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卷486 列傳二百七十三 文苑三 张澍附:邢澍 莫与俦子:友芝 陆继辂从子:耀遹 附:彭绩 洪颐煊兄:坤煊 弟:震煊 邓显鹤附:万希槐 周济附:陈鹤 徐松附:沈垚 陈潮 李图 李兆洛附:承培元 宋景昌 缪尚诰 六承如 钱仪吉从弟:泰吉 包世臣附:齐彦槐 姚椿附:顾广誉 张鑑附:杨凤苞 施国祁 黄易附:瞿中溶 张廷济 沈涛 陆增祥 董祐诚附:方履篯 周仪𬀩 兪正燮附:赵绍祖 汪文臺 汤球 潘德舆附:吴昆田 张维屏附:谭敬昭 彭泰来 梅曾亮附:管同 刘开 毛岳生 汤鹏附:张际亮 龚巩祚 魏源 方东树从弟:宗诚 附:苏惇元 戴钧衡 鲁一同子:蕡 谭莹附:熊景星 黄子高 莹子:宗浚 吴敏树附:杨彝珍 周寿昌附:李希圣 斌良附:锡缜 李雲麟 何绍基附:孙维樸 李瑞清 冯桂芬附:王颂蔚 葉昌炽 管礼耕 袁宝璜 李慈铭附:陶方琦 谭廷献 李稷勋 张裕钊附:范当世 朱铭盘 杨守敬 吴汝纶附:萧穆 贺涛 刘孚京 林纾附:严復 辜汤生

Volume 486 Biographies 273: Literary Figures 3: Zhang Shu with: Xing Shu, Mo Yuchou son: You Zhi, Lu Jilucong son: Yao Yu, with: Peng Ji, Hong Yixuan elder brother: Kun Xuan, younger brother: Zhen Xuan, Deng Xianhe with: Wan Xihuai, Zhou Ji with: Chen He, Xu Song with: Shen Yao, Chen Chao, Li Tu, Li Zhaoluo with: Cheng Pei Yuan, Song Jingchang, Mou Shanggao, Liu Cheng Ru, Qian Yijicong younger brother: Tai Ji, Bao Shichen with: Qi Yanhuai, Yao Chun with: Gu Guangyu, Zhang Jian with: Yang Fengbao, Shi Guoqi, Huang Yi with: Qu Zhongrong, Zhang Tingji, Shen Tao, Lu Zengxiang, Dong Youcheng with: Fang Lvjian, Zhou Yiwei, Yu Zheng Xie with: Zhao Shaozu, Wang Wentai, Tang Qiu, Pan Deyu with: Wu Kuntian, Zhang Weiping with: Tan Jingzhao, Peng Tailai, Mei Cengliang with: Guan Tong, Liu Kai, Mao Yuesheng, Tang Peng with: Zhang Jiliang, Gong Gongzuo, Wei Yuan, Fang Dongshucong younger brother: Zong Cheng, with: Su Dunyuan, Dai Junheng, Lu Yitong son: Fen, Tan Ying with: Xiong Jingxing, Huang Zigao, Ying son: Zong Jun, Wu Minshu with: Yang Yizhen, Zhou Shouchang with: Li Xisheng, Bin Liang with: Xi Zhen, Li Yunlin, He Shaoji with: Sun Weipu, Li Ruiqing, Feng Guifen with: Wang Songwei, Ye Changchi, Guan Ligeng, Yuan Baohuang, Li Ciming with: Tao Fangqi, Tan Tingxian, Li Jixun, Zhang Yuzhao with: Fan Dangshi, Zhu Mingpan, Yang Shoujing, Wu Rulun with: Xiao Mu, He Tao, Liu Fujing, Lin Shu with: Yan Fu, Gu Tang Sheng

Chapter 486 of 清史稿 · Draft History of Qing
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Chapter 486
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1
椿輿
Biography 273: Lu Jilu, Hong Yixuan, Deng Xianhe, Zhou Ji, Xu Song, Li Zhaoluo, Qian Yiji, Bao Shichen, Yao Chun, Zhang Jian, Huang Yi, Dong Youcheng, Yu Zhengxie, Pan Deyu, Zhang Weiping, Mei Cengliang, Tang Peng, Gong Gongzuo, Wei Yuan, Fang Dongshu, Lu Yitong, Tan Ying, Wu Minshu, Zhou Shouchang, Bin Liang, He Shaoji, Feng Guifen, Li Ciming, Zhang Yuzhao, Wu Rulun, and Lin Shu.
2
Zhang Shu, whose style name was Jiehou, came from Wuwei. His father Yingju was renowned for his filial devotion. In 1799, at the age of eighteen, Shu passed the highest civil service examination. That year's examination produced an exceptionally strong cohort; Shu was chosen for the Hanlin Academy, and his writing was learned and elegant. After completing his Hanlin training he was assigned as a county magistrate, first to Yuping, but soon returned home due to illness. Credit for his work on flood control earned him appointment to Pingshan; he also served temporarily as magistrate of Xingwen before entering mourning upon his father's death. Called back to service, he became magistrate of Yongxin. While serving as acting subprefect of Linjiang, he was removed from office for delays in forwarding collected taxes. Reinstated, he was posted to Luxi, but once more left office to observe mourning.
3
Shu was forthright and unyielding by temperament, and wherever he served he soon made a name for himself. In Guizhou, when Governor Chu Pengling passed through his county, Shu had a servant flogged for extorting money. His examination patron Jiang Youshen became governor-general of Sichuan and, the moment he assumed office, began impeaching subordinates with stern and formidable authority. Shu memorialized the throne charging that Jiang traded in favoritism and made improper appointments and removals; because of this his own career never advanced. He read widely in the classics and histories and produced compilations on each field he studied. He traveled across much of the empire, and his poetry and prose grew ever more abundant. He devoted attention to the literary heritage of the Guan and Long regions, gathering and printing its texts. Among his compilations were Old Reports of the Five Liang, Garden of the Three Ancients, Continued Records of Guizhou, Qin Dialect, and Shu Institutions; his five works on surnames were regarded as scholarship of the highest order. Besides his own literary writings, he also authored Wings to the Small Prefaces of the Odes and Textual Verification of Classical Citations in the Shuowen jiezi.
4
Contemporary Gansu had another scholar also named Shu: Xing Shu, styled Yumin, from Jiezhou. The two men's scholarly orientations were also much alike. A jinshi degree-holder, he eventually served as prefect of Nan'an. A lover of antiquity with wide learning, he supplied much of the material for Sun Xingyan's Record of Stele Visits Throughout the Realm. He wrote Examination of Classics of the Guanxi Region, Record of Rare Surnames of the Two Han, Differentiation of Inscriptions in Metal and Stone, and the Shouya Hall Collection.
5
歿 西 使便
Mo Yuchou, whose style name was Youren, came from Dushan Prefecture. From youth he showed strong moral purpose; when his elder brother died he observed the full year of mourning and refused to sit for examinations. When Zhu Gui and Ruan Yuan presided over the metropolitan examination, they favored many well-known scholars of solid classical learning; Yuchou passed that year as well and was selected for the Hanlin Academy. After completing his Hanlin training he was appointed magistrate of Yanyuan County. Local custom favored wealthy buyers who chose untaxed land, while poor households often sold their fields yet still owed tax assessments and, in time, fled as refugees. Yuchou made wealthy landowners bear the tax obligations and fined them for concealed landholding. He also memorialized that the Ningyuan sub-tax office in Hexi, under prefectural control, was levying oppressive surcharges that harmed the people; the abuses were abolished. The Muli Lama Left Office had mountains rich in silver and copper, and the provincial treasurer ordered the county to open mines there. Yuchou objected, showing that the mountains actually belonged to the native chieftain's scripture hall, that the map submitted by scheming men lay far from it and showed no real ore, and that opening mines and gathering workers would disturb the Yi frontier—trading small gain for great trouble was plainly unwise. Senior officials ordered Yuchou to reinspect the site, and he found the mountains were indeed just to the right of the scripture hall. The tribesmen had armed themselves to meet him, but once they saw Yuchou's bearing and heard his gentle words, they laid down their weapons and bowed before him in ranks. Whenever a magistrate arrived, the native chieftain customarily sent provisions as gifts; he refused them all and posted prohibitions against the practice. On his return, young and old blocked the road to offer wine until the way was so crowded he could not pass. Recommended for outstanding administration, he then left office to mourn his father. His mother was elderly, and he petitioned to remain at home and care for her for life.
6
宿 西
After a long interval the Board of Civil Appointments recalled him to service; he asked instead to become an instructor and was appointed at Zunyi. When scholars learned he had arrived, they competed to study under him. The school buildings were packed like beehives yet still could not hold everyone, and he rented rooms across half the city. Morning and evening he gathered his students and told them: "Learning means mastering the fundamentals; the highest attainments may be left to arrive on their own. The teachings of the Cheng and Zhu schools, for all their talk of plumbing spirit and penetrating transformation, do not go beyond the everyday acts of sweeping floors and answering one's duties. In the classical exegesis of the Six Arts, the Qing masters of specialized learning truly surpass the scholars of recent centuries." He spoke of Jiang, Yan, Hui, Chen, Duan, and the Wang father and son so often that scarcely three days passed without their names on his lips, and his listeners were like parched seedlings revived by rain. Later his disciples Zheng Zhen and his son Youzhi mastered the scholarship of the Xu and Zheng schools and became the leading scholars of the southwest. Yuchou wrote Recent Explanations of the Two Souths; his poetry and prose have mostly been lost. Youzhi recorded his father's teachings in Miscellaneous Records from the Courtyard.
7
Youzhi, whose style name was Zisi. He came from a family of scholars and reconciled Han-dynasty philology with Song Neo-Confucianism. He was an accomplished poet. His regular, running, seal, and clerical scripts bore none of the manner of post-Tang calligraphers, and collectors prized them highly. Youzhi was affable and approachable, spare and upright as jade in bearing, yet inwardly possessed of unyielding integrity. A provincial graduate, he kept his distance from powerful patrons while in the capital. Hu Linyi and Zeng Guofan were old friends; he served in their staffs appraising books and histories, yet remained utterly indifferent to rank and gain. During the Xianfeng reign he was once selected for a county magistracy but refused the appointment. By then ministers at court and in the provinces had privately recommended his scholarship and character; the throne summoned him, but once again he declined to serve. He died at the age of sixty-one. He wrote Outline of Guizhou Poetry, Gazetteer of Zunyi Prefecture, Brief Study of Phonology, Luoting Poetry Drafts, Record of Song and Yuan Old Editions Seen, Commentary on the Silkworm Treatise, and Notes on Variants in the Wood Radical of the Tang Shuowen.
8
Lu Jilu, whose style name was Qisun, came from Yanghu. Orphaned in childhood, he was raised under the strict discipline of his mother Lin, who forbade him to associate with anyone she judged unworthy. As soon as he came of age he went to take examinations, met Ding Lüheng, and told his mother on returning home; she judged Ding worthy and only then allowed them to become friends. He later befriended Zhuang Zengyi, Zhang Qi, Yun Jing, Hong Yisun, and others, and his scholarship steadily improved. In 1800 he passed the provincial examination and was appointed director of studies at Hefei. Credit for compiling the Anhui provincial gazetteer earned him appointment as magistrate of Guixi; after three years he resigned on grounds of illness and returned home. Jilu was slender and refined in bearing, with a voice as clear as a crane's cry. He paid no heed to worldly affairs and devoted himself entirely to poetry. His verse was clear, gentle, and spirited—like the man himself.
9
Since Zhang Huiyan and Yun Jing had made Changzhou famous for ancient-style prose, Jilu and Dong Shixi rose together in the same generation, and the age hailed them as leaders of the Yanghu school to rival Tongcheng. Yet in his anthology of seven masters of ancient prose, Jilu held that Huiyan and Jing learned their craft from Qian Bokun, who had studied directly under Liu Dakui; for their lineage alike reached back through the great Tang and Song masters toward the Histories and Han; neither Tongcheng nor Yanghu had truly set themselves apart. Jilu wrote the Chongbaiyao Studio Collection and Notes from the Hefei Academy.
10
耀 西耀
His nephew's son Yao Yu, whose style name was Shaowen. He was a county school student. He excelled at poetry and loved epigraphy, and was as renowned as Jilu himself. He was reserved in manner, yet when matters arose he spoke boldly and yielded to no pressure. Moving among high officials, he was especially skilled at formal correspondence. He once served on the staff of the Shaanxi governor. When sect rebels rose in Huaxian, Na Yancheng passed through Chang'an, heard of Yao Yu's reputation, and summoned him at once; Yao laid out dozens of strategic recommendations, drafted a memorial at his request, and many of the proposals were adopted. Early in the Daoguang reign he was recommended as a Filial and Incorrupt scholar, appointed instructor at Funing, and died in office. His works include the Shuangbaiyan Hall Collection and Continuation of Metal and Stone Inscriptions.
