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卷四百四十四 列傳第二百〇三 文苑六 黃庭堅 晁補之從弟:詠之 秦觀 張耒 陳師道 李廌 劉恕 王無咎 蔡肇 李格非 呂南公 郭祥正 米芾 劉詵 倪濤 李公麟 周邦彥 朱長文 劉弇

Volume 444 Biographies 203: Literature 6 - Huang Tingjian, Chao Buzhicongdi:yongzhi, Qin Guan, Zhang Lei, Chen Shidao, Li Zhi, Liu Shu, Wang Wujiu, Cai Zhao, Li Gefei, Lu Nangong, Guo Xiangzheng, Mi Fei, Liu Shen, Ni Tao, Li Gonglin, Zhou Bangyan, Zhu Zhangwen, Liu Yan

Chapter 444 of 宋史 · History of Song
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Chapter 444
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1
:
Huang Tingjian; Chao Buzhi's younger cousin Yongzhi; Qin Guan; Zhang Lei; Chen Shidao; Li Zhi; Liu Shu; Wang Wujiu; Cai Zhao; Li Gefei; Lu Nangong; Guo Xiangzheng; Mi Fei; Liu Shen; Ni Tao; Li Gonglin; Zhou Bangyan; Zhu Changwen; and Liu Yan
2
Huang Tingjian
3
調
Huang Tingjian, whose style name was Luzhi, came from Fenning in Hongzhou. As a boy he was exceptionally quick-witted; a few readings of any book were enough for him to recite it by heart. When his uncle Li Chang called at the house, he would take books from the shelf and quiz him; there was not one Huang could not answer. Chang marveled, saying the boy advanced a thousand li in a single day. He passed the jinshi examination and was posted as magistrate's assistant in Ye County. Early in the Xining reign he was chosen as an academic officer for the Four Capitals and placed first in the literary examination. He taught at the Northern Capital Directorate of Education, and the regional commissioner Wen Yanbo, impressed by his ability, kept him on for a second term. When Su Shi read his poetry and prose, he judged them to soar far above the common run, standing alone beyond all comparison — works the age had not seen in years — and from that moment Huang's fame began to resound. As magistrate of Taihe County, he governed in an unassuming, even-handed way. When salt-tax quotas were handed down, every county rushed to report inflated figures; Taihe alone declined. The clerks were unhappy, but the people were relieved.
4
After Emperor Zhezong took the throne, Huang was summoned as collator and reviser for the Veritable Records of Emperor Shenzong. A year later he was promoted to assistant compiler and given the additional post of collator in the Hall of Assembled Worthies. When the Veritable Records were finished, he was promoted to attendant in the Office for Recording the Emperor's Actions. He went into mourning for his mother. Huang was profoundly filial by nature. During his mother's illness, which lasted more than a year, he watched her face day and night and never undressed for bed. After her death he kept vigil at the tomb; his grief was so extreme that he fell gravely ill and nearly died. When mourning ended, he was made secretary of the Palace Library, put in charge of the Mingdao Palace, and appointed compiler of the national history as well. Early in the Shaosheng reign he was sent out to serve as prefect of Xuanzhou, then reassigned to Ezhou. Zhang Dun, Cai Bian, and their allies claimed the Veritable Records were full of slander. Former historiographers were scattered to towns around the capital to await questioning; more than a thousand passages were singled out and pronounced unsupported. When academy clerks reviewed the charges, every entry proved to have documentary support; only thirty-two items were left in question. Huang had written that "using iron dragon claws to control the Yellow River was child's play," and this was now the first charge put to him. He answered: "When I served at the Northern Capital I saw it with my own eyes — it really was child's play." To every question he gave a blunt, forthright answer, and those who heard him were heartened. He was demoted to vice-prefect of Fuzhou and exiled to Qianzhou, yet his critics still complained that the place was too mild a punishment. On grounds of a kinship conflict of interest, he was transferred to Rongzhou. Huang remained serene and took no account of his exile or demotion. Sichuan scholars flocked to study with him. He lectured without tiring, and whatever he had taught them, their compositions were invariably worth reading.
5
西
Huang's scholarship and writing seemed gifts of nature itself. Chen Shidao said his poetry had mastered Du Fu's method — he learned from Du Fu without becoming a mere imitator. He excelled in running and cursive script, and his regular script likewise formed a school of its own. Together with Zhang Lei, Chao Buzhi, and Qin Guan he studied under Su Shi, and the world called them the Four Academicians. Huang was especially renowned for poetry; scholars in Shu and Jiangxi ranked him alongside Su Shi, whence the pairing "Su and Huang." While serving at court, Su Shi recommended him as his own successor, writing that his "magnificent prose was unmatched in the age" and his "filial and brotherly conduct rivaled the ancients" — such was the esteem in which Su held him. Early on he visited the Valley Temple and Stone Ox Cave in the Qian-Wan region, charmed by their woods and springs, and took for himself the sobriquet Daoist of the Valley.
6
Chao Buzhi
7
Chao Buzhi, whose style name was Wujiu, came from Juye in Jizhou — a fifth-generation descendant of Grand Mentor of the Heir Apparent Chao Jiong and great-grandson of Zong Que. His father Duanyou was accomplished in poetry. Buzhi was quick-witted with a formidable memory; as soon as he could grasp affairs he wrote well. Wang Anguo was astonished at first sight. At seventeen he accompanied his father to Hangzhou, gathered material on the splendors of Qiantang's landscape, and wrote the "Seven Accounts" to present to Vice-Prefect Su Shi. Su Shi had meant to write something of his own first; after reading it he sighed and said, "I can put away my brush!" He also declared that Buzhi's writing was learned, eloquent, and magnificent — far beyond ordinary men — and that he was bound to make his mark in the world. From that time his name spread.
