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卷一百五十二 志第一百〇五 輿服四

Volume 152 Treatises 105: Carriages and Clothes 4

Chapter 152 of 宋史 · History of Song
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1
輿
Carriages and Clothes 4: Sacrificial Robes of Ministers, Part One
2
Sacrificial Robes of Ministers. Under the Tang system, there were five grades of ceremonial cap: the grand cap with nine pendants, the bi cap with eight, the cui cap with seven, the chi cap with six, and the xuan cap with five. Early in the Song dynasty, the eight-pendant and six-pendant caps were dropped from use. The nine-pendant cap had a brow piece decorated with gold and silver floral work, hairpin guides of rhinoceros horn and tortoiseshell, a blue silk upper robe embroidered with the five emblems of mountain, dragon, pheasant, fire, and tiger-unicorn, and a scarlet silk skirt embroidered with the four emblems of water plants, grain powder, axe, and back-to-back bows. The scarlet knee guard bore mountain and fire emblems; the under-robe was white floral silk. Ornaments included a jade-mounted sword and pendant, a leather belt, a cloud-pattern brocade sash with two jade rings, a scarlet-and-white silk great belt, and scarlet silk socks and shoes. Imperial princes and the heads of the Secretariat and Chancellery wore this garb when conducting sacrifices. When the cap had no floral brow piece, the upper robe was black and the skirt deep red, both painted with emblems; the under-robe was small white gauze; the sash was lion-pattern brocade with two silver rings; all else matched the nine-pendant cap described above. The Three Excellencies wore this when conducting sacrifices. The seven-pendant cap had a rhinoceros-horn hairpin guide. The upper robe bore three painted emblems—tiger-unicorn, water plants, and grain powder—and the skirt two—axe and back-to-back bows. Silver-mounted pendant and sword, leather belt, and all other items matched the nine-pendant cap. The Nine Ministers wore this when conducting sacrifices. The five-pendant cap consisted of a blue silk upper robe and skirt without emblems, bronze-mounted pendant and sword, and a leather belt; all else matched the seven-pendant cap. Fourth- and fifth-rank officials wore it when serving as offering officers. Officials of sixth rank and below went without sword, pendant, or sash. Censors and academicians wore sandalwood-colored gauze upper robes and vermilion gauze skirts, with a black great-gauze sash and bronze-mounted sword and pendant. The flat cap had no pendants. Its blue upper robe and deep-red skirt came without sword, pendant, or sash; all else matched the five-pendant cap. Grand invokers and ritual attendants wore it.
3
In the third year of Qingli (1043), Yu Jing, an academician of the Court of Imperial Sacrifices, said: "According to the Rites of Zhou, the Director of Robes was charged with the ruler's ceremonial garments. For sacrifices to the Supreme Heaven and High God, the emperor wore a great fur robe and a cap without pendants; the same applied when sacrificing to the Five Emperors." The grand ceremonial cap bore twelve pendants and twelve emblems on the robe, worn when offering to former kings. The bi cap had eight pendants and seven emblems, worn when offering to former lords and also at feasting and archery rites. The cui cap had seven pendants and five emblems, worn when sacrificing to the Four Quarters and to mountains and rivers. The chi cap had six pendants and three emblems, worn when sacrificing at the altars of soil and grain and at the Five Sacrifices. The xuan cap had five pendants and plain, emblemless garments, worn at minor sacrifices. These were the garments the emperor wore when he personally conducted sacrifices; cap and robe were graded entirely according to the rank of the spirits being worshipped. Today, for major and intermediate sacrifices, the dispatched offering officers all wear the nine-pendant, nine-emblem cap and robe of a senior duke for the first offering, while the remaining dukes and ministers all wear seven-pendant caps and robes as well, with no gradation whatsoever. At minor sacrifices, officials conduct the rites in court dress—a clear departure from ancient precedent. The Rites of Zhou should be consulted in detail so that offering officers' caps and robes may be regulated according to the spirits being worshipped. An edict was issued for the ritual officials to deliberate. They memorialized: "Under our dynasty's regulations, apart from the emperor's personal sacrifices at the suburban and temple altars and his wearing of the grand ceremonial cap at major court assemblies, the other caps are not provided." For the annual regular sacrifices, when officials are dispatched to conduct the rites, acting dukes wear the first-rank nine-pendant cap and acting ministers the third-rank seven-pendant cap; beyond that, dress follows official rank rather than the scale of the sacrifice. As for offering officers at minor sacrifices, the old practice of conducting rites in court dress violates canonical ritual. According to the Robes Edict, the five-pendant cap has an emblemless upper robe and skirt, a black gauze sash, and bronze-mounted sword and pendant; officials of fourth rank and below wear it when serving as offering officers. Since offering officers at minor sacrifices do not stand in for dukes or ministers, they are all of fourth rank or below and ought to wear sacrificial robes. We ask that, apart from dukes and ministers, whose sacrificial robes should continue to follow their own ranks, all offering officers dispatched for minor sacrifices conduct rites in sacrificial robes as the edict prescribes. The same standard should apply wherever unscheduled announcement sacrifices are conducted with incense, silks, and ritual vessels. An edict ordered the change implemented.
4
使
In the fourth year of Huangyou (1052), Shao Bi, associate director of the Court of Imperial Sacrifices, said: "I observe that the supervisors of sacrifice and supervisors of ritual each wear a five-pendant cap with emblemless garments in sandalwood color." According to the Rites of Zhou, among the six caps, any cap with pendants had emblems on the upper robe and skirt; only the great fur robe cap had no pendants and no emblems on the garments. A minister holding one grant of rank wore a cap without pendants and garments without emblems. The five-pendant caps worn today by supervisors of sacrifice and supervisors of ritual are the caps of marquises and earls, yet their garments bear no emblems—a serious mismatch. The sandalwood color, too, lacks any canonical basis. Supervisors of sacrifice and supervisors of ritual are not sacrificial officers but censors and academicians; it is hardly fitting for them to wear fifth-rank dress, especially when their caps have pendants but their garments lack emblems. At the state's great Southern Suburban Rite, the Director of Imperial Sacrifices wears only court dress while leading the emperor forward—clear proof that he is not a sacrificial officer. Henceforth, supervisors of sacrifice should wear the xiezhi cap and supervisors of ritual the cap of advancing worthies, as befits their stations. The edict did not approve the request.