11
The seven masters of ancient prose in Jilu's anthology, besides Dakui, Huiyan, and Jing, were Fang Bao, Yao Nai, Zhu Shixiu, and Peng Ji.
12
Peng Ji, whose style name was Qiushi, came from Changzhou. His character was austere and uncompromising. At the end of the Qianlong reign he died in poverty far from home. He left no son and was forty-four years old. His clansman Shaosheng said: "Those who came to mourn the Master lamented his poverty. I alone hold that the Master had the nature of bamboo and cypress—firm in integrity and rich in literary grace—and that his spirit rivaled Yuan Jie and Meng Jiao; I do not see him as poor at all." His Posthumous Collection of Qiushi survives. The other six each have biographies of their own.
13
使
Hong Yixuan, whose style name was Jingxian, came from Linhai. From youth he applied himself to learning; with his elder brother Kunxuan and younger brother Zhenxuan he studied in a monastery, lecturing and reciting by the Buddha lamp far into the night. Education Commissioner Ruan Yuan invited Yixuan and Zhenxuan to study at the provincial capital, and their reputations grew daily. In 1801 he qualified as a selected tribute student. He purchased the post of assistant prefect and served as acting magistrate of Xinxing County. Ruan Yuan was then governor-general of Guangdong; recognizing that Yixuan was a fine scholar but no administrator, he brought him onto his staff to discuss the classics and histories. He later died at home. He loved collecting books and amassed more than thirty thousand volumes of old Lingnan editions, along with stele rubbings and ritual bronzes rarely seen in his day. He wrote Answers on Palace Chambers in the Book of Rites, Record of Confucius's Three Audiences, Evidential Commentary on the Guanzi, Exegesis of Waterways in the Han Bibliographic Treatise, Miscellany from Reading, Taizhou Notes, and the Yunxuan Poetry and Prose Collection.
14
Kunxuan, whose style name was Zaihou. At the end of the Qianlong reign he passed the provincial examination as a selected tribute student and died little more than ten days after his name was posted.
15
Zhenxuan, whose style name was Baili. He excelled in classical scholarship, and his poetic talent was quick and prolific. Ruan Yuan entrusted him with work on the Collected Glosses on the Classics and the Collation Notes on the Thirteen Classics. Twelve years after his brother Yixuan, he qualified as a selected tribute student. After the palace examination he was too poor to return home and died far from his native place. He wrote Exegesis of the Xia Calendar.
16
Deng Xianhe, whose style name was Zili, came from Xinhua. In youth he and his fellow townsman Ouyang Shaoluo spurred each other on in poetry; traveling widely, he won admiration wherever he went. In 1804 he passed the provincial examination. Disdaining official careerism, he devoted himself entirely to scholarly compilation; for thirty years he preserved the literary heritage of southern Hunan, and scholars called him Master Xianggao. He was upright in private life, remained devoted to his elder brother to the end of their days, and raised his nephew as diligently as his own sons. He was especially steadfast in loyalty to teachers and friends. He held that the region south of Dongting Lake and north of the Five Ridges was the land of Qu Yuan and Jia Yi's sorrow, where learned men and loyal scholars had succeeded one another through the ages, yet whose writings remained buried and unknown. He therefore searched the archives, and whenever he found records of loyal martyrs in damaged manuscripts, he would rejoice and bow in reverence, rushing to publish them as though great blame would follow if he delayed. His works include Collections of Elders of the Zijiang, Collections of Elders of the Yuan and Xiang, Supplemental Collation and Variants of the Chu Treasure, gazetteers of Wugang and Baojing, Brief Biographies of the Five Loyal Temple of Zhu Xi and its continuation, and Brief Biographies of Martyrs of Hunan in the Late Ming. He also wrote Expositions on the Changes, Tables of the Mao Odes, and the Nancun Thatched Hall Poetry and Prose Collection, totaling several hundred volumes. In his later years he was appointed director of studies at Ningxiang. He died at the age of seventy-five.
17
Contemporary with him was Wan Xihuai, whose style name was Weiting, from Huanggang. As a granary-stipend student he was appointed director of studies at Nanzhang. He mastered the classics, histories, and the hundred schools, and wrote Evidential Variants of the Thirteen Classics. Chen Songqing hailed his Collected Evidences to Notes from Difficult Study as an indispensable contribution to Wang Yinglin's scholarship.
18
殿輿
Zhou Ji, whose style name was Baoxu, came from Jingxi. He loved history and studied ancient generals' military strategies; he was supremely skilled in horsemanship, archery, and swordplay. He was a jinshi degree-holder. Someone warned him: "In your policy essay, try not to be too outspoken." Ji replied: "At my first audience with the throne, how could I dare deceive my sovereign!" At the palace audience he spoke freely on affairs of the realm, exceeding the prescribed length. Placed in the third rank of jinshi graduates, he was selected as a county magistrate but instead took the post of professor at the Huai'an Prefecture school. At the spring sacrifice to Confucius, when the rites were finished, Prefect Wang Gu stepped outside the hall to mount his carriage; Ji rushed forward to stop him. The prefect left in displeasure, and Ji resigned on grounds of illness. That autumn a scandal over embezzled relief funds broke out, and officials from Wang Gu downward were all punished; Ji was spared because he had already resigned. Salt smugglers infested the Huai region; Governor-General Sun Yuting, recognizing Ji's ability, entrusted him with defense and pacification. Ji assembled military officers and disciplined them according to military law, and the lawless all fell silent. Soon he sighed and said: "Salt administration ignores the root of the problem; merely suppressing smuggling can never end it." He therefore resigned. Ji formed close friendships with Li Zhaoluo, Zhang Qi, and Bao Shichen. At that time, whenever scholars of the Wu region useful to public affairs were counted, Shichen and Ji were always named first.
19
Though proud of his talents, Ji one day cast off his extravagant habits, shut his door to write, and completed eighty volumes of Outline of Jin, with refined organization and clean prose; in his discussions he offered original insights on terrain for attack and defense, going far beyond mere collation. In his later years he again served as professor at Huai'an, selecting talented youths to teach ritual music and dance; when the ceremony was completed, more than a thousand people watched. When Zhou Tianjue was transferred to governor-general of Huguang, he invited Ji to accompany him. He died on the journey at the age of fifty-nine.
20
Chen He, whose style name was Heling, came from Yuanhe. He was upright and refined in conduct and also excelled in historical studies. A jinshi, he served as a director in the Ministry of Works and went about on foot without carriage or horses. With Mou Changyu of Qixia and Zheng Shichao of Yangshan he was known as one of the "Three Gentlemen of the Works Bureau." Well versed in Ming history, he compiled sixty volumes of Ming Annals. He died before the work was finished. His grandson Kejia completed the final eight volumes. Kejia passed the provincial examination late in the Daoguang reign. He served as a secretarial officer in the Grand Secretariat. He later joined Zhang Guoliang's staff, died in service, and was posthumously granted the rank of prefect.
21
西 殿 西
Xu Song, whose style name was Xingbo, came from Daxing. He passed the jinshi examination in 1805 and was appointed a Hanlin compiler. Appointed education commissioner of Hunan, he was later banished to Yili for an offense. Song devoted himself to documentary research; beyond the frontier he carried a pocket notebook, mapping the courses of mountains and rivers wherever he traveled, and completed Record of Western Region Waterways, modeled on the Water Classic; He also wrote his own commentary, intended to rival Li Daoyuan's annotations. Since Xinjiang had been part of the empire for decades and was treated like the capital region yet lacked a dedicated study, he compiled a comprehensive work with detailed treatment of administration, strategic control, revenue, and military registers. General Songyun presented his book to the throne; it was given the title Brief Account of Xinjiang Affairs; by special edict Xu was pardoned and recalled; the emperor wrote a preface and ordered its publication by the imperial printing office. At the beginning of the Daoguang reign he was recalled as a Grand Secretariat secretary, promoted to director, appointed censor, and then sent out as prefect of Yulin. He died soon afterward. His other works include Collected Explanations of the Geography Monograph, Supplementary Notes to the Account of the Western Regions in the Han History, Examination of the Two Capitals' Wards in Tang, Examination of Tang Examination Records, and Rhapsody on Xinjiang, totaling several dozen volumes.
22
西 西
Song delighted in promoting younger scholars. Among his protégés was Shen Yao, whose style name was Zidun, from Wucheng. He was an outstanding tribute student. Quiet by nature, he never traveled beyond the frontier himself, yet loved to chart the mountains and rivers of distant lands. He was first recognized and promoted by He Linghan and Chen Yongguang. In the capital he lodged in Xu's household. Xu praised the excellence of his geographical scholarship. Cheng Enze of She County once read Journey to the West and planned to write an essay explaining its geography. When he saw Yao's Explanation of Journey to the West East of Jinshan, he exclaimed: "Ten thousand li of distant wilderness lie spread before one's eyes!" He then laid down his brush and wrote no more. Yao died far from home; Zhang Mu collected his surviving writings as Drafts of the Falling-Sail Tower.
23
Chen Chao, whose style name was Dongzhi, came from Taixing. He mastered the classics, excelled at small seal script, and was also expert in mathematical astronomy. He once spent a sleepless night on a high terrace observing the stars. He traveled to the capital and also died in Xu's household.
24
Li Tu, whose style name was Shaobo, came from Yexian. As a selected tribute student he served as magistrate of Wuji County in Zhili, then resigned citing illness. Tu could read ten lines at a glance; his natural talent was extraordinary. He excelled at poetry and ancient-style prose and firmly rejected the frivolous fashions of his day. He once said: "In prose, nothing but Sima Qian is fit to be a model; in poetry, nothing but Su Shi and Li Bai." Xu Song, as head of the Luoyuan Academy in Jinan, read Tu's poetry and exclaimed: "In three hundred years there has been nothing like this!" His Hongjue Studio Poetry and Prose Collection survives. Among Shandong poets, after Wang Shizhen and Zhao Zhixin, Tu was regarded as the leading figure.
25
使 輿
Li Zhaoluo, whose style name was Shenqi, came from Yanghu. A jinshi degree-holder, he was selected for the Hanlin Academy. He was appointed magistrate of Fengtai, where the people were fierce and banditry common; the county bordered Mengcheng and Fuyang, with outlying districts as far as one hundred eighty li away, so that magistrates sometimes never visited them during an entire term. Zhaoluo traveled the county himself, assessing each hamlet's prosperity, mapping field sizes and soil quality, and putting local administration in order. Jiaogang Lake was the ancient Quepi Reservoir; lying along the Huai River, it was prone to flooding. He strengthened the dikes, built canals and sluice gates, and harvests became consistently abundant. He chose respected elders to encourage filial conduct and prudent living among the people and honored them publicly. In remote districts he established charity schools and recruited able teachers. His success in capturing bandits was especially praised. He once led mounted braves in a surprise raid that captured a bandit chief, then investigated the case and won the people's trust. Zhaoluo once said: "The fighting spirit of the people along the Feng, Ying, and Si rivers could be harnessed; five thousand well-chosen men would be more than enough to pacify the empire. Yet only local strongmen could command them effectively; officials operating a thousand li from home needed outside troops strong enough to keep such forces in check." Zhaoluo served seven years as magistrate, left to mourn his father, and never returned to office. For nearly twenty years he headed the Jiangyin Academy, teaching practical scholarship; his students who mastered classical studies, phonology, exegesis, cartography, astronomy, and ancient-style prose emerged in great numbers. Among them were Cheng Peiyuan, Song Jingchang, Mou Shanggao, and Liu Chengru of Jiangyin—all his chosen disciples.
26
輿 沿 輿
Zhaoluo was short and stout, with a leonine head and piercing eyes; he seemed unapproachable at first glance, yet in person he was gentle and never spoke harshly or showed sudden anger. He spared no effort in aiding old friends and relieving the poor. His library held more than fifty thousand volumes, each annotated in his own hand; he was especially devoted to historical geography. In literary theory he sought to unite parallel and free prose; criticizing contemporaries who revered Tang and Song models but neglected the two Han, he compiled the Anthology of Parallel Prose. His preface states in brief: "From the Qin through the Sui, literary forms evolved step by step, yet prose had no distinct labels. From the Tang on, the term "ancient-style prose" appeared, and writings of the Six Dynasties were called parallel prose. Students of parallel prose likewise regarded themselves as following a path wholly separate from ancient-style writing. Vital force may be robust or attenuated—Heaven determines that; scholarship may be pure or mixed—human effort determines that; literary style shifts and changes—human and heavenly factors share in that; moral principle admits no separate paths—Heaven and humanity meet in that. Once one understands why force is strong or weak and learning pure or mixed, one can read the age in changing literary forms; from the unity of moral principle one can understand literature itself. Literary forms ran their course by the Six Dynasties; follow the current to its limit and trace back to the source, and what emerges is one." He died at the age of seventy-one. His own collected works are entitled the Yangyi Studio Collection. His compilations include the Anthology of Our Dynasty's Literature, the Complete Atlas of the Great Qing Unified Realm, the Fengtai County Gazetteer, and the Rhymed Geography Compendium.