8
調 便
He passed the jinshi examination and placed first in both the Kaifeng and Ministry of Rites qualifying rounds. Emperor Shenzong read his examination essay and said, "Here is a man deeply grounded in the classics — he can help cure the age of its shallowness." He was posted as revenue aide in Danzhou and appointed instructor at the Northern Capital Directorate of Education. Early in the Yuanyou reign he served as director of the Imperial University. Li Qingchen recommended him for the palace archives; after a court examination he was made rectifier of texts, then collator, and as Secret Archive collator he served as vice-prefect of Yangzhou. Recalled to the capital, he was made assistant compiler. When Zhang Dun dominated the government, Buzhi was sent out as prefect of Qizhou, where gangs of robbers looted the streets even in daylight. Buzhi had quietly identified every robber by name and traced their spoils. One day at a banquet he called in the bandit-catchers, gave them his plan, and before the wine had made a full round every culprit was seized; the whole prefecture was shaken. Charged with inaccuracies in the Veritable Records of Emperor Shenzong, he was demoted to vice-prefect of Yingtianfu and Bozhou, then reduced to supervising the wine tax in Chuzhou and Xinzhou. When Emperor Huizong took the throne, he was summoned back as compiler. On arrival he was made vice director in the Ministry of Personnel and bureau director in the Ministry of Rites, while also serving as national-history compiler and veritable-records reviser. When the factional purges began, remonstrance official Guan Shiren denounced him and he was sent out as prefect of Hezhongfu. He rebuilt river bridges to ease travel, and the people set up painted portraits of him in shrines. He was moved through Huzhou, Mizhou, and Guozhou, then placed in charge of the Hongqing Palace. Back home he laid out the Garden of Return, called himself the Returned One, put career ambition aside, and took Tao Qian as his model. Near the end of the Daguan reign he was cleared from the faction blacklist, recalled to serve as prefect of Dazhou, transferred to Sizhou, and died at fifty-eight.
9
Buzhi's spirit was buoyant and free, and he studied tirelessly. His prose was warm, polished, and richly patterned; its soaring brilliance seemed a gift of nature. He was especially masterful in the Songs of Chu and compiled fu and lyric poetry from Qu Yuan and Song Yu onward into three books, including Transformations of the Lisao. During the war in Annan he wrote an essay called "Words of Blame," arguing that benevolent yet bold officials should govern the Five Circuits and that coastal defenses must be strengthened. Commentators judged it proof of his grasp of practical statecraft. His younger cousin Yongzhi.
10
Younger Cousin Yongzhi
11
調 滿
Yongzhi, whose style name was Zhidao, showed unusual gifts early and entered office through hereditary privilege. He was appointed judicial aide in Yangzhou but had not yet reported for duty. Su Shi was then prefect of Yangzhou, with Buzhi assisting in prefectural affairs. Buzhi showed him Yongzhi's writings, and Su Shi said, "Talent like this — and you won't even let me meet the man?" Yongzhi was presented in formal aide's dress. Su Shi came down from the hall, took his arm, and escorted him up, then told the guests, "Here is a rare genius!" He passed the jinshi examination again and also the macro-elocution examination, and for a time his essays were on everyone's lips. He taught in Hezhong. Late in the Yuanfu reign he answered an imperial call with a memorial on public affairs and was dismissed. After some years he became recorder of the Metropolitan Prefecture. When his term ended he was placed in charge of the Chongfu Palace; he died at fifty-two, leaving collected works in fifty juan.
12
調簿
Qin Guan, whose style names were Shaoyou and Taixu, came from Gaoyou in Yangzhou. In youth he was bold and brilliant, his passionate spirit pouring into his writing. He failed the jinshi examination. Ambitious and high-spirited, he loved grand designs and the extraordinary. When he read military classics, they matched his own temperament. He met Su Shi at Xuzhou and wrote a fu on the Yellow Tower; Su Shi judged him the equal of Qu Yuan and Song Yu. He also introduced his poetry to Wang Anshi, who likewise praised its freshness, comparing it to Bao Zhao and Xie Lingyun. Su Shi urged him to sit for the examinations so he could support his parents; he finally passed and was posted as registrar in Dinghai and instructor in Caizhou. Early in the Yuanyou reign Su Shi recommended him to court as a worthy and upright scholar; he was made erudite of the Imperial University and corrector of Secretariat books. He was promoted to rectifier of texts and again served as compiler in the National History Academy; on days when he attended court he received gifts of inkstones, ink, vessels, and silks.
13
使
Early in the Shaosheng reign he was listed among the faction and sent out as vice-prefect of Hangzhou. Censor Liu Cheng charged him with tampering with the veritable records, and he was demoted to supervising the wine tax in Chuzhou. Envoys followed the political wind and watched for any slip. When they found none, they charged him with copying Buddhist scriptures on personal leave, stripped his rank, and exiled him to Chenzhou, then placed him under restricted supervision at Hengzhou, and finally moved him to Leizhou. When Emperor Huizong took the throne, he was restored to Gentleman for Promoting Virtue and allowed to return home. At Tengzhou he visited the Huaguang Pavilion with guests, recited ci verses from a dream, asked for water to drink, and when it was brought smiled at the cup and died. He had already written his own elegy; its language was so mournful that readers were moved to grief. He was fifty-three and left collected works in forty juan.
14
覿
Qin excelled at argument; his prose was elegant and his thought deep. When he heard of Qin's death, Su Shi sighed and said, "Shaoyou has died on the road — how pitiful! Will the world ever see his like again!" His younger brothers Di (Shaozhang) and Gou (Shaoyi) were both accomplished writers.
15
Zhang Lei, whose style name was Wenqian, came from Huaiyin in Chuzhou. As a boy he was exceptionally bright; at thirteen he could write essays, and at seventeen his "Fu on Hangu Pass" was already on everyone's lips. He studied in Chen, where academic officer Su Zhe took a liking to him and introduced him to Su Shi. Su Shi came to know him well and praised his writing as vast and serene, with the resonance of a single voice drawing sighs from all who heard.