5
殿 宿
In the first year of Yuanfeng (1078), the commission for determining ritual texts stated: "Our dynasty's robes and emblems are even less complete than those of the Tang." The edict text prescribes nine-, seven-, and five-pendant caps for sacrificial protocol. Although the cap names are no longer used, the responsible offices still fail to produce seven-pendant caps and instead use four-pendant caps—a still graver breach of ritual. Moreover, wearers are not graded by rank: fourth-rank distributing officers all wear four-pendant caps; academicians and censors wear five-pendant caps with sandalwood-colored garments; grand invokers and ritual attendants wear flat caps without jade pendants. These are failures born of following old practice without deliberation. In antiquity, court dress and sacrificial dress differed precisely to distinguish the rites of serving spirits from those of serving the ruler. When the emperor ascends the hall at the winter solstice and New Year's Day in the heaven-penetrating cap and deep-red gauze robe, and all officials wear court dress, that is ritually fitting. Yet when the emperor personally sacrifices at the suburban and temple altars, solemnly clad in fur robe and ceremonial cap to serve the spirits, while attending officers wear only court dress—how can that be ritually fitting? That distributing officers at the Jingling Palace all wear court dress is an especially egregious breach of ritual. We respectfully ask that whenever the emperor personally sacrifices at the suburban altars, temples, and Jingling Palace, all attending and distributing officers—apart from those who guide the carriage, announce and lead, assist and attend, or stand guard—wear sacrificial robes. According to the system under review, the five caps and the invested-rank cap and robe should be revised and produced, with the proper names restored for each cap and headpiece. In our dynasty's sacrificial protocol, sacrifices to the altars of soil and grain, the morning sun, the evening moon, the Master of Wind, and the Master of Rain all call for the grand ceremonial cap, as do the wax sacrifice, the early silkworm rite, and the Five Dragons. Sacrifices to the Director of Fate, the household, the stove, the gate, pestilence, and the road all use the bi cap, while the Longevity Star, the Spirit Star, the Director of the Center, the Director of Cold, the Middle Drain, and the horse sacrifice all use the cui cap—all of which is incorrect. Since the emperor no longer personally sacrifices, the six grades of his ceremonial dress—from the bi cap downward—have fallen out of use; ministers acting in his stead should therefore wear the garb appropriate to the spirit being worshipped. We respectfully ask that, following the Rites of Zhou, the cui cap be used for sacrifices to the Four Quarters and to mountains and rivers; the chi cap for the altars of soil and grain and the Five Sacrifices; and the xuan cap for the morning and evening sun and moon, the Masters of Wind and Rain, the Director of Fate, and the Director of the Center. The Seven Sacrifices, the wax sacrifice to the hundred spirits, the early silkworm rite, the Five Dragons, the Spirit Star, the Longevity Star, the Director of Cold, and the horse sacrifice are all comparable to minor group sacrifices and should call for the xuan cap. The proposal was approved.
6
使使殿宿
In the first year of Yuanyou (1086), under Emperor Zhezong, the Court of Imperial Sacrifices reported: "Under the old system, at great rites the officers who conducted and executed affairs all wore sacrificial robes; everyone else wore court dress." By the seventh year of Yuanfeng (1084), Lü Shengqing first proposed that both conducting officers and officers accompanying the sacrifice wear sacrificial robes. We now propose that conducting and executing officers all wear sacrificial robes—including announcers and guides, conducting officers, the commissioner of ritual protocol, the Director of Imperial Sacrifices, Court of Imperial Sacrifices academicians, Palace Gate commissioners, and Bureau of Military Affairs officials who advance and receive the jade tablet—while the Director of the Palace Receptions attends only upon the emperor, accompanying officers who merely guide the carriage, oversee the overnight watch, or manage affairs wear court dress, as do conducting officers at other locations. The proposal was approved.
7
使
In the first year of Daguan (1107), under Emperor Huizong, the Bureau for Deliberating Ritual reported: "Offering officers and invokers at the Grand Altar of Soil and the Imperial Academy all conduct sacrifices in canonical robes, but at prefectures and districts they use ordinary dress. We ask that sacrificial robes be issued." An edict promulgated the regulations to prefectures and districts, but did not clearly order their manufacture. Later, during the Zhenghe era (1111–1118), an edict was issued: the caps and robes used in prefectures and districts had taken on bizarre forms. The Bureau of Ritual Manufacture was ordered to produce models and distribute them to the transport commissions, which would manufacture and supply them to prefectures and districts.
8
In the second year, Yu, a reviewing officer of the Bureau for Deliberating Ritual, said: "Black symbolizes the Way and deep red symbolizes affairs; therefore all ceremonial caps were paired with black upper robes and deep-red skirts. Yet the Court of Imperial Sacrifices' sacrificial robes now use blue upper garments." The front three panels symbolized yang and the rear four yin, so the skirt was made in separate, unconnected sections. Today's skirt is simply six panels with no such distinction. The cap should be black outside and vermilion inside; now a blue silk cover decorated with gold and silver is used instead. The pendant was strung on a sash threaded with jade; now there is a jade pendant, but also a brocade sash with silver and bronze rings further decorated with jade. The zongyi emblem represents the ancestral temple vessels, yet it is rendered as a tiger-unicorn rather than as separate tiger and unicorn vessels. The grain-powder emblem represents scattered grain to nourish the people, yet it is split into two emblems with five-colored round flowers as a ground pattern. Many other features fail to accord with ancient practice. We ask that the ritual bureau be ordered to investigate ancient practice broadly and submit two illustrated models—one of the Court of Imperial Sacrifices' current sacrificial robes and one of the ancient originals. As for what to reduce, add, and finalize, that decision should rest with the emperor's own judgment. An edict ordered the Bureau for Deliberating Ritual to deliberate in detail.
9
In the fourth year, Yuwen Cuizhong of the Bureau for Deliberating Ritual proposed revising the robes system: "All ceremonial caps were paired with black upper robes and deep-red skirts; the upper robe was painted with an odd number of emblems and the skirt embroidered with an even number—the logic of yin and yang." The use of deep blue for the upper robe is incorrect. We ask that, according to the grade of cap, the upper robe be black and the skirt deep red, in accord with canonical ritual. In antiquity the garment covered only the front; the knee guard preserved this form and was made of leather. Today, from first rank downward, knee guards use scarlet silk for the outer border and scarlet thin silk for the lining, with none of the ancient regulations governing width, seams, borders, or cords—and they bear mountain, fire, and dragon emblems besides. According to the Record of the Bright Hall: "The Youyu clan wore fu; the Xia, mountain emblems; the Shang, fire; the Zhou, dragon." The fu mentioned here is the back-to-back bow emblem of the fu cap, not the red knee guard. The knee guard belongs to the lower body and is paired with the skirt, whereas mountain, dragon, and fire are emblems of the upper robe. Since the Zhou already painted these emblems on the upper robe, they should not be painted on the knee guard as well. We ask that the knee guard be revised by removing the mountain, dragon, and fire emblems, so as to resolve the scholars' confusion. Sacrificial robes also include a leather belt, yet leather is no longer used; the belt is entirely wrapped in scarlet silk and decorated with bronze. Sashes are sometimes brocade, sometimes black; rings sometimes silver, sometimes bronze—all without canonical basis and should be removed in favor of ancient practice. As for jade pendants, under-robes, and red shoes, those regulations should follow entirely what the Yuanfeng-era determining officers proposed and implemented.
