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卷12 志第7 禮儀七

Volume 12 Treatises 7: Rites 7

Chapter 12 of 隋書 · Book of Sui
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Chapter 12
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1
輿
When Emperor Gaozu first took the throne, intending to reform Northern Zhou institutions, he issued an edict: "Confucius established the law, saying, 'Follow the Xia calendar; ride in the Yin carriage. Generation after generation all followed this; in principle nothing could be changed. Yet what the Three Dynasties honored gave rise to many divergent views—some held it was the season of their dynastic founding, some the auspicious omen they responded to, or it matched the color of their prevailing element, and thus they followed it. Though the Xia calendar reckoned heaven correctly and has been used universally through the dynasties, Han honored red and Wei honored yellow; bay horses and dark sacrificial victims no longer followed in succession—clearly they could not be changed. With yin established as the year-start, ordinary dress honored black. When I first received Heaven's mandate, the red bird came as an auspicious omen; counting from the house of Ji-Zhou to the present, there have now been six dynasties. The three calendars circulate and return, and the Five Virtues generate one another—taking all together, all should favor the color of fire. From the era of 'draping robes' down to the present, additions and subtractions can be known; though the honored color differs, it commonly incorporates the previous dynasty. For suburban altars, ancestral temples, and earth-god shrines, one may follow the guanmian ritual; for court assemblies and ceremonial dress, red should be used throughout. In antiquity the red bird governed the Wood cycle, and the house of Ji had great white banners; the yellow star marked the Earth Virtue, and Cao Wei rode horses with black heads—in sacrifice and warfare, what they honored always differed. Present military dress may all honor yellow; what is ordinarily worn outside may generally use mixed colors. Sacrificial dress must accord with the ritual classics; learned Confucians should be assembled for further detailed discussion." The Supervisor of the Heir Apparent's Household and Acting Director of the Directorate of Ceremonials Pei Zheng memorialized: "I observe that Later Zhou regulated the mián to twelve types, which already differs from earlier ritual in number, and having colors respond to the Five Phases is not according to ancient precedent. I respectfully note that the caps of the Three Dynasties each had distinct names. The six grades of mián continued in use with distinctions; jade pendants in five colors and ornaments differing by rank—nowhere is there text about changing colors to receive the seasonal qi. Only the Monthly Ordinances, starting from the Qin era, have green banners, red jade, white horses, and black robes, changing color with the four seasons—it says nothing at all about the biàn and mián. Five-season mián colors have no textual basis in the Rites; searching the orthodox canon, they are hard to verify by the classics. Moreover, since Later Wei, regulations have all been deficient. In the year of Heavenly Inception, during initial creation and repair, the carriages and robes made mostly followed barbarian models. Thus Wei Shou in his discussion called this a violation of antiquity—and he was right. Northern Zhou inherited it, treating it as precedent; the Great Elephant period accepted the succession and all adopted it—the carriages, palanquins, caps, and robes were largely perverse and strange. Now the Sui dynasty has changed the mandate, taking its constitution and regulations from earlier dynasties; those Wei and Zhou palanquins and carriages that did not accord with regulations have already been ordered removed by the relevant offices, yet caps, robes, and ritual implements still continue in parallel use. There are summer solstice guan robes with red as the substance and autumn equinox ping mián formed in white—since they exceed the canonical regulations, these errors must be corrected. I respectfully examine the Rites and Ceremonies Monograph of the Continuation of the Book of Han, which says, 'On the day of spring's commencement, the capital all wore green robes,' with autumn and summer all following their respective colors. Reaching Wei and Jin, at the five suburban altars for receiving the seasonal qi, those performing the rites all followed this regulation. Examining past precedents, only the zé headcloth followed the robe color. Now I request that caps and mián all use black; only where the zé should be worn, let it follow Han and Jin practice." The rescript said: "Approved."