16
簿 便
At twenty he passed the jinshi examination and served in turn as registrar in Linhuai, sheriff in Shou'an, and assistant magistrate in Xianping. He entered the capital as recorder of the Imperial University. Fan Chunren recommended him for the palace archives examination, after which he rose through the posts of rectifier of texts, assistant compiler, secretary of the Palace Library, compiler, and History Academy reviser. He spent eight years in the Three Academies, mindful of duty and self-restraint, as tranquil as ever. He was promoted to attendant in the Office for Recording the Emperor's Actions. Early in the Shaosheng reign he asked for a provincial post and was made prefect of Runzhou with the title Directly Attached to the Dragon Diagram Hall. Listed among the faction, he was moved to Xuanzhou, demoted to supervising the wine tax in Huangzhou, then transferred to Fuzhou. When Emperor Huizong took the throne he was recalled as vice-prefect of Huangzhou and prefect of Yanzhou, then summoned as vice director of the Court of Imperial Sacrifices; after only a few months he was sent out again as prefect of Yingzhou and Ruzhou. Early in the Chongning reign he was again struck from office on the faction list and placed in charge of the Mingdao Palace. While serving in Yingzhou he heard of Su Shi's death and went into mourning dress. Critics denounced this as improper, and he was demoted to vice-prefect of Fangzhou and exiled to Huang. After five years he was allowed to move freely and settled in Chenzhou.
17
西滿
Zhang had an imposing presence, bold talent, and an exceptionally powerful pen, especially in sao-style verse. By then the two Sus, Huang Tingjian, Chao Buzhi, and their circle had all passed away; Zhang alone remained. Scholars flocked to study with him, taking turns to bring wine and food on appointed days. He taught that writing should be grounded in principle, and once argued in an essay: "From the Six Classics down through the hundred schools, sao poets, and debaters, nearly all writing is ultimately a vehicle for embodying principle. Thus the first step in learning to write is to grasp principle; anyone who pursues literary skill without grounding it in principle has never truly mastered the art. When water is directed into the great rivers and the sea, it follows its natural course—surging day and night without cease, striking the Pillar Rock, sweeping past Mount Liang, pouring into lakes and rivers and at last into the sea. At ease it spreads in ripples; stirred it rises in waves; quickened it becomes gales; enraged it becomes thunder; dragons, fish, and turtles burst forth and vanish—these are water's marvelous transformations. Water in its origin was never like this! Directed along its proper course, it takes on new forms according to whatever it meets. When ditches burst eastward and run dry in the west, brimming below and hollow above, stirred day and night to force marvels—what they amount to is play for frogs and leeches. The waters of the great rivers and sea are writing in which principle is fully realized; without chasing novelty, marvel appears of itself. To churn ditches in search of water's marvels shows no grasp of principle; to chase strangeness in phrasing and punctuation, chewing phrases over and over until nothing remains—that is the poverty of bad writing." Scholars took this as the last word on the subject. In his later years he increasingly sought plainness in poetry, following Bai Juyi's manner, while his yuefu ballads followed Zhang Ji.
18
殿
After long years out of office his family grew poorer still. Prefect Zhai Ruwen offered to buy him public farmland, but he refused. Late in life he oversaw the Southern Marchmount Temple and the Chongfu Palace; he died at sixty-one. Early in the Jianyan reign he was posthumously made Compiler of the Hall for Assembling Excellence.
19
Chen Shidao
20
調
Chen Shidao, courtesy name Lüchang, also known as Wuji, was a native of Pengcheng. From boyhood he loved learning and pursued it with fierce resolve. At sixteen he brought his writings to Zeng Gong; Zeng was astonished at first sight, assured him he would make his name through letters though the world had not yet heard of him, and kept him on as a student. During the Xining era the Wang clan's classical learning held sway; Shidao inwardly rejected its teachings and completely abandoned any thought of official advancement. Zeng Gong was compiling the histories of five dynasties and could choose his own assistants; the court balked at appointing a man who was still a commoner in plain robes. Early in the Yuanyou era Su Shi, Fu Yaoyu, and Sun Jue recommended his character and writing; he was appointed Instructor at Xuzhou, and on Liang Tao's recommendation was made Erudite of the Imperial Academy. Critics charged that while in office he had once crossed jurisdictional lines to leave Nanjing and visit Su Shi; he was reassigned as Instructor at Yingzhou. They also argued that his promotion had not come through the examination track, and he was dismissed to return home. He was transferred to serve as magistrate of Pengze but declined to take up the post. His family had always been poor; sometimes days would pass without a fire lit for cooking. His wife and children showed their anger plainly, but he paid no heed. After a long interval he was summoned as Corrector in the Secretariat; he died at forty-nine. His friend Zou Hao bought a coffin and laid him to rest.
21
Shidao was lofty in character and firm in principle, content in poverty and devoted to the Way. Among the classics he was especially profound in the Odes and the Rites; his prose was deep, refined, and recondite. He delighted in writing poetry and said himself that he studied Huang Tingjian; at his best some held he surpassed him, yet anything that fell even slightly short of his standard he burned—of what survives today barely one part in ten. The world merely delights in reciting his poems and essays; as for his deepest learning and highest conduct, many never heard of them at all. He once wrote an inscription for the Yellow Tower; Zeng Gong said it was like stone from Qin.