10
Cuizhong also submitted the Regulations for Sacrificial Robes he had compiled, stating:
11
使
In antiquity the ceremonial cap had a wooden core eight inches wide and one foot six inches long, square in back and round in front, rising in back and sloping in front. It was covered with cloth dyed to thirty-sheng depth, black outside and vermilion inside. The square back represented unchanging substance; the round front, formless utility. Raised and black, it ascended to distinguish among things; sloping and vermilion, it descended to meet the myriad things face to face. Later ages replaced plain cloth with silk, simplifying the border trim. Today's ministerial cap boards measure one foot two inches long and six inches two fen wide—not the ancient dimensions. A blue silk cover and gold-plated silver ridges replace the ancient black-outside, vermilion-inside form. We ask that the responsible offices be ordered to correct this. In antiquity, although five cap names existed, the silk threads, jade clusters, and pendant jades were all graded according to the holder's rank. Colored silk twisted into a cord for stringing jade was called "sao." Each jade formed one cluster, tied so the clusters did not touch; this was called "jiu." Clusters spaced one inch apart yielded nine inches for nine jades and seven inches for seven; length varied with the number of pendants. Today's ministerial caps use medicinal jade, blue pearls, and five-colored floss threads—not the ancient water-plant jade in three and two colors. Each pendant string is a uniform eight inches—not the ancient principle of varying length with the number of pendants. Offering officers' caps and robes further mix in feudal-lord forms, while first-rank officials wear the grand ceremonial cap—I consider this inappropriate.
12
殿使
During the Yuanfeng era, ritual officials proposed that grand academicians of the Hall for Assisting Governance and above wear the bi cap when attending sacrifices; observation commissioners and above the cui cap; supervisory censors and above the chi cap; court officials and above the xuan cap; and selectees and above the invested-rank cap. An edict approved the proposal, though the invested-rank cap was not adopted. From palace attendants down to selectees, all wore the xuan cap without pendants. I believe that determining matters along these lines accords with proper ritual. In antiquity, the Three Excellencies held one grant of rank for the grand ceremonial robe; at court, therefore, they ought to wear the bi cap. Departing on enfeoffment meant distance from the ruler and full extension of rank; at court meant nearness to the ruler and a bending of rank. Today's acting officers and those who attend sacrifices are all court ministers, yet they now share the same grant of rank as those who departed on enfeoffment in antiquity—not what the former kings intended. We ask that the responsible offices produce bi caps with eight pendants, cui caps with six, chi caps with four, and xuan caps with three; below that, two pendants; and below that again, no pendants. Following the Yuanfeng edict's intent and weighing the gradations, these should serve as dress for attending sacrifices and acting in sacrificial affairs; measurements of length and distinctions of color should all follow ancient practice.
13
The Rites of Zhou further show that although feudal ranks had five grades, garments had only three: "dukes' dress from the grand ceremonial cap downward, marquises and earls from the bi cap downward, viscounts and barons from the cui cap downward." In antiquity, feudal lords possessed a ruler's standing; their garments therefore used five, seven, and nine as gradations. Today's prefects, though likened to the marquises and earls of antiquity, are in fact all the emperor's ministers. We ask to use only ministerial garments, from the bi cap downward, in three grades: the three capitals and four assistants as one grade, with the first offering wearing the bi cap with eight pendants. Military commissioners, pacification commissioners, and commanders as one grade: the first offering wears the cui cap with six pendants; second offerings all wear the xuan cap with two pendants; the final offering wears no pendants. Military prefects, defense commissioners, regimental commissioners, and military affairs officers as one grade: the first offering wears the chi cap with four pendants; second and final offerings all wear the xuan cap without pendants. The form of the garments should follow the grade of each cap.
14
He also said: "Today's headband cords still attach two silk bands tied at the chin; beside the cap blue gauze still hangs without ear plugs; rhinoceros horn serves as hairpin instead of jade or ivory—all departures from ancient practice. We ask that the responsible offices be ordered to correct them." The proposal was approved.
15
使 殿祿 祿
During the Zhenghe era, the Bureau for Deliberating Ritual reported: "The regulations for ministers' sacrificial robes submitted during Daguan have already been revised as memorialized. We ask that they be handed to the responsible offices for manufacture according to the illustrations." They then submitted the regulations for ministers' sacrificial robes. For the senior first rank: a nine-pendant cap with gold-plated silver ridges and brow ornamentation, rhinoceros-horn hairpin, blue upper robe painted with a descending dragon, vermilion skirt, knee guard, white silk under-robe, great belt, leather belt, jade pendant, brocade sash, blue silk-net jade rings, and vermilion socks and shoes. The leather belt was gold-plated silver; the jade pendant gold-plated silver mounted; the sash bore the "All Under Heaven Rejoices" cloud pattern. The commissioner for personal sacrifice at great rites, second and final offering officers, the Grand and Assistant Stewards, and the Left Vice Director wore this, as did chief ministers, imperial princes, chief councillors, and commandery princes serving as first offering officers at the annual great sacrifice. Announcement officers all wore according to their own ranks; lower ranks followed the same principle. Junior first rank: a nine-pendant cap without brow ornamentation, white gauze under-robe, red brocade sash, silver rings, and gold-plated silver pendant; all else as for senior first rank. Ministers of Personnel, Revenue, Rites, War, and Works at personal sacrifices; imperial clansmen who advance and receive silks and cups at the Imperial Ancestral Temple; tray-bearers at the annual great sacrifice; and first offering officers at great and intermediate sacrifices wore this. Second rank: a seven-pendant cap, horn hairpin, and blue upper robe without descending dragon; all else as for junior first rank. The Vice Minister of Personnel, Director of the Palace Receptions, Grand Director of Music, Director of Imperial Banquets, and document reader at personal sacrifices; imperial clansmen who present trays and advance the blessing cup at the Imperial Ancestral Temple; distributing officers at the Seven Sacrifices and for meritorious ministers sharing sacrifice; the Grand Director of Music at the annual great sacrifice using palace music frames; second and final offering officers at great and intermediate sacrifices; ritual officers at great sacrifices; offering officers at minor sacrifices; and the Director of Imperial Sacrifices at the new-moon sacrifice wore this. Third rank: a five-pendant cap, black gauze sash, bronze rings, and gold-plated bronze leather belt and pendant; all else as for second rank. The document presenter, Director of Music, Assistant Director of Imperial Banquets, officers who present trays, provisions, baskets, dishes, and grain vessels, and distributing officers at personal sacrifices, (Distributing offerings at altar enclosures for associated sacrifices.) Imperial clansmen who present libation vessels and trays, offer incense and lamps, install spirit tablets, present trays of hair and blood, baskets of artemisia, and liver-and-fat dishes at the Imperial Ancestral Temple; the Director of Music at the annual sacrifice; and distributing officers at great and intermediate sacrifices wore this. A cap without pendants, plain blue upper robe, vermilion skirt, and knee guard, without pendant or sash; all else as for third rank. Ritual attendants, pitch-regulation officers, Directors of the Suburban and Soil Altars, grand invokers, Directors of Imperial Kitchens, cauldron-bearers, millet-presenting officers, providers of gold goblets for second and final offerings at the Imperial Ancestral Temple, providers for the Seven Sacrifices offering officers, and cup-bearers at personal sacrifices wore this. A five-pendant cap and sandalwood-colored silk upper robe; all else as for third rank. Supervisory censors wore this.