27
Cheng Peiyuan, courtesy name Shoudan. He was a senior tribute student. He authored Shuowen Citations from the Classics as Proof, Zhouya, and Exposing Obscurities in the Classics.
28
Song Jingchang, courtesy name Mianzhi. He was a county school student. He wrote various essays on measuring stars and constellations.
29
Miao Shanggao, courtesy name Zhiqing. He was a provincial graduate (juren). He authored Ancient Rhymes Tables, Initial-Consonant Tables, and Inquiry into Classic Stars.
30
輿
Liu Chengru and his clansman Yan were both tribute students. The geographical atlas that Zhaoluo revised was hand-drawn by Liu Chengru and his fellow student.
31
Qian Yiji, courtesy name Kanshi, was from Jiaxing and a great-grandson of Minister Chen Qun. His father Qian Fuzuo served as an academician reader-in-waiting. At Yiji's birth a five-colored patterned bird flew into the room, so he was first named Kuiji and later renamed. In the thirteenth year of the Jiaqing reign (1808) he passed the metropolitan examination and was chosen as a Hanlin bachelor. He was appointed a secretary in the Ministry of Revenue and rose in succession to supervising secretary in the Ministry of Works. In every post he discharged his duties well; after being dismissed over an official matter, he went home.
32
Yiji approached the classics by seeking ancient glosses first, surveying many commentators, and reconciling them with the text's main sense—without taking sides in the Han versus Song schools. He wrote Evidence from the Classics and Shuowen Elegance Disposed. Elegance Disposed follows the nineteen sections of the Shuowen, sets out its nine hundred and four categories, and expands them with citations from classics and commentaries. In historical studies he supplemented the Jin military monograph and calendrical tables, and compiled Essentials of the Three Kingdoms, Jin, and Northern and Southern Dynasties—its format partly diverged from Xu Tianlin's and did not bind conclusions to a single source text. He also modeled himself on the Song Du Dagui's Collection of Steles and Biographies of Eminent Ministers, gathered more than eight hundred Qing statesmen, writers, and scholars, and compiled them into his Collection of Stele Biographies. He later died at Daliang Academy at the age of sixty-eight.
33
稿
His younger cousin Qian Taiji, courtesy name Jingshi. Orphaned in youth, he observed mourning with the fullest filial propriety. He and Yiji sharpened each other in scholarship and conduct; people far and near acclaimed them as "the two Stones of Jiaxing." His poetry and prose sprang from true feeling; read his language and one sees how deeply filial piety and brotherly affection shaped him. As a stipendiary tribute student he was appointed educational instructor at the Haining prefectural school. In his spare time he read constantly, collating everything from the classics, histories, and masters down to Tang and Song belles-lettres. He taught his learning to the students, and the able and literary among them flocked to him. He once renovated the school temple and used leftover funds to compile the Haichang Supplementary Gazetteer. He also collected more than a thousand local cases of chastity and filial devotion and had them officially commended, saying, "This is my duty. He had to ask repeatedly, three times over, and would desist only when his request was granted. For nearly thirty years as an educational instructor he never treated a minor post as an excuse for slackness. When rebel forces overran Zhejiang he joined Zeng Guofan and died at Anqing. His works include Baoshu Miscellany and Drafts of a Ganquan Villager. Yiji's son Baohui and Taiji's son Bingsen both carried on their fathers' scholarship.
34
西
Bao Shichen, courtesy name Shenbo, was from Jing County. In youth he excelled at literary composition, had a broad vision of statecraft, and loved to discourse on military affairs. In the thirteenth year of Jiaqing (1808) he passed the provincial examination; in the grand selection he was assigned a magistracy in Jiangxi. He briefly served as acting magistrate of Xinyu, was impeached, and left office. He again followed Mingliang on campaigns in Sichuan and Huguang; his bold plans were not adopted, so he returned and settled in Jinling. Shichen was sharp-witted and eloquent, and as a commoner moved freely among high officials. Whenever southeastern governors faced major issues of war, famine relief, rivers, grain transport, or salt, they all humbled themselves to seek his counsel, and Shichen answered with equal forthrightness.
35
沿 使仿 便
When the pirate Cai Qian attacked Shanghai, the regional commander and circuit intendant invited Shichen to survey the coastal islands. Seeing a thousand merchant ships at anchor on the Huangpu, he proposed that sea transport could cure the abuses of the grain-tribute system. On a visit to Yuanpu during a river crisis he drafted the Four Strategies for Rivers. Salt policy then centered on the two Huai circuits; smugglers were everywhere, and officials competed in proposals to crack down on illicit trade. Shichen proposed slashing salt bureaucracy, leaving only the transport commissioner in charge of revenue while field supervisors oversaw saltern households; abolishing rigid zones and following the iron-and-saltpeter model, merchants would carry local official licenses to the salterns, pay duties, and buy salt. With counties filing reports and the transport commissioner keeping records for audit, field officials could not skim the regular tax; and with faster distribution, salt prices would drop sharply; smuggled salt would flow into official coffers, doubling revenue. The surplus could subsidize government costs and raise stipends for Hanlin, expositorate, censorate, and secretariat officials—a highly practical scheme.
36
西 西
On northwestern irrigation he wrote: "The empire now ships four million shi of southern grain tribute—about what two million mu of good farmland yield in an average year. With four million mu under cultivation, splitting the harvest half with tenants would match the full tribute quota. Cut transport by a tenth at first, sell grain and freight to fund official colonies, and phase reductions over ten years—then the tribute fleet could end and land taxes lighten. Apply the surplus to pay and provisions, and officials could serve honestly while troops were properly drilled. Otherwise, feeding the northwest from southeastern transport—with extortionate levies and squeezes growing daily—will drain the people and stockpile resentment. The southeast's gravest disaster will ultimately stem from this."
37
Shichen was given to bold, sweeping statements. His theory of calligraphy was especially subtle; his running, cursive, and clerical scripts were prized throughout his day. He wrote the Collected Works of the Little Weary-of-Travel Pavilion, also issued separately as the Four Works of Anwu.
38
仿 便
Qi Yanhuai, courtesy name Meilu, was from Wuyuan. In the thirteenth year of Jiaqing (1808) he was called to the palace examination as a juren; the following year he passed the metropolitan examination and entered the Hanlin Academy. After completing his Hanlin term he was appointed magistrate of Jinquan. He demolished improper shrines and, in drought years, worked tirelessly at famine relief. Promoted to vice-prefect of Suzhou, he presented a sea-transport plan; the governor interrogated him, but though he answered every objection and the governor could not defeat his arguments, the scheme was finally dropped for fear of radical change. More than a decade later, when sea transport was instituted, officials still followed his approach. He built an armillary sphere and a meridian instrument, each with an explanatory treatise, and also the Dragon-Tail and Constant-Rising water wheels to help people lift water. His works include Tables of Polar Star Latitudes, Discussions on Sea Transport and Southern Grain Tribute, and the Meilu Poetry and Prose Collection.
39
椿 使 椿
Yao Chun, courtesy name Chunmu, was from Lou County. His father Yao Lingyi served as Sichuan provincial treasurer and often served on military staffs. Chun was brilliant and widely read; as a boy he traveled with his father through the provinces, learned firsthand the people's hardships, and resolved to put his talents to public use.
40
退
As a National University student he sat for the capital examinations, meeting daily with Hong Liangji, Yang Fangcan, Zhang Wentao, and others for literary salons—and his reputation soared. Yet he repeatedly failed the examinations. Later he studied under Yao Nai, turned to Song Neo-Confucian writings, set aside old habits, and pursued the Way with single-minded calm. He once came upon the posthumous works of Baoying's Zhu Zeyun and exclaimed, "Here is a genuine follower of Cheng and Zhu! He visited Zhu's grave to pay his respects, observing the rites due a scholar one admires from afar. In the first year of Daoguang (1821) he was recommended as Filial and Incorrupt but declined office. He headed an academy lectureship and urged students toward practical learning. In discussing literature he always invoked the Tongcheng school's motto: "Love learning and think deeply until the heart grasps the meaning." He also said, "Writing serves four ends: to illuminate the Way, to record events, to convey sound antiquarian findings, and to utter language of depth and beauty." His compilation of Qing literary figures, more than eighty volumes in all, wholly embodies this principle. He wrote Records of the Tongyi Pavilion and Literary Records of the Wanxue Studio.
41
椿 稿
Gu Guangyu, styled Weikang, was from Pinghu. A senior tribute student, he was recommended as Filial and Incorrupt in the first year of Xianfeng (1851). The Taiping rebellion intervened, and he never sat for the palace examination. Guangyu admired the moral example of his fellow townsman Zhang Lüxiang and Lu Longqi and strove to emulate their rigorous conduct. In his classical studies he followed Cheng Duanli's Annual Reading Schedule in every respect. He wrote Detailed Explanations of Learning the Odes, laboring over it with exceptional diligence. He also lamented that mourning and sacrificial rites had fallen into neglect, familial bonds had weakened, and weddings and funerals had grown extravagantly excessive; adapting ancient ritual to present custom, he produced his eight-fascicle Resolving Doubts in the Four Rites. Yao Chun hailed him as the leading authority of his generation. His collected writings survive as Drafts from the Studio of Repentance. He died at the Longmen Academy in Shanghai.
42
西 西
Zhang Jian, styled Chunye, was from Gui'an. When Governor Ruan Yuan founded the Classics Research Academy on West Lake, Jian studied there alongside fellow townsman Yang Fengbao and Shi Guoqi; all three won renown. Early in the Jiaqing reign he became a tribute student from the second examination list. When Ruan suppressed coastal pirates and relieved flooding in Zhejiang, he relied entirely on Jian for strategic counsel. Maritime grain transport was then under debate, and Jian was its strongest advocate. Canal transport was secure, he argued, but ruinously expensive; maritime transport saved money, and with experienced navigators it was no less safe. He wrote Sketches on Maritime Transport, treating in exhaustive detail methods for sounding shallows and reading winds, rules for compass and star sighting, and places for putting to sea and anchoring; Vice Minister Ying He repeatedly praised the book. In the fourth year of Daoguang (1824) the Yellow River burst at Gaojiayan, blocking the grain transport route. Ying He then memorialized to implement maritime transport, drawing heavily on Jian's proposals. He died at the age of eighty-three. His works include Collected Notes on the Fifteen Classics, Comprehensive Account of Western Xia Affairs, and Expanded Evidence on the Meishan Poetry Case.
43
Fengbao, styled Fujiu. When Ruan compiled the Exegesis of Classics and Histories, Fengbao served as one of its editors. Deeply versed in late Ming history, he wrote twelve colophons for the Unofficial History of the Southern Court, which circulated widely in his day. In his later years he lodged with the Chen family in the prefectural city; his study was Zheng Yuanqing's Yuji Pavilion, and people said Yuanqing had been reborn in him.
44
Guoqi, styled Feixiong. He and Fengbao were both government stipend students. Finding the History of Jin hopelessly disordered, Guoqi labored more than twenty years to produce a Detailed Collation of the History of Jin. Because the work grew too large, he listed its entries separately as Notes on the Jin Source. He also wrote a commentary on Yuan Haoshan's collected works and Miscellaneous Poems on Jin Origins. Guoqi excelled at poetry and prose and was adept at composing lyric verse. Poor at home, he earned his living keeping accounts in a shop. He had a study called Jibei Studio where he wrote; it burned down, and most of his writings were lost in the flames.
45
Huang Yi, styled Xiaosong, was from Qiantang. His father Shugu was famed for filial piety, excelled at clerical script, and was widely versed in bronzes and stone inscriptions. Yi inherited this pursuit; bronzes and inscribed stones were his daily companions, and he became a leading name in the field. He served as assistant prefect of the Grand Canal in Shandong and was diligent in his duties. He once obtained the Wu Ban stele and the pictorial stone reliefs of the Wu Liang shrine chamber at Jiaxiang; he then erected the Wu family shrine on the spot and installed the stones within it. He also published fine rubbings from his collection as double-outline woodblock prints. Whenever antiquarians across the empire obtained rare inscriptions or ancient carvings, they brought them to Yi for authentication; his collection thus ranked foremost of the age. Since the Qianlong and Jiaqing reigns Han Learning had flourished; when little remained to be gleaned from ancient commentaries on the classics, scholars turned to bronzes and stone inscriptions until collecting them became a craze—a fashion characteristic of the age.