22
When he first traveled to the capital he stayed more than a year without once setting foot inside a powerful man's door. Fu Yaoyu wished to know him and first asked Qin Guan, who said, "This is not the sort who carries calling cards, bows his face, and waits on grandees at their gates—he will be hard to reach." Fu Yaoyu said, "That is not what I have in mind. I mean to go see him myself, for I fear he will not receive me. Can you introduce me to Master Chen?" Knowing how poor he was, Fu carried gold intending it as a gift; but when he arrived and heard him discourse, he grew only more awed and respectful and did not dare produce it. Zhang Dun was at the Bureau of Military Affairs and was about to recommend him to the court; he also asked Qin Guan to convey an invitation. Shidao replied, "I am honored by your letter, which tells me that Lord Zhang humbles his years and standing and summons me with courtesy—how could one so unworthy deserve this? Surely you have never misled me? That grandees do not descend to scholars is an ancient rule; yet now he receives me in person—what fortune could be greater? Though I am scarcely fit to rank among scholars, I ought still to follow in your lordship's train and bow to the lower wind to complete your lordship's renown. Yet the ancient kings ordained that unless a scholar presents his tribute token to become a minister, he does not appear before kings and dukes—this completes the ritual, and its abuse inevitably leads to selling oneself; therefore the ancient kings were strict at the outset to guard against it, and scholars through the ages have upheld it. Between Shidao and your lordship, beforehand there is the taint of noble and base, and afterward no lifelong bond—the lord may be seen, but can the rites be cast aside? Moreover, your lordship summons me surely because I can uphold this humble ritual; if I blindly violate law and duty, hear the command and run to your door, then I forfeit the very reason I was summoned—what would your lordship gain from that? Still, on one point: should your lordship one day succeed, retire from office, and return east in plain headcloth, Shidao will drive a piebald pony and ride a low swamp-cart to await your lordship outside the eastern gate—and that will not yet be too late." When Zhang Dun became chief councilor he again sent his regards; in the end Shidao never went. While he served at Ying, Su Shi managed prefectural affairs and treated him with the highest honor, wishing to have him counted among the disciples at his gate; yet Shidao wrote in a poem, "All along one stick of incense, offered in reverence to Zeng Nanfeng"—such was how he held himself.
23
婿綿
He was son-in-law to a friend of Zhao Tingzhi, a man he had always detested. Once, while taking part in suburban sacrifice rites in bitter cold, his clothes had no cotton padding; his wife borrowed garments from Tingzhi's household, and when she learned where they came from she returned them and refused to wear them; he consequently died of a cold-induced illness.
24
Li Zhi, courtesy name Fangshu, was descended from a family that had moved from Yun to Hua. Zhi was orphaned at six yet could rouse himself to stand on his own; as he grew he won renown in his district for learning. He visited Su Shi at Huangzhou and presented a composition asking to be taken as a student. Su said his brush surged like flying sand and rushing stone, and patting his back said, "Your talent is a match for ten thousand men; set it against lofty integrity and none can overcome you." Zhi bowed again to receive the teaching. Yet his family had always been poor—three generations lay unburied. One night he stroked his pillow and wept, saying, "What I study is loyalty and filial piety, yet my kin lie unburied—what use is study!" At dawn he took leave of Su and set out to travel the realm as a guest, seeking to raise funds for the burials. Su took off his own robe to help and also wrote a poem urging men of principle to assist. Within a few years he had gathered more than thirty coffins of the dead accumulated over generations and buried them at the foot of Mount Hua; Fan Zhen wrote a tomb inscription to praise him. He shut his doors and read all the more diligently; after several years he saw Su again; Su read what he had written and sighed, "Of Zhang Lei and Qin Guan's company."
25
Nominated by his district he entered the Ministry of Rites examination; Su presided over the examinations and passed him over, writing a poem to reproach himself. Lü Dafang sighed and said, "The examiners tested literary skill—yet missed this extraordinary talent!" Su and Fan Zuyu took counsel together: "Though Zhi dwells in mountains and woods, his writing has the air of brocade robes and jade fare—to cast a wondrous treasure by the roadside, as the ancients lamented—can we be without scruple?" They were about to recommend him jointly to the court; before long they left office one after another and it never came to pass. When Su died, Zhi wept in deepest grief and said, "I am ashamed I could not die for my knower; as for serving my teacher with full devotion, how dare I let life and death stand between us!" He straightaway went to the region between Xu and Ru, chose ground and divined a burial site, entrusting it to Su's son; he wrote a memorial text saying, "Sovereign Heaven and Mother Earth, behold a lifetime's heart of loyalty and righteousness; mountains and great rivers, restore the heroic spirit of ten thousand ages." The language was marvelous and forceful; readers were shaken with awe. In mid-life he utterly abandoned thoughts of advancement, saying that Ying was a deep reservoir of talented men; he first settled at Changshe, where Magistrate Li Zuo and local people bought a house to lodge him. He died at fifty-one.
26
西
Zhi delighted in discussing order and chaos through the ages, laying out points in clear sequence with well-turned argument that yet struck the mark of reason. Amid clamor and haste he would seem to pay no mind, then glance up and set brush to paper as if flying. During the Yuanyou call for counsel he submitted the Book of Loyal Remonstrance and the Treatise on Loyalty and Thickness, and also presented Military Mirror—twenty thousand characters on western affairs. When the court captured the Qiang chieftain Guizhang and was about to punish him by law, Zhi argued at length on benefit and harm, holding that executing him would serve no purpose and urging clemency; at the time the court approved his view.
27
Liu Shu, courtesy name Daoyuan, was a native of Yunzhou. His father Liu Huan, courtesy name Ningzhi, served as magistrate of Yingshang; because of his upright rigidity he could not accommodate his superiors and resigned. The family settled on the southern slope of Mount Lu when Huan was fifty. Ouyang Xiu and Huan had passed the examinations in the same year; Xiu esteemed his integrity and wrote Mount Lu High to praise him. Huan lived on Mount Lu for more than thirty years in a single bare room, gruel his only food, yet his mind roamed beyond the dust of the world, utterly free of anxious care, and he died at a ripe old age.