16
Prefectural and district sacrificial robes: at the three capitals, the first offering wore the eight-pendant cap. Military commissioners, pacification commissioners, and commanders as first offering officers wore the six-pendant cap. Second offerings all wore two-pendant caps; the final offering wore no pendants. Military prefects, defense commissioners, regimental commissioners, and military affairs officers as first offering wore the four-pendant cap; second and final offerings all wore caps without pendants.
17
After the Restoration, the nine-, seven-, and five-pendant caps were abolished and four grades established: first, the bi cap with eight pendants. Second, the cui cap with six pendants. Third, the chi cap with four pendants. Fourth, the xuan cap without pendants. The rationale was that dukes, ministers, grandees, and servicemen all faced north as subjects and, being near their superiors, bent in deference—hence gradations of eight, six, and four, following yin numbers. Earlier, in the fifth month of the fourth year of Shaoxing (1134), Wang Pu, assistant director of the Directorate of Education, memorialized:
18
Your subject has examined the classics and commentaries and recovered the full regulations for ceremonial cap and robe. The king's Three Excellencies, holding eight grants of rank, wore the bi cap with eight pendants and garments bearing seven emblems, each emblem numbering eight. Solitary ministers with six grants of rank wore the cui cap with six pendants and garments bearing five emblems, each numbering six. Grandees with four grants of rank wore the chi cap with four pendants and garments bearing three emblems, each numbering four. Senior servicemen with three grants of rank wore the xuan cap with three pendants. Middle servicemen with two grants of rank wore the xuan cap with two pendants. Junior servicemen with one grant of rank wore the xuan cap without pendants. Their upper robes bore no emblems. Skirt and knee guard followed the number of grants of rank, from three downward. From the silk threads to the hairpin, crossbar, headband, crown top, ear plug, ear filler, belt, pendant, knee guard, shoes, and under-robe—each had its gradation.
19
沿
Recent regulations for ceremonial cap and robe, handed down with distortions, mostly fall short of ancient practice. Square in back and round in front, rising in back and sloping in front, black outside and vermilion inside—such was the cap's form. Today square and round, sloping and rising, are nearly indistinguishable; blue serves for the outside and gold and silver for decoration. Upper robes were all black and skirts all deep red, the skirt having three panels in front and four in back—such was the form of upper robe and skirt. Today the upper robe is blue and the skirt scarlet, with six undifferentiated panels. The mountain emblem should be flat-topped; now a pointed peak is used instead. The fire emblem should be round; now it is rendered sharp-pointed. The zongyi emblem represents the tiger-unicorn vessels of the ancestral temple, yet the form of a tiger-unicorn is painted rather than separate tiger and unicorn vessels. The grain-powder emblem represents powdered grain, yet it is split into two emblems with five-colored round flowers as a ground pattern. The pendant should have only crossbar, arc, ornament, perforated disk, and angled tooth; yet double drops are added and two crossbars set again. The sash should serve only to string pendant jade; yet a separate brocade sash is made with double rings inserted between. The same applies to belts without knot fasteners, knee guards without shoulder and neck sections, shoes without lacing and stitching, and under-robes without connected skirts.
20
Your subject has respectfully read the Collected Essentials of Our Dynasty on suburban and temple sacrificial ritual; from the founding ancestors onward, the matter has been debated repeatedly, but no old garments survive. We ask to take this opportunity to remake them, correct the errors, and follow Zhou practice entirely, in accord with the former sages. The Ministry of Rites was then ordered to investigate and memorialized:
21
祿
Robes regulations were sometimes reduced or augmented according to the ruler of the age; though such changes departed from antiquity, each was a product of its time and involved reform. Where comparison with the former kings reveals deviation, one ought not perpetuate error out of fear of correction, even if the wrong practice has long prevailed. According to the Offices of Zhou, from senior dukes in the grand ceremonial robe and the king's Three Excellencies in the bi cap down to servicemen in the xuan cap, there were five grades in all. Under the Tang system, from first rank in the grand ceremonial cap with nine pendants down to fifth rank in the xuan cap without pendants, there were likewise five grades. Our state inherited the Tang legacy. Initially five-pendant caps were named; later the Three Excellencies' grand ceremonial cap and the chi cap were dropped, leaving only the seven-pendant bi cap, five-pendant cui cap, and pendentless xuan cap—three grades in all. The grand ceremonial robe was not suited for the Three Excellencies; removing it was acceptable. Yet the chi cap was removed as well, so that from ministers in the cui cap down to Assistant Directors of Imperial Banquets—all wore it, with scarcely any gradation between high and low. These, too, were products of their time and involved reform.
22
We ought now to increase the bi cap to eight pendants, the cui cap to six, restore the chi cap to four, and include the pendentless xuan cap—four grades in all, perhaps approaching Zhou practice. If a cap's square and round, low and high become indistinguishable, that is a fault of manufacture. Using blue for the outside is not abandoning black; it is black that falls short of true black. Using scarlet for the skirt is not abandoning deep red; it is deep red taken too far. The mountain stops and is still; imitating its pointed peak captures its form but not its nature. Fire is round and numinous; imitating its sharp point captures its form but not its spirit. As for the zongyi, grain powder, pendant sash, belt knots, knee guard, shoes, and the like—all should be corrected and put into practice.
23
At this time, although the ministers' memorials and requests for discussion were detailed, the long-established inheritance prevented complete reform.
24
使
Bi cap: eight pendants, each with eight jades in three colors—vermilion, white, and blue-green; horn hairpin; blue gauze; a three-colored crown top hanging from it; purple silk headband attached to the cap body. Upper robe of blue-black silk with three emblems—floral creatures, fire, and tiger-unicorn yi. Skirt with deep-red silk outside and gauze lining, seven silk panels embroidered with four emblems—water plants, grain powder, axe, and back-to-back bows. Great belt, under-robe, min-jade pendant strung with medicinal pearls, and a deep-red brocade sash with silver rings. Knee guard with selvage above and border below, painted with mountain and fire emblems. Leather belt with scarlet silk covering and gold-plated silver mounts. Socks and shoes followed the old system. Chancellors, second and final offering officers, and the great rites commissioner wore this. During the preparatory period, second and final offering officers at the Jingling Palace and Imperial Ancestral Temple, and officers who cleanse vessels and advance jade goblets of wine at the Bright Hall, likewise wore this.