46
Qu Zhongrong, styled Mufu, was from Jiading. He was the son-in-law of Qian Daxin. He was especially accomplished in the study of bronzes and stone inscriptions. As director of punishments under the Hunan provincial administration, he sought rarities in remote places few had visited and acquired all the more. His more than twenty works include Verification of Disciples Worshipped in the Confucian Temple, Corrections to Studies of the Han, Wei, and Shu Stone Classics, Textual Variants in Place Names in the Shuowen, Illustrated Record of Ritual Bronzes from the Guquan Mountain Lodge, Supplementary Corrections to the Numismatic Treatise, Verification of Ancient Official Seals, Illustrated Record of Ancient Mirrors, and Continued Compilation of Han Stone Inscriptions.
47
Zhang Tingji, styled Shuwei, was from Jiaxing. In the third year of Jiaqing (1798) he placed first in the provincial examinations. He repeatedly failed the metropolitan examination and withdrew into private life, devoting himself to books and antiquities. He built the Qingyi Pavilion to house his antiquities, and his reputation spread throughout the Yangtze valley.
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西 西
Shen Tao, styled Xiyong. He was from the same district as Tingji. He received his provincial degree in the fifteenth year of Jiaqing (1810). Early in the Xianfeng reign he served as acting Jiangxi salt commissioner. When the Taiping rebels attacked Nanchang, he joined Governor Zhang Fei in defending the city. After the siege was lifted he was appointed intendant of the Xing-Quan-Yong circuit but died before assuming office. Tao favored textual verification and antiquities; his works include Records of Inscribed Stones of Changshan and Investigation of Ancient Editions of the Shuowen.
49
Lu Zengxiang, styled Xingnong, was from Taicang. In the thirtieth year of Daoguang (1850) he placed first in the jinshi examination, was appointed Hanlin Compiler, and rose to intendant of the Chen-Yuan-Yong-Jing circuit. Following Wang Chang's Collected Stone Inscriptions, he compiled Supplementary Corrections to Stone Inscriptions in 120 fascicles, recording more than thirty-five hundred inscriptions. He also wrote a one-fascicle Records of Bricks. He Shaoji acknowledged his mastery in correcting inscriptions and identifying objects on bronzes and stone tablets.
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西 輿
Dong Youcheng, styled Fangli, was from Yanghu. At five he had mastered the multiplication table. As he grew older he proved adept at literary composition. On a journey to Shaanxi he composed a Rhapsody on the Huashan Spirit Temple, which was widely recited at the time. He explored institutions, ritual, geography, and material culture with equal vigor, but excelled above all in calendrical astronomy, mastering every major method. He had a gift for penetrating thought; abstruse and knotty texts he grasped at a single reading. He could also advance fresh insights, clarify what was obscure, and repair lacunae in received learning. He received his provincial degree in the twenty-third year of Jiaqing (1818). Five years later he died, aged thirty-three.
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稿
Reading the calendrical treatises in the standard histories, Youcheng wrote his Supplement to the Triple Concordance Calculations. He planned a comprehensive treatise on fifty-three calendrical systems from the Triple Concordance through the Ming Great Concordance, Ten-Thousand-Year, and Islamic methods, but left the work unfinished; his elder brother Jicheng published the five completed parts as an appendix to the Illustrated Commentary on the Water Classic. His mathematical works include Illustrated Explanation of Continuous Proportion for Circle Division, Supplementary Method for Finding Angles from Three Oblique Arcs, and several treatises on volume calculation by stacking.
52
Jicheng, styled Zishen. A jinshi. After serving as a director in the Ministry of Punishments, he was appointed prefect of Kaifeng. Skilled at belles-lettres, his writings and Youcheng's were published together as Parallel Prose of the Duohua Studio.
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調
Fang Lüqian, styled Yanwen, was from Daxing. A provincial graduate in the same year as Youcheng, he served as a magistrate in Fujian. On his first posting as an acting official in Yongding, a local bully named Hu Fengzhao exhumed a clansman's father's coffin and murdered his son; despite an all-points search he could not be caught. When Lüqian arrived he wrote Fengzhao a letter of admonition; Fengzhao turned himself in and was sentenced according to law. Transferred to Min County during a drought, he prayed for rain in the blazing heat; his stout frame succumbed to sunstroke and he died. Lüqian was also renowned for his parallel prose. He was especially devoted to inscribed bronzes and stones, amassing nearly ten thousand specimens. His works include Records of Yique Stone Inscriptions, Catalogue of Steles from the Fuheng Studio, Gazetteer of Henei County, and Collected Writings from the Wanshan Flower Studio.
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調
Zhou Yiwei, styled Botian, was from Yanghu. A provincial graduate early in Jiaqing, he served as instructor at Xuancheng. He was promoted to magistrate of Shanyang County and later transferred to Fengxiang. He was a capable poet. His collected poems survive as the Fufu Mountain Lodge Collection.
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Later figures include Wu Jiehong, styled Jiazhi; a Daoguang-era jinshi who served as prefect of Daizhou; Zhuang Jindu, styled Meishu; a jinshi and secretary in the Ministry of Revenue; Zhao Shenjia, styled Yunyou; Lu Rong, styled Rongqing; Xu Tinghua, styled Zileng; Wang Shijin, styled Yiyun; Zhou Yigao, styled Shucheng, a provincial graduate and the younger brother of Yiwei. They were known as the "Seven Later Masters of Piling," ranking below the earlier seven masters in fame and standing.
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Yu Zhengxie, styled Lichu, was from Yi County. He possessed a prodigious memory and forgot nothing he read. In his twenties he traveled north to Yanzhou to visit Sun Xingyan. At the time Xingyan was establishing the doctorate for Fu Sheng and also seeking descendants of the Zuo clan. Zhengxie wrote On the Surname and Clan of Qiu Ming's Descendants and Examination of Mount Zuo; Xingyan drew heavily on them to reconcile scholarly debates, and Zhengxie's fame rose sharply. He received his provincial degree in the first year of Daoguang (1821). The following year Ruan Yuan presided over the metropolitan examination, and scholars said to one another, "Lichu is sure to pass! Yet in the end he failed. His classical examination essays were encyclopedic, but another examiner marked him down and Yuan never saw them. Examiner Wang Zao often cited this as a lasting regret.
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稿稿西
Zhengxie read with enormous folio volumes at hand, annotating by topic; only after months and years did he arrange his notes into essays, judging matters by his own lights. Zao printed fifteen fascicles as the Guisi Miscellany, and fifteen fascicles of surviving drafts were later printed by the Yang family of Shanxi. His younger brother Zhengxi was also a provincial graduate. Renowned for righteous conduct, his literary learning ranked with Zhengxie's.
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使 使
Zhao Shaozu, styled Qinshi, was from Jing County. At twelve he won recognition from Educational Commissioner Zhu Yun and was enrolled as a student. Yun taught him the Shuowen, saying, "Read no more than ten characters of this text a day. In reading commentaries, likewise read no more than ten pages a day. You must master each passage thoroughly before moving on." Shaozu was thoroughly versed in historical matters; he accepted appointment from Provincial Commissioner Tao Shu to compile the gazetteer of Anhui, producing a work that was detailed, comprehensive, and well ordered. Early in Daoguang, at age seventy, he was recommended as Filial and Incorrupt. Twelve years later he died. His works include Notes on the Zizhi Tongjian, Mutual Verification of the Old and New Books of Tang, Colophons on Bronzes and Stones, Records of Anhui Stone Inscriptions, Records of Jingchuan Stone Inscriptions, and Continued Transcription of Correct Stone Inscriptions.
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稿
Wang Wentai, styled Shinan. He was from the same county as Zhengxie and they were close friends. An adherent of Han Learning, he found Xing Shu's commentary on the Analects too brief; gathering evidence of ancient meaning from masters, histories, and commentaries, he wrote the Outer Tradition of the Analects following the model of Han Ying's Commentary on the Odes. Reading Ruan Yuan's Collation Notes to the Thirteen Classics with Commentary, he judged them beneficial to later students yet, being the work of many hands, sometimes erroneous; he tabulated his corrections in Identifying Notes to the Collation Notes and sent them to Yuan, who acknowledged their mastery and courteously engaged him. He also compiled the Seven Versions of the History of the Later Han, Collation Notes to the Huainanzi, and Miscellaneous Drafts, all of which circulated in his day. In the twenty-fourth year of Daoguang (1844) he died at the age of forty-nine.
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Tang Qiu, styled Bohang, was also from Yi County. In youth he devoted himself to the classics and histories, studied with Zhengxie and Wentai, and inherited their evidential scholarship. He mastered calendrical calculation and astronomical constants yet was ashamed to be known merely for technical skill. He compiled nine lost works of Zheng Xuan, Liu Xi's commentary on the Mencius, the Eastern Han Records of Liu Zhen and others, Huangfu Mi's Annals of Emperors and Kings, Qiao Zhou's Investigation of Ancient History, the Master Fu, and the Ancient and Modern Notes of the Marquis of Fu. Qiu devoted his historical reading especially to the History of Jin; searching widely through sources, he supplemented its lacunae in several works. In the sixth year of Tongzhi (1867) he was recommended as Filial and Incorrupt. In the seventh year of Guangxu (1881) he died at the age of seventy-eight.
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輿 輿
Pan Deyu, styled Sinong, was from Shanyang. At five or six, when his mother was ill and would not eat, he refused food as well. When his father spat blood, he cut flesh from his arm, mixed it with medicine, and presented it. Seeing his son's pallor, his father wept, "I knew my son would do this! After he was orphaned his grandmother still lived, and his filial devotion grew all the greater. In mourning he followed ritual in every respect, growing gaunt and haggard. He wrote Correcting Popular Errors in Mourning Rites and Sacrificial Rites as family standards. He raised his widowed sister's adopted son, educating and providing for him for twenty years. His other conduct was largely of this kind. He held that to turn the age's fortune, nothing was more urgent than literature, whose root lay in loyalty and filial piety and whose source lay in classical learning. In expounding the classics he favored neither Han nor Song schools but strove for the subtle words and great meaning of the ancients. In discussing governance he said the empire's great ills could be summed in three words: "officials," "precedents," and "profit." Scholars who bore grand plans for saving the age, if not entangled in factional tactics, fell into utilitarianism; none could break the hold of "profit" and achieve a century of restorative rule. In the eighth year of Daoguang (1828) he placed first in the Jiangnan provincial examination. In the capital his examiner Vice Minister Zhong Chang lodged Deyu in his home and told others, "Sinong is my teacher." In the large selection he was assigned as magistrate to Anhui but died before taking office, aged fifty-five.
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輿 輿
Earlier, when Ruan Yuan was governor-general of grain transport, he invited him, but Deyu declined. Later Zhu Guizhen and Zhou Tianjue, both famed as worthy ministers, humbled themselves to seek his acquaintance; Deyu kept his distance, holding that righteousness left no room for compromise—Tianjue sighed with admiration from afar. His associates—Guo Yixiao of Yongfeng, Zhang Jiliang of Jianning, Zhang Lü of Zhenze, Tang Peng of Yiyang, and Xu Baoshan of She—were all leading figures of the age. Deyu's poetry and prose were profound and vast; his collected works survive as the Yangyi Studio Collection.
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His student Wu Kuntian of Qinghe, styled Yunpu. A provincial graduate, he served as vice director in the Ministry of Punishments. In his later years at home, when rebels invaded Qinghe he organized militia defense and the district was kept safe. He wrote Collected Writings of the Shuliu Studio.
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調
Zhang Weiping, styled Zishu, was from Panyu. Skilled at poetry, on traveling to the capital for the examination he won Weng Fanggang's high regard. With Huang Peifang and Tan Jingzhao he was known as the "Three Masters of Guangdong." A jinshi in the second year of Daoguang (1822), he changed appointment to magistrate and served as acting magistrate of Huangmei. When the river breached its dike he took a small boat to survey the disaster; the current swept his boat into the rapids, but it caught on a tree and he was saved. The people made up a ballad: "Meeting the rapids, the official saves the people; the gods save the official." Transferred to Guangji, he found that public funds all went to grain transport deductions, causing the people great hardship; the practice could not be reformed, and he resigned on grounds of illness. Wang Tingzhen told others, "A magistrate who refuses to accept grain transport fees is rarely seen in this world!" After mourning and returning to service, he sought a quiet post; by precedent he changed to assistant prefect and held acting charge of Nankang. He built shrines to Li Bai and Su Dongpo on Mount Lu; in his leisure he gathered students to discuss literature, embedding admonition in refined expression. In less than a year he resigned again and returned home. He built the Listening to Pines Garden and withdrew from worldly affairs; doting on pines, he also styled himself Master Pineheart. When he saw a pine of strange and ancient form he would bow before it. Expert in calligraphy, Korea and the Sulu Islands treasured his writing. He died at the age of eighty. His works include Collected Writings of the Pineheart Studio and Biographical Sketches of Qing Poets. Peifang was from Xiangshan.
65
Jingzhao, styled Zijin, was from Yangchun. Li Jian of Shunde was famed throughout the realm for poetry; Jingzhao sent him his Rhapsody on the Peng and the Crane, and Jian exclaimed that he was a prodigy. A jinshi in the twenty-second year of Jiaqing (1817), he served as secretary in the Ministry of Revenue. He wrote Collected Writings of the Listening to Clouds Studio.
