Wujiang said his poetry was worthy to celebrate the golden age. He was an elegant zither player and adept at mounted archery and cuju. He once climbed Mount Hua in the west, passed through the Yique Gate, traveled south along the Yangtze and Huai, watched the Qiantang bore, and went upriver through the Sanqu region. Wherever he traveled he commissioned artists to paint the scenes, and inscribed stones he acquired he always hung on his walls. His works include the Lepu ji and Jiuyu Tang ji.
61
Ping, styled Qiushi, was from Licheng. In youth he lived unconstrained and unlucky in life; people considered him unhinged. Tian Wen read his poetry and lent him his reputation. He once wrote an exceptionally fine line on yellow leaves, and people nicknamed him "Wang Yellow Leaf." A jinshi of the forty-fifth year of Kangxi, he was slated to become a county magistrate but, because his mother was old, sought and received appointment as instructor at Chengshan Guard instead. He shut himself in to write poetry, and his principled integrity became all the more celebrated. His works include the Ershisi Quan Caotang ji.
62
Duqing, styled Lijiu, was from Zichuan. He was a selected tribute graduate. From youth he won the patronage of Shi Runzhang. When the Special Examination was announced, some wanted to recommend him, but he refused. He modeled his poetry on the High Tang masters and left the Kunlun Shanfang ji.
63
Ye, styled Dongchi, was from Xincheng; his original name was Yuanshan. He was nominated for the Special Examination but did not go. He left a poetry collection.
64
Chen Gongyin, styled Yuanxiao, was from Shunde. His father Bangyan died for the dynasty at the fall of the Ming and was posthumously made Minister of a department. Orphaned in youth, Gongyin wrote poetry and grew up steeped in stories of loyalty and filial devotion. He left home to travel, and poems such as his Recalling Antiquity at Gusu shook the literary world of his day. He stayed in Fujian and Zhejiang for seven years. One day a friend of his father met him on the road and rebuked him: "You have not returned to bury your father—do you think dying alone will satisfy your obligation?" Gongyin wept and apologized, then went home. After burying his father at Zengcheng, he crossed the Tonggu Sea to visit an old friend abroad. Long afterward he came back and lived in the home of He Heng. With Tao Yu, Liang Wuji, and He Heng's younger brother Jiang he spurred one another on in letters, and they were known as the "Five Sons of Beitian." Later he traveled again to Ganzhou, sailed on Lake Dongting, revisited Nanjing, went on to Kaifeng, crossed the Yellow River northward, and wandered beneath the Taihang range. He then returned south, built a house south of Guangzhou, and amused himself with poetry and prose, calling himself the Luofu Commoner.
65
Gongyin wore a long beard and had a commanding presence, with a grave and steady air. His verse rose and fell with passionate force, enough to give voice to his grief and indignation. He said that most of his life's writing came straight from the heart; always on the road, he had never had time for scholarly antiquarianism. He died at seventy-one. His works include the Dulutang ji. Wang Sun collected Gongyin's poems together with those of Qu Dajun and Liang Peilan and published them as the Lingnan Sanjia ji.
66
Dajun, styled Jiezi, was from Panyu. Originally named Shaolong, he became a monk when disaster struck and returned to lay life in middle age. A fine poet, his verse was lofty, resonant, and boldly free; he left the Wengshan shiwen ji.
67
殿
Peilan, styled Zhiwu, was from Nanhai. As a boy he could memorize several thousand characters a day. He topped the provincial examination in Shunzhi 14, but did not pass the palace examination until thirty-one years later, when he was sixty. Peilan had been famous for his poetry from early on. Once chosen as a Hanlin bachelor, he was regarded as the leading spirit of the academy. Within a year he took leave and went home, where he lived for fifteen years. When an edict ordered literary officials back to duty, he returned to the capital. A month later, when the Hanlin probation ended, he was dismissed for failing to master Manchu and sent home. He founded the Lanhu Society, and with his fellow townsman Cheng Keze, Wang Bangji and Fang Dianyuan of Panyu, Chen Gongyin, and others he was known as one of the "Seven Masters of Lingnan." His works include the Liuyingtang ji.
68
殿 祿
Keze, styled Zhouliang. He placed first in the metropolitan examination in Shunzhi 9. A document review halted his palace examination and sent him home, where he threw himself even more freely into the classics and history. In the seventeenth year he finally took the palace examination, was appointed a Secretariat drafter, and rose to Director in the Ministry of War. Posted as prefect of Guilin, he was praised for sharp and capable administration. While at court he joined Song Wan, Shi Runzhang, Wang Shilu, Wang Shizhen, Chen Tingjing, Shen Quan, Cao Erkan, and others in literary gatherings over wine, and Wu Zhizhen published their Eight Masters Poetry Selection. Keze's poetry is collected in the Hairi Tang ji.
69
殿 殿
Dianyuan, styled Mengzhang. A jinshi of Kangxi 3. He served successively as magistrate of Shancheng, Jiangning, and other counties. He set aside sacrificial land to support his brothers, but took his eldest son Huan and second son Chao to live in Suzhou. Father and sons were all known for their poetry. The so-called "Seven Masters of Lingnan" included his two sons in the count. Dianyuan wrote the Jiugu ji; Huan, the Lingzhou ji; Chao, the Shaoyuan ji.
70
Among Peilan's friends was Wu Wenwei of Nanhai, styled Shandai. At ten he was already an accomplished poet and painter. At first he wrote in the manner of Li He, chasing daring lines for instant effect. A juren of Kangxi 32. On the journey to the capital for the examination he died at an inn. He left the Jinmaoshantang ji, with a preface by Chen Gongyin.
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Wang Sun, styled Puyi, was from Panyu. His father Bangji was a supplemental tribute graduate under the Ming. He lived in seclusion on Mount Luofu and was one of the Seven Masters of Lingnan. His works include the Ermimg ji. Sun was writing poetry by the age of seven. Drawn to Daoist practice, he left home young for Danxia, then Mount Lu, where he lived on Taiyi Peak and did not return for six or seven years. He loved the pipa; he spent his days among books, ignored his poverty, and played nothing but the pipa. The more urgently the pipa sounded, the worse his poverty became. His works include the Dachu Tang ji. His wife Pan and his daughter Yaoxiang were both accomplished poets.
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Feng Ban, styled Dingyuan, was from Changshu. Deeply learned and sharp in debate, he was by nature at odds with conventional society. In poetics he fiercely opposed Yan Yu, rejected the Jiangxi school above all, and ranged between Li Shangyin, Du Mu, and Wen Tingyun. He was master of all four major calligraphic scripts. His works include the Dunyin ji. Zhao Zhixin seldom approved any writer of his day, but Ban's work alone won him over—so much so that he put on full formal dress to pay him homage. Once he visited Ban's tomb, wrote "Private Disciple" on a card, and burned it before the grave. The admiration he won from leading men of letters was of this kind.
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Zong Yuanding, styled Dingjiu, was from Jiangdu. At seven he wrote a poem on plum blossoms, and his lines were passed around far and wide. An ancient plum tree stood in his hall, and people called it "Young Master Zong's Plum." Stern in temperament and deeply filial, he often had nothing in the larder, yet never complained of poverty to anyone. In early Kangxi he was sent as a tribute student to the Imperial Academy and selected for appointment as sub-prefect. He died before he could take up the post. Yuanding, his younger cousins Yuan Yu and Yuan Guan, and his nephews Zhi Jin and Zhi Yu were all accomplished poets and were known as the "Five Zongs of Guangling."
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調西
Liu Tiren, styled Gongyin, was from Yingzhou. A jinshi of the Shunzhi reign. When family trouble struck he resigned his post to study under Sun Qifeng. He later served as Director in the Ministry of Personnel. Tiren loved to paint and had a sharp eye for art; he was also an accomplished zither player. A friend of Wang Wan and Wang Shizhen, he left the Qisong Tang ji. Shizhen said his poetry resembled Meng Jiao's; He also said that among living poets none matched Yuanding in mastering the Caidiaoji tradition, and none matched Wu Shu in the Xikun manner.
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Shu, styled Xiuling, originally named Qiao, was also from Changshu. In his Weilu shihua he wrote: "Meaning is like rice—is prose the cooked grain, and poetry the wine brewed from it?" He also said: "A poem must have a living person in it." Zhao Zhixin sighed that this was the voice of genuine understanding.
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西 使
Hu Chengnuo, styled Junxin, was from Tianmen. A juren of the Chongzhen reign. After the Ming fell he lived in seclusion and refused office, dwelling among the Jin and Zhe hills near Tianmen. In Shunzhi 12 the ministry selected him for a county appointment. In Kangxi 5 he was summoned to the capital by official order; he arrived in Kangxi 6 and before long asked to go home. He built the Stone Villa in West Village, devoted himself to reading year round, and wrote the Yizhi, more than two hundred thousand characters in all. Yizhi means to unfold one's own aspirations. Rooted in moral principle and grounded in human affairs, it was learning with both substance and practical application. Its chapter on official administration says: "The ancients did not dare speak lightly of changing the laws. One must possess the virtue of clear wisdom, illuminating every principle fine and coarse alike—not only making room for the refined but for the coarse as well; one must have a spirit of harmony and ease, embracing every view whether alike or different—not only pleasing those who agree, but those who differ as well; only then could one take away long-established laws and grant new institutions, and the people would neither start in alarm nor break into clamor." The chapter on land tax and corvée says: "One who wishes to enrich the state should keep both the ruler's strength and the people's strength always in surplus. The people's surplus strength comes from the ruler's restraint in exactions; the ruler's surplus strength comes from each of the people having enough for themselves." The other chapters follow the same pattern. Chengnuo himself likened his book to Xu Gan's Zhonglun and the Yan Family Instructions. Some criticized it for assembling others' words rather than forming a school of thought of its own like the ancients, but on the whole it always kept to the correct path. He also left Reading Notes, a miscellaneous collection of fragments—likely leftover material gathered while composing the Yizhi. He died in the twenty-sixth year, at seventy-five.
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At the same time there was He Yisun, styled Ziyi, of Yongxin, equally devoted to writing and Chengnuo's peer in learning; and Tang Zhen, styled Zhuwan, from Dazhou.
78
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Yisun was writing prose by the age of nine. In the late Ming, when literary societies flourished, Yisun formed a society at Nanchang with Wan Maoxian, Chen Shiye, Xu Juyuan, Zeng Yaochén, and others. When the Ming fell, he withdrew from public life entirely. In early Shunzhi the provincial education commissioner, admiring his reputation, specially placed him on the tribute list, but he declined. The touring censor Da Chongguang wished to recommend him for the Special Examination; when the letter arrived, Yisun said mournfully: "I fled the world but not fame—how greatly fame burdens a man! I shall vanish from here!" He then cut his hair, put on monastic garb, built a thatched hut deep in the mountains, and was never traced again. In his later years he grew even poorer. His works include Yichu, Shichu, Shifa, and Saofa, and also the Shuitian ju Jishu. The Jishu assembles names and things to convey its themes, records unusual events to hand down admonition, draws on antiquity to mirror the present, and weaves comparisons together in intricate arrangement. When words were not enough, he spoke at length; when length was not enough, he wrote with urgency, alarm, vigilance, and sternness, never stopping until he had fully expressed himself—stirring up the muddy and raising up the clear. It begins with "Honoring Causation" and ends with "Empty Clarity"—forty-one chapters in all.
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Deeply filial by nature, Zhen lived alone in the mourning hall beside his father's coffin for three years. Because the times were too chaotic to return the body home, he buried his father at Tiger Hill. A juren of Shunzhi 14. Selected as magistrate of Changzi, he immediately guided the people to plant eight hundred thousand mulberry trees, on which the people came to rely. Before long he was dismissed over entanglement in a fugitive case. He rented a room in Suzhou; cooking fires often went out altogether, and he gathered wolfberry leaves for food and wore tattered cotton padding, yet never stopped writing. At first his aim was to weigh and balance the realm, and he wrote the Hengshu; later, after repeated setbacks and lack of recognition, he renamed it the Qianshu. It is divided into upper and lower sections: the upper discusses learning, beginning with distinguishing the Ru and ending with broad observation—fifty chapters in all; the lower discusses governance, beginning with esteeming order and ending with hidden preservation—forty-seven chapters in all. Looking up it observes the Way of Heaven, looking down it examines human affairs; from afar it corrects ancient traces, from near it measures what suits the present—rooted in the heart and carried into action, not empty talk. Wei Xi of Ningdu saw it and sighed: "This is a book of Zhou and Qin times—can such a man still exist today!" He died at seventy-five.
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Ashitan, styled Jinlong, of the Wanyan clan, was a Manchu of the Plain White Banner. A jinshi of Shunzhi 9, he was appointed a supervising secretary in the Bureau of Punishments. When the Great Learning, Doctrine of the Mean, Classic of Filial Piety, and other books were first translated, an edict ordered their publication. Ashitan submitted a memorial: "Students should take the sages as their goal and the classics and histories as their guide; aside from these, unprofitable miscellaneous books should be cast aside." He also requested strict separation between men and women among banner people and the establishment of a nine-rank system for ministries and boards—all were approved. In early Kangxi he was dismissed and lived at home. When Oboi monopolized power and wished to summon him for an audience, he never went. Later, through recommendation, he was restored to office; the Kangxi Emperor summoned him and asked about thrift and caring for the people. He replied: "In thrift nothing is more essential than few desires; in caring for the people nothing comes before employing the worthy." The Kangxi Emperor turned to those beside him and said: "This is a great Confucian of our dynasty!" His works include commentaries on the Great Learning and Doctrine of the Mean, as well as memorial drafts. His grandson Liubao served as chief compiler of the History of the Ming as a Grand Secretary of the Hanlin Academy; see the biography of Wang Lansheng.