25
使
Cui cap: six jades in three colors; upper robe with three painted emblems—tiger-unicorn yi, water plants, and grain powder. Skirt with two embroidered emblems—axe and back-to-back bows. Pendant of medicinal pearls, crossbar, arc, and the like, with gold-plated bronze belt; knee guard painted with a mountain emblem. Leather belt with gold-plated bronze mounts. All else as for the bi cap. Vice ministers of the Six Ministries and above wore this. During the preparatory period, officers who advance cups, wine, and silks, present silks, receive cups, wine, and silks, and present trays at the Jingling Palace and Imperial Ancestral Temple; officers at the Bright Hall who receive jade goblets and silks, present and withdraw baskets and dishes, advance the blessing wine, withdraw trays and invoke the raw offering, announce and lead, and serve as second and final offerings; the commissioner of ritual protocol, second and final offering cup officers, and the four hand-washing officers—all likewise wore this. Two days prior, the first offering officer at the announcement sacrifice; first and second offering officers at distributed sacrifices at the Soil Altar and Nine Palaces Altar likewise wore this.
26
祿 祿殿西殿西 祿
Chi cap: four jades in two colors—vermilion and green. Upper robe with one painted emblem—grain powder. Skirt with two embroidered emblems—axe and back-to-back bows. Black gauze sash with bronze rings. All else as for the cui cap. The Director of Imperial Banquets, supervisory censors, document readers and presenters, and distributing officers and above wore this. During the preparatory period, officers who announce and install spirit tablets at the Jingling Palace and Imperial Ancestral Temple; the Grand Steward of the Bright Hall, Director of Imperial Banquets, water-pouring and document-presenting officers, document readers, the Director of Imperial Sacrifices overseeing music, three officers of the Eastern Hall of Blossoms, two of the Western Hall of Blossoms, twenty-eight of the Eastern Gallery, twenty-five of the Western Gallery, twenty-seven of the Southern Gallery, and offering officers at the side-gate sacrifice; two days prior, second and final offering officers at the announcement sacrifice and supervisory censors—all likewise wore this. Final offering officers at distributed sacrifices at the Soil Altar and Nine Palaces Altar, supervisory censors, officials of the Ministries of War and Works, and Assistant Directors of Imperial Banquets likewise wore this.
27
祿 祿
Xuan cap: no pendants, no pendant or sash; pure black emblemless upper robe; skirt embroidered only; knee guard without embroidery; all else as for the chi cap. Assistant Directors of Imperial Banquets, ritual attendants, pitch-regulation officers, millet-presenting officers, Directors of the Grand Altar of Soil, Directors of Fine Brew, Directors of Imperial Kitchens, officers who present trays and provisions, and palace attendants and below serving as executing officers at sacrifices wore this. At the Bright Hall: Assistant Directors of Imperial Banquets, ritual attendants, Directors of Fine Brew, grand invokers presenting millet, pitch-regulation officers for palace music frames and ascending song, attendants upon the emperor, palace attendants serving as executing officers, and military officers presenting trays; at the side-gate sacrifice: ritual attendants, Directors of Grand Invocation, and Directors of Imperial Kitchens; at distributed sacrifices at the Soil Altar and Nine Palaces Altar: Directors of the Grand Altar of Soil, grand invokers, Directors of Imperial Kitchens, and ritual attendants—all likewise wore this.
28
Sandalwood cap: four pendants with sandalwood-colored upper robe. Academicians and censors wore this.
29
Sacrificial robes in outer prefectures and garrisons: the bi cap with eight pendants was worn by first offering officers at the three capitals. The cui cap with six pendants was worn by military commissioners, pacification commissioners, and commanders serving as first offering officers. The chi cap with four pendants was worn by military commissioners, pacification commissioners, and commanders as second offering officers, and by military prefects, defense commissioners, regimental commissioners, and military affairs officers as first offering officers. The pendentless xuan cap was worn by military prefects, defense commissioners, regimental commissioners, and military affairs officers serving as second and final offering officers.
30
Court dress comprised three types: the cap of advancing worthies, the cap with marten and cicada, and the xiezhi cap—all paired with vermilion upper robes and skirts. Under early Song regulations, the cap of advancing worthies with five ridges had a gold and silver floral brow piece, rhinoceros-horn and tortoiseshell hairpin guides, and a standing brush. Scarlet silk robe, white floral silk under-robe, scarlet silk skirt, and scarlet silk knee guard, all with black trim bands; white silk great belt and square heart with curved collar; jade sword and pendant; silver leather belt; cloud-pattern brocade sash with two jade rings; white gauze socks; and black leather shoes. First- and second-rank officials wore this when attending sacrifices and court assemblies; the Secretariat and Chancellery added a caged kerchief with marten and cicada to the cap. Three-ridge cap: rhinoceros-horn hairpin guide, no under-robe, silver sword and pendant, lion-pattern brocade sash, and silver rings; all else as for the five-ridge cap. Third-rank officials in the various bureaus, fourth-rank Censorate officials, and fifth-rank officials in the Two Departments wore this when attending sacrifices and court assemblies. The Censor-in-Chief and Vice Censor-in-Chief wore caps with xiezhi horns and under-robes. Two-ridge cap: rhinoceros-horn hairpin guide, bronze sword and pendant, magpie-pattern brocade sash, and bronze rings; all else as for the three-ridge cap. Fourth- and fifth-rank officials wore this when attending sacrifices and court assemblies. Sixth rank and below went without under-robe, sword, pendant, or sash. Censors wore caps with xiezhi horns and under-robes. Trousers and jacket in purple, scarlet, or green according to rank; white gauze under-robe and trousers; white silk square heart with curved collar. Officials of their own rank who guided the imperial carriage wore this while riding.
31
Regulations for trousers and jacket: in the fourth year of Jianlong (963), Fan Zhi deliberated with ritual officials: "Earlier scholars offer no explanation of the trousers-and-jacket system; only the Miscellaneous Rites of Kaiyuan prescribes fine gauze and silk for fifth rank and above and small gauze for sixth rank and below." Commentary: the jacket is a double-layered garment. The edict text further describes the military cap: a gold-decorated flat kerchief cap with hairpin guide, purple jacket and white trousers, jade-ridge jeweled inlaid belt, and boots—worn when riding. The gold decoration is the attached cicada ornament. This describes the cap paired with second- and third-rank officials. Attached cicadas numbered nine for first rank, eight for second, seven for third, six for fourth, and five for fifth. Palace Attendants, Directors of the Secretariat, and Regular Attendants further added marten and cicada; those attending on the left wore left pendants, those on the right wore right pendants. The Rites of Kaiyuan further prescribed that carriage-guiding officers all wore vermilion garments, with cap and shoes according to their own ranks. Vermilion garments are today's court dress. Hence the edict: third rank and above wore purple jackets, fifth rank and above scarlet, seventh rank and above green, ninth rank and above blue-green—all with white wide trousers, raised-ridge belt, and black leather boots. We now ask that trousers and jacket be manufactured according to the edict; since the raised-ridge belt cannot be found in proper form, we hope a leather belt may substitute. The memorial was approved. That year they were completed but not yet used. In the sixth year of Qiande (968), they were first worn at the suburban sacrifice; since the caps had not yet been made, the court dress cap of advancing worthies, belt, socks, and shoes were used instead.