2
輿 鹿
Thereupon regulations were fixed, adopting the methods of Eastern Qi. The imperial guan mián hung twelve white bead tassels; silk cords served as the chin strap, their color matching the sash; yellow and blue ear-plugs filled the ears; jade hairpin. Black upper garment, vermilion lower skirt. On the upper garment: mountain, dragon, embroidered insect, fire, and ancestral vessels—five emblems; On the skirt: waterweed, grain, and rice. Fu and fe—four emblems. The upper garment emphasized ancestral vessels, the skirt emphasized fu and fe—in all, twelve grades. Collar and cuffs were woven with ascending dragons; white gauze inner garment; fu-pattern collar; green cuffs, border, and hem. Leather belt with jade hook plaque; great sash of plain silk with vermilion lining, its edges bordered, vermilion above and green below. The knee cover matched the skirt color, with dragon, fire, and mountain—three emblems. Deer-path jade-mounted sword with fire-pearl pommel. Paired white jade pendants on black cords. Paired great sashes in six colors—black, yellow, red, white, light blue, and green—of pure black substance, two zhang four chi in length, five hundred tassels, one chi wide; Paired small sashes two chi six cun in length, the same colors as the great sash but half the tassels, with three jade rings set between. Vermilion socks, red ceremonial shoes with gold ornament. This was worn when sacrificing at the Round Mound, Square Pond, Lord of the Five Emperors, Bright Hall, five suburban altars, rain prayer, la sacrifice, feng and shan rites, morning and evening moon rites, ancestral temple, altars of soil and grain, plowing the sacred field, dispatching a great general from the temple, the victory banquet on return from campaign, the capping ceremony, empress's investiture, New Year's audience, and audience at the imperial throne to invest princes and dukes. Tongtian cap with gold Boshan ornament, attached cicada, twelve tassels, pearl and kingfisher feather ornament, black jie headcloth, jade hairpin guide. Crimson gauze robe in deep-garment style, white gauze inner garment, black collar, cuffs, border, and hem, crimson gauze knee cover, white imitation sash, square heart and curved collar. The leather belt, sword, pendants, sash, and shoes were the same as above. If the capping ceremony had not yet been performed, double child topknots, open-topped black jie headcloth, paired jade guides with precious ornament. This was worn for the first-day-of-month audience, New Year's assembly, winter assembly, and on return from all sacrifices. Military cap with gold attached cicada, flat zé headcloth, remaining garments as full dress. This was worn for martial exercises, campaigns, four-season hunts, great archery, ma and lei rites, earth-god rites, rewarding at the ancestral temple, punishing at the earth altar, and assembling the guard. Black jie headcloth, white gauze single garment, black leather shoes—worn when paying respects at the imperial tombs. White gauze cap, white silk skirt and jacket, black leather shoes—worn for holding court, hearing lawsuits, and banquets with guests. White kerchief, white gauze single garment, black leather shoes—worn when expressing mourning.
3
The Spirit Seal—precious yet not used. The Mandate-Receiving Seal—used for feng and shan rites. The "Emperor's Traveling Seal"—used when sealing commands to feudal lords and the Three Preceptors and Three Dukes. The "Emperor's Seal"—used when bestowing letters on feudal lords and the Three Preceptors and Three Dukes. The "Emperor's Trust Seal"—used when mobilizing troops within the realm. The "Son of Heaven's Traveling Seal"—used when sealing commands to foreign rulers. The "Son of Heaven's Seal"—used when bestowing letters on foreign rulers. The "Son of Heaven's Trust Seal"—used when mobilizing foreign troops. For ordinary edicts and orders, the Inner Secretariat and Gate Department seal was used.
4
When the emperor attended a minister's mourning, for third rank and above he wore tin mourning; for feudal lords of the fifth rank, hemp mourning; for fourth rank and below, doubtful mourning.