28
鹿使 調鹿簿 使
Shu from youth was quick and perceptive; whatever book he saw once he could recite. When he was eight, a guest remarked that Confucius had no brothers; Shu answered on the spot, "He gave his brother's daughter in marriage." The whole company were astonished. At thirteen he wished to enter the Decree examination; borrowing the Han and Tang histories, within a month he had returned them. He visited Chief Councillor Yan Shu and was questioned on affairs; back and forth they pressed and challenged him until Yan could not answer. When Shu was at Julu he was summoned to the prefectural office, treated with the greatest respect, and made to lecture on the Spring and Autumn Annals; Yan himself led the officials to listen. Before his capping ceremony he passed the metropolitan examination; an edict then allowed those able to expound canonical meaning to be separately memorialized. Only several dozen candidates responded; Shu answered on the Spring and Autumn Annals and the Record of Rites, first citing the commentaries, then citing differing views of earlier masters, and finally judging with his own opinion—for twenty questions his answers were all of this kind. The examiners marveled and ranked him first. His other compositions also placed in the upper grade, but the palace examination did not meet the standard; he was sent down to the Directorate to try again on classics exposition, again placed first, and was then granted his degree. Posted as registrar at Julu and magistrate of Hechuan, he exposed the powerful and ferreted out what was hidden—for a time even the most capable officials considered themselves his inferior. As a man Shu set great weight on righteousness and was swift to keep his word. When a prefect had offended and was impeached, his subordinate officials were all implicated and thrown into prison; Shu alone comforted the man's wife and children as if they were his own flesh, and moreover openly reproached the transport commissioner for twisting the law with harsh words.
29
He devoted himself passionately to historical studies—from what Grand Historian Sima Qian recorded down to the end of the Xiande reign of Later Zhou, and beyond annals and biographies to private records and miscellaneous tales, there was nothing he did not read. Across several thousand years, matters great and small lay on his palm as if in plain sight. Sima Guang was compiling the Comprehensive Mirror for Aid in Government; Emperor Yingzong ordered him to choose talented men from the palace institutes to compile it jointly. Guang replied, "Men of letters in the palace are indeed numerous; but as for those who specialize in history, of whom your servant is aware, there is only Liu Shu. He was at once summoned as a bureau assistant; whenever historical matters were tangled and hard to resolve, they were turned over to Shu. For events after Wei and Jin, in examining texts and correcting errors, he was the most precise and detailed.
30
使
Wang Anshi was an old friend and wished to appoint him to the Fiscal and Commercial Regulations Commission. Shu declined on the ground that he was not versed in revenue and grain accounts, and said, "The Son of Heaven now entrusts your lordship with great affairs; you ought to extend the way of Yao and Shun to assist the enlightened sovereign—not make profit the foremost concern." He also itemized revised statutes that did not accord with the people's hearts and urged that the old laws be restored; he even pointed out Anshi's faults to his face. Anshi was furious, his expression turning iron-hard; Shu did not yield in the slightest. Sometimes in crowded halls he spoke against Anshi's errors without the least avoidance; the two broke off relations entirely. When Anshi held power, a single breath could bring fortune or disaster; lofty debaters who at first stood apart in the end attached themselves to him—praising to his face yet slandering behind it, speaking agreeably yet dissenting in their hearts—such men were everywhere. Shu roused himself without looking back, pointing straight at the facts, concealing neither gain nor loss.
31
西
When Guang went out to serve as prefect of Yongxing, Shu too—his parents being elderly—requested appointment as supervisor of the Nan Kang military wine tax so he could support them nearby; he was permitted to take office while continuing to compile the book. When Guang served as judge of the Western Capital Censorate, Shu asked to visit him and stayed several months before returning. On the road he contracted wind spasms; his right hand and foot were crippled, yet he studied as bitterly as before—at every brief respite he would resume work on the book, stopping only when the illness grew critical. He rose to Secretariat Assistant and died at forty-seven.
32
In his scholarship, from calendrics, geography, offices, and clan names down to the archival documents of former dynasties' government bureaus, he took everything as material for examination and verification. In search of books he would travel several hundred li in person to read and copy them, nearly forgetting sleep and food. Once, traveling Mount Wan'an with Sima Guang, they came upon a stele by the roadside; reading it, they found it commemorated a general of the Five Dynasties whose name no one knew. Shu could recount his career from beginning to end; when they returned and checked against old histories, it proved true. When Song Cidao served as magistrate of Bozhou, his household held a great library. Shu made a detour to borrow books and read through them. Cidao daily prepared feasts in the manner of a host. Shu said, "This is not why I came—it greatly wastes my work." He had them all removed. He shut himself alone in the library pavilion, reciting aloud and copying by hand day and night. He stayed ten days, read through the entire collection, and departed with his eyes clouded over. He wrote Annals of the Five Dynasties and Ten Kingdoms to emulate Spring and Autumn of the Sixteen Kingdoms, and also gathered events from deepest antiquity down to King Weilie of Zhou omitted from the Records of the Historian and the Zuo Tradition, compiling them as Outer Annals of the Comprehensive Mirror.
33
His family had always been poor and could not provide delicacies for his parents; he never took so much as a single cent from others without just cause. On his return from south of the Luo River, it was deep winter and he had no winter clothing. Sima Guang sent him clothes, socks, and old bedding. He declined but could not refuse, was forced to accept them and departed; when he reached Ying he sealed everything and sent it all back. He especially did not believe Buddhist doctrine, holding that such things surely did not exist, and said, "People are like guests at an inn—not one thing can be lacking while you stay. When you leave you abandon everything. How could you carry it all away with you?" He loved attacking others' faults, often accusing himself of twenty faults and eighteen blind spots in his life, and wrote essays to warn himself—yet in the end he could not change.
34
Seven years after his death the Comprehensive Mirror was completed; his merit was recorded posthumously, and his son Xizhong was appointed suburban-sacrifice attendant. His second son Hezhong had extraordinary talent; his poetry was clear and abstruse, and he strove fiercely to form his own school. In prose he admired Shi Jie and had a chivalrous spirit; he too died young.