32
In the second year of Kangding (1041), the Director of the Palace Workshops reported: "At each great rite, the Repository of Ritual Objects determines officials' ranks and grades for issuing court dress." Within the two court ranks, however, there are cases of low office with high grade and high office with low grade that are difficult to adjudicate. We ask that the Court of Ritual be ordered to specify the gradations. An edict was sent down for the Court of Ritual to consult the old system and report. They memorialized:
33
使使使使使使 使
According to the Robes Edict, the five-ridge cap was worn by first- and second-rank officials at sacrifices and great court assemblies; the Secretariat and Chancellery added a caged kerchief with marten and cicada. According to the Official Ranks Edict, first rank included the Director of the Department of State Affairs, Grand Preceptor, Grand Tutor, Grand Protector, Grand Commandant, Minister of Education, Minister of Works, and the Grand Preceptor, Grand Tutor, and Grand Protector of the Heir Apparent. Second rank included the Director of the Secretariat, Palace Attendant, Left and Right Vice Directors, Junior Preceptor, Junior Tutor, and Junior Protector of the Heir Apparent, prefects of various prefectures, and Senior Generals of the Left and Right Golden Guard. The Palace Gate Protocol further designates the Director of the Secretariat, Palace Attendant, and Concurrent Grand Councilor as chief ministers; imperial princes, Bureau of Military Affairs commissioners, regents, military commissioners, and capital prefects concurrently holding those titles as commissioner-chancellors; and Bureau of Military Affairs commissioners, directors, Vice Grand Councilors, vice-commissioners, concurrent vice-directors, Palatial Affairs commissioners, and co-signers—all ranking above the Three Offices of the Eastern Palace. The above ranks, grades, and offices should receive court dress according to the preceding regulations. Chief ministers and commissioner-chancellors add a caged kerchief with marten and cicada; honorary offices, merit titles, and ennoblements not tied to rank follow only the regular office for dress.
34
祿殿 使殿殿使殿殿 使 使 使 使使
The three-ridge cap was worn by third-rank officials in the various bureaus, fourth-rank Censorate officials, and fifth-rank officials in the Two Departments at sacrifices and great court assemblies. The Vice Censor-in-Chief wore the xiezhi on the cap. According to the Official Ranks Edict, third rank in the various bureaus included Senior Generals of the various guards, commanders of the Six Armies, Grand Generals of the various guards, Grand Generals of the Divine Martial and Dragon Martial guards, Directors of Imperial Sacrifices and Imperial Clans, Director of the Secretariat Library, Directors of Imperial Banquets, Guard Command, Imperial Stud, Court of Judicial Review, Court of State Ceremonial, Ministry of Revenue, and Grand Steward, Chancellor of the Directorate of Education, Directors of the Palace Receptions, Palace Workshops, Construction, and Astronomy, Generals of the various guards, Generals of the Divine Martial and Dragon Martial guards, lower area commanders, prefects of the three capitals, chiefs of staff of the five great area commands, and tutors to imperial princes. Third and fourth rank in the Censorate: the Censor-in-Chief and Vice Censor-in-Chief. Third, fourth, and fifth rank in the Two Departments included Left and Right Regular Attendants, Vice Directors of the Chancellery and Secretariat, Remonstrance Grandees, Supervising Secretaries, and Secretariat Drafters. Third and fourth rank in the Department of State Affairs included the Six Ministers, Left and Right Vice Directors, and Vice Ministers of the various bureaus. Third and fourth rank in the Eastern Palace included the Guest of the Heir Apparent, Grand Steward of the Heir Apparent, Left and Right Subordinates of the Heir Apparent, Junior Grand Steward of the Heir Apparent, and Left and Right Preceptors. Military commissioners; academicians of the Hall of Civilization; grand academicians of the Hall for Assisting Governance; commissioners of the Three Offices; chief and regular Hanlin academicians; academicians of the Hall for Assisting Governance and Hall of Bright Clarity; Hanlin readers and lecturers; academicians of the Dragon Diagram Hall; direct academicians of the Bureau of Military Affairs; and direct academicians of the Dragon Diagram and Heavenly Manifestation halls—all ranking below Vice Directors of the Secretariat. Military commissioner-observation regents ranked below the Six Ministers and Vice Ministers. Drafters of edicts, awaiting appointment at the Dragon Diagram and Heavenly Manifestation halls, and observation commissioners ranked below Secretariat Drafters. Commissioners of the Inner Reception Bureau ranked below the Director of the Grand Steward. Commissioners of the Reception Bureau ranked below the Director of Construction. Introduction commissioners, defense commissioners, training commissioners, and vice-commissioners of the Three Offices ranked below the Left and Right Subordinates of the Heir Apparent. The above ranks, grades, and offices should receive court dress according to the preceding regulations.
35
祿殿 使殿殿 殿 使 使 西使 使 使使
The two-ridge cap was worn by fourth- and fifth-rank officials at sacrifices and great court assemblies; sixth rank went without sword, pendant, and sash; censors wore the xiezhi on the cap. According to the Official Ranks Edict, fourth rank in the various bureaus included Assistant Directors of Imperial Sacrifices and Imperial Clans, Assistant Director of the Secretariat Library, Assistant Directors of the Seven Courts including Imperial Banquets, Vice Chancellor of the Directorate of Education, Assistant Directors of the Palace Receptions, Palace Workshops, Construction, and Astronomy, Vice Prefects of the three capitals, Directors of the Heir Apparent's Timekeeping, Household, and Stables, commanders and vice-commanders of the guard rate offices, middle generals of the various army guards, chiefs of staff and marshals of imperial princes' households, left and right chiefs of staff of great area commands, and palace attendants. Fifth rank in the Department of State Affairs included directors of the Left and Right Bureaus and directors of the various ministries. Fifth rank in the various bureaus included academicians of the Directorate of Education, lecturers at the Classics Lectern, Palace Companions and Left and Right Goodness Grandees of the Heir Apparent, commissioners of the Waterways Office, magistrates of Kaifeng Xiangfu, Henan Luoyang, and Songcheng counties, Palace Attendants and Groom of the Heir Apparent, regular palace attendants, assistant directors of Imperial Sacrifices, Imperial Clans, the Secretariat Library, and Palace Receptions, directors of composition, attendants upon the emperor in the Five Services of the Palace Receptions Bureau, senior judicial reviewers, friends to imperial princes, brigade generals of the various army guards, advisory staff of imperial princes' households, directors of the Five Offices of Astronomy, Director of the Grand Astrologer, and inner palace attendants. Court-attending officials of sixth rank and below included diarists, diarist secretaries, attendant censors, outside directors of the various ministries, palace attendant censors, remonstrance officers and rectifiers of the Left and Right Bureaus, supervisory censors, Court of Imperial Sacrifices academicians, and reception secretaries. Commissioners of the Four Directions Hall ranked below Assistant Directors of the Seven Courts. Prefects of various prefectures ranked below the Director of the Heir Apparent's Stables. (Referring to those in regular appointment without concurrent commissioner duties.) Commissioners of the Eastern and Western Upper Palace Gates ranked below the Assistant Director of Astronomy. Vice-commissioners of the Reception Bureau, Introduction Bureau, and Palace Gate Bureau ranked below outside directors of the various ministries. The above ranks, grades, and offices, according to the edict text, mention only fourth and fifth ranks and do not distinguish upper and lower within court ranks. We now ask that court dress be issued according to the preceding regulations for fifth rank and above in the Department of State Affairs and for prefects of various prefectures and above. Where fifth rank and above in the various bureaus includes mismatches of high office with low grade or high grade with low office, from fifth rank in the various bureaus and academicians of the Directorate of Education down to inner palace attendants—all should follow the sixth-rank precedent of going without sword, pendant, and sash; censors wear the xiezhi on the cap and under-robes. Commissioners, vice-commissioners, and below in the various bureaus down to palace gate ushers who act in office and are entitled to court dress should all follow sixth-rank practice.