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使
At the same time in Guangdong, Peng Tailai of Gaoyao, styled Zida, was also famed for learning and conduct. At twenty months he could recite the ancient classics on the spot, every word apt. In the eighteenth year of Jiaqing (1813) he became a selected tribute student. He utterly renounced official advancement; Educational Commissioner Li Tangjie esteemed his character, dismissed his mounted escort, and walked on foot to visit him, asking how to restore popular morals. Tailai replied in a letter of several thousand words; Tangjie erected a placard at his dwelling and instructed the magistrate of Gaoyao to visit him with seasonal inquiries. Since Hui Shiqi honored Hu Fang, such deference had been seen only once before. He authored Records of Duanzhou Stone Inscriptions and collected works from the Zuomeng Studio and the Shiyitang.
67
Mei Cengliang, styled Boyan, was from Shangyuan. In youth he was skilled at parallel prose. Yao Nai lectured at the Zhongshan Academy; Cengliang and his fellow townsman Guan Tong both studied under him. The two were closest in friendship and together devoted themselves to ancient-style prose; Nai praised them without cease and their fame rose greatly. Tong sometimes admonished Cengliang, but Cengliang was pleased with himself and would not be swayed. After long reading in Zhou, Qin, and Sima Qian, he awakened somewhat and changed his former habits entirely. His principles of composition were rooted in Tongcheng but drew on others' strengths; he chose sounds and refined colors, striving to exhaust every turn of the brush. A jinshi in the second year of Daoguang (1822), he was appointed magistrate but by precedent changed to director in the Ministry of Revenue. He lived in the capital more than twenty years, associating with Zong Yichen, Zhu Qi, Long Qirui, Wang Zheng, Shao Yichen, and others; Zeng Guofan also rose to answer his call. Those in the capital who studied ancient-style prose all sought instruction from Mei. By then Guan Tong had already died, and Cengliang was the greatest master; Meanwhile Guofan also studied self-cultivation under Tang Jian, Woren, and Wu Tingdong; in literature he esteemed the Yao school above all. Thereupon many scholar-officials turned to literary craft and statecraft, and the evidential scholarship of the Qianlong and Jiaqing reigns gradually waned. Before long Cengliang entered the service of Grand Canal Governor Yang Yizeng. He died at the age of seventy-one. Yizeng published his collected works as the Baizhi Mountain Studio Collection.
68
Guan Tong, styled Yizhi. Orphaned young, his mother Zou was renowned for chastity and filial devotion. Tong excelled at literary composition and aspired to practical statecraft; he was acclaimed as a leading disciple of the Yao school. He once drafted treatises on customs and on grain reserves that circulated widely in his day. In the fifth year of Daoguang (1825), Chen Yongguang presided over the Jiangnan examination and Tong passed. Yongguang told others, "In examining scholars of the two Jiangs, I rejoice chiefly in having found one Yizhi. Yongguang was also a disciple of Yao Nai. Tong died at forty-seven; his collected works survive as the Yinjixuan Collection. His son Sifu, styled Xiaoyi. He inherited his father's craft and was also versed in mathematics.
69
Many studied under Yao Nai, but only Tong transmitted his method earliest. Among his fellow townsman he most praised Liu Kai's talent.
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Liu Kai, styled Mingdong. An orphan who herded cattle, he listened outside the schoolhouse, memorizing every word the tutor recited. The tutor took him in as a student and gave him his daughter in marriage. At fourteen he presented a composition to Yao Nai and won praise as a national talent; Nai taught him his entire method of composition. Traveling among the great households, his literary fame shook the age. He died at forty. His collected works survive as the Mengtu Collection. His son Ji, styled Shaotu. He was known for faith and righteousness. He went everywhere among the powerful seeking publication of his father's book, and thereby the Mengtu Collection grew all the more famous.
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Mao Yuesheng of Baoshan, styled Shenfu. By privilege for hardship he changed status to literary student. Orphaned and poor, he was renowned for filial piety. He strove in learning on his own; before reaching manhood he composed a poem on the white goose and won fame. He also studied ancient-style prose under Yao Nai, excelling in intricate, forceful diction. His collected works survive as the Xiufu Studio Collection.
72
滿
Tang Peng, styled Haiqiu, was from Yiyang. A jinshi in the second year of Daoguang (1822). At first he delighted in poetry; from ancient songs through the Odes, Han, Wei, the Six Dynasties, and Tang, he shaped his forms and refined his spirit in all, producing three thousand poems. Afterward he served as secretary in the Ministry of Rites and concurrently as clerk in the Grand Council. Soon he was made up as secretary in the Ministry of Revenue, then vice director, then transferred to censor. Bold and high-spirited, he approved only statesmen like Li Deyu and Zhang Juzheng; mere men of letters he deemed useless. He then boldly remonstrated; within a month he submitted three memorials. Finally he memorialized that an imperial clansman serving as director had insulted Manchu officials of his ministry—an affront to the state; though already punished by imperial edict, he was dismissed as censor and returned to the Ministry of Revenue as director. At the time England was harassing the coast and seeking trade. Though demoted and unable to remonstrate directly, Peng still submitted thirty detailed proposals through his director for forwarding; the court acknowledged receipt.
73
Talented and proud, Peng could not deploy his gifts; he thereupon wrote a book called the Master of Floating Hill. He set up one idea as the trunk; one trunk divided into branches, and within branches there were branches again; branch and trunk evolved in succession without end. Broadly speaking he treated military and fiscal affairs, the essentials of governance, and human affairs true and false; opening out situations and pursuing essentials, more than ninety chapters of several thousand words each, totaling more than four hundred thousand words. Whenever he met anyone he would say, "Can you get through my Master of Floating Hill? Such was his self-satisfaction. In the twenty-fourth year of Daoguang (1844) he died. At the same time Zhang Jiliang was also famed for bold, open talent.
74
使
Zhang Jiliang, styled Hengfu, was from Jianning. Orphaned young, his elder brother was a merchant but, seeing his talent, funded his studies. Enrolled as a student, he studied at Fuzhou's Aofeng Academy, whose director Chen Shouqi valued him highly. Soon he tested as a selected tribute student and entered the capital; he failed the palace examination, yet all praised his poetry. Salt commissioner Zeng Yu, passing through on business, summoned him to drink. Yu held himself as a famed elder and spoke freely; those seated praised him, but Jiliang inwardly despised him. Yu ate melon seeds that stuck to his beard; one man rose to pick them off, and Jiliang laughed loudly, shaming everyone present. After leaving, he sent a letter rebuking Yu for failing to guide younger scholars and merely using wealth to court poor scholars at his gate. Yu was angry and slandered him to various dignitaries; thereby he gained a reputation for eccentricity and repeatedly failed examinations. He then traveled throughout the empire's mountains and rivers, exhaustively exploring wonders; channeling poverty, sorrow, generosity, and the fallen grandeur of past and present, he composed poetry ever more somber, heroic, and tragic. In the eighteenth year those taking the provincial examination agreed, "Zhang Jiliang is an eccentric and must not pass. Yet Jiliang had already changed his name to Hengfu and passed. When the paper was opened they suspected fraud and wished to reject it; the associate examiner intervened and they desisted. When he came to pay his respects, it was indeed Jiliang; the chief examiner was astonished. At the metropolitan examination he again failed. Jiliang had long been friendly with Yao Ying of Tongcheng. In the twenty-third year, hearing Ying was imprisoned on a charge of dereliction as territorial official, he entered the capital to aid him urgently. When the affair was cleared Jiliang was gravely ill; he entrusted his Sibozi Hall Poetry Collection to Ying and died. Later Ying's son Junchang compiled and published it in thirty-two fascicles.
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婿 西 沿
Gong Zizhen, original name Zizhen, styled Seiren, was from Renhe. His father Lizheng was a jinshi who served as Suzhou-Songjiang circuit intendant for military affairs; Duan Yucai's son-in-law, he transmitted Duan's learning. At twelve Zizhen was taught the Shuowen radical headings by Duan Yucai. Zizhen's talent swept all before it; his conduct defied ordinary norms, at times approaching the bizarre, yet in expounding the classics he always grounded himself in original glosses—from his earliest instruction. At first, as a provincial graduate, he entered the Secretariat by precedent. In the Daoguang reign he became a jinshi and returned to his original rank. He was promoted to director in the Imperial Clan Court and transferred to the Ministry of Rites. He requested leave, returned home, and never served again. While a Secretariat compiler he memorialized the chief director on northwestern frontier tribes beyond the passes and the configuration of mountains and rivers, correcting lacunae in the Comprehensive Gazetteer—in all five thousand words. Later he memorialized on reforms needed in the four bureaus of the Ministry of Rites—another three thousand words. His writing was fierce and unconventional, ranging through the masters and the hundred schools, forming a school of his own. Wherever he went he startled the crowd; his fame spread widely, yet his official career did not prosper. He died at fifty at the Danyang Academy. His works include Great Meaning of the Preface to the Documents, Answers on the Great Declaration, Ma Family Method of the Documents, Supplementary Meaning to Du's Commentary on the Zuo Commentary, Resolution of Sores on the Zuo Commentary, Comparative Decisions on the Spring and Autumn, and the Ding'an Poetry and Prose Collection.
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Lu Yitong, styled Tongfu, was from Qinghe. Skilled at literary composition, he studied under Pan Deyu. A provincial graduate in the fifteenth year of Daoguang (1835). The age had long been at peace, yet Yitong alone was deeply troubled, saying, "Today the empire has much unaroused spirit and accumulated habits that do not transform; those in office are greedy and will not leave their posts; those who remonstrate pursue opinions that will not startle. Heroic integrity goes unrecorded; once urgency comes, nothing can be relied upon. Afterward he again failed the examinations and pursued his studies all the more deeply. Whether land tax, military affairs, and other great policies, or changes in river courses and strategic terrain, he grasped their essentials. In writing he strove to address the age's realities; ancient, lush, stern, and forceful, he had the manner of Du Mu and Yin Zhu. Grain Transport Governor Zhou Tianjue, seeing him, said, "A great talent of the empire—not merely a man of letters! Zeng Guofan especially marveled at him.
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Testing at the Ministry of Rites and entering the capital, Guofan several times dismissed his mounted escort to consult him on affairs of the empire. When the Taiping rebels held Nanjing, his fellow graduate Wu Tang was magistrate of Qinghe; Yitong drafted a proclamation for him to circulate among the counties—the language was stirring and hearts north of the Yangtze were greatly steadied. When Jiang Zhongyuan's army reached Luzhou, his friend Dai Junheng wrote to communicate Guofan's intent, wishing him to rise and assist Zhongyuan. Yitong declined and stayed out; in reply he wrote at length on military strategy, holding that Nanjing should be approached slowly while neighboring prefectures were attacked in earnest. Later the great army built a long encirclement, expecting to break Nanjing within days; Yitong alone judged it must fail. Before long it collapsed in rout, and Jiangsu and Zhejiang fell. Later Guofan took Anqing and recovered Nanjing—exactly as he had argued. In the second year of Tongzhi (1863) he died at the age of fifty-nine. His works include the Gazetteers of Pei and Qinghe and the Tongfu Miscellany.
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His son Fen, styled Zhongshi. A licentiate, his writing followed a rigorous family method. Skilled at comprehensive verification, Prefect Zhang Yilin proposed reducing Qinghe's land tax, which was painfully heavy, and consulted Fen. Fen analyzed the items in detail, drafted three thousand words overnight, and presented it the next morning. Yilin was astonished and delighted and asked him to take charge; the work was completed in three years. He also assisted in repairing the Andong waterway; when the project finished, not a single cash was overspent.
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Tan Ying, styled Yusheng, was from Nanhai. In his youth he took the district examination; Governor-General Ruan Yuan, visiting a mountain temple, saw Ying's poem on the wall, was astonished, and told the magistrate, "The district has a talented man—do not overlook him! The magistrate asked his name; he would not answer. Later he obtained a fu Ying had written and told Yuan; Yuan said, "This is he. The next year Yuan opened the Xuehai Hall to examine scholars, appointing Ying together with Hou Kang, Yi Kezhong, Xiong Jingxing, and Huang Zigao as senior students. Ying had a powerful memory; narrating past events, however remote, he never missed a date. He broadly examined Guangdong documents; his wealthy friend Wu Chongyao collected and printed them as fifty-nine works of Lingnan Survivals, Thirteen Guangdong Authors, and Survivor Poetry of Elders of Southern Chu, later expanding them as the Yueya Hall Collectanea. Ying served as senior student for thirty years; many outstanding scholars came from his school. In the twenty-fourth year of Daoguang (1844) he passed the provincial examination and served as instructor at Huazhou. After a long while he was transferred to professor at Qiongzhou and given the rank of Secretariat compiler. In youth he was intimate with Hou Kang and others; in his later years Chen Li ranked with him in fame. His collected works survive as the Lezhi Hall Collection.