35
Wang Wujiu
36
簿調簿
Wang Wujiu, whose style name was Bu Zhi, came from Nancheng in Jianchang. He passed the jinshi examination and served as lieutenant of Jiangdu, registrar of Weizhen, and magistrate of Tiantai, then left office to study with Wang Anshi. After a long interval, unable to support his wife and children, he was reassigned as registrar of Nankang—then abandoned that post as well. He loved books and studied with relentless effort; on journeys in heat or cold he never set his books aside. Scholars wherever he went gathered around him—several hundred at a time coming and going. When Wang Anshi held power, Wujiu came to the capital, and many scholar-officials joined him in study. Some even chose neighboring residences so they could examine the classics and resolve doubts with him. Yet he seldom harmonized with others, usually shutting his door to work on his books; only with Anshi were his words in perfect accord. Anshi memorialized recommending his comprehensive conduct and ability, his adherence to the Way and contentment in poverty—yet he had long gone unused. An edict appointed him Erudite of the Directorate of Education, but before the order was issued he died at forty-six.
37
Cai Zhao, whose style name was Tianqi, came from Danyang in Run Prefecture. He could write, and was especially accomplished in songs and poetry. At first he served Wang Anshi and was held in esteem. Later he associated with Su Shi, and his reputation grew still greater. He passed the jinshi examination and served successively as registrar assistant of Ming Prefecture and legal examiner of Jiangling. During the Yuanyou era he served as Erudite of the Directorate of Education and Tongpan of Changzhou, was summoned as Vice Director of the Imperial Guard, and was made intendant of Yongxing circuit grain transport. Early in Huizong's reign he entered service as Vice Director of the Revenue Ministry, concurrently compiling the national history; critics charged that his scholarship was erratic, and he was made intendant of judicial affairs in the two Zhe circuits. When Zhang Shangying held power, he was brought in as Vice Director of Rites, advanced to Attendant of the Heir Apparent, and appointed Drafting Attendant within the Secretariat. Before this, when trialing three topics, candidates generally waited on the prime minister's mounting of his horse to copy his answers. Zhao took up his brush and finished at once without polish; Shangying read it and beat the table in applause. After barely a month, because a draft reproaching the censor Xing Yi used unsuitable language, he was demoted to Gentleman of the Hall of Displayed Brilliance and prefect of Mingzhou. Critics again charged that he harbored contrary intent, disputing the establishment of the Imperial Academy as improper; his post was stripped and he was made intendant of the Cave Heaven Palace. When an amnesty was proclaimed he was restored to office, then died.
38
Li Gefei
39
調使
Li Gefei, whose style name was Wenshu, came from Jinan. As a child he was extraordinarily sharp and alert. The authorities were then selecting candidates by fu poetry; Gefei alone devoted himself to classical learning, composing a Commentary on the Record of Rites of several hundred thousand characters, and thus passed the jinshi examination. He was posted as registrar assistant in Ji Prefecture, trialed as academic officer, and appointed professor at Yan Prefecture. The prefect, seeing his poverty, wished him to hold another office concurrently; he declined. He entered to fill a post as Recorder of the Directorate of Education, was twice promoted to Erudite, and came to be known for his writing through Su Shi. He often wrote Record of Famous Gardens of Luoyang, stating that "the rise and fall of Luoyang is the barometer of order and disorder under Heaven." Later Luoyang fell to the Jin; men considered him prescient. During the Shaosheng era a bureau was established to compile Yuanyou memorials; he was named collator but did not accept, offending those in power, and was made Tongpan of Guangxin Army. A Daoist priest who told people's fortunes sometimes hit the mark and always went out in a carriage; the populace believed and were deluded. Gefei met him on the road, ordered his attendants to take the priest from the carriage, investigated his fraud thoroughly, beat him, and expelled him beyond the border. He was summoned as Proofreader, promoted to Assistant Compiler and Vice Director of Rites, and made intendant of judicial affairs in the eastern capital region; dismissed on party rolls, he died at sixty-one.
40
Gefei labored at his craft in lyric prose, pressing forward relentlessly without regard to difficulty, ease, or feasibility—his brush never slackened. He once said, "Literature cannot be written perfunctorily; where sincerity does not show, the work cannot be accomplished. And: "Men of the Jin who could write were many, yet when one reaches Liu Bolun's Ode on the Virtue of Wine or Tao Yuanming's Return, every word seems to issue from the lungs and liver, and they stride above other Jin writers—their sincerity shows."
41
Daughter Qingzhao
42
His wife was of the Wang clan, granddaughter of Gongchen, and she too excelled at writing. His daughter Qingzhao was especially renowned in her day for poetry and prose; she married Zhao Mingcheng, son of Zhao Tingzhi, and styled herself Lady An Yi.
43
Lu Nangong
44
退
Lu Nangong, whose style name was Ciru, came from Nancheng in Jianchang. He read every sort of book; in writing he would not patch together worn phrases. In the Xining era scholars prized the learning of Ma Rong, Wang Su, and Xu Shen; the arts of plundering, mending, splitting, and copying flourished. Nangong judged that he could not chase the fashion; one attempt at the civil-service examinations failed, so he retired to build a lodge and tend a garden, no longer aiming at advancement. He wrote all the more, and on the model of the historiographer's brush to praise good and condemn evil, hence named his studio Imperial Robe and Axe. He once said that if a gentleman must resort to words, then literature cannot be unaccomplished: where thought overflows but words fall short, it is like a stammerer's lawsuit—never without some falsehood, never without some justice, yet sometimes defeated, simply for lack of aid in rhetoric. Looking from the age of written contracts onward, men who stood apart have never been poor at writing. If a gentleman has no ambition to establish himself, so be it; but if he has ambition, how can literature be made meanly? Therefore he resolved wholeheartedly, thinking to stand alongside the ancients.
45
Early in Yuanyou, when the ten categories for recommending scholars were established, Drafting Attendant Zeng Zhao memorialized, praising that in reading and writing he shunned vulgar learning, kept poverty and held the Way, his ambition aspiring to the ancients—fit for the Exemplary Teacher category; court officials at the time also praised him widely. Discussion was underway to appoint him to office, but before the order came he died. His posthumous writings are titled Collected Works of the Garden Master and have been transmitted in the world.