36
An edict approved the request. In the second year of Yuanfeng (1079), the commission for determining court assembly protocol stated:
37
輿 輿
In antiquity, ritual objects were capped at twelve—the number of Heaven. From top to bottom, gradations decreased by twos. Feudal lords outside the capital domain, distant from their superiors and extending in rank, used nine, seven, and five—following yang odd numbers. Dukes, ministers, and grandees at the royal court, near their superiors and bending in deference, used eight, six, and four—following yin even numbers. Our dynasty's Robes Edict prescribes the heaven-penetrating cap with twenty-four ridges as imperial dress, corresponding to the number of pendants front and back on the ceremonial cap. Ministers' caps, from five ridges downward, differ slightly from Han and Tang practice. Sashes for the emperor and crown prince used woven patterns; ministers used brocade. First- and second-rank officials wore five-ridge caps; the Secretariat and Chancellery added a caged kerchief with marten and cicada. Third rank in the various bureaus wore three ridges; fourth and fifth ranks two ridges; fourth rank in the Censorate and fifth rank in the Two Departments also three ridges; sashes had four grades—cloud-pattern brocade, yellow lion, square victory, and magpie. Sixth rank went without sword, pendant, and sash.
38
殿
Sui and Tang caps and robes were determined by grade because office and grade corresponded in weight at that time. Today's regulations still sometimes use grade; although inherited from old texts, measured against actual offices, this is quite erroneous. To cite a few examples: Palace Companions and Goodness Grandees of the Heir Apparent share grade with the Vice Censor-in-Chief; Court of Imperial Sacrifices academicians rank below assistant directors of the various courts; Palace Attendants of the Heir Apparent rank above diarists; regular palace attendants compare only to honored inner-palace ranks yet stand above directors of the various ministries—grade cannot serve as the basis. If temporary assignment were used instead, there are low offices with weighty duties, high offices in idle posts, one office concurrently heading several bureaus, offices existing only to attend court on salary, and branch bureaus specially established for the moment—temporary assignment also cannot serve as the basis. On these grounds, using grade or temporary assignment to determine cap and sash regulations is not appropriate. We respectfully ask that office serve as the basis, so name and reality match and weight has a standard; offices should be divided into seven grades, with caps and sashes to match.
39
使 使 殿 使 使 西殿西殿簿 西殿使
First grade: cap with marten-and-cicada caged kerchief and seven ridges, and an "All Under Heaven Rejoices" cloud-pattern brocade sash. The cicada ornament: formerly tortoiseshell was shaped like a butterfly; now we ask that it be changed to a gold attached cicada. Chancellors, imperial princes, commissioner-chancellors, the Three Preceptors, and the Three Excellencies wore it. Second grade: seven-ridge cap with mixed-flower cloud-pattern brocade sash, worn by Bureau of Military Affairs commissioners and directors down to the Junior Protector of the Heir Apparent. Third grade: six-ridge cap with square-victory and male-heir brocade sash, worn by the Left and Right Vice Directors down to direct academicians of the Dragon Diagram, Heavenly Manifestation, and Treasured Culture halls. Fourth grade: five-ridge cap with kingfisher-feather brocade sash, worn by the Left and Right Regular Attendants down to Directors of the Palace Receptions, Palace Workshops, and Construction. Fifth grade: four-ridge cap with clustered-four-carving brocade sash, worn by Reception Bureau commissioners down to directors of the various ministries. Sixth grade: three-ridge cap with yellow lion brocade sash, worn by commissioners of the various bureaus from the Imperial City downward down to commanders of the guard rate offices. Inner court officials from regular palace attendants upward, including head attendants and hall heads of the Inner Service Bureau, front-rank attendants, palace guards, and hall duty officers; and capital officials from Secretariat Drafters down to chief clerks of the various courts and directorates—since they attend court assemblies, they too ought to wear court dress. After deliberation: from regular palace attendants upward, cap and dress follow each holder's grade; those on provisional salary follow their original office. Inner Service Bureau head attendants and hall heads, third-rank envoys, and capital officials in accompanying positions form the seventh grade—all with two-ridge caps and square-victory magpie brocade sashes. For grades below the highest, garment colors follow ancient practice; knee guards, shoes, and slippers all match skirt color.
40
Under current regulations, court dress uses deep-red garments, while brocade sashes have nineteen grades. The seven grades of sash ought to use pure red brocade, distinguished by the richness of their patterns. Only judicial officers' sashes use blue-ground lotus brocade, to distinguish them from other ministers. The Treatise on Later Han states: "The law cap, also called pillar-behind, is worn by law-enforcing officers—attendant censors and the directors, supervisors, and reviewers of the Court of Judicial Review—or it is called the xiezhi cap." The Treatise on Southern Qi likewise says: "The law cap is worn by the Director of the Court of Judicial Review and other law-enforcing officers." Today, from the Vice Censor-in-Chief down to supervisory censors in the Censorate; the Director, Assistant Director, and assistant directors of the Court of Judicial Review; and presiding officers of the Court for Review of Penalties and the Ministry of Punishments—since their offices are now fixed and they truly perform law-enforcement duties—they ought to wear the law cap and blue lotus brocade sashes, with ridges and pendants according to their own grades.
41
The proposal was approved.
42
使使使使使 殿
Later, an edict ordered that at the winter New Year court assembly, metropolitan army commanders and vice-commanders, training commissioners, and prefects wore fifth-grade dress; army commanders and vice-commanders wore sixth grade; and commanders and vice-commanders wore seventh grade—all taking their places in the courtyard. Deputy commanders-in-chief and above wore ordinary dress and took their places outside the hall gates. At court assemblies, executing officers from high grade downward all wore kerchief caps, deep-red garments, great belt, leather belt, socks and shoes, and square heart with curved collar.