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Liu Qi, styled Wuzhong, was a Han Bannerman of the Bordered White Banner. His younger brother Wen was a juren. Both won the Yongzheng Emperor's favor and at the time were known as the "Two Qis." His works include Exposition of the Zhou Changes, Exposition of the Tribute of Yu, Brief Discrimination of Auxiliary Characters, Gazetteer of Tangyi, and the Weiyuan ji.
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Jin Dechun, styled Sugong, was a Han Bannerman of the Plain Red Banner. He wrote the Record of Banner Armies.
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Fu Zehong, styled Yufu, was a Han Bannerman. He rose to Intendant of the Huai-Yang Circuit in Jiangnan. He wrote the Golden Mirror of Water Control in one hundred seventy-five juan.
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Wang Wan, styled Tiaowen, was from Changzhou. Orphaned young, he drove himself in study and was intent on writing classical prose. He had original insights into the Changes, Odes, Documents, Spring and Autumn Annals, Three Rites, and Mourning Dress. By nature he was stern and uncompromising. He deeply lamented that writers ancient and modern loved fame but lacked substance and rarely held themselves to independent integrity; therefore he devoted himself to learning useful for governing the age. In his judgments of contemporaries, praise and censure alike were never sparing. A jinshi of Shunzhi 12, he was appointed a section chief and twice promoted to Director in the Ministry of Punishments. Demoted to commander in the Horse Bureau over entanglement in a case, he still fulfilled his duties and was not discouraged by his low rank. When his term ended he was promoted to section chief in the Ministry of Revenue; the people saw him off until the streets overflowed. He supervised the West New Customs at Nanjing, then took sick leave to return home. He built a hut on Mount Yaofeng, closed his doors to write, kept aloof from worldly affairs, and scholars called him Master Yaofeng. Recommended by Song Deyi and Chen Tingjing for the Erudite Special Examination, he placed in the first rank. Appointed compiler, he helped compile the History of the Ming and in sharp disputes never yielded. After sixty days in the academy he again requested sick leave and went home. Ten years after returning home he died, at sixty-seven.
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Earlier the Kangxi Emperor once asked Chen Tingjing who in the present age could write classical prose, and Chen Tingjing named Wan. When Wan returned home on sick leave, the Kangxi Emperor on his southern tour stopped at Wuxi and instructed Governor Tang Bin: "Wang Wan long served in the Hanlin and has a literary reputation. Now I hear that in retirement he is very upright and pure; I specially bestow one scroll of imperial calligraphy." At the time this was counted a great honor. Wan's writing was rooted in the Six Classics, lucid and flowing like the Southern Song masters, and his narrative had method. For the memorial inscriptions and biographies of high officials, all vied to obtain Wan's writing as the crowning piece. He compiled his poetry and prose into categorized drafts and continued drafts, each of several dozen juan, then selected the finest pieces and entrusted his disciple Lin Ji to edit and print them.
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Ji Dong, styled Fucao, was from Wujiang. In youth he possessed talent for statecraft and compared himself to Ma Zhou and Wang Meng. When disaster struck he wrote the Five Discourses on Planning for the South, presented them to Shi Kefa, and Shi Kefa marveled at them but could not employ him. In Shunzhi 14 he passed the Shuntian provincial examination, but was soon disqualified in the Jiangnan examination-fraud case. He studied under Tang Bin and learned classical prose from Wang Wan in the manner of Ouyang Xiu and Zeng Gong; his writing had solid foundations, yet always came forth in peaceful and gentle elegance. Discarded and unemployed, too poor to support himself, he wandered freely and wherever he went befriended local heroes. Passing through Yecheng, he searched for the burial place of the Ming poet Xie Zhen, found it twenty li outside the south gate, restored the tomb and erected a stele, and asked the authorities to forbid woodcutting and grazing there. Resting at an inn in Shunde, he recalled that Gui Youguang had once served as assistant in the prefecture and that his collected works contained a Hall Wall Record; unable to find the site, he set out a single incense petal in the abandoned garden beside the yamen, bowed twice with tears streaming, and left—onlookers were alarmed by his eccentricity.
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Outwardly Dong seemed unrestrained, but inwardly his conduct was careful and his devotion to his mother deeply filial. When his fellow townsman and friend Wu Zhaoqian was exiled beyond the pass, he provided for his family and even betrothed his daughter to Wu's young son. Grand Secretary Wang Xi had long valued Dong and repeatedly wished to recommend him, but never succeeded. Just as an edict was issued to recommend candidates for the Special Examination, Dong had already died the year before, and Wang deeply mourned and regretted it.
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On his first travels in Henan he met Song Luo of Shangqiu, who immediately held him in high esteem. More than twenty years after Dong's death, Song became governor-general of Jiangsu, wrote a preface for his posthumous writings titled the Gaiting ji, and had them published.
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Zhao Qian, styled Hancha. He too was a juren of Shunzhi 14. Because of rumors in the examination halls he was arrested and sent into exile at Ningguta. Zhao Qian and his younger brother Zhao Yi were both skilled writers; after twenty years on the frontier, despondent and unable to find solace, he poured it all out in poetry. Before long his friend Gu Zhenguan spoke to Nalan Xingde and Xu Qianxue, who paid the ransom, and in Kangxi 20 he was pardoned and returned. He wrote the Qiujia ji. Zhao Yi annotated the two collections of Xu and Yu, Han Wo's poetry collection, and also the Yutai xinyong and Caidiao ji, all of which circulated widely.
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His fellow townsman Gu Woqi was a government-sponsored student. When Ortai served as financial commissioner of Jiangsu, he tested candidates in classical learning, selected fifty-three scholars, printed the Nibang lixian ji, and ranked Woqi first. When the poetry special examination was opened in Qianlong bingchen, Ortai regretted that Woqi had already died and could not be recommended; people said his fortune matched Dong's. He left the Xiangnan shiji.
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駿 殿 祿
Peng Sunyu, styled Junsun, was from Haiyan. His father Qisheng served as Minister of the Stud under the Ming Prince of Tang and died at Ganzhou. The eldest son Sunyi died from grief-mourning; Sunyu was the youngest son. A jinshi of Shunzhi 16, he was appointed a secretary in the Secretariat. Skilled in lyrical composition, he was as famous as Wang Shizhen, and the two were known as "Peng and Wang." In Kangxi 18 the Erudite Special Examination was opened; an edict ordered officials throughout the realm to search widely for recluses, prepare rites and earnestly encourage them, and whether already in office or not, summon them to the capital with monthly rations of Taicang rice. On the first day of the third month of the following year they were summoned for examination at the Hall of Supreme Harmony. One fu and one poetry topic were issued; the Hanlin Academy supplied official paper, the Court of Imperial Entertainments laid out the seating mats, and a banquet was granted below the Hall of Embodying Benevolence. Thereupon the emperor personally selected Sunyu as first in the first rank and appointed him compiler.
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鹿 西 西
Apart from Sunyu, those registered in Zhejiang included Wang Lin of Qiantang, Xu Jiayan and Zhu Yizun of Xiushui, Lu Rou of Pinghu, Shen Heng of Haining, Shen Jun, Wu Renchen, and Shao Yuanping of Renhe, Fang Xiangying and Mao Shengfang of Suian, Mao Qiling of Xiaoshan, and Chen Hongji of Yin—thirteen in all. From Jiangsu there were twenty-three: Ni Can of Shangyuan, Qiao Lai of Baoying, Wang Xuling and Wu Yuanlong of Huating, Qin Songling and Yan Shengsun of Wuxi, Zhou Qingyuan of Wujin, Chen Weisong of Yixing, Feng Xun, Wang Wan, You Dong, and Fan Biying of Changzhou, Qian Zhongxie of Wu, Wang Ji of Yizhen, Qiu Xiangsui of Huai'an, Pan Lei and Xu Qiu of Wujiang, Huang Yujian of Taicang, Zhou Qinghui of Changshu, Li Kai and Zhang Honglie of Shanyang, Qian Jinfu of Shanghai, and Cao He of Jiangyin. From Zhili there were five: Zhang Lie of Daxing, Yuan You of Dongming, Mi Hanwen of Wan, Cui Ruyue of Huolu, and Pang Kai of Renqiu. From Anhui there were three: Shi Runzhang and Gao Yong of Xuancheng, and Long Xie of Wangjiang. From Jiangxi there were two: Li Laitai of Linchuan and Li Qian of Qingjiang. From Shaanxi there was one: Li Yindu of Fuping. From Henan there was one: Tang Bin of Suizhou. From Shandong there was one: Li Chengzhong of Zhucheng. From Hubei there was one: Cao Yipu of Huanggang. All fifty entered the Historiography Bureau as Hanlin scholars. Those placed in the second rank were also mostly renowned figures—the occasion was called an age of utmost flourishing.
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Sunyu rose to Vice Minister of Personnel and served as lecturer at the Classics Colloquium. The History of the Ming had long gone unfinished; he was specially appointed chief compiler and granted a personal commission—an exceptional honor. At seventy he retired; the emperor bestowed the plaque "Pine and Cassia Hall," and he named his collection after it.
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Zhu Yizun, styled Xichang, was from Xiushui and the great-grandson of Ming Grand Secretary Guozuo. Born with exceptional talent, he never forgot what he read. Poor and traveling as a guest, he went south beyond the ranges, north to Yunshuo, east across the sea to climb Zhifu, and through Ou-Yue. Wherever he went, he searched out and collated inscriptions from shrines, desolate tombs, broken furnaces, and ruined steles, comparing them with historical biographies for discrepancies. After returning home he joined Li Liangnian, Zhou Yun, Miao Yong, and others for poetry sessions, and his literary fame grew louder.
95
In Kangxi 18 he passed the Special Examination and was appointed reviser. At that time Li Yindu of Fuping, Pan Lei of Wujiang, Yan Shengsun of Wuxi, and Yizun were all selected as commoners and jointly compiled the History of the Ming. He proposed searching for lost books, extending deadlines, and not forcing the work to match the Yuan History's compressed timeline. He showed that Fang Xiaoru's friends Song Zhongheng, Wang Mengyun, Zheng Shudu, Lin Gongfu, and others all escaped the calamity, proving that the Congwang and Zhishen lu claim—that nine clans were executed and disciples and friends slaughtered as one clan—cannot be relied upon; the so-called nine clans meant the original clan and its branches. He also argued that not all Donglin were gentlemen, and that those unlike the Donglin were not all petty men. Historians must not hold to factional views, dividing good and evil by allegiance. In Kangxi 20 he served as daily lecturer and recorder. He presided over the Jiangnan examination and was said to have selected worthy scholars. He entered the Southern Library and was granted the privilege of riding a horse within the Forbidden City. He attended inner-court banquets many times and received gifts of brocade and seasonal fruit, all of which he recorded in poetry. Soon afterward he was impeached for secretly bringing a clerk into the inner palace to copy books, was demoted one rank, and later had his original office restored. In Kangxi 31 he took leave to return home. When the Kangxi Emperor on his southern tour reached Wuxi, Yizun welcomed him and received the imperial plaque "Studying the Classics and Mastering Antiquity."
96
At the time Wang Shizhen excelled at poetry, Wang Wan at prose, and Mao Qiling at evidential scholarship; Yizun alone combined all these strengths. His works include the Inquiry into the Meaning of the Classics, Old Accounts of the Capital, and the Baoshu Ting ji. He also compiled the Comprehensive Ming Poetry, recording poets through their poems or preserving men through their poems, with the most judicious arrangement. He died at eighty-one. His son Kuntian was also skilled in poetry and prose but died young. His grandson Daosun passed the Special Examination in Qianlong bingchen and continued the family tradition.
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Among those with whom Yizun held poetry sessions was Li Liangnian, styled Wucao, a fellow townsman. He and his elder brother Shengyuan and younger brother Fu all had reputations in poetry. He took the Special Examination and returned home after failing. He left the Qiujin shanfang ji.
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Tan Jicong, styled Zhoushi, was from Jiaxing and the son of Yizun's paternal aunt. In youth he encountered bandits and shielded his father with his body; the bandits spared them and left. Later, as a licentiate he ranked first in the Imperial Academy examination and was appointed a drafting secretary in the Hongwen Academy, then went out to serve as vice-prefect of Yan'an. When Wu Sangui rebelled he held Yucheng alone intact, and for his merit was promoted one rank. He was nominated for the Special Examination but was rejected. He was transferred to serve as prefect of Dengzhou. He died. He left the Jia shu tang ji.