46
Guo Xiangzheng
47
殿
Guo Xiangzheng, whose style name was Gongfu, came from Dangtu in Taiping Prefecture; his mother dreamed of Li Bai and bore him. In youth he had a poetic reputation; Mei Yaochen then dominated the age alone. Seeing him, he sighed, "Genius such as this—truly a reincarnation of Taibai!" He passed the jinshi examination; in the Xining era he was magistrate of Wugang County and signed as military coordinator for Baixin Army. When Wang Anshi held power, Xiangzheng memorialized asking that the empire's grand strategy be entrusted entirely to Anshi's planning, and that dissenters—even grand ministers—be dismissed. The emperor read it and was struck; one day he asked Anshi, "Do you know Guo Xiangzheng? His talent seems usable." The emperor produced the memorial for Anshi; Anshi was ashamed to be recommended by a petty official and therefore spoke at length of his want of conduct. At the time Xiangzheng was following Zhang Dun on an investigative commission; hearing this, he resigned as Palace Attendant. Later he came out again as Tongpan of Ting Prefecture. As prefect of Duan he abandoned the post again, retired to Green Mountain in the county, and died.
48
便殿
Mi Fu, whose style name was Yuanzhang, was a man of Wu. Through his mother's service in the old household of Empress Dowager Xuanren in the princely residence, he was appointed district captain of Hangguang. He successively served as magistrate of Yongqiu and Lianshui Army, Erudite of the Imperial Ancestral Temple, and prefect of Wuwei Army; was summoned as Erudite of the Painting Academy; was granted audience in the side hall and presented his son Youran's Dawn over the Chu Mountains; was promoted to Vice Director of Rites; and went out as prefect of Huaiyang Army. He died at forty-nine.
49
仿 殿
Fu's writing was singular and perilous, not treading in the tracks of predecessors. He was especially marvelous at brushwork—grave yet soaring, capturing Wang Xianzhi's brush intention. In landscape and figures he formed a school of his own, especially skilled at copying, to the point that true and false could not be told apart. Expert in appraisal, whenever he encountered antiquities, books, or paintings he strove with utmost effort to obtain them, stopping only when he had them. Wang Anshi once copied out his verses on a fan; Su Shi too praised him with pleasure. His hat and robes imitated Tang style; his bearing was remote and loose, his utterance clear and fluent—wherever he went people gathered to watch. Yet fastidiousness became a compulsion, to the point that he would not share towel or vessel with others. What he did was bizarre; often there were things fit for laughter. At the Wuwei prefectural seat was a huge stone, grotesque in shape; Fu saw it and rejoiced greatly, saying, "This is worthy of my bow!" He put on cap and robes and bowed to it, calling it elder brother. Again he could not bend with the age, so in office he was often thwarted. Once by imperial order he imitated small regular script after the Huangting Scripture to compose Zhou Xingsi's Thousand-Character Prosody. He also entered the Hall of Xuanhe to view treasures stored within the palace; people regarded this as favor.
50
His son Youran, whose style name was Yuanhui, studied ardently and loved antiquity, and was also skilled at painting and calligraphy; the age called him Little Mi. He served up to Vice Minister of War and Academician of the Hall for Diffusing Culture.
51
簿 調 調 調 ''
Liu Shen, whose style name was Yingbo, came from Fuqing in Fuzhou. He passed the jinshi examination and served successively as registrar of Putian and magistrate of Lujiang. In the Chongning era he served as collator of the Discussion Office, was advanced to Director of Armaments and Assistant Director of the Court of Judicial Review, and was made master of music at the Great Accomplishment Bureau. Shen was versed in pitch and mode; he once memorialized on the changes in elegant music through the ages and the aim of Song composition, so he was entrusted with music affairs. He also said, "The Grand Music Master in the Offices of Zhou forbade licentious and slow sounds—this is what Confucius meant by 'banish the sounds of Zheng. Today's banquet music is pitched too high and hurried; the words of the tunes sink to vulgarity—I fear it cannot summon harmonious qi. Song is the virtue of Fire; tones should honor the zhi mode, and the zhi mode must not be lacking. Your servant, following ancient regulations, rotates the twelve palaces with the seven tones and obtains one correct zhi mode—may Your Majesty with your talent select it." Huizong said, "Your words are right; of the five tones none may be lacking. Summons of the Zhi and Summons of the Jiao are music for ruler and minister to rejoice together—what I wished to hear but had no words for; you should oversee it for Us." Another day, two ancient bells were brought from within the palace; the edict summoned the chief ministers and Shen to examine them in the main hall. Shen said, "These harmonize with today's Taicu and Dalü pitches." Ordered to strike the Great Accomplishment bells, they responded as predicted. He also said, "When bells are struck there is no lingering resonance, unlike stone sound; as the Odes says, 'listen to my sounding-stone'—meaning clarity and steadiness. He had them struck again together, and the tones harmonized still more perfectly. He rose through vice-directorships of the imperial clan bureau, diplomatic reception, the imperial stud, and imperial sacrifices, compiled the Continuation of Reforms in Ritual, and died.
52
When Shen observed his mother's mourning with full propriety, twin lingzhi fungi appeared beside the tomb—people took it as a mark of filial devotion moved by Heaven.
53
調
Ni Tao, style Juji, was a native of Guangde Army. Even in childhood he could compose prose, and he was broadly learned with a powerful memory. At fifteen he ranked first in the Imperial University examination, was then selected as jinshi, and was appointed Luling assistant magistrate and Xinyang Circuit instructor. He entered service as Director of the Imperial University, Secretariat collator, and Assistant in the Compilation Bureau, and served as outer-section director in the Ministry of Personnel and in the Left Bureau. When the court debated action in Yan-Yun, great ministers raced to decide first to secure their posts; all knew in their hearts it was wrong yet none dared speak—Tao alone said it was mistaken. Moreover he said, "Since the Jingde era the Liao have kept the treaty and not violated the border; the sworn alliance still stands and must not be broken. The realm has long been at peace; scholars are unused to war, and military stores are strained—do not lightly debate this and bequeath trouble to posterity." Wang Fu angrily said, "Sir, you dare obstruct the military campaign!" Thereupon critics accused him of agitating and fabricating slander; he was demoted to supervise wine tax at Chaocheng County, then transferred again to the Chaoling shipping station, and died at thirty-nine. The year after his death the Jurchens assaulted the capital; the court recalled Tao's words and appointed one of his sons to office. His Cloud Yang Collection circulated in the world.