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Xiong Jingxing, styled Boqing, was also from Nanhai. He won Yuan's praise through his poetry. Yet he resented the softness of literary men and studied horsemanship, archery, and martial arts. Ending as an academician through the provincial degree, with no field to test himself, he amused himself with books and painting.
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Huang Zigao, styled Shuli, was from Panyu. A senior tribute student. Expert in small seal script, he delighted in verifying bronzes and stone inscriptions. His library held many rare editions.
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Ying's son Zongjun, styled Shuyu. He excelled at parallel prose. Second in the first rank of the jinshi examination, he was appointed Hanlin Compiler. When he first passed the provincial examination he was still young. Ying set him to read for ten years before permitting him to take office. He was taught Ma Duanlin's Comprehensive Investigations and could recite it in outline. After entering the Hanlin he served as educational commissioner in Sichuan and also as associate examiner in Jiangnan. Because of his blunt uprightness he was hated by the Academy director and was sent out as grain commissioner in Yunnan. Zongjun was unhappy with provincial appointment and resigned, but was not permitted. Twice acting surveillance commissioner, he pleaded illness and returned home, and died on the road in dejection.
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Wu Minshu, styled Benshen, was from Baling. His father Dade, in years of dearth, lent the poor more than ten thousand piculs of grain without seeking repayment, famed throughout Hunan. Minshu loved learning from birth; in writing he strove for rugged originality and scraped away worldly views. In the twelfth year of Daoguang (1832) he passed the provincial examination. At the time Mei Cengliang was advocating ancient-style prose in the capital, transmitting his teacher Yao Nai's doctrine. Minshu rose from Hunan, keeping aloof from contemporary circles, and copied the collected prose of Ming dynasty Gui Youguang. After entering the capital he found agreement with Cengliang. Thereupon the capital widely spread word that Minshu could write ancient-style prose. Zeng Guofan, while an official in the capital, was closest in friendship with Minshu; after leaving to command armies he wished to have him join his staff, but Minshu declined.
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Minshu's appearance was mild and his spirit tranquil; his interests were lofty and detached, and worldly joys and sorrows did not burden his heart. In the large selection he was chosen as instructor at Liuyang and soon resigned of his own accord. He often ascended the Jiang Tower on Jun Mountain, wandering and chanting freely. Scholars called him Master Nanping. His collected works survive as the Panhu Literary Record. He died at sixty-nine.
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Among Minshu's friends famed for writing was Yang Yizhen of Wuling, styled Xingnong. His father Bufu was a provincial graduate who served as instructor at Shimen and authored Changes in Territorial Administration Through the Dynasties. Yizhen, a jinshi late in Daoguang, was selected as bachelor and changed to secretary in the Ministry of War. He associated with Zeng Guofan and Zuo Zongtang and delighted in courting reputation and influence. At the repeated banquet for former graduates he was rewarded with fourth-rank insignia. He died in his nineties. His collected works survive as the Yizhi Studio Collection.
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Zhou Shouchang, styled Yingfu, was from Changsha. A jinshi in the twenty-fifth year of Daoguang (1845), he was selected as bachelor and appointed Hanlin Compiler. Early in the Xianfeng reign he was promoted to reader in the Hanlin. When the Taiping rebels invaded Hunan, Grand Commissioner Sai Shang'a delayed and would not fight; Shouchang memorialized for his impeachment and was acclaimed for bold speech. When the rebels held Nanjing and sent parties north, he was ordered to assist in capital defenses. Seventeen villagers forced their way into the city; the authorities seized them as spies; Shouchang investigated, found the truth, and urged their release; some feared he would offend powerful persons; Shouchang said, "Would I curry favor with the powerful at the cost of human lives? In the end they were released. When the Tongzhi Emperor personally took power, he memorialized to perform rituals in person and guard against indulgence; the court acknowledged receipt.
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Shouchang was precise and had a powerful memory; though an official he studied more diligently than students. He was devoted to Ban Gu's History of Han; with no blank space on the paper he completed fifty fascicles of Supplementary Collation and Commentary, changing drafts seventeen times. He also wrote Corrections and Supplements to the Commentary on the Later Han, Remnants of the Commentary on the Records of the Three Kingdoms, and the Siyi Hall Collection. He ended his career as Grand Secretary of the Grand Secretariat.
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Li Xisheng, styled Yiyuan, was from Xiangxiang. As a jinshi he served as secretary in the Ministry of Punishments. Devoted to learning, he first studied glosses, mastered the Offices of Zhou, the Spring and Autumn Annals, and Guliang, was versed in the old and new Books of Tang, modeled his prose on the Songs of Chu and Wenxuan, and his poetry was often bleak and gorgeous, resembling Li Shangyin. He loved reading, was versed in methods of governance ancient and modern, and cherished the ambition to order the age. He once compiled the Guangxu Accounting Records to synthesize state revenue. He also drafted Discussions on Gains and Losses in Statutes and Regulations; Zhang Boxi and others all esteemed him highly. Late in the Guangxu reign he died.
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Bin Liang, styled Liyun, also known as Meifang, of the Guwalgiya clan, a Manchu Bannerman of the Plain Red, was son of Fujian-Zhejiang Governor-General Yude. From a yinsheng he rose to vice minister in the Ministry of Punishments and served as resident minister in Tibet. Skilled at poetry, he made one collection for each post, producing eight thousand poems. His younger brother Faliang collected and published them as the Complete Works of the Baochong Studio, praising his early poetry as brilliant and elegant, close to Zhu Yizun and Li E. When he took office in the Ministry of Revenue and followed the army to suppress rebellion, his poetic style grew firm and mature. His ancient-style poetry drew breath from Han, Wei, Han Yu, Du Fu, Su Shi, and Li Bai; his regulated verse purely followed the High Tang. As provincial judge in Shaanxi and Henan he was recalled to the capital; he exchanged poems with Chen Lifeng, Li Chunhu, Ye Yuntan, and Wu Lanxue, and his poetic realm grew higher. On mission to Mongolia he rode through ancient passes, seeking hidden wonders—many realms poets had never traversed; his style changed again, and he compared himself to Sa Dutong and Yuan Haoshan. Ruan Yuan wrote a preface and praised him highly.
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Faliang, styled Ke'an. Mei Cengliang said his poetry studied Su Dongpo, obtaining clear spaciousness tempered with the Tang masters' leisurely ease. His Ouluo'an Poetry Collection survives.
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滿 西 退
Xi Zhen, original name Xichun, styled Hou'an, of the Borjigit clan, a Manchu Bannerman of the Plain Blue. A jinshi in the sixth year of Xianfeng (1856). From director in the Ministry of Revenue he was appointed Jiangxi grain commissioner, served as resident minister in Tibet, and pleaded illness to return home. Skilled at calligraphy, he was accomplished in poetry and prose. His Tuifu Studio Poetry and Prose Collection survives.
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Li Yunlin, styled Yu'ang, was a Han Bannerman of the Plain White. As a student he followed Zeng Guofan in suppressing the Taiping rebels, rising to vice commander-in-chief. When Xinjiang established the Buluntuohai frontier commissioner, Yunlin was appointed to the post. He served as acting Ili general. In governing the frontier he achieved merit, but censors impeached him and he was dismissed. Yunlin was stubborn and high-spirited; in youth he traveled the five sacred mountains and wrote Casual Notes of Vast Travel in one fascicle. His travel poetry had an uncommon spirit. On first visiting Guofan he met Guofan's son, who was discourteous; Yunlin angrily rebuked him. Guofan invited him in, apologized, and let him command an army alone. Zuo Zongtang memorialized to transfer him and also praised his talent as a general. Yunlin often spoke wildly when drunk and clashed with the world. After dismissal and return he died in poverty. He left a poetry collection and Record of a Journey to the Western Marches.
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Since the Daoguang and Xianfeng reigns, among Manchus there was Guan Cheng of the Guwalgiya clan, styled Weihang. His works include the Guating Miscellany and the Yuhua Hall Poetry Collection. E Heng, styled Songting, of the Irgen Gioro clan. His Qiushi Mountain Studio Collection survives. Zhen Jun, styled Zaiting, later renamed Tang Yan, of the Guwalgiya clan. His works include the Annals of the Bohai Kingdom and Casual Hearings from Heaven's Reach. Ying Hua, styled Lianzhi, of the Hejia clan, a Manchu Bannerman of the Plain Red. Broadly learned, he was skilled at poetry and prose and expert in calligraphy. Through his books and doctrines he was renowned at home and abroad. His works include the Anjian Studio Collection and Records of the Old Man of Ten Thousand Pines. The Mongol Sheng Yuan of the Balut clan, styled Kaiting. His works include the Gazetteer of Nanchang Prefecture, Brief Account of the Hang Camp, and Yiyuan Poetry Drafts. The Han Bannerman Zongshan of the Lu clan, styled Xiaowu. His works include the Kuisheng Iron Studio Poetry Collection and Posthumous Writings of the Xihui Hall. All were famed for poetry and prose.
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He Shaoji, styled Zizhen, was from Daozhou, son of Minister Ling Han. A jinshi in the sixteenth year of Daoguang (1836), he was selected as bachelor and appointed Hanlin Compiler. Shaoji inherited family learning and was famed from youth. Ruan Yuan and Cheng Enze greatly valued him. He presided over the provincial examinations of Fujian, Guizhou, and Guangdong, each time praised for selecting worthy candidates. In the second year of Xianfeng (1852) he was selected as educational commissioner of Sichuan. Summoned for audience, he was asked about family background, studies, and current affairs. Shaoji was moved and wished to repay imperial favor; he frankly stated local conditions and was eventually demoted for memorializing on current affairs. He headed the Luoyuan Academy in Shandong and the Chengnan Academy in Changsha, teaching students and urging practical learning. In the thirteenth year of Tongzhi (1874) he died at seventy-five.
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Shaoji was versed in the classics and histories and expert in musical temperament and calculation. He once used the Elder Dai's Records to verify the Ritual Classics, penetrating institutions with considerable precision. He also corrected errors in Li Daoyuan's Commentary on the Water Classic. His examination of the Shuowen was especially deep. His poetry resembled Huang Tingjian's. He loved antiquities and was expert in calligraphy. At first he studied Yan Zhenqing, then traced Han and Wei steles more than a hundred times each. With controlled elbow and fingers, heart and hand in pursuit, he formed a school of his own, and the age prized him. His Dongzhou Poetry and Prose Collection runs to forty fascicles.
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His younger brother Shaojing, styled Ziyu. Also skilled at calligraphy, his brush manner resembled his brother's.
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Sun Weipu, styled Shisun. As a tribute student from the second list he became a Secretariat compiler and rose to circuit intendant. Skilled at calligraphy and painting, his characters imitated his grandfather's. Long resident in Shanghai, after the dynastic change he died in his eighties.
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Contemporary with Weipu and famed for calligraphy in Shanghai was Li Ruiqing of Linchuan, styled Meian. A jinshi in the twentieth year of Guangxu (1894), he was selected as bachelor. Changed to circuit intendant in Jiangsu, he served as acting Jiangning educational commissioner and concurrently supervised the Liangjiang Normal School. In the third year of Xuantong (1911) rebellion broke out in Wuchang and the Jiangning New Army mutinied, joining Zhejiang troops to attack the city. Officials fled in secret; Ruiqing alone stayed, still daily leading students to class as usual. Financial Commissioner Fan Zengxiang abandoned his post and fled; Ruiqing acted in his place. He urgently purchased three hundred thousand piculs of rice to supply the government army, aided in defending the city, and established fair-price granaries to relieve refugees. When the city fell Ruiqing sat in full dress in the hall and died from arrows without yielding. The revolutionary army could not bear to harm him and let him go. He then sealed the provincial treasury, entrusting keys and registers to local gentry; accumulated gold still amounted to several hundred thousand taels. Thereafter in Taoist dress he hid in Shanghai, concealing his name and styling himself the Qing Daoist, selling calligraphy and painting to live. Ruiqing's poetry followed Han and Wei, extending down to Tao Yuanming and Xie Lingyun. In calligraphy he mastered every style, especially loving seal and clerical script. He once said that in writing seal script one must see no Li Yangbing and let the spirit roam the Three Dynasties to achieve excellence. In the dingsi year (1917) he was restored and appointed vice minister of the Ministry of Education. Three years later he died, posthumously titled Wenjie.
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Feng Guifen, styled Linyi, also known as Jingting, was from Wu County. Second in the first rank in the twentieth year of Daoguang (1840), he was appointed Hanlin Compiler, served as chief examiner of the Guangxi provincial examination, then mourned his mother. When mourning ended, on the Xianfeng Emperor's accession he was summoned on grand ministers' recommendation. Soon he mourned his father; when mourning had just ended Nanjing fell. An edict ordered raising funds for militia in his district; for recovering Songjiang prefecture he was promoted to fifth rank and elevated to right censor. He went to the capital; within a year he requested leave and returned home. In the first year of Tongzhi (1862) he was given fourth rank for militia achievements. When rebellion was settled he was again given third rank as an elder whose writings aided governance.