99
You Dong, styled Zhancheng, was from Changzhou. In youth he became a licentiate and presented himself for selection through the tribute route. He was appointed judicial assistant of Yongping and upheld the law without yielding. Because he flogged a banner soldier he was reduced in rank and returned home. Dong's native talent was rich and abundant; his poetry and prose were full of fresh and striking thought, mixed with wit and banter, and whenever a piece appeared it was recited throughout the land. In Kangxi 18 he placed in the second rank of the Special Examination, was appointed reviser, and helped compile the History of the Ming. After three years in office he requested leave to return home. When the Kangxi Emperor on his southern tour reached Suzhou, Dong presented congratulatory poetry. The emperor was pleased, bestowed the imperial plaque "Crane Dwelling Hall," and promoted him to reader-in-waiting.
100
西
Earlier, the Shunzhi Emperor in the palace had read Dong's poetry and regarded him as a literary genius. Later, after entering the Hanlin, the Kangxi Emperor called him "the old man of letters." All under Heaven envied his honored treatment. Dong delighted in recommending talented men; by nature he was generous and mild and at odds with no one. The seven brothers were deeply affectionate, white-haired yet as close as in childhood. He died at eighty-seven. His works include the Xitang ji and the Hexi tang ji, more than one hundred juan in all.
101
西 仿
Qin Songling, styled Liuxian, was from Wuxi. A jinshi of Shunzhi 12, he served as reviser, was dismissed, and returned home. Later he was nominated for the Special Examination and was again appointed reviser. He presided over the Jiangxi provincial examination, rose to Left Assistant to the Heir Apparent, and ended his career as tutor to the heir apparent. When Songling was a bachelor in the Hanlin, he was summoned to compose a poem on the crane and wrote a line saying: "It cries often toward the moon and dances well without courting men." The Shunzhi Emperor ranked him first and showed it to the grand secretaries, saying: "This man must have character!" When he returned home he lived in retirement for more than twenty years and devoted himself exclusively to the Mao Odes. Following the example of Huang's Daily Notes, he wrote the Daily Commentary on the Mao Odes in six juan. His own poetry and prose he collected under the title Cangxian shanren ji.
102
Cao He, styled Songjia, was from Jiangyin. A jinshi of Kangxi 3. Selected for the Special Examination, he was appointed reviser and rose to Grand Master of the Imperial Academy. He stood among the Ten Masters of Poetry—Tian Wen, Song Luo, Wang Maolin, Yan Guangmin, Wang Youdan, Xie Chonghui, Cao Zhenji, Ding Peng, and Ye Feng.
103
西
Among Jiangxi men chosen first class in the Special Examination at the same time was Li Tailai, styled Shitai, of Linchuan. A jinshi of Shunzhi 9. He once supervised education in Jiangnan, was appointed intendant of the Suzhou-Songjiang-Changzhou circuit, and retired on grounds of illness. He passed the Literary Examination and received appointment as lecturer-in-waiting. His classical prose was learned and profound, and his poetry was praised for its harmonious elegance. He left the Shitai ji collection.
104
稿
Chen Weisong, styled Qinian, was from Yixing. His grandfather Yu Ting had been Left Censor-in-Chief under the Ming. His father Zhenhui appears in the Biographies of Recluses. Weisong possessed dazzling genius; at ten he wrote, in his grandfather's stead, an encomium for the portrait of Yang Zhonglie. Once grown, he waited on his father; at every banquet of leading men he would take up his brush and draft prefaces and accounts—thousands of words at a stroke, gorgeously unmatched—and even his seniors sought his friendship. He became a licentiate, yet for years found no official opening. He set out on the road, and wherever he went men competed to host him. Once, traveling from Bian to the capital, he and Zhu Yizun jointly published Zhu-Cun Village Lyrics; the book reached the inner palace, and he received an imperial inquiry—a mark of honor in his day. Not until past fifty did he pass the Special Examination, receive appointment as reviser, and join the compilation of the Draft History of the Ming. After four years in the academy he died of illness.
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Lean and full-bearded, Weisong was known across the land as Chen the Bearded. He never spoke in anger or flashed sudden temper, and he loved his younger brothers dearly. Moving among ministers and grandees, he was careful and steady, setting things right as occasion arose; friends were glad to draw near him, yet none in the end took liberties. He left the Huhai lou shi ji and Jialing wen ji. Wang Wan seldom approved anyone among his peers, yet he singled out Weisong's parallel prose and declared that since Tang Kaiyuan and Tianbao, no one could rival him. His poetry was bold, lush, and weighty; his song lyrics ran to some eighteen hundred pieces—more than anyone before him.
106
During Shunzhi and Kangxi, Wu Qi, styled Ci, of Jiangdu, was also celebrated for parallel prose. Weisong traced his line to Yu Xin and flooded outward into the Four Talents of early Tang, giving his style a deep, vigorous pulse. Qi followed in Li Shangyin's steps; his range was slighter than Weisong's, yet he was surpassingly elegant and nimble. In Shunzhi 11 he was chosen as a tribute student and recommended as a secretary in the Secretariat. By imperial command he set Yang Jisheng's yuefu to music; he was promoted to principal clerk in the Ministry of War—the office Yang Jisheng once held. Appointed prefect of Huzhou, he showed real administrative talent. Men praised his force of character, his regard for principle, and his store of wit, and called him the Three-Winds Prefect. Soon afterward he was removed from office and went home. Without land or fields, he bought an abandoned garden and made it his home. Those who asked him for poems or essays paid him in flowers and plants; he named the garden Character-Planting Grove for that reason. He left the Linhuitang ji collection. His song lyrics were best known of all—women and children alike could sing them from memory. For the line "Raise the cup and toast the east wind—planting twin red beans," he was also known as the Red-Bean Lyricist.
107
綿 使
Xu Qian, styled Dianfa, was from Wujiang. He took the Special Examination and received appointment as reviser. Just as he was due for transfer outside the capital, he suddenly petitioned to retire. Later he was summoned back to his former office but refused. He died at seventy-three. He left the Nanzhou caotang ji and Benshi shi. He also printed the Juzhuang yuefu. Ye Fang'ai of Kunshan called his writing lush and deep, subtle enough to repay long pondering. Envoys from Korea paid in fine gold to obtain copies. Already masterful in regulated lyrics, he compiled the Ciyuan congtan, displaying keen critical taste.
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使 便便 調
Pan Lei, styled Cigeng, was from Wujiang. Gifted from birth, he read ten lines at a glance; whether classics, history, phonology, mathematics, or Buddhist learning, he mastered them all. Under Kangxi he entered the Special Examination as a commoner, became reviser, and joined the compilation of the Draft History of the Ming. He wrote the chief compilers setting forth eight essentials: "Gather widely and verify with precision; divide labor yet keep one standard of method; write plainly and argue fairly; allow ample time and keep the work concise." The chiefs approved and assigned him the Treatise on Food and Money, along with other annals and biographies. He soon became diarist of the imperial lectures and helped compile the Veritable Records and Sacred Instructions. Once, responding to an imperial request for counsel, he argued: "Memorializing was never a single office—Mei Fu as magistrate of Nanchang spoke against imperial in-laws; Liu Kang as Grand Astrologer denounced Cheng Yuanzhen; Chen Dong as an academy student attacked the Six Traitors; Yang Jisheng as a ministry clerk impeached Yan Song. The old custom of this dynasty permitted every capital official to submit memorials. Since Kangxi 10, when censorial officials petitioned to end the practice, any non-censor who speaks on affairs of state is treated as overstepping his rank. A sovereign should see and hear for himself; he should be led to welcome speech. Yet now it is forbidden—can that be the way of a flourishing age? I ask that the ban be relaxed so officials at every rank may speak and remonstrate, giving those who mislead the throne for private ends something to fear. That would be hard on such men, but a great benefit to the realm. Provincial commissioners and local magistrates, when they see great benefit or harm in their jurisdictions, should also be allowed to memorialize. In flood, drought, or famine, county and district officials should be able to report upward. Then no hardship among the people would fail to reach the throne. He further asked that censors be allowed to speak on hearsay, and that men who boldly attack villainy be promoted out of turn to revive the courage to speak plainly. In year twenty-three a talent review began; deemed rash, he was demoted and sent away, then went home.
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歿
Lei was deeply filial; when first called to office he pleaded his aged mother, was refused, and went all the same. Once in office, promotion came slowly; three times he petitioned the Ministry of Personnel as an only son to return and care for his parent, but each time debate blocked him. When mourning came upon him, grief wore him down to skin and bone. As a youth he studied under Xu Fang and Gu Yanwu, men of his own prefecture. When Fang died he cared for his orphaned grandson and printed Gu's writings—his loyalty to his teachers' circle ran very deep. In year forty-two, during the emperor's southern tour, his former office was restored. Grand Secretary Chen Tingjing wanted to recommend him back to service, but he refused firmly and would not return. He loved landscape all his life; composing on high places, he made eminent men bow to his talent. He left the Suichu tang ji. On the basis of Gu Yanwu's Yinxue wushu he compiled eight juan of Leiyin. Gu Yanwu looked back to antiquity; Lei, by contrast, traced the changes of later ages to their end.
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Of the Special Examination men celebrated for historical talent in that age, Zhu Yizun, Wang Wan, Wu Renchen, and Lei stood foremost. Also Ni Can, styled Angong, of Shangyuan. A provincial graduate appointed reviser, he wrote the preface to the Treatise on Literature; with Jiang Chenying's preface to the Treatise on Penal Law, both were hailed as outstanding compositions. His calligraphy and poetic style stood out in his time; he left the Yanyuan ji.
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Yan Sun, styled Sunyou, of Wuxi, was grandson of the Ming minister Yan Yipeng. At six he could write large seal-script characters. On exam day eye trouble struck; he submitted only one poem, yet still became reviser and wrote the Recluses biography for the Draft History of the Ming. He conducted examinations in Jiangxi, was soon promoted to middle attendant, and went home on leave. He left the Qiushui ji. His son Hongzeng also painted and wrote poetry well.
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Xu Jiayan, styled Shengli, of Xiushui, was great-grandson of the Ming War Minister Xu Bida. Even as a boy he was quick and clever, with a memory beyond ordinary men. Later he passed the Special Examination and became reviser. In Kangxi 20, when imperial forces recovered Yunnan and Guizhou, Jiayan modeled the drum-and-bugle songs and presented twenty-four pieces from "The Sage Appears" through "The Dance of Civil Virtue"; Four years later, on Lantern Festival night, the emperor lit the South Sea with lanterns and let officials and people look on freely; Jiayan again wrote on imperial command—and both works pleased the emperor. Once on palace duty he was told to recite "There Is One Virtue" from memory and did not err in a single word. At the lines "Its virtue is inconstant," he read with grave countenance, and the emperor was deeply moved. Asked once about the Yuanyou partisan faction, Jiayan gave each man's name and story and the verdicts of earlier scholars with full detail. He received a special gift of Su Shi poems in the emperor's own hand—the court's receipt of imperial calligraphy began here. He was promoted repeatedly to Grand Secretary and concurrent Vice Minister of Rites, and served as deputy chief compiler of the three-reign national history, the statutes, and the unified gazetteer. He left the Baojing zhai ji.
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Fang Xiangying, styled Weiren, was from Suian. He received his jinshi degree in Kangxi 6. He passed the Special Examination and became a compiler, then served as chief examiner in Sichuan. He soon resigned and went home. Xiangying was plain and reserved by nature. Precocious as a child, at ten he wrote the fu "Clear Distant Mountains" and astounded the elders. After retirement he lived at home, and his standing only grew. Whenever the district faced matters of great public benefit or harm, he spoke out boldly; each year he saved the people tens of thousands in taxes and levies, and they built the Sixian Shrine in his honor. He wrote the Jiansong zhai ji, Record of Ascending Changbai Mountain, and Songchuang biji.
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Wan Sitong, styled Jiye, was from Yin County. His father Wan Tai had eight sons; Sitong was the youngest. His elder brother Sida has a biography in the Confucian Scholars section. He had an extraordinarily strong memory; at eight, sitting among guests, he could recite Yang Xiong's Fayan by heart. He later studied under Huang Zongxi, learned the Jishan Liu school's teachings, and made vigilance in solitude his guiding principle. He urged moral integrity through study, exchanged frank counsel with fellow scholars, and held monthly lectures. He mastered the histories and knew Ming institutional precedent especially well. In Kangxi 17 he was recommended for the Special Examination but declined to serve.
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At first, in Shunzhi 2 an edict ordered work on the Ming History, but the project was halted before long. In Kangxi 4 the order came again, and again work ceased. In Kangxi 18 Xu Yuanwen was named supervising compiler; fifty Hanlin officials including Peng Sunyu and sixteen others including Right Sub-Reader Lu Junqi were appointed compilers. Sitong had criticized the practice since Tang times of dividing historical compilation among offices; individual scholars' histories, he argued, though less gifted, were never as chaotic as official ones—so he declined appointment. In Kangxi 32 Wang Hongxu was summoned home again and appointed chief compiler together with Chen Tingjing and Zhang Yushu. Chen handled the annals, Zhang the treatises, and Hongxu the biographies alone. He invited Sitong to his home, put him in charge of the history, and had Qian Mingshi of Wujin assist. Reviewing each biography he would say which book and passage needed checking; a clerk would fetch the right volume without fail. Scholars who came to consult him received answers as prompt and clear as an echo.