54
Li Gonglin
55
''
Li Gonglin, style Boshi, was a native of Shuzhou. He placed as jinshi, served as assistant magistrate of Nankang and Changyuan and as recording secretary of Sizhou, and on Lu Dian's recommendation was made collation officer of the Rear Secretariat and investigation officer under the censorate. Fond of antiquity and broadly learned, he was skilled in poetry and knew many rare characters; from Xia and Shang down, bells, tripods, wine vessels, and ritual bronzes—he could fix their chronological sequence and decipher inscriptions, and hearing of a fine piece he would not spare a thousand in gold. Near the end of Shaosheng, the court obtained a jade seal and sent it down to the ritual officials and various scholars for debate, but each man's words differed. Gonglin said, "The Qin seal used Lantian jade; today's jade color is pure green, with dragon, earthworm, bird, and fish patterns, bearing the inscription 'the talisman of the emperor and king receiving the Mandate'; the jade substance is extremely hard—only the Kunwu blade or toad-fat technique could work it; the carving method is obsolete—this is truly the work of Qin's Li Si, without doubt." The debate was settled thereby.
56
In the third year of Yuanfu he fell ill with paralysis and resigned from office. After returning in old age he roamed freely among the cliffs and ravines of Longmian Mountain. He excelled at painting; his self-painted Mountain Villa scroll was a treasure of the age. His figure painting in particular was masterly; connoisseurs held him second only to Gu Kaizhi and Zhang Sengyou. His bearing and breadth surpassed the common run; eminent men praised him together, and Huang Tingjian said his elegance was not less than the ancients—yet because painting weighed on him, the world passes down only his art.
57
Zhou Bangyan
58
簿 使 使
Zhou Bangyan, style Meicheng, was a native of Qiantang. Unconventional and little restrained, he was not esteemed by his prefecture, yet he ranged through the writings of the hundred schools. In the early Yuanfeng era he traveled to the capital and presented his Ode to the Bian Capital of more than ten thousand characters; Shenzong was struck by it, ordered attendants to read it in the Erying Pavilion, summoned him to the Secretariat Chancellery, and from among ordinary university students promoted him in one step to Director of Studies; for five years he received no further promotion, and threw himself still more into belles lettres. He went out as instructor in Luzhou, served as magistrate of Lishui County, then returned as registrar of the Directorate of Education. Zhezong summoned him for audience and had him recite his former ode; he was made Secretariat collator. He served as collator, outer-section director of the Ministry of Personnel, vice-director of the Court of Imperial Regalia and of the imperial clan directorate, and concurrently note-taker on the Ritual Revision Board; with the office of Bureau of Illustrated Documents Directly in attendance he governed Hezhong prefecture. Huizong wished him to finish the ritual compendium and detained him again. After more than a year he was made prefect of Longde, then transferred to Mingzhou; he entered the capital as Director of the Secretariat, was advanced to Gentleman-in-Waiting of the Splendid Virtue Pavilion, and made supervisor of the Great Accomplishment Music Office. Before long he governed Shunchang prefecture, then moved to Chuzhou; he died at sixty-six and was posthumously enfeoffed as Grandee Who Upholds the Foundation.
59
Bangyan loved music, could compose tunes himself, and wrote long and short ci in the Music Bureau mode with limpid, elegant rhyme; they circulate in the world.
60
Zhu Changwen
61
Zhu Changwen, style Boyuan, was a native of Wu in Suzhou. Before he came of age he passed the jinshi examination in the second rank; because of crippled feet he refused to test for office, built a studio in the Pleasure Garden Ward, and wrote books while examining antiquities—the people of Wu were transformed by his worth. Whenever the prefect arrived, all would first call on him to discuss what the government most urgently needed; scholars who passed through were ashamed not to reach the Pleasure Garden—his name stirred the capital, and many ministers recommended him to succeed themselves. In the Yuanyou era he was raised as local instructor, summoned as Erudite of the Imperial University, and promoted to Secretariat collator. At the beginning of Yuanfu he died. Zhezong knew his integrity and granted a hundred rolls of silk as funeral gifts.
62
He left three hundred juan of writings; all Six Classics had explications from him. He also wrote A History of the Qin, and in its preface said in summary, "When the court accomplishes the work of great peace, orders ritual and composes music, matching the numinous glory of Shang and Zhou—then this book will be no empty text!" His ambition was thus.
63
Liu Yan, style Weiming, was a native of Anfu in Jizhou. As a child he was alert and quick; each day he could recite more than ten thousand words. In the second year of Yuanfeng he passed the jinshi examination, then also passed the Erudite in Comprehensive Learning and Great Literary Learning examination. He served as magistrate of Emei County in Jiazhou and was later made Erudite of the Imperial University. In Yuanfu, when the southern suburban sacrifice was held, Yan submitted his Great Rites Ode for the Southern Suburb; Zhezong read it and was moved in countenance, thinking Sima Xiangru and Yang Xiong had come again—he was made Secretariat collator. When Huizong took the throne he was made Assistant in the Compilation Bureau and note-taker of the Veritable Records Institute; he died of illness in office.
64
Yan from youth loved wine and did not trouble himself with restraint. In literary composition he scraped away flaws and defects, standing out with the extraordinary. He had thirty juan of the Dragon Cloud Collection; Zhou Bida prefaced his writing, saying, "From the time Ouyang Wenzhong of Luling continued the orthodox line of Han Yu in letters and became the Confucian exemplar of a generation, Yan was his successor." He was esteemed to this degree.
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