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Guifen in youth was skilled at parallel prose; after midlife he devoted himself to ancient-style prose. There was no book he did not examine; he especially attended to astronomy, geography, military affairs, salt and iron, and grain transport. At first he assisted a district magistrate in managing revenue; when matters did not agree he resigned and entered the staff of Liangjiang Governor-General Tao Shu. Even before taking office his fame was great throughout the Yangtze valley. When the Taiping rebels took Suzhou he fled to Shanghai. At the time Grand Secretary Zeng Guofan was commanding armies in Anhui. Suzhou scholars urged Qian Dingming to carry a letter begging aid, stating Shanghai's peril and military opportunities in several thousand words—the draft was Guifen's own work. Guofan, reading it, was moved and sent Li Hongzhang east with an army. After the siege of Shanghai was lifted and Suzhou was taken, all attributed the help to him. Guifen established the Joint Defense Bureau to harmonize Chinese and foreigners living together. He founded the School of Foreign Languages, seeking talent versed in Western learning to meet coming change. He once calmly told Hongzhang of the Wu people's suffering from heavy grain taxes, often ruined by tax collection. At the time Songjiang Prefect Fang Chuanshu also memorialized, saying, "In Jiangsu since the Southern Song confiscated fields of princes and great ministers, the government collected their rent; under the Yuan official and private fields were confused, rent seeped into tax quotas, and the people suffered bitterly; later Zhang Shicheng seized powerful families' fields as government property; when the Ming founder pacified Wu, angered that Wu people had followed Shicheng, he fixed tax by private land registers, and distress grew heavier. Under Yongzheng and Qianlong reduction was twice discussed, yet only land and poll taxes were touched. Now if after the rebellion floating grain tax were verified and reduced, the weary people would rejoice and rebel strength would decline. Hongzhang reported it to the throne. An edict reduced Suzhou, Songjiang, and Taicang rice tax by one-third and Changzhou and Zhenjiang by one-eleventh, establishing it as statute.
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Guifen was by nature tranquil; he served only ten years, yet at home he rose to action and did not shun toil or blame. Whether dredging rivers, building schools, or storing grain—all proposals came from his hand. He lectured at academies in Jinling, Shanghai, and Suzhou, discussing learning with juniors morning and evening without weariness. He deeply studied mathematics and devised a directional ruler and reverse compass to measure fields and draw maps. Because Jiangnan land surveys used the ministry's five-foot step bow and fields often exceeded quota, he investigated the Collected Statutes and fixed use of the old six-foot step bow for old fields and the new issue for newly silted fields. His works include Textual Verification of Duan Yucai's Commentary on the Shuowen, Detailed Explanations with Diagrams of Arc and Arrow Calculation, Direct Explanation of New Western Calculation Methods, Protests from the Jiaobin Studio, and the Xianzhi Hall Poetry and Prose Collection—in all several dozen fascicles. In the thirteenth year of Tongzhi (1874) he died.
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Wang Songwei, styled Fuqing, was from Changzhou. A jinshi in the fifth year of Guangxu (1879), he was selected as bachelor. Pan Zuyin of Wu County and Weng Tonghe of Changshu both praised Songwei's talent. Leaving the Hanlin, he transferred to the Ministry of Revenue and was made up as clerk in the Grand Council. In his leisure he devoted himself to writing. He once found in a pile of old papers at the Strategy Office a damaged first palace edition of the History of Ming; yellow slips on the margins proved to be unfinished Qianlong-era drafts of textual verification. He searched widely, revised item by item, cut redundancy, selected essentials, and produced more than forty fascicles of Gathered Remnants of Textual Verification of the History of Ming. In the eighteenth year of Guangxu (1892) he placed first in the censor examination; the Grand Council memorialized to retain him. Songwei wished to establish doctrine and express loyal remonstrance, yet grew depressed and unhappy. Once assigned to supervise engineering, by precedent there were shares to distribute; Songwei alone refused, saying, "In what we take and give we must be careful ourselves and cannot drift with custom. Formerly Master Chen Jiting, when an official in a ministry, would not even take public seal fees. How much more is this in truth a bribe from factory merchants?"
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In the twenty-first year (1895) Sino-Japanese hostilities arose; warfare was largely directed by the Beiyang minister. When Weng Tonghe again entered the Grand Council, he remonstrated, saying, "Reading the sacred instructions of the Kangxi and Qianlong emperors, all military matters were planned at court before action. Today the war has begun; can it all be delegated to Zhili alone? When peace was discussed Songwei was all the more grieved, once saying, "Today's defeats merely blame untrained troops and inferior weapons—still not probing the root. In recent years the court has grown lax, the palace pursues travel and spectacle, upright men are cast aside, and bribes run openly—how can there be hope of victory? Hereafter indemnities are vast and the people's strength grows weaker; I fear great disorder will come not from foreign invasion but from internal collapse. The next year he died. His works include the Xieli Studio collections, Record of Reading Steles, Record of Books Seen, and forty-two fascicles of Gathered Remnants of Textual Verification of the History of Ming.
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Ye Changchi, styled Jushang, was from Yuanhe. A jinshi in the sixteenth year of Guangxu (1890), he was selected as bachelor and appointed Hanlin Compiler. He rose to reader and served as educational commissioner of Gansu; though the frontier was plain and crude, Changchi examined candidates with full diligence. When the post was abolished he returned home and wrote to the end of his life. Five years after the dynastic change he died. His works include Poetry on Bibliophiles, Discourse on Stone, and Examination of Inscriptions at the Dazhou Great Buddha Temple—all textually precise.
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Guan Ligeng, styled Shenji. A tribute student. His father Qingqi studied with Chen Huan. Ligeng faithfully maintained family learning and was especially expert in glosses. He once said that since Tang times the Correct Meaning was established in the state academy, Han, Wei, and Six Dynasties survivals had mostly been lost. Of what survives, only the Shiwen remains, yet today's edition is corrupt; he planned a comprehensive collation but died before half was done.
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Yuan Baohuang, styled Jieyu, was from Yuanhe. A jinshi in the twenty-first year of Guangxu (1895), he served as secretary in the Ministry of Punishments. He was versed in the classics and philology and also in mathematics. His writings were also unfinished when he died.
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Li Ciming, styled Aibo, was from Kuaiji. A licentiate, he purchased office as director in the Ministry of Revenue. On reaching the capital he was at once famed for poetry and prose. Grand Secretary Zhou Zupei and Minister Pan Zuyin took him as an honored guest. In the sixth year of Guangxu (1880) he became a jinshi, returned to his original rank, and changed to censor. As court affairs daily worsened, Ciming remonstrated, requesting the emperor lecture at the imperial school and requesting rectification of the censorate. Among grand ministers he impeached Sun Yuweng and Sun Ji; among frontier officials De Xin, Shen Bingcheng, and Yu Kuan—several memorials, all unanswered. Ciming died in depression at sixty-six.
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Ciming's prose was deep, vast, and surpassingly beautiful; his poetry was especially skilled, forming a school of his own. By nature he was upright and aloof, and his tongue was sharp. Those who admired his learning liked him; those who resented his tongue detested him. He kept daily lesson notes; for every book he judged the depth of its learning and the order of effort required; younger scholars were greatly convinced. His works include ten fascicles of Yuemantang prose, ten fascicles of Baihua Jiangqiu Studio poetry and two of lyric song, and several dozen volumes of diary. Recorded disciples numbered several hundred; his fellow townsman Tao Fangqi was foremost.
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Tao Fangqi, styled Zizhen. A jinshi in the second year of Guangxu (1876), he was selected as bachelor and appointed Hanlin Compiler. He served as educational commissioner of Hunan. At forty he died in his Beijing lodging. Fangqi's learning had root and branch; eagerly pursuing antiquity, he wrote without idle years. He studied Zheng Xuan's commentary on the Changes, the Lu tradition of the Odes, Han commentary on the Erya, and the Elder Dai's Record of Rites. In studying the Huainanzi he strove to investigate classical glosses, gather Xu Shen's commentary, and supplement Gao You. Drafting again and again over ten years, he sought truth from facts. His works include Collated Notes on Xu Shen's Huainan Commentary, Chronological Table of Master Xu, Han Zishi Studio Literary Transcription, parallel prose, and lyric poetry.
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Tan Tingxian, styled Zhongxiu, was from Renhe. A provincial graduate in the sixth year of Tongzhi (1867). In youth he bore resolve and integrity and was well informed on current affairs. He could investigate the meaning of state institutions and ritual propriety. In studying the classics he sought the subtle words and great meaning of Western Han scholars, disdaining mere chapter-and-verse work. In reading he kept daily schedules; all he discussed and wrote was summarized in his diary. His prose took Han and Wei as source; his poetry was gentle and moving, stirring pity. He was also skilled at lyric song and exchanged compositions with Ciming. He served in Anhui as magistrate of She, Quanjiao, Hefei, and Susong. In his later years he returned home, very poor. Zhang Zhidong engaged him to head the Jingxin Academy; after a year he declined and died at home.
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Li Jixun, styled Yaoqin, was from Xiushan. Second in the second rank in the twenty-fourth year of Guangxu (1898), he changed to bachelor and was appointed Hanlin Compiler. He served as associate metropolitan examiner, precise in judgment, valuing practical learning, and obtained many famed scholars. He rose to counselor in the Ministry of Posts and oversaw Sichuan-Hankou railway affairs. Broadly learned and skilled at ancient prose, he studied poetry under Wang Kaiyun yet was not confined by his teacher's doctrine. He exclusively followed Tang masters; his meaning was deep and graceful, obtaining the legacy of the Book of Songs. Ciming once praised him. His Bie'an Poetry Record runs to four fascicles.
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Zhang Yuzhao, styled Lianqing, was from Wuchang. In youth his tutor taught examination essays; he was unwilling. At home they had the Nanfeng Collection; he often stole time to read it. A provincial graduate in the first year of Xianfeng (1851), he was appointed Secretariat compiler. Zeng Guofan, reading his examination paper, praised his writing; meeting him afterward, said, "Have you studied Zeng Gong's prose? Yuzhao secretly rejoiced. Guofan further instructed him in literary craft and family methods since Tang and Song; his learning advanced greatly, and he saw that his earlier work was still commonplace; he recited Sima Qian, Ban Gu, Sima Xiangru, and Yang Xiong daily without fail. He was also expert in calligraphy; from Wei, Jin, and the Six Dynasties upward he studied Han clerical script; diligence at the inkstone never ceased. After Guofan achieved great merit, many who came from his gate attained high office. Yuzhao followed him for decades, devoting himself solely to writing. Guofan's writing took composition principles from Tongcheng, broadened with Han fu breath, and he especially valued Yuzhao's writing. He once said, "Among my disciples those who may succeed are only Zhang and Wu," meaning Yuzhao and Wu Rulun.
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Yuzhao's writing was profound and refined; he headed academies in Jiangning, Hubei, Zhili, and Shaanxi, training many students. He once said, "Writing takes meaning as master, yet diction must match the meaning, and breath must carry the diction. It is like a carriage: meaning is the driver, diction the load, and breath is what makes it go. To study ancient writing, one must begin by seeking breath through sound; obtaining breath, meaning and diction grow more manifest, and method is nothing outside this. The age considered this penetrating insight. He authored the Lian Pavilion Prose Collection.
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Among Yuzhao's disciples the most famed were Fan Dangshi and Zhu Mingpan.
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Fan Dangshi, styled Kentang, was a student of Tongzhou, Jiangsu. He could write poetry; Rulun once sighed that its bold strangeness was unmatched. His Fan Bozi Poetry and Prose Collection survives.
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Zhu Mingpan, styled Manjun, was a provincial graduate of Taixing. He was appointed by qualification as prefect. His learning excelled in history and he was also skilled at poetry and ancient prose. His works include Comprehensive Essentials of Jin in one hundred fascicles, the Korean Long Compilation in forty fascicles, and the Guizhihua Studio Poetry and Prose Collection.
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輿 稿
Contemporary with Yuzhao was Yang Shoujing of Yidu, styled Xingwu. In prose he did not reach Yuzhao's level, yet his learning was comprehensive and broad. He was expert in geography and labored especially on the Water Classic. He mastered glosses and verified inscriptions on bronzes and stones. He could write calligraphy and traced bell and tripod inscriptions with utmost precision. Skilled at parallel style in admonitions and inscriptions, ancient and lofty, his writing matched the man. As a provincial graduate he served as instructor of Huanggang and was given the rank of Secretariat compiler. He traveled to Japan seeking ancient books, obtaining many fine Tang and Song editions; through painstaking effort his collection numbered several hundred thousand volumes and was the glory of Hubei learning for nearly twenty years. He died at seventy-seven. His works include Maps of the Water Classic Commentary, Essentials of the Water Classic Commentary, Textual Verification of the Treatise on Geography in the History of Sui, Record of Book-Seeking in Japan, and Collected Stone Inscriptions of the Wangtang.