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He once wrote a friend: "As a young man I lodged in a household that owned the Veritable Records of successive reigns. I memorized them in silence—I did not let a single word or event slip. As he grew he traveled widely, seeking lost books from old families and questioning elders about the past. He searched prefectural and county gazetteers and private writings of every kind, but always kept the Veritable Records as his standard. The Veritable Records record events and words directly, without embellishment. By dating events, checking words, and judging with impartial care, one can recover eight or nine tenths of a person's life. Yet words have their motives, events their origins, and consequences their provocations—matters only other books can fully supply. Where the Veritable Records are obscure, I corroborate them with other works. Where other books are false or exaggerated, I trim them against what the Veritable Records provide. I dare not claim full reliability, yet wrongful judgments of men are probably rare. Critics already found the Song History too verbose; my account will be twice as long. I do not undervalue brevity—but I fear later writers will chase comprehensiveness without knowing what to cut. So I first go to the limit, so they know what I include I also discard, and what I omit is not the true event or word and cannot be added." He also said: "Ma and Ban's histories all have tables, but from Later Han and Three Kingdoms onward there are none. Liu Zhiji argued that adding them would add nothing and omitting them would lose nothing. He failed to see that historical tables exist precisely to extend what annals and biographies cannot cover. Some figures already in annals or biographies appear again in tables; others not given full entries are brought in through tables. With tables in place, annals and biographies can be shorter—tables must not be dropped. To read history without reading the tables is not to know history deeply." He compiled a chronological table of founding ministers and generals through the Tang and Gui regimes for use in compilation. When Zhang Tingyu and other grand secretaries revised the Ming History under Qianlong, they took Hongxu's draft as their base and revised it. Most of Hongxu's draft came from Sitong's hand.
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He cared little for rank or gain all his life and used his stipends to support his clan. When his friend Feng Jingdi died a martyr, Feng's son was seized as property; Sitong collected funds to buy his freedom. He especially loved to nurture younger scholars. From nobles to common scholars, all called him Master Wan. Li Guangdi judged that Gu Yanwu, Yan Ruoju, and Wan Jiye were truly fit to serve as imperial advisers at Shiqu. Yet in correspondence he signed himself only "Commoner Wan"—never any other title. He died at sixty. He wrote dynastic historical tables, pioneering the eunuch-marquis table and the great-events chronology. He also wrote Lineages of the Confucian Forest.
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Qian Mingshi, styled Lianggong. A top-ranked jinshi in Kangxi 42, he became a compiler. He had long enjoyed literary fame; Wang Shizhen read his verse and admired it greatly. When Hongxu engaged compilers for the Ming History, Sitong verified facts and gave the prose to Mingshi to compose and polish. He rose to Reader-in-Waiting but was stripped of office for sending flattering poems to Nian Gengyao.
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Liu Xianting, styled Jizhuang, was from Daxing; his ancestors were originally from Wu. His scholarship served practical governance; from astronomy and calendrics to phonology, frontier passes, finance, military affairs, and even medicine and Buddhist-Daoist texts—he studied them all. Gu Pei of Liangxi, Wang Fuzhi of Hengshan, and Peng Shiwang of Nanchang were his mentors and friends; he also studied with Xu Qianxue of Kunshan. In debate he never merely followed others' lead. Wan Sitong brought him into the Ming History project; Gu Zuyu and Huang Yi were enlisted for the Unified Gazetteer. Xianting said they were strong on antiquarian research but weak on practical application.
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On geographical works he argued: "Before each region one should measure polar altitude, establish the plane astrolabe's system, and compile a tangent table—then the order of solar terms, the minutes and seconds of eclipses, and the conjunctions and portents of the five planets can all be calculated. The seventy-two seasonal periods differ by region; what is handed down derives from the Monthly Ordinances. Those reflect the Central Plain climate of Warring States times, which no longer matches the present—the shift in the calendar explains the difference. One should now examine the climates of north and south in detail, record what is verified, and then Heaven and Earth will correspond—so that subtle shifts may be observed. At Yanjing and the lower Yangtze, waters flow south, so rain requires a southeast wind; at Heng and Xiang, waters flow north, so rain requires a north wind. Each region's mountains and waters, their orientations and confluences, should all be recorded—then the hardness or softness of local conditions and the signs of yin-yang, dryness and damp may be traced in order."
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On water conservancy he said: "The Northwest was the ancient capital region; for more than two thousand years it never depended on grain from the Southeast. Why? Because ditches and canals were connected and waterworks were maintained. From the turmoil of the Liu and Shi regimes through Jin and Yuan, for over a thousand years men forgot what water conservancy meant—it brought the people harm rather than benefit. To govern the realm properly, one must begin with waterworks in the Northwest. On Northwest waterworks, nothing is more detailed than Li Daoyuan's Commentary on the Water Classic. Though times have changed, six or seven parts in ten may still hold. Li was brief on the Southeast, and critics for that reason undervalue his work. They fail to see that waterways ought to be treated in detail precisely in the Northwest." He then planned to extract from the twenty-one histories all passages on waterworks, agriculture, and defense, investigate their grounds, add various scholars' views, and provide commentary and verification. Everything Xianting planned to write was beyond what one man could finish in a lifetime, and in the end none of it was completed.
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He also claimed that from the Huayan syllabary he grasped the principles of sound, and wrote the New Rhyme System, sufficient to plumb nature's deepest mysteries. Corroborated by the Liao scholar Lin Yichang's theory, he grew all the more confident. His method first posited two nasal sounds, each cycling through the five tones—level yin and yang, rising, departing, and entering—for ten sounds in all, without passing through the seven articulatory positions of throat, palate, tongue, teeth, and lips. Thus there is lateral turning but no direct progression, eliminating the redundancies of equal-rhyme systems. Next he fixed four throat sounds as the root of all rhymes, from which derived half tones, turning tones, hidden tones, sending tones, and modified throat tones. He then distributed the two nasal sounds—one governing northeast rhymes, one southwest—eight rhyme groups established, and the sounds of the four seas could be harmonized. Combining throat sounds with one another yielded seventeen phonemes; combining throat and nasal sounds yielded ten; combining the remaining unused elements in threes yielded five more: thirty-two sounds in all served as rhyme fathers, and twenty-two positions as rhyme mothers. Each lateral turn produced five variants, and the myriad irregular sounds of speech were all encompassed within this system.
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Wu Shu at the time praised the work highly. Most of his other works are lost. After his death his disciple Huang Zongxia compiled the Guangyang zaji. Quan Zuwang ranked him with Xue Jixuan and Wang Daofu.
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Shao Yuanping, styled Jiesan, was from Renhe. A jinshi in Kangxi 3, he was selected as a Hanlin bachelor. He served as a director in the Ministry of Revenue, then as Jiangxi education intendant, and was promoted to Vice Director of the Court of Imperial Entertainments. He passed the Special Examination and became Reader-in-Waiting, rose to Junior Mentor of the Heir Apparent, then retired. He passed his days among books and histories, utterly detached from worldly affairs. On the Kangxi Emperor's southern tour, Shao received the imperial inscription "Pengguan" and styled himself Master Pengguan. Yuanping's great-grandfather Jingbang, a Ming Zhengde-era jinshi, served as an assistant director in the Ministry of Justice. He was punished for offering forthright counsel. He wrote the Hongjian lu, covering Tang through Song with Liao and Jin added, but not extending to Yuan. Yuanping continued in that vein, cutting redundant or clumsy passages from earlier histories, placing edicts in the annals and scholarly works in the Confucian Scholars section, dividing the Literary section into classical learning, literature, and technical arts, and distributing the thirteen treatises across annals and biographies—titling the work the Yuan Shi leibian. Zhu Yizun said the work surpassed anything an official compilation could match. He also wrote Correcting Errors in Historical Studies and collections including Jingdi and Yuexing.
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Fellow townsman Wu Renchen, styled Zhiyi. Upright and sincere in character, with a formidable memory and wide learning, he won Gu Yanwu's esteem. Selected for the Special Examination for his expertise in astronomy and music, he joined the Hanlin and worked on the Ming History's calendrical treatise. He wrote the Zhouli dayi, Litong, Chunqiu zhengshuo kaobian, Expanded Commentary on the Shanhai jing, and the Tuoyuan shiwen ji; his Ten Kingdoms Spring and Autumn of more than a hundred juan was especially admired for its breadth. Later works such as Xie Qikun's Western Wei History, Zhou Chun's Western Xia History, and Chen Shan's Continuation of the Tang History were all judicious in method—not mere showpieces of compilation, like historical copybooks.
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Xie Qikun, styled Yunshan, was from Nankang. A jinshi in Qianlong 25. Promoted from compiler to prefect of Zhenjiang, he later became governor of Guangxi and died in office. He built dikes on the Xiang and Li rivers—described at length in his main biography. He also compiled the Guangxi gazetteer, whose basic principles could serve as a model for provincial gazetteers. Because the Wei History favors Eastern Wei and omits the four Western Wei rulers—and the Northern History never corrected the error—Qikun wrote twelve chapters of a Western Wei History.
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Zhou Chun, styled Chanxi, was from Haining. A jinshi in Qianlong 19, he became magistrate of Cenxi and left office when his father died. The people honored his benevolence and, together with former magistrates Liu Xinjia of Shanyang and Yu Xuan of Jintan, enshrined him in the Three Worthies Shrine of Cenxi. At the repeat deer-ming banquet he received sixth-rank title. He died at eighty-seven. He wrote extensively, but the Western Xia History was his best-known work.
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Chun's fellow townsman Chen Shan, styled Zhongyu. He had a strong memory and loved collecting books. Fellow townsman Wu Qian's Baijing lou library was also rich; when they found fine editions, they copied and exchanged them. In Jiaqing 1 he was recommended as Filial and Incorrupt. The following year he passed the provincial examination. On his journey to the capital for the metropolitan examination, he studied with Qian Daxin, Weng Fanggang, and Duan Yucai. He later lived in Suzhou and became close friends with Huang Pilie. He mastered textual collation. He argued that Later Liang was illegitimate; the Li clan, though granted the imperial surname, still used the Tianyou reign title, and by the tenth year had established a temple at Taiyuan enshrining Gaozu, Taizong, Yizong, and Zhaozong in seven temples—the Tang had fallen yet in truth endured; Southern Tang were great-great-grandsons of Prince Jian, fifth-generation descendant of Emperor Xianzong; they worshipped Tang and matched Heaven, preserving the old regalia—they above all should proclaim the reign title to rule the states: he therefore wrote a Continuation of the Tang History in seventy juan. He also wrote Old Exegesis of the Analects, Studies on the Stone Classics, Colophons on Classics and Histories, and Expanded Verification of Colloquial Sayings. He died at sixty-five.
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Qiao Lai, styled Shilin, was from Baoying. His father Keping had been a late-Ming censor of some renown. A jinshi in Kangxi 6, Lai became a Grand Secretariat secretary, then requested leave to care for his parents and went home. In Kangxi 18 he passed the Special Examination, became a compiler, and worked on the Ming History. He presided over the Guangxi provincial examination, served as a Veritable Records compiler, and rose to Reader-in-Waiting. When a censor proposed dredging the estuary to drain floodwater, Grand Canal Director Jin Fu argued against it, proposing sluices between Shaobo and Gaoyou and a long dike to the sea to raise the water level and speed its outflow; most court opinion sided with Jin Fu. Lai happened to be on duty when the emperor asked him; in a memorial he set forth four reasons the plan would fail, saying in part: "Opening a canal and building dikes will inevitably ruin fields and destroy villages—that is the first reason it cannot be done. The Huai and Yang region is low and waterlogged; to throw wet earth into deep water—how can the work succeed? That is the second reason it cannot be done. Building dikes one zhang six chi high to confine water a zhang higher—when autumn rains come suddenly, they will inevitably burst; and even before they burst, water would stand above houses and dwellings—who could sleep in peace? That is the third reason it cannot be done. As for the fields of seven prefectures and counties already submerged, to confine the river further and raise its level—how could those fields ever drain? That is the fourth reason it cannot be done." The emperor agreed, and the proposal was dropped. In Kangxi 26 he was dismissed and returned home. After a long interval he was summoned to the capital. He died soon after.
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Lai wrote the Yi si, drawing on Song and Yuan commentaries on the Changes to explore human affairs and weigh the gains and losses of governance through the ages—a line descended from Yang's Commentary on the Changes. His poetry and prose include the Yingzhi, Zhilu, Shiyue, and Guitian collections. His grandson Yi also wrote fine poetry.
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Wang Ji, styled Zhouci, was from Jiangdu, originally registered in Xiuning. Blunt and upright by nature, he had a bold and imposing spirit. He first served as acting director of studies in Ganyu as an annual tribute student. He passed the Special Examination, became a reviser, and entered the History Bureau. He urged the chief compilers to follow Song Li Tao's comprehensive chronicle model, gathering edicts, memorials, and court gazettes—so that historical materials were fully assembled. In Kangxi 21 he served as chief envoy to invest Ryukyu, proclaiming imperial authority and virtue. Before departure he refused customary gifts, and the Ryukyuans built the Declining Gold Pavilion in his honor. On his return he wrote the Record of an Embassy to Ryukyu, recording ceremonies and local scenery. Ordered to perform sacrifices for the former king, he entered the temple and silently noted the enshrined tablets; he also obtained the Ryukyu succession chart, checked it against Ming records, and compiled the Zhongshan yange zhi. As prefect of Henan he established school lands and invited Mentor Geng Jie to lecture at Songyang Academy. His record of governance ranked first in the Central Plains. He was promoted to Fujian surveillance commissioner and then administration commissioner. From youth Ji wrote fine poetry and was ranked with Sun Zhiwei of Sanyuan and Wu Jiji of Taizhou. He wrote the Huizhai ji and Guanhai ji.