43
殿祿祿使 殿使 使使 殿殿
During the Zhenghe era, the Bureau for Deliberating Ritual submitted revised regulations for ministers' court dress: a seven-ridge cap with gold-plated silver ridges, marten-and-cicada caged kerchief, rhinoceros-horn hairpin guide, and silver standing brush; vermilion upper robe and skirt with white silk under-robe and black cuffs and trim bands; knee guard matching skirt color; square heart with curved collar; scarlet-and-white silk great belt; gold-plated silver leather belt and jade pendant; "All Under Heaven Rejoices" cloud-pattern brocade sash with blue silk net and three jade rings; white socks; and black shoes. The Three Excellencies, Left and Right Assistants, Three Juniors, Grand and Assistant Stewards, imperial princes, and Grandees of Splendid Happiness with Equal Privilege to the Three Excellencies wore this. Seven-ridge cap without marten-and-cicada caged kerchief, silver-mounted jade pendant, and mixed-flower cloud-pattern brocade sash; all else as for the Three Excellencies' dress. Chief councillors and the Three Preceptors of the Eastern Palace wore this. Six-ridge cap with white gauze under-robe, silver leather belt and pendant, square-victory and male-heir brocade sash, and silver rings; all else as for the seven-ridge cap. Grand academicians, academicians, direct academicians, the Three Juniors of the Eastern Palace, the Censor-in-Chief and Vice Censor-in-Chief, Ministers and Vice Ministers of the Six Bureaus, Director of the Palace Receptions, Grand Chancellor of the Directorate of Education, Regular Attendants, Special Advancement holders, Grandees of Splendid Happiness with gold or silver seals, the Grand Commandant, military commissioners, and Senior Generals of the Left and Right Golden Guard and Left and Right Guard wore this. Five-ridge cap with kingfisher-feather brocade sash; all else as for the six-ridge cap. The Guest and Grand Steward of the Heir Apparent, Supervising Secretaries, Secretariat Drafters, Remonstrance Grandees, awaiting appointment officers, Directors of the Nine Courts, Grand Director of Music, Director of the Secretariat Library, Assistant Director of the Palace Receptions, Chancellor of the Directorate of Education, various grandee ranks, the Senior General, military commissioner-observation regents, observation commissioners, the Grandee of General Attendance, and chief receivers of the Bureau of Military Affairs wore this. Four-ridge cap with clustered-four-coiled-carving brocade sash; all else as for the five-ridge cap. Assistant Directors of the Nine Courts, Director of Music of Great Splendor, Assistant Director of the Secretariat Library, Vice Chancellors of the Directorate of Education and Imperial Academy, Directors of the Palace Workshops, Construction, and Armaments, commissioner of the Waterways Office, diarist secretaries, attendant censors, the Heir Apparent's Left and Right Subordinates, Junior Grand Steward, and Preceptors, directors and outside directors of the Left and Right Bureaus, directors of the Six Bureaus' ministries, various court grandee ranks, defense and training commissioners, prefects, the Grand General, various attendance and guard grandee ranks, the Commandant of the Horse for the Imperial Son-in-Law, holders of distant-commandery Military Merit Grandee and below, and vice chief receivers of the Bureau of Military Affairs wore this. Three-ridge cap with gold-plated bronze leather belt and pendant, yellow lion brocade sash, and brass rings; all else as for the four-ridge cap. Palace attendant and supervisory censors, remonstrance officers and rectifiers, outside directors of the Six Bureaus, outside seal-and-tally officers, Assistant Directors of the Palace Workshops, Construction, and Armaments, Readers and Lecturers of the Heir Apparent, Secretariat Drafters, Goodness Officers, Readers, and Lecturers of imperial princes' households, assistant directors of the Nine Courts, Secretariat Library, and Palace Receptions, Imperial Academy assistant director, Director of Music of Great Splendor, magistrates of the two red counties, senior judicial reviewers and case officers of the Court of Judicial Review, composition and Secretariat officers, academicians of Imperial Sacrifices, Imperial Clans, Directorate of Education, and Imperial Academy, officers of the Grand Astrologer Bureau and Five Offices of Astronomy, various presentation and discussion officers, guard and martial officers, Generals of the various guards, commanders of the guard rate offices, various military merit grandees and officers, medical officers from Hanlin Chief Physician upward, inner seal-and-tally officers, Palace Gate reception secretaries, and Martial Cultivation and Martial Refinement officers wore this. Two-ridge cap with horn hairpin and square-victory magpie brocade sash; all else as for the three-ridge cap. Capital duty officers, palace gate ushers, rank-viewing ushers, vice-commanders of the guard rate offices, and inner court officials who ascended the carriage and stood in attendance wore this. The Censor-in-Chief and Vice Censor-in-Chief, Minister and Vice Minister of Punishments, Director and Assistant Director of the Court of Judicial Review, attendant censors, director of the Ministry of Punishments, and senior reviewers, assistant directors, case reviewers, and case examiners of the Court of Judicial Review all wore the xiezhi cap and blue lotus sash. An edict ordered everything promulgated and implemented. In the sixth year, an edict ordered carriage-guiding officers to wear court dress with tied pendants. In the seventh year, an edict ordered that for summer sacrifices, all officials' court and sacrificial dress be made of gauze.
44
After the Restoration, the old system remained in force. Officers who conducted and executed affairs wore sacrificial robes; those who guided and accompanied sacrifices wore court dress—following the Court of Imperial Sacrifices' request in the third year of Shaoxing (1133). When the sacrifice was complete and the imperial carriage returned, if the emperor wore the heaven-penetrating cap and deep-red gauze robe and rode the great palanquin, all officials accompanying the carriage wore court dress or robe with shoes. If riding the level palanquin, all officials accompanying the carriage wore ordinary dress—beginning with Hong Shi's request in the second year of Longxing (1164).
45
The cap of advancing worthies was made of lacquered cloth, with paper filigree forming the brow ornament, gold-plated silver and bronze decoration, and a speech-receiver at the back. Gradations followed the number of ridges—seven grades in all—with silk as the chin tie: first grade had seven ridges plus marten-and-cicada caged kerchief, marten tail, and standing brush. Second grade had no marten-and-cicada caged kerchief. Third grade had six ridges, fourth five, fifth four, sixth three, and seventh two—all as in the old system, with dress the same throughout. The marten-and-cicada cap, also called the caged kerchief, was woven rattan lacquered into a square form like a flat kerchief cap. It was decorated with silver, with silver flowers in front, a tortoiseshell cicada attached above, three small cicadas left and right, an imperial jade nose piece, and a marten tail inserted on the left. The Three Excellencies and imperial princes added it to the cap of advancing worthies when attending sacrifices and great court assemblies. The xiezhi cap is the cap of advancing worthies with xiezhi horns carved in wood on the ridges and coated with green powder; the number of ridges follows the wearer's grade. The standing brush preserves the ancient custom of ministers' hairpin brushes. It was made by shaving bamboo into a shaft, wrapping it in scarlet silk, using yellow silk for bristles, affixing silver filigree leaves, and inserting it behind the cap. Under the old edict, civil officials of seventh rank and above who wore court dress hairpinned white brushes, but military officers did not. Now both civil and military officials wear them.
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