118
調
Wu Rulun, styled Zhifu, was from Tongcheng. Poor in youth he strove in learning; he once traded a chicken egg for pine resin to read by lamplight. He loved writing by nature and early won literary fame. A jinshi in the fourth year of Tongzhi (1865), he was appointed Secretariat compiler. Zeng Guofan marveled at his writing; meeting him later he said, "Have you studied Zeng Gong's prose?" Rulun secretly rejoiced. Soon he was transferred to Zhili and joined Li Hongzhang's staff. At the time major domestic and foreign policies were often decided by Guofan and Hongzhang; their memorials mostly came from Rulun's hand.
119
便 便便
He went out to serve as magistrate of Shenzhou and mourned his parents. When mourning ended he was made up as magistrate of Jizhou. His governance put education first; he did not fear the powerful, recovering more than fourteen hundred mu of abandoned school fields in Shenzhou villages seized by local bullies for academy stipends. He gathered talented students from three districts and taught them personally; the people forgot he was an official and acclaimed him as a great master. When he left on mourning, bullies colluded with censors to destroy village schools by memorial, and the fields were returned. On taking office at Jizhou he still keenly promoted learning; literary culture in Shen and Ji prefectures flourished foremost in the capital region. He also opened a sixty-li canal between Ji and Heng, draining accumulated water into the Fu River to irrigate fields and benefit travel. He constantly sought worthy men of literary talent and honored them, obtaining about ten. Monthly he met at the academy to discuss reforms for the people's convenience, mostly not following conventional patterns. He pleaded illness and requested retirement.
120
西
Hongzhang had always valued him and engaged him to head the Lianchi lectureship. In teaching he took writing as master, holding, "Writing is the utmost essence and purity of heaven and earth; our country alone excels in it. In practical application, European and American new learning is esteemed. Natural history, investigation of things, and mechanics must draw on the West; only by gaining their strengths can we compete. Old methods complete and good—we would still innovate them; how much more when they are worn out and unusable. He diligently guided younger students, always speaking thus. He delighted in associating with Western scholars, and Japanese admirers of literature also crossed the sea to study with him. When the court ordered a university in the capital, Zhang Boxi recommended Rulun with fifth-rank insignia as general superintendent; unable to decline, he requested to go to Japan to study the school system. In Japan, from the ruler and ministers to famous educators, all received him with full courtesy; requests for inscriptions and poems came in endless succession. Soon returning home, he first requested leave to visit his family's graves and established the local primary school. When regulations were roughly established he suddenly died of illness at sixty-four.
121
Rulun's learning passed through glosses to literary expression, without regard to ancient or modern, Chinese or foreign—only seeking what was right. From the classics and masters through Zhou and Qin texts down to Fang and Yao's collected works, he sought broadly and chose carefully, tracing origins to ends. In the classics he explained the Changes, Documents, Odes, Rites, Zuo Commentary, Guliang, and Four Books, and also philology and phonology, each with commentary. In history he collated the Records, History of Han, Records of the Three Kingdoms, New History of the Five Dynasties, Comprehensive Mirror, Discourses of the States, and Strategies of the Warring States, especially penetrating the Records and releasing the Grand Historian's subtle intent. In masters he judged Laozi, Zhuangzi, Xunzi, Han Fei, and others, taking the finest. In collections he had collated editions of the Songs of Chu, Wenxuan, and major writers from Han and Wei onward. All he opened up reached their depth; ordering a hundred generations and distinguishing high and low, he unified them in one thread. He revealed what the ancients did not transmit so scholars could easily pursue it; and thereby recognized the norms of composition—though ten thousand changes never exhaust it, a thousand years follow one track.
122
Discussing writing he once said, "Merit passing down through the ages is ordinary; only literary affairs span heaven and earth—few men and few pieces per generation—only this is hard. He also said, "Chinese writing is not merely learning character forms; stringing characters into text, breath moves between them, lodging spirit beyond the words. Though ancient sages and heroes are remote, once one enters their books, their spirit seems to stand before one's eyes. He strove to seek breath through sound; in every turn of cadence he followed natural momentum, gradually approaching subtlety and mystery. Thus he could transform and bring to use, fully joining learning and career in one; and especially took irrigating popular intelligence and strengthening the age as his constant care. His works include Explanation of the Changes, Definitive and Ancient Documents, Private Commentary on the Lesser Calendar, prose and poetry collections, Customs of Shenzhou in twenty-two fascicles, and collated books—all circulating.
123
Rulun's most prominent disciple was He Tao; at the same time Xiao Mu was also famed for evidential scholarship.
124
Xiao Mu, styled Jingfu. A district student. His learning covered many books; he delighted in historical anecdotes and was especially familiar with Gu Yanwu and Quan Zuwang. He also saw many old manuscripts, comparing variants with annotations in red and ink. Encountering unique editions he often urged publication; his collations totaled more than a hundred kinds. His Jingfu Miscellany runs to sixteen fascicles.
125
使
He Tao, styled Songpo, was from Wuqiang. A jinshi in the twelfth year of Guangxu (1886), he served as secretary in the Ministry of Punishments. He left office because of eye disease. When Rulun was magistrate of Shenzhou, he saw Tao's Counter-Rhapsody on Encountering Sorrow and marveled, teaching him all he knew and also sending him to study under Zhang Yuzhao. Tao strictly maintained both masters' doctrines; on Yao Nai's triad of principle, evidential scholarship, and literary craft, he especially required literary craft throughout, daily discussing composition with students without weariness. With fellow graduate Liu Fujing he both studied ancient prose; Tao said one should first establish the Eight Masters as one's school and look up to Qin and Han; Fujing said one should first take Qin and Han as foundation and draw in the Eight Masters below—their paths were largely the same. Tao's collected prose runs to four fascicles.
126
Liu Fujing, styled Haozhong, was from Nanchang. His collected prose runs to six fascicles.
127
Throughout life he was chivalrous and esteemed integrity, stern in hatred of evil. When he saw injustice he would flare up in anger; loyal sincerity arose from his deepest nature. Thinking of the Guangxu Emperor as a brilliant ruler constrained, whenever he spoke of it he could not overcome grief. Ten times he visited the Chongling mausoleum, prostrating himself in tears. At annual sacrifices, wind and snow would not deter him. He once received the imperial inscription "Upright yet not cut off from the world" and swore that at death he must inscribe it on his tomb as "Qing Recluse." Anxiety for the age and sorrow for affairs he released entirely in poetry and prose.
128
In writing he took Han Yu and Liu Zongyuan as masters. In youth he sought broad reading; after midlife his desk held only the two commentaries on the Odes and Rites, the Zuo Commentary, Records of the Grand Historian, Zhuangzi, and the writings of Han and Ouyang Xiu—besides these only the Shuowen and Guangya. Such was his turning from breadth to restraint.
129
使
In discussing writing he took artistic conception, discernment, momentum, and spirit as masters, yet hated slavish imitation and strangeness; writing must come from oneself. He once said, "In ancient prose only when principle is attained and nothing contradicts the Way does flavor grow endlessly more refined. If one divides Qin, Han, Tang, and Song into schools and factions until readers are dazzled and know not which to follow, one has blocked the path and perverted the aim. Classicists' writing is plain yet often flows into dryness; historians' writing grows reckless without rule—both are insufficient to illuminate the Way. Only by accumulating principle and nurturing breath, with intent before words, plain outside and rich within, sound rare and appeal enduring, may one approach it. What he wrote strove to suppress and conceal, hiding his light and breath, yet his truth could never be sealed away. He was especially skilled at narrating sorrow; his voice was bitter and choked, unbearable to read through. Critics said he wrote with innate nature, not depending on learning.
130
He transmitted more than a hundred translated Western novels. Yet Shu did not know Western languages; all relied on oral transmission and then wrote them down. Bold in spirit and fond of debate, when new literature arose and some advocated rejecting filial piety, he contended in print; though threatened, for years he would not yield. He was especially skilled at painting; his landscapes were thick and full, blending Northern and Southern schools, and the age treasured them. In lecturing he did not divide schools, saying Qing scholarship surpassed past and present, joining principle and evidential scholarship yet more refined and broad. Truly beyond Han Learning and Song Learning he created a Qing school. When some requested establishing a Qing Learning Society, he clapped his hands in approval and strongly supported it. In the jiazi year (1924) he died at seventy-three; disciples privately titled him Master Zhenwen. His works include the Weilu Prose Collection, poetry collection, On Literature, and On Painting.
131
西 西
Scholars gradually inclined toward Western doctrines; Fu held that liberty, equality, and rights were not without benefit if balanced, but without moderation led to dissipation and harm beyond measure, and he often stated this in public. Fu long held naval merit at vice general rank, then abandoned it, purchased office as subprefect, and was repeatedly promoted to circuit intendant. In the first year of Xuantong (1909) the Navy Ministry was established; he was appointed associate commander-in-chief, soon granted jinshi in letters and made general editor of the Terminology Academy. As a profound scholar he was summoned as a member of the Political Consultative Council. In the third year he was appointed first-class naval staff officer. Fu devoted himself to writing; in learning there was nothing he did not examine, tracing Chinese and foreign governance and principle, judging gains and losses, proving and harmonizing them. Expert in Western languages, his translations used refined diction to convey profound meaning.
132
西 西 祿西
His preface to Evolution and Ethics says, "Confucius regarding the Six Arts, the Changes and Spring and Autumn are most strict. Sima Qian said, 'The Changes proceeds from the hidden to the manifest; the Spring and Autumn infers the most hidden from what is seen.' These are the most refined words under heaven. This is the most refined speech under heaven. At first I thought 'from the hidden to the manifest' meant observing images and attached phrases to determine fortune and misfortune; Inferring the most hidden meant judging intent in praise and blame. Observing Western logic, I saw that in investigating things to extend knowledge there is inner induction and outer induction. Inner induction observes the part to know the whole and grasps the subtle to unite with the general. Outer induction applies public reason to judge many cases and sets constants to anticipate what has not yet occurred. This is indeed the learning of our Changes and Spring and Autumn. What Qian called 'from the hidden to the manifest' is outer induction; 'inferring the most hidden' is inner induction—both are essential techniques of investigating things to exhaust principle. Among Western learning what is most practical and whose examples can master change are the four studies of names, numbers, matter, and force. Our Changes takes names and numbers as warp and matter and force as woof, combining them as 'Change.' Within the great universe matter and force push each other; without matter force cannot appear, without force matter cannot be displayed. All force is Qian; all matter is Kun. Newton's three laws of motion: what is at rest does not move itself; what moves does not stop itself; the path must be straight and the rate uniform. The Changes says, 'Qian in stillness is concentrated; in motion is straight.' Spencer, speaking of evolution, states: 'Contracting to unite matter, expanding to exert force, beginning simple and ending complex.' The Changes says, 'Kun in stillness is contracting; in motion is expanding.' As for total force neither increasing nor decreasing, there is self-strengthening without cease beforehand; the doctrine that all motion must return has the meaning of waxing and waning at the beginning. The point that 'Change cannot be seen; Qian and Kun perhaps nearly cease' especially illuminates heat equilibrium and the end of heaven and earth. Broadly speaking ancient books are hard to read, and China especially so. For two thousand years scholars pursued emolument, guarding incomplete learning without pioneering thought; therefore those born today turn to Western learning to recover the use of antiquity. All his translations and writings that grasped subtlety were of this kind.
133
西西
The age said Shu used Chinese to bridge Western writing and Fu used Western writing to bridge Chinese, both styled "Lin-Yan." In the xinyou year (1921) he died at sixty-nine. He authored a prose collection and translations including Evolution and Ethics, Wealth of Nations, Study of Sociology, Mill's Logic, Spirit of Laws, On Liberty, and Principles of Sociology.
134
西
At the same time there was Gu Hongming of Tong'an, styled Hongming. He studied in England in youth and became a doctor. He traveled Germany, France, Italy, Austria, and other states, mastering their governance and arts. At thirty he returned to seek Chinese learning, exhausting the Four Books and Five Classics, also ranging through many books. He exclaimed with clarity, "The Way is here! He then translated the Four Books and expounded the Spring and Autumn and books on ritual institutions. Westerners, seeing this, first sighed at the refinement of Chinese learning and rose to translate it. In the gengzi Boxer turmoil, allied armies invaded north; Hongming drafted Revering the King in English to declare the great principle. The powers knew China was founded on ritual teaching and could not be insulted; peace was then settled. Zhang Zhidong and Zhou Fu all marveled at his talent and entrusted him with treaty negotiations and dredging harbors. Soon he served as vice director of the Ministry of Foreign Affairs, was promoted to director, and rose to left vice minister.
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