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Fellow townsman Wang Maolin, styled Jisu, shared his poetic fame; together they were called the "Two Wangs." A jinshi in Kangxi 6, he became a Grand Secretariat secretary. Recommended for the Special Examination, he was in mourning and did not sit for it. When mourning ended, Xu Qianxue recommended him again, and he entered the History Bureau as a compiler with the rank of principal in the Ministry of Justice. Maolin combined solid learning with practical ability. While a secretary, the Chu scholar Zhu Fangdan used heterodox teachings to sway high officials; Maolin wrote Disputing the Way to refute him. Xiong Cilu read his essay and became his close friend. In the Ministry of Justice he was diligent in his duties. A man surnamed Wu rode in a carriage and stayed at Dong Zhigui's house; Zhigui coveted his money and killed him. He loaded the body into the carriage, abandoned it on the road, and whipped the horse to send it galloping off. Wu's father found the carriage and horse at the Liu family's gate and sued Liu for murdering his son. Maolin said: "To kill a man and leave his carriage and horse at the gate makes no sense." He then went out in plain clothes and released the horse; when it reached Zhigui's gate it started in fright, leaping and whinnying mournfully. He then arrested Zhigui; one interrogation established the facts, and the law was applied. He uncovered hidden crimes in many cases like this. Maolin studied poetry with Wang Shizhen, but his talent ran freely and formed a style apart from Shizhen's. He wrote the Baichi wutong ge ji.
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Lu Rong, styled Ciyou, was from Pinghu. As a boy, when the Qing army took Pinghu, his father was seized; Rong went to the camp and begged to die in his place. The general held out a poem and said: "Can you read this, boy? I will pardon your father." Rong recited clearly: "When the army withdrew, four bonds of the surrendering king were loosed; teaching one's son, thrice he ascended the general's platform," and said; "This is a Song poem presented to Marquis Wu of Cao. The general does not delight in killing—you are today's Marquis Wu of Cao!" The general was pleased, took him north, treated him well, and sought to arrange a marriage. Because he had already been betrothed to the Yang family, he declined and returned home. Restored as a county student, he entered the Imperial Academy and on examination was appointed secretary. A jinshi in Kangxi 6, he served as librarian of the Inner Secretariat Academy. He took the Special Examination again, became a compiler, helped compile the Ming History, and was assigned to the Southern Library. In Kangxi 33, Hanlin and Secretariat officials were tested at Fengzeyuan; the Kangxi Emperor ranked him first and said: "After testing your poetry and prose repeatedly, no one surpasses you." Within a year he was promoted seven times, reaching Grand Secretariat academician. At the winter solstice he reviewed death sentences and requested clemency for more than twenty doubtful cases. A year later he retired. Filial and devoted as a brother, Rong raised his late elder brother Shikai's orphaned children to maturity after Shikai, prefect of Nanxiong, had died earlier, winning renown at the time. He died at seventy. He wrote the Yaping shi wen gao.
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Kuixun, styled Juhou, was Shikai's son. As a youth he followed Rong to the capital; grandees respected his learning and conduct, yet he long remained a county student. Near the end of Kangxi, at nearly sixty, he finally passed the jinshi examination, became a reviser, and served as a Ming History compiler. Citing illness, he returned home and headed Xiufeng Academy in Guangxi. Kuixun was devoted to classical learning, heedless of hunger, thirst, cold, or heat. In his Lutang yixue he argued that the Explaining the Trigrams chapter alone fully encompasses the entire Book of Changes. His Odes scholarship resembled Ming He Kai's Shishi ben gu yi. In Shangshu shuo he explicated only Fu Sheng's twenty-eight New Text chapters and Dai's Rites preface, correcting Han scholars' forced interpretations. Chunqiu yi cun lu gathers every Confucian saying found in classics, commentaries, masters, and weft texts as evidence, arguing forcefully that the Spring and Autumn does not praise and blame through single-word judgments. Kuixun's lectures on the classics were strikingly original, and listeners never grew weary. He finally began Ancient Music Expounded but died before finishing it.
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Pang Kai, styled Jigong, was from Renqiu. He possessed an exceptional nature from birth. At seven, when his father was seized on account of a legal matter, his mother prayed to Heaven every evening. Kai would follow his mother weeping and bowing without fail. As he grew he became skilled at writing. A provincial graduate in Kangxi 14, he passed the Special Examination, became a reviser, and helped compile the Ming History. A Ming censor had fawned on Wei Zhongxian; his descendant privately sent gold, begging that the eunuch faction biography omit the matter—Kai firmly refused. After failing the grand evaluation he was demoted to secretary, then rose to bureau director in the Ministry of Revenue and was sent out as prefect of Jianning. Pucheng people rose in revolt over the magistrate's harsh rule; by night they burned the register office, killed clerks, shut down the markets, and the magistrate fled in fear. Hearing of the disturbance, Kai rode at once to Pucheng, gathered gentry and people in the Hall of Bright Ethics, and admonished them of the consequences; after executing one man, the affair was settled. Grateful for his virtue, the people erected an academy in his honor. Jiuxian Mountain swarmed with bandits who even kidnapped people for ransom. After ambushing and capturing dozens, the territory became peaceful. Soon after he retired.
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Kai loved composing poetry and, with fellow townsman Bian Ruyuan, sharpened their craft through mutual critique. His work was pure and elegant, with naturalness as its guiding principle. He wrote the Congbi shanfang ji.
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Ruyuan's son Lianbao, styled Zhaozhen. He inherited the family scholarship. As a county student he was recommended to the Imperial Academy and ranked first in the palace examination. He sat for the Qianlong 1 Broad Learning and Eminent Words Examination but was not selected. In Qianlong 14, recommended again for classical learning, he declined to go. When some urged him to go, he said: "I know I cannot match Han Fu Sheng or Dong Zhongshu—how dare I seek undeserved recognition?" He wrote the Suiyuan ji.
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Lu Qi, styled Lijing, was from Qiantang. In youth he and his younger brothers Jie and Pei were respected for literary talent and upright character—they were called the "Three Lu." His poetry was known as the Xiling style. Quick-witted and unusual by nature, he was skilled at reasoning from textual errors in books. Once reading in Han Feizi "from one follow all are endangered," he said: "This is 'one removal and a town is formed.' In jest he had others guess the answer; none succeeded—only his younger brother got it. All his life he disliked speaking of others' faults; when someone did, he would say: "You and I had better improve ourselves first." When the Zhuang Tinglong History Affair arose, Qi was implicated and arrested. Because he had previously submitted a written statement in self-defense, the matter was cleared; he sighed: "Having thankfully escaped death, why not spend my remaining years pursuing the Way!" After his parents died, he abandoned his home and wandered far away—his end is unknown. His son Yin became a jinshi. Traveling tens of thousands of li in search of his father without success, he finally died in dejection—people praised his filial devotion. Pei died in the disaster of 1644.
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Ding Peng, styled Feitao, was from Renhe. He had outstanding talent. He loved drinking—a full dan of wine did not unsettle him; his younger brothers Jinghong and Rang were also fine writers—they were called the "Three Ding." Peng, a Shunzhi 12 jinshi, served as bureau director in the Ministry of Rites. While presiding over the Henan provincial examination, he found one exam paper remarkable. A fellow examiner asked to place it in the second rank; Peng said: "This is a man of distinction!" When the list was published it was Li Tianfu of Luyang; Peng told people: "I nearly lost this scholar by judging the essay with conventional eyes." Punished for an offense, he was banished to the frontier for five years, personally tending cattle, singing and whistling at ease. His poems were mostly filled with loyal devotion, without resentment or slander. He wrote the Fuli tang ji.
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Earlier Chen Zilong formed the Ascending the Tower Society; Qi, Peng, and fellow townsmen Chai Shaobing, Mao Xianshu, Sun Zhi, Zhang Dan, Wu Baipeng, Shen Qian, Yu Huanghao, and others rose together—they were called the "Ten Masters of Xiling."
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Shaobing, styled Huchen. Among the Ten his literary reputation was the greatest. His personal conduct was especially upright and careful. He wrote the Sheng xuan ji.
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Xianshu, styled Zhihuang. He once studied under Liu Zongzhou. His poetry had a flowing, bright rhythm, retaining traces of the Seven Masters style. He wrote the Sigu tang ji.
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Zhi, styled Yutai. Deeply devoted in friendship, when Lu Pei died he entrusted an orphaned daughter to Zhi to choose a son-in-law; Zhi found Wu Renchen. When an heir was established, he also gave his niece in marriage to him. He wrote the Jian'an ji.
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Dan, styled Gangsun. He had a handsome beard and sideburns. Calm and quiet, he took little pleasure in society but loved mountains and rivers. His poetry was desolate, deep, and far-reaching—it was collected as the Qinting ji.
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Baipeng, styled Jinwen. As a provincial graduate he served as magistrate of Nanhe; his exceptional governance led the people to enshrine him. He wrote the Fuan ji.
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Qian, styled Qujin. Skilled at poetry, he first favored Wen Tingyun and Li Shangyin, then traced Han and Wei poetry to glimpse the High Tang. He wrote the Dongjiang caotang ji. Qian, Shaobing, and Xianshu were all expert in rhyme studies. Shaobing wrote Guyun tong, Xianshu wrote Yunxue tongzhi and Nanqu zhengyun, and Qian wrote Dongjiang ciyun. Lu Qi sighed: "It is a pity that Sun Mian and Zhou Deqing lacked such foresight."
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Huang Hao, styled Jingming. At ten he could already compose prose well. He disdained Liu Zongyuan's Begging for Skillfulness and wrote instead a Rejecting Skillfulness essay—those who knew recognized his far-reaching talent. A provincial graduate in the Kangxi era, he ended his career as director of studies.
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Sun Zhiwei, styled Baoren, was from Sanyuan. In youth, during the rebel turmoil, he gathered local youths to fight bandits; he fell into a pit trap but fortunately survived. He then went to Jiangdu, took up trade, repeatedly amassed a thousand gold, and each time gave it all away. He then reformed his ways and devoted himself to study, renting rooms at the Shrine of Chancellor Dong and maintaining the lofty integrity of a man who shuns public notice. When Wang Shizhen was prefect of Yangzhou, he introduced himself with a poem; they became friends and were hailed as kindred spirits. At the time Left Assistant to the Heir Apparent Xu Qianxue was championing men of talent, and gifted scholars thronged his household—but Zhiwei would have none of it. Recommended for the Special Examination though only a commoner, he pleaded old age and infirmity and begged to retire to the hills; he did not sit for the exam and was appointed a Secretariat drafter. He wrote the Gaitang ji; his poetry and lyrics often rang with stirring vigor, and people praised his lofty character.
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Li Nianci, styled Qizhan, was from Jingyang. A Shunzhi 15 jinshi, he served as investigating censor of Hejian Prefecture before being transferred to magistrate of Xincheng County. He was dismissed for failing to collect taxes in full. When the Jingxiang campaign broke out, he was credited for transporting supplies, reinstated, and appointed to Tianmen. He was recommended for the Special Examination together with Zhiwei but was not selected. He loved to travel and was fond of composing poetry. He wrote the Gukou shanfang ji. Shi Runzhang praised the bold, open spirit that shone in his face, saying he combined the force of Qin with the grace of Wu and Chu.
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Ding Wei, styled Zhanru, was from Jinjiang. He was a county student. He was skilled at poetry and had a gift for administration. In Shunzhi 12, Great General Jidu led troops to capture Zhangzhou; the court authorized him to appoint local officials at discretion, and scholars were tested under his command—Wei ranked first. He became director of studies at Zhangping, then magistrate of Xian County in Zhili, and was promoted internally to secretary in the Ministry of Revenue. When a proposal arose to tax Fujian salt, Wei argued forcefully against it, and the plan was shelved. Promoted from bureau director, he was sent out as circuit intendant for southern Ganzhou. Fujianese tenant farmers in Ganzhou exploited the unrest to plunder and rob; they were called the "Field Bandits." After he captured and punished them, the people were greatly pleased. Transferred to provincial judge of Hubei, he released from prison more than twenty men facing capital charges who had been falsely accused as bandits. Soon afterward he was demoted for an offense and was staying in Wuchang before his departure when Wuchang soldier Xia Baozi rebelled and forced him to sign official documents. He refused even at the cost of his life, fled east to Anqing, and begged Governor-General Yang Suyun for troops. Once the affair was settled, he was demoted and reassigned as prefect of Yunnan. When Suyun was transferred to govern Huguang, he reported on Wei's conduct, and Wei was restored to his post as provincial judge. Before long he retired home due to illness.
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In discussing poetry, Wei held that poetry should honor formal rules, yet when rules dominate it grows remote; it should honor closeness to feeling, yet when feeling dominates it turns vulgar. Therefore in his own poetry he strove to follow the Three Tang periods and the Han and Wei masters. His work never lapsed into perversity or shallowness. He wrote the Wenshan ji.
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Lin Tong, styled Tongren, was from Fujian. He was a county tribute student. He was devoted to bronze and stone inscriptions. He died at eighty-eight. His younger brother was Ji, styled Jiren. A Kangxi 52 jinshi, he served as secretary and was skilled in regular script. For prose he took Wang Wan as his master; for poetry, Chen Tingjing and Wang Shizhen. All three men's collected works were copied in Ji's own hand for printing; their refinement and elegance were highly prized. The family owned a large library; when Xu Qianxue compiled commentaries on the classics and Zhu Yizun selected Ming poetry, both came to borrow copies for transcription. He wrote the Puxue zhai ji.
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Huang Ren, styled Xintian, was from Yongfu. He was skilled at calligraphy. His eloquence flowed like a torrent. He had a passion for inkstones; as a provincial graduate he served as magistrate of Sihui, and when he was dismissed and returned home, only inkstones filled his baggage. His poetry was fresh, clear, and incisive; he wrote the Xiangcao zhai ji. In Qianlong 27, he was honored again at the Deer-Ming banquet. He died in his eighties.
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Zheng Fangkun, styled Zehou, was from Jian'an. A Yongzheng 1 jinshi. He served as magistrate of Handan and rose through repeated promotions to prefect of Yanzhou in Shandong. At the time people were forbidden to go to sea; anyone who reached Fengtian without registering was forced to return home. Fangkun was then prefect of Dengzhou; he argued that local officials should guard strictly against treachery but must not block people's paths to livelihood, reported this to senior officials, and had the prohibition relaxed. Transferred to Wuding, he devoted himself wholeheartedly to famine relief. When famine struck Yanzhou, he was transferred back to govern it. Fangkun had a prodigious memory; his poetic talent was forceful, and he was equally renowned with his elder brother Fangcheng. He wrote the Zhewei ji, and also authored Jing bai, Wudai shihua, Quan Min shihua, and Guochao shiren xiaozhuan.
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Huang Yujian, styled Tingbiao, was from Taicang. From childhood he showed extraordinary intelligence; at eight he was passionately fond of Tang poetry, copied verses into a pocket book, and kept it in his sleeve to recite. He then devoted himself to classical learning and read widely in Zhou and Qin antiquities. Free and easy by nature, he was steadfast in friendship from beginning to end. A Shunzhi 16 jinshi, he was later recommended for the Special Examination, became a compiler, was promoted to tutor, and helped compile the Ming History and the Unified Gazetteer. Living in a humble lane, he wrote in solitude like a poor scholar wholly devoted to his craft. He wrote the Ren'an ji.
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Wu Weiye selected the poetry of the "Ten Masters of Loudong" and placed Yujian at the head. The Ten Masters were Zhou Zhao, Xu Xu, Wang Zhuan, Wang Shu, Wang Hao, Wang Kui, Wang Bian, Wang Yaosheng, and Gu Mei. Zhao's poetry was collected as the Donggang ji, Xu's as the Qiushui ji, Zhuan's as the Sanyu ji, and Shu's as the Luzhong ji.
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Hao was a descendant of Wang Shizhen; he had literary talent, and his writing seemed effortless. In Kangxi 18 he was summoned for examination and appointed proofreader. He wrote the Shuoyuan ji. Kui, a Shunzhi-era jinshi, wrote the Zhichan ji. Bian's poetry was collected as the Jian'an ji, and Yaosheng's as the Donggao ji.
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Gu Mei, styled Yiren, was also from Taicang. He was known for filial devotion to his mother; his father Menglin was expert in the learning of Mao and Zheng, and Mei inherited his scholarship. Especially skilled at poetry, his work was clear, beautiful, and graceful; Chen Hu held that he surpassed Yuan poets. His poetry was collected as the Shuixiang ji.
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Wu Wen, styled Tianzhang, came from Puzhou; his family was originally from Liaoyang. His father Yun Sheng served as educational commissioner of Puzhou, died in office, and the family settled there. From youth Wen was bright and perceptive; he read widely and was especially accomplished in poetry. When he traveled to the capital, his father's friends Liu Tiren and Wang Wan all praised him enthusiastically. Wang Shizhen called him a transcendent talent. Once while on duty with Ye Fang'ai, he recited a striking line; as soon as Fang'ai went off duty he hurried to visit him, and Wen's fame spread far and wide. Grand Secretary Feng Pu sent out a fan requesting a poem; Wen answered with two quatrains written in large characters—his frankness was often like this. He ultimately went unrecognized, yet he had no regrets. He took the Special Examination but failed to be selected. Later, while mourning his mother, he died from grief. Wen wrote the Lianyang ji; his poetic style was austere and pure, with the spirit of his fellow townsman Yuan Haowen. According to the Record of Famous Mountains, Lianyang Village lies below Mount Hua, and he took the name for his collection.
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Tao Ji, a native of Baoying. Originally named Cheng and styled Jishen, he went by his style name, then dropped one character and was known as Tao Ji. Endowed with unusual talent, he wrote with sharp, soaring brilliance. He traveled through Yan, Zhao, Qi, and Lu, crossed the Taihang Mountains, and sailed the Xiang and Yuan rivers—wherever he went he wrote poetry. Shizhen edited his poems from Yunnan and Fujian and compared him to Gao Shi, Cen Shen, and Li Bai. Earlier, when the court ordered recommendations for the Special Examination, grandees all competed to recommend him, but Ji declined and lived out his days as a commoner. He wrote the Hubian caotang ji and the Zhouche ji.
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Mei Qing, styled Qushan, was from Xuancheng; he was a descendant of the Song poet Mei Yaochen. Heroic, open, and magnanimous, Qing applied himself to learning and was known for broad refinement. A Shunzhi 11 provincial graduate, he sat for the Ministry of Rites examination but did not pass. Court officials vied to befriend him, and Wang Shizhen and Xu Yuanwen were especially devoted. His poetry changed style several times over his career; he edited the Former and Later Collections of the Tianyan Pavilion himself. Past seventy, he compiled and edited the Qushan Selected Poems anew. His calligraphy followed the manner of Yan Zhenqing and Yang Ningshi. In painting he was especially bold and sweeping, full of uncanny energy. He once painted Mount Huang with such mastery of shifting mists and clouds that the work was greatly prized in his time. Among his clansmen was Mei Geng, born after Qing. Skilled in clerical script, he also excelled at poetry and painting and shared Qing's renown.
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Geng, styled Ouchang. Orphaned in youth, he inherited the learning of his grandfather Dingzuo and his father Langzhong and carried it to new heights. When Shi Runzhang read his poetry, he took him as a friend despite the age difference. A Kangxi 20 provincial graduate, he was a favored disciple of Zhu Yizun. Uncompromising by nature, he traveled to the capital as a guest yet never casually presented a single calling card. When Shizhen presided over the Ministry of Rites examination, Geng failed again; Shizhen sent him a poem lamenting the result. Later, as magistrate of Taishun County, he governed with kindness, and the people were grateful.
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Feng Jing, styled Shangong, was a native of Qiantang. He was a student of the Imperial Academy. Skilled at prose composition, he could finish a thousand-character piece on the spot. During the Kangxi reign he traveled to the capital; Vice Ministers Xiang Jingxiang and Jin Nai both sent sons and nephews to study under him. During palace construction, when nanmu beams could not be found, someone proposed swapping the beam of the Imperial Academy's Hall of Ethical Unity for timber of another kind. Jing memorialized Minister Wei Xiangju, arguing forcefully against the plan, and the matter was dropped. From this the name of Feng, the Imperial Academy student, spread throughout the capital. Grand Secretary Songgotu summoned him, but he declined the audience. He returned and lived as a retainer in Qiu Xiangsui's household in Huai'an for nearly ten years. When Song Luo governed Jiangsu, he courteously brought Jing into his staff; when others offered gold to ask him to intercede for them, he sternly refused, and people admired his character all the more. Jing was deeply devoted to the bonds of teacher and friend; his closest friendships were with Wang Yu of Renhe and Tang Youzeng. The two became supervising secretaries and often submitted critical memorials—partly because Jing repeatedly urged them toward moral rectitude. When Wang Shizhen became Left Censor-in-Chief, Jing, whom Shizhen had favored, hoped he would greatly set the realm right and wrote him a letter of admonition. Though a commoner who sought no office, Jing never forgot the affairs of the day. While in Huai'an during a flood, he wrote to Tang Bin, who had been ordered north on imperial business, describing the disaster and its causes; Bin read the letter with admiration and once praised his prose as immortal. Most of his writings are lost; only the Jiechun ji survives today.
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Shao Zhangheng, styled Zixiang, was a native of Wujin. At ten he became a licentiate; he was stricken from the rolls over an affair and soon entered the Imperial Academy. Accomplished in poetry, he devoted himself especially to ancient-style prose, refining it to elegance and correctness. Like Jing, he served as a retainer in Song Luo's staff; Zhangheng too held to ancient principles with unyielding integrity and never compromised, and public opinion praised him. He wrote the Qingmen Drafts.
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Jiang Chenying, styled Ximing, was from Cixi and a great-grandson of the Ming Chamberlain for Ceremonials Yinglin. His father Jin Gui was a licentiate renowned for filial piety. Deeply learned and skilled in literary composition, Chenying wrote with breadth, refinement, and vigor. He repeatedly failed the examinations, yet his name reached the Forbidden City. The Emperor named Chenying, Zhu Yizun, and Yan Shengsun the three celebrated commoners of the realm. Reader-in-Waiting Ye Fang'ai recommended him for the Special Examination, but he arrived late and was passed over. When Fang'ai served as chief editor of the History of Ming, he recommended Chenying again as a compiler; Chenying received seventh-rank salary and was assigned to draft the monograph on penal law. He spoke at length of the evils of Ming secret prisons, court beatings, standing cangues, and the Eastern and Western Depots, in language that was earnest and forthright. Minister Xu Qianxue oversaw the Comprehensive Gazetteer and set up an office on East Dongting Mountain; he memorialized asking Chenying to accompany him. After some time he passed the Shuntian provincial examination. In Kangxi 36 he became a metropolitan graduate. At the palace examination Li Pan ranked first and Yan Yudun second; the Emperor recognized Chenying's handwriting, personally raised him to third place among the Presented Scholars, and appointed him compiler—he was seventy. The next year, serving as associate examiner for the Shuntian examination with Pan, he was implicated when Pan was impeached and sent into exile. Before the matter was cleared, he died in prison.
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Chenying was filial and devoted to his brothers by nature. In his dealings with others he was open and straightforward and would not flatter. When Chancellor Weng Shuyuan impeached Tang Bin for false learning, Chenying promptly sent him a letter of reproach. He wrote the Zhan Garden Collection and the Weijian Collection. His calligraphy captured the spirit of Zhong You and Wang Xizhi, and the world held it in high esteem.
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Yan Yudun, styled Zancheng, was a native of Changshu. As a child he could recite the Nine Classics and the Three Histories from memory. Once he entered the Hanlin Academy, most court compositions issued from his hand. When the examination scandal broke, Yudun's sons passed that year's examination with distinction; the chief examiners Pan and Chenying were both friends from his cohort year. For this he was censured by the personnel office and reduced in rank, and lived in retirement for several years. Recalled as vice director of the Grand Court of Revision, he exonerated a man wrongly accused after the Imperial Household Department shifted a murder case; he rose in succession to Vice Director of the Court of Imperial Stud and died in office. He wrote Doubts Raised on Reading the Classic of Poetry. Men of Jiangnan printed his writings as the Yan, Vice Director of the Court of Imperial Stud Collection, in succession to Gui You's Ming-era collection of the same title.
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Huang Yuji, styled Yu'ai, was from Shangyuan, with ancestral registration in Jinjiang. At seven he could compose poetry. Recommended as a licentiate for the Special Examination, he was in mourning for his mother and did not sit for the test. Left Censor-in-Chief Xu Yuanwen recommended him to compile the History of Ming and the Comprehensive Gazetteer, in both cases alongside Chenying. His household possessed a rich library. He wrote the Thousand-Mu Hall Bibliography, which became the basis for the bibliography monograph in the History of Ming.
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Xingde of the Nara clan was originally named Chengde; to avoid the taboo name of Crown Prince Yunreng he changed it. Styled Rongruo, a Manchu of the Plain Yellow Banner, he was the son of Mingzhu. Filial toward his parents, Xingde attended them in illness without loosening his girdle; his face grew dark and gaunt, and only when they recovered did he return to himself. From childhood he practiced riding and archery; as he grew older he became accomplished in letters. In Kangxi 14 he became a metropolitan graduate at sixteen. The Emperor, seeing him as a scion of a great house, appointed him a third-rank bodyguard and twice promoted him to first rank. Ordered to compose an imperial-assignment poem at the Gate of Heavenly Purity and to translate the imperial Pine Fu, he pleased the Emperor in both. Soon he fell ill; as the Emperor was about to leave the pass for summer retreat, he dispatched eunuchs with imperial physicians to attend him and ordered reports on whether his condition improved or worsened. He died suddenly at only thirty-one. He had once been sent beyond the pass on a pacification mission; after his death the tribes he had reassured came to the frontier in allegiance. From the traveling palace the Emperor sent eunuchs to offer sacrifices—such was the fond regard shown him.
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Xingde passed the provincial examination as a disciple of Xu Qianxue. With his followers he pursued scholarship, once gathering and printing Song and Yuan commentaries on the classics, writing prefaces for them and appending his own Rectifications to Chen's Collected Explanations of the Book of Rites; the whole was published as the Tongzhi Hall Exegesis of the Classics. Xingde was skilled at poetry and especially excelled at ci lyric composition. He ranged across the masters of Southern Tang and Northern Song, penetrating their subtlest essentials. His Yinshui and Cemao collections are fresh, elegant, and refined—naturally transcendent and unforced. Reading Zhao Songxue's poem on his own self-portrait once moved him so deeply that he immediately painted a small likeness in imitation of Zhao's dress and cap. When guests praised him beyond measure, he would not accept it. Qianxue said to him, "How much you resemble Wang Yishao!" At that he was greatly delighted. He delighted in receiving guests and honoring scholar-officials, keeping company with Yan Shengsun, Gu Zhenguan, Chen Weisong, Jiang Chenying, and others. Zhenguan's friend Wu Zhaoqian of Wujiang was implicated in the examination scandal and exiled to Ningguta; he composed two Jinlüqu lyrics and sent them. Xingde read them and sighed, "The Shanyang lament for old friends, the Commandant at the River Bridge, and this make three such laments!" Zhenguan then pressed hard on Zhaoqian's behalf; he was freed and returned home, and scholars especially praised him for it.
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Zhenguan, styled Liangfen, was a native of Wuxi. A Kangxi 11 provincial graduate, he served as a secretary in the Grand Secretariat. Accomplished in poetry, his self-selected collection contains only thirty-odd pentameter poems—subtle, gentle, and sincere, looking back to Wei Yingwu and Liu Zongyuan. But the world chiefly transmitted his ci lyrics; together with Weisong and Zhu Yizun he was hailed as one of the three unsurpassed ci poets. Qing masters of ci often excelled equally in shi and prose; Xingde alone was a specialist, and Tan Xian of Renhe once called his work "ci of a true ci poet." After Xingde came Xiang Hongzuo and Jiang Chunlin, and the three stood like a tripod.
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Hongzuo, styled Liansheng, was a native of Qiantang. A Daoguang 12 provincial graduate. Skilled in ci, he traced his lineage upward to Wen Tingyun and Wei Zhuang and downward to Zhou Mi and Wu Wenying. He distilled the finest and cast off the chaff, establishing a distinctive voice of his own. He took the Ministry of Rites examination many times but never passed. He died at thirty-eight. In the preface to his Reminiscences of Cloud Lyrics, he wrote, "If one does not do useless things, how can one pass one's finite life!" Scholars who read it were moved to grief.
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Chunlin, styled Lutan, was a native of Jiangyin but registered as a resident of Daxing. During the Xianfeng era, he served as salt intendant at the Dongtai salt station. He excelled in ci poetry. In an age of chaos and upheaval, his lyrics were restless and brooding; at their best they nearly matched Jiang Kui. Stuck in a humble office, upright and out of step with the age, he grew ever more despondent. While passing through Wujiang by boat, he died suddenly one night. Chunlin admired Xingde's Drinking Water Lyrics and Hongzuo's Reminiscences of Cloud; he styled himself Master of the Water-and-Cloud Tower and gave that name to his ci collection.
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Wenzhao of the imperial clan, styled Zijin, was a great-grandson of Prince Raoyu Abatai and son of Prince of the State Baoshou. He declined his title to devote himself to study and kept company with Wang Shizhen. Accomplished in poetry, he enjoyed great literary renown. Wang Shidan said his poetry took Bao Zhao and Xie Lingyun as its foundation, yet also synthesized every school and distilled the essence of a hundred masters; its flavor transcended easy categories. He wrote the Xiangying Layman Collection and the Purple Banner Poetry Manuscript.
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Another imperial clansman famed for poetry was Yun Duan, originally named Yue Duan, styled Zhengzi and known as Master of the Red Orchid, son of Prince Duo'an Yuele. He held the rank of beizi. He left the Jade Pool Drafts.
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Bo'erdu, styled Wenting and known as the Fisherman of Eastern Mound, was a son of Prince Kexi Badu and a younger cousin of Yun Duan. He held the rank of Defender Prince of the State. He left the Wenting Poetry Collection.
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Yongzhong, styled Liangfu and also known as Quxian, was a son of Prince Duo Luo Hongming. He held the rank of Defender Prince of the State. He left the Yanfen Studio Collection. His poetry was elegant and unfettered, his calligraphy bold and vigorous, with much of the flavor of Jin-dynasty masters. He often walked the streets without coat or shoes. Whenever he came upon rare books and unusual texts, he bought them and carried them home, even if it meant pawning his clothes or going without food.
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Shu Shen, styled Shizhi and known as Chuxian, was a sixth-generation descendant of Prince Zhengxian Jirhalang and son of Defender Prince of the State Changheng. He held the rank of Bulwark Prince of the State. He left the Quiet Void Hall Collection. By nature he was generous and wished to keep clear of worldly entanglements. At forty he pleaded illness and resigned from office. On spare ground at his residence he planted nothing but fruits and vegetables; hoe and spade in hand, he took joy in manual labor.
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Yongyin, styled Songshan, was the son of Prince Kangxiu Chong'an. He held the rank of Pacifying Prince of the State. In poetry he followed the High Tang; in calligraphy he followed Zhao Mengfu. In old age he shut himself in a single room and saw no one. Most of his poetry has not survived.
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西 西 西
Yurui, styled Siyuan, descended from Prince Yutong Dodo. He held the title of Duke Defender of the State. He was accomplished in poetry and painting and understood Tibetan. He often painted "parrot maps"—that is, Western terrestrial globes. He also noted that Buddhist scriptures had flowed into Tibet since the Tang, yet recent Buddhist canons all derived from a single text and offered nothing to collate against. He therefore collated Tangut-script translations to restore the Tang originals of the Buddhist canon—several hundred scrolls in all. He wrote the Siyuan Studio Collection.
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使 西
Zhao Zhixin, styled Zhongfu, was a native of Yidu. His father's cousin Jinmei served as Fujian Surveillance Commissioner and enjoyed great renown as a poet. Zhixin inherited the family tradition and from youth was accomplished in verse. At nineteen he passed the jinshi examination in Kangxi 18 and was appointed a Hanlin Compiler. The Special Examination had just been opened, and eminent scholars from every quarter gathered at the capital; Zhixin joined their conversations and banquets, and every gathering was won over by him. Zhu Yizun, Chen Weisong, and Mao Qiling especially valued him, and they became close friends despite the gap in their ages. He served as chief examiner for the Shanxi provincial examination, then was promoted to Right Director of the Court of Studious Endeavor. In Kangxi 28, because he feasted and watched plays during the period of national mourning, he was impeached by censors, struck from the rolls, and sent home. He died aged over eighty.
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調調
Zhixin was sharp-tempered and narrow in conviction; he revered none but Feng Ban of Changshu, whom he called his private master. He married Wang Shizhen's niece, and at first the two men held each other in the highest esteem. Later he asked Shizhen for a preface to his poetry; when Shizhen did not produce one promptly, the two fell into bitter mutual abuse. Once he asked Shizhen about tonal patterns in poetry; Shizhen was stingy with his knowledge, so Zhixin returned home, arranged and collated Tang collections, and finally mastered the method, producing a one-scroll Tonal Pattern Manual. He also said that Shizhen's discourse on poetry was like a divine dragon whose head and tail one never sees—only a scale or a claw glimpsed through the clouds—and therefore wrote Discourse on the Dragon, saying, "Poetry expresses intent; within poetry there must be a person, and beyond poetry there must still be events. His aim was clearly to attack Shizhen. Critics held that Shizhen's poetry valued spiritual resonance, yet its weakness was shallowness; Zhixin made laborious carving of thought his guiding principle, and his failing was excessive fineness. Their gifts and temperaments diverged, yet in truth they could profit each other. The poetry and prose Zhixin authored were collected as the Yishan Hall Collection.
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In those days Shizhen was reckoned the leading poet in the empire and Wang Wan the leading prose writer. Ye Xie of Jiaxing, styled Xingqi, also clashed with Wan over literary theory; they debated back and forth and taunted one another. When Wan died, Ye said with emotion, "I have lost a friend who spoke truth to me! Who is left to find fault with my writing? He gathered everything he had written against Wang and burned it all. Ye's father Shaoyuan, a Ming jinshi who had served as a secretary in the Ministry of Works, took holy orders after the fall of the dynasty. When Ye was four, he was taught the Songs of Chu and could recite them at once. A Kangxi 9 jinshi, he was selected and appointed magistrate of Baoying. This fell in the time of the Revolt of the Three Feudatories, with famine year after year, until the people could bear no more. Time and again his blunt, upright ways cost him his superiors' favor, and he was removed from office on a trumped-up charge. When Lu Longqi, magistrate of Jiading, was also impeached, Ye counted it an honor to fall from office alongside him. He loved mountains and rivers by nature and wandered freely to famed scenic places across the empire, leaving few unvisited. Even at seventy-six he regretted that Kuaiji and the Five Cascades—only a few hundred li distant—remained among the celebrated sites he had never seen. He packed food once more and made the journey; when he returned he took ill. A little over a year later he died. While living in Wu, he observed that poetry discussions there often hunted only the surface of Fan Zhongyan and Lu You while abandoning their substance, and therefore wrote the Inner and Outer Chapters of Original Poetry, forcefully refuting that error. Scholars of Wu first jeered at him, but before long they adopted his position. He wrote the Yiqu Poetry and Prose Collection. Shizhen said he had smelted the past into something new and alone roused a fading tradition.
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Feng Tingkai, styled Damu, was a native of Dezhou. A Kangxi 21 jinshi, he was appointed a Secretariat Secretary. As a child he was hailed as a prodigy; a single reading fixed a text in memory, and poetry was his especial gift. Once, while serving as associate examiner in Huguang, he climbed Yellow Crane Tower after the examinations, looked down on the Yangzi and Han rivers, and gazed south toward the Xiao and Xiang and Lake Dongting; stirred by distant thoughts, he composed more than a hundred poems that connoisseurs took for heirs to the sao tradition. In life his sole intimate was Zhixin; their poetry alike was austere and steep, and after his death it was scattered and lost. His grandson Depei collected five hundred poems and published them as the Posthumous Poetry of Secretary Feng.
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輿 沿
Huang Yi, styled Liuhong, was a native of Changshu. He was a master of geography. He observed that Ban Gu's Treatise on Geography recorded rivers only at their points of entry and exit, whereas the places they traversed in between were fully set forth in the Water Classic—yet readers could grasp this only with maps; he therefore investigated repeatedly and drew a separate map for each river. Every change in the siting of towns and offices, and every hazard or ease of mountain and river, was set down; strand by strand he analyzed each until its logic stood clear. When Yan Ruoqu saw it, he sighed and said, "Li Daoyuan has found, a thousand years later, one who truly understands him!" Ruoqu once asked Yi, "The Treatise on the Later Han says the Ji River issued from Wen County, but during Wang Mang's reign there was a great drought and it dried up completely. If there was no Ji in Henan, why does Li Daoyuan describe it at such length?" Yi said, "Although it dried up in the Xin Mang period, it later reappeared; this is what Master Li meant when he said that afterward the water's course ran through again, the force of channels and sluices changed, and one traced the pulse of the riverbed—no longer the same as before. Du You did not trust the Water Classic and relied solely on Ban Biao's Treatise; I suspect Ban Biao was merely recording a temporary disaster of that time, not saying that the river would never again cross through Henan." When Xu Qianxue compiled the Comprehensive Gazetteer, Yi served as a section compiler alongside Yan Ruoqu, Hu Wei, and Gu Zuyu—all masters of geographical studies. Yi also corrected the Geography Monograph in the Book of Jin. He was also accomplished in shi and ci poetry and left the Ren Lan Collection.
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Zheng Yuanqing, styled Zhikai, was a native of Gui'an. He was versed in historical biographies and ranged widely into epigraphy and bronze inscriptions. Li Fu and Zhang Boxing greatly admired his scholarship and wished to recommend him to the throne, but never managed to do so. Yuanqing wrote a commentary on Yan Zhenqing's Record on the Huzhou Stone Pillar—a work of extraordinary breadth and erudition. He also compiled the Hu Lu in one hundred and twenty juan, revising the manuscript seven times before he was satisfied, and declared that he had poured his life's strength into that book alone. All his life he admired the conduct of Zheng Zizhen and took the sobriquet Zheng Gukou. In later life he turned to the Classics; the study where he wrote was named Yuji Pavilion. His works include Collected Notes on the Book of Changes, Differences in the Preface Traditions of the Book of Songs, Comparative Study of the Collected Notes on the Book of Rites, Comparative Study of the Classic of Official Rites, Comparative Study of the Classic of Family Rites, Examination of Ancient and Modern Differences in Mourning Dress, Examination of the First Month of the Spring King's Calendar, and Discourse on Sea Transport.
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殿 西
Zha Shenxing, styled Huiyu, was a native of Haining. In his youth he studied under Huang Zongxi. Of the Classics he was deepest in the Book of Changes. By nature he loved to write poetry; wherever he traveled he would compose on what he saw, and his name reached even within the Forbidden City. In the thirty-second year of Kangxi he passed the provincial examination. Later, when the Kangxi Emperor toured the east, Chen Tingjing, Grand Secretary of the Hall of Literary Glory, recommended him, and an edict summoned him to the imperial encampment to compose poetry. He was then ordered to accompany the court to the capital and serve in the Southern Studio. Soon afterward he was granted jinshi status, selected as a Hanlin bachelor, and appointed compiler. At the time his clansman Sheng served as tutor in the inner court, so the palace eunuchs called Shenxing "Old Zha" to tell them apart. The emperor visited the Southern Park, caught fish and bestowed them on his close ministers, and ordered them to compose poems. Shenxing had a couplet that ran: "Bamboo hat and straw sleeves—the dream of my whole life; your servant was always a fishing recluse on misty waters." Presently a palace eunuch called out, "Where is Academician Zha, the Fishing Recluse on Misty Waters?" At the time people compared it to the tale of Han Hong and his line "Spring City, Cold Food Festival." He served as collator in the Wuying Hall book office, then pleaded illness and returned home. When his younger brother Siting was condemned for an offense, the entire household was taken into custody. The Yongzheng Emperor recognized his upright discretion and specially allowed him to return to his fields, while his younger brother Simi was banished to the northwest and died in exile. Simi, styled Deyin. A jinshi of the thirty-ninth year of Kangxi, he rose to Reader-in-Waiting. Alert and quick-witted by nature, from childhood he understood rhyme categories and harmonic sound. His reputation as a poet rivaled Shenxing's. Shenxing authored the Jingye Tang Collection and Collected Explications Playing with the Words of the Book of Changes, and also supplemented annotations on Su Shi's poetry—all of which circulated widely. Simi authored the Cha Pu Poetry Selection and Comprehensive Examination of Sound Categories.
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Sheng, styled Zhongwei. A jinshi of the twenty-seventh year of Kangxi. He rose to Junior Mentor to the Heir Apparent. His poetry and prose were lucid and graceful. He was especially accomplished in calligraphy, in a manner reminiscent of Dong Qichang. He left the Danyuan Tang Collection.
189
Shi Shenyi, styled Shushi, was a native of Jiangdu. From youth he was accomplished in poetry and shared equal fame with his townsman Gu Tuhe; together they were called the Two Wonders of Weiyang. A jinshi of the twenty-seventh year of Kangxi, he was appointed compiler. He served as examiner for the Yunnan provincial examination, then transferred to censor and Supervisor in the Ministry of Rites before pleading illness and retiring home. Wang Shizhen instructed later generations in refined poetry and once declared that Shenyi and Tang Youzeng were fit to inherit his mantle; people called them "Wang's Two Disciples." While serving in the Hanlin, the Kangxi Emperor asked Grand Secretary Chen Tingjing which poets among the younger generation were worth noting; Chen named Shenyi and Zhou Qiwei, and so they were also known as "the Two Poets of the Hanlin Academy."
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Qiwei, styled Yutang, was a native of Guiyang. A jinshi of the thirty-third year of Kangxi, he rose from Reviser through successive promotions to Grand Mentor of the Heir Apparent's Household. His poetic talent was spare and soaring; he especially devoted himself to the styles of Su Shi, Yuan Haowen, Gao Qi, and others. Guizhou had been part of the empire since the Ming; among Qing poets Qiwei stood at the head, while Zhang Yuanchen of Tongren and Pan Chun of Pingyuan also enjoyed poetic fame.
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Yuanchen, styled Zhiyi. A jinshi of the thirty-sixth year of Kangxi, he rose from Reviser through successive promotions to Left Tutor to the Heir Apparent. He left the Doucun Poetry Selection.
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Chun, styled Yuanliang. A jinshi of the fifty-fourth year of Kangxi, he served as Reviser. Chen Yi of Wen'an graduated in the same cohort, and for a time everyone praised Pan's poetry and Chen's prose. He left the Chuanlin Poetry Collection.
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使
Gu Chenxu, styled Yuting, was a native of Zhenjiang. He won a literary reputation early; once he obtained Xu Guangqi's calendrical treatise and for a full month pursued it intensively until he mastered its methods. A provincial graduate in the fifty-fourth year of Kangxi, he entered the Zhanning Studio on recommendation to compile books. When the compilation was finished, he was nominated for appointment as Secretary in the Department of Foreign Affairs. At the time the outer court sent more than three hundred candidates in mathematics to await examination; the Kangxi Emperor personally tested them, seventy-two passed, and Chenxu ranked first. He also served as compiler in the Music Office. In the first year of Yongzheng he was dispatched as envoy to Shandong and Zhejiang; on his return he oversaw the Tongzhou granary. In the third year he pleaded eye disease and retired, shut his doors to write, and messengers bearing letters and gifts begging for compositions arrived in an unbroken stream from every quarter. By nature he was upright and unyielding, strict in his private conduct. While in mourning he neither drank nor ate meat and did not enter the inner quarters. When Shen Qiyuan was posted to Henan he invited Chenxu to head the Daliang Academy, citing Fan Zhongyan's directing the Suiyang Academy while still in mourning as encouragement; Chenxu invoked the precedent of Lu Jiuyuan's rebuke of Lu Donglai and politely refused. In the first year of Qianlong he was summoned back to office and also nominated for the Poet-Laureate examination; in the sixth year, when the Music Bureau was established, he was again summoned for his mastery of pitch and rhythm—all of which he declined, and contemporary opinion held him in high esteem. He died at the age of seventy.
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Chenxu mastered philology, mathematics, and music theory, and his contemporaries called these his Three Unmatched Excellences. He once wrote Illustrated Explanations of the Eight Arrows Principle, arguing that philology stands last among the Six Arts—sound belongs to music, form belongs to writing—yet when mouth emits and ear receives, hand moves and eye retains, all are governed by number. Academician Hui Shiqi and Vice Minister of Communications Sun Rang obtained his book, set out wine, and invited Chenxu to expound his theory. Chenxu explained the principles of warp-sounds and woof-sounds—opening, developing, receiving, and closing—and the real meaning of each arrow: until one arrow is released, sound cannot emerge; when a character must avoid something, all eight arrows are spent, the sound is fixed, and the character is dead. The two men sighed that such talent could only be heaven-endowed. In youth he and his townsman Wang Shixiang were sworn friends bound for life and death, and both were accomplished poets. Lou Dong poets mostly followed Wu Weiye, but Chen Xu emerged later and carved out a path of his own. He authored the Xi Tong Collection and the Bao Tong Collection.
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He Chao, styled Qizhan, was a native of Changzhou. He was versed in the Classics, histories, and the learning of the hundred schools. His library held tens of thousands of volumes; whenever he obtained Song or Yuan old imprints he would personally collate them until the volumes stood radiant and complete on the shelves. Scholars called him Master Yimen, and his teachings were transcribed as Yimen's Reading Notes.
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殿
In the forty-first year of Kangxi, Li Guangdi, Governor-General of Zhili, recommended him as a hidden talent from the wilds, and he was summoned to the Southern Studio. The next year he was granted provincial graduate status, failed the metropolitan examination at the Ministry of Rites, was then granted jinshi status, and was made a Hanlin bachelor. He continued to serve in the Southern Studio, tutoring the Eighth Imperial Son in reading while also compiling in the Wuying Hall. He mourned in succession for both parents. After a long interval he was again recommended by Guangdi, summoned to court, and appointed compiler. Minister Xu Qianxue and Minister Weng Shuyuan vied to bring He Chao into their households. Soon he encountered slander and fell out with Qianxue; when Shuyuan impeached Tang Bin, He Chao submitted a memorial asking to be struck from Shuyuan's roster of disciples, and people throughout the realm applauded. When the Kangxi Emperor went to Rehe, slander may have reached his ears; as soon as he returned to the capital he ordered He Chao seized. All his scrolls and writings were confiscated; the emperor read them himself and said, "This is truly a seed of learning!" There was no language of disgruntlement over lost office; moreover he found among the drafts a personal letter refusing a bribe from the magistrate of Wu County, and was all the more impressed. He ordered the confiscated books returned, dismissed He Chao from office, but still had him participate in the book office. In the sixty-first year of Kangxi he died, at the age of sixty-one. The emperor deeply mourned his loss and specially posthumously granted him the title of Reader-in-Waiting of the Hanlin Academy. He bestowed gold, provided travel passes for the return of the coffin, and ordered officials to care for his orphaned children.
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He Chao excelled in regular script, and books he collated by hand were treasured and passed from hand to hand. Four hundred disciples were recorded under his name; Shen Tong of Wujiang and Chen Jingyun of Wuxian were especially distinguished.
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歿
Jingyun, styled Shaozhang. Broadly learned with a formidable memory, he could recite the Comprehensive Mirror from memory. At seventeen, when Tang Bin governed Jiangsu, he was tested among local scholars and placed first. He took the Capital Metropolitan examination but did not pass. He served three years as a retainer in a princely household, then returned home on grounds of his aged mother and never went out again, ending his days as a licentiate. From youth he studied under He Chao; after Chao's death he alone kept the literary tradition of Suzhou alive for nearly twenty years. His works include Reading Notes and textual corrections to the Outline and Mirror, the Two Han Histories, the Records of the Three Kingdoms, the Wen Xuan, and the collected works of Han Yu and Liu Zongyuan—more than thirty juan in all. His collected prose in four juan was likewise concise, rigorous, and well ordered.
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His son Huang Zhong, courtesy name Heshu. He was a licentiate. Father and son both excelled in historical studies, but Huang Zhong especially prided himself on talent and strategic insight. Recommended for the Qianlong 1 Erudite Special Examination, he went to the capital and submitted a memorial on three matters: appointing men, managing finances, and governing the military. Grand Secretary Chen Shiguan endorsed his views. Soon an edict sought blunt-spirited men in the mold of Ma Zhou and Yang Cheng of old; Shiguan wished to recommend him, but he declined. Hu Tianyou looked down on all other scholars but alone acknowledged Huang Zhong's superiority. When he showed Tianyou his writings, Tianyou always pointed out their flaws, yet Huang Zhong never took offense. Finding the Song History cluttered and diffuse, he separately composed annals, biographies, and tables in one hundred seventy juan. He also wrote A Study of Posthumous Titles of Our Dynasty and Chronological Tables of Grand Secretaries, Ministries, Governors-General, and Governors. When he died they were too poor to bury him; someone offered money for the funeral, but his wife, née Zhang, firmly refused. "How can we," she said, "because of poverty, wound my husband's integrity!" So she sold their house to arrange the burial.
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使 殿
Dai Mingshi, courtesy name Tianyou, was a native of Tongcheng. From birth he was gifted with talent and eloquence and supported himself by teaching pupils. Through examination essays he became a noted stipend student, qualified as a tribute student, and was appointed instructor in the Plain Blue Banner. He was offered the post of county magistrate but declined it. From then on he traveled across Yan, Zhao, Qi, Lu, the Yellow River lands, Luoyang, Wu, and Yue, making his living by selling his writing. He loved reading Sima Qian and sought out the extraordinary integrity and remarkable deeds of former ages. From time to time he wrote to release his pent-up grief; his spirit surged forth beyond restraint. Great lords and eminent men feared his sharp tongue and especially envied and resented him. Once in the capital he met Fang Bao and said, "I am not busily seeking gain from the age; I have several hundred juan of books in my breast, and when they come forth I reckon they will differ from everyone else's. Yet unless I withdraw to deep mountains with food and clothing enough and my person free of burdens, I cannot draw them forth." He sighed deeply and took his leave. In the forty-eighth year of Kangxi, at fifty-seven, he finally placed first in the metropolitan examination, ranked second in the first class of the palace examination, and was appointed Hanlin compiler. Two years later the calamity of the Southern Mountain Collection erupted.
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Earlier his disciple You Yunhe had printed Mingshi's Southern Mountain Collection; in it was a letter to Yu Sheng that used the reign titles of the three Ming princes of the late dynasty, and it also cited Fang Xiaobiao's Records of Yunnan and Guizhou. At that time literary prohibitions were severe; Censor-in-Chief Zhao Shenqiao memorialized that the language of the Southern Mountain Collection was rebellious, and Mingshi was arrested and imprisoned. Xiaobiao had already died, but Bao was of the same clan and had written a preface to the collection; for this the Fang clansmen and all whose names appeared in it were punished and imprisoned for two years. The Nine Ministers reported back; Mingshi and Yunhe were both sentenced to death. His kin were liable to collective punishment, but the Kangxi Emperor showed mercy and spared them. On Grand Secretary Li Guangdi's recommendation, Bao and his entire clan were also pardoned. Shenqiao had a reputation for integrity, yet for initiating this case he earned the world's reproach. Mingshi's prose excelled at narrative; he also authored Records of the Survivors, recounting the military upheaval at Tongcheng at the end of the Ming—all were destroyed and banned, and only later did they begin to circulate.
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