5
The crown prince's guan mián hung nine white bead tassels; green ear-plugs filled the ears; rhinoceros hairpin. Black upper garment, vermilion lower skirt. On the upper garment: mountain, dragon, embroidered insect, fire, and ancestral vessels—five emblems; On the skirt: waterweed, grain, rice, fu, and fe—four emblems. These were woven to form them. White gauze inner garment, fu-pattern collar, green cuffs, border, and hem. Leather belt with gold hook plaque; great sash of plain silk without vermilion lining, also bordered in vermilion and green. The fu knee cover matched the skirt color, with fire and mountain—two emblems. Jade-mounted sword with fire-pearl pommel. Paired fine jade pendants on vermilion cords. Paired great sashes in four colors—red, white, light blue, and dark blue—of pure vermilion substance, one zhang eight chi in length, three hundred twenty tassels, nine cun wide; Paired small sashes two chi six cun in length, the same colors as the great sash but half the tassels, with two jade rings set between. Vermilion socks, red ceremonial shoes with gold ornament. This was worn when accompanying the emperor at sacrifices, visiting the ancestral temple, the capping ceremony, and the empress's investiture.
6
Far-wandering three-ridge cap with gold attached cicada, nine tassels, pearl and kingfisher feather ornament, black jie headcloth, green tassel cord, rhinoceros hairpin guide. Crimson gauze robe, white gauze inner garment, black collar, cuffs, border, and hem, white imitation sash, square heart and curved collar, crimson gauze knee cover, socks, and shoes. The leather belt, sword, pendants, and sash were the same as above. If not yet capped, double child topknots, open-topped black jie headcloth, paired jade guides with precious ornament. This was worn when visiting the ancestral temple, returning to the palace, New Year's Day and first-day-of-month audience, and libation sacrifice.
7
Far-wandering cap with official dress, crimson gauze single garment, leather belt with gold hook plaque, imitation sash, square heart. The sash-fringe was six chi four cun long and two cun four fen wide, the same color as its sash. Gold-threaded purse, socks, and shoes. This was worn for the five-day regular court audience.
8
White kerchief, single garment, black leather shoes—worn when palace officials expressed mourning.
9
The crown prince's seal—used for major affairs within the palace. For minor affairs, the Left and Right Supervisor of the Household seals were used.
10
When the crown prince attended mourning for the Three Preceptors and Three Minor Preceptors, he wore tin mourning; for palace officials of fourth rank and above, hemp mourning; for fifth rank and below, doubtful mourning.
11
Guan mián with green bead tassels, nine tassels; silk cords served as the chin strap, their color matching the sash. Nine emblems on the robe, the same as the crown prince. Princes, state dukes, and founding dukes wore it when first receiving investiture, bearing tribute gifts, entering court, sacrificing, and in the bridegroom's welcome. The Three Dukes who assisted at sacrifice also wore it.
12
Bi mián, with seven emblems on the robe. On the upper garment: embroidered insect, fire, and ancestral vessels—three emblems; On the skirt: waterweed, grain, rice, fu and fe—four emblems. Marquises and earls wore it when first receiving investiture, bearing tribute gifts, entering court, sacrificing, and in the bridegroom's welcome.
13
Cui mián, with five emblems on the robe. On the upper garment: ancestral vessels, waterweed, and grain—three emblems; on the skirt fu and fe—two emblems. Viscounts and barons wore it when first receiving investiture, bearing tribute gifts, entering court, sacrificing, and in the bridegroom's welcome.
14
𧝉
Yi mián, with three emblems on the robe. Regular third rank and below, honorary fifth rank and above—worn when assisting at sacrifice.
15
𧝉
From princes and dukes downward, robe emblems were all worked in embroidery. Sacrificial mián all had hairpin guides and green ear-plugs filling the ears. Black upper garment, vermilion lower skirt, white gauze inner garment, fu-pattern collar, green cuffs, border, and hem. Leather belt, hook plaque, great sash, vermilion knee cover—all knee covers followed the skirt color; for guan, bi, and cui mián, fire and mountain—two emblems. For yi mián: sword, pendants, sash, socks, and red ceremonial shoes.
16
Jue biàn with black chin strap and no tassels—honorary ninth rank and above wore it when assisting at sacrifice. Its prescribed dress: hairpin guide, black upper garment, vermilion lower skirt without emblems, white silk inner garment, green collar, cuffs, border, and hem, leather belt, great sash, jue knee cover, socks, and red shoes.
17
Military cap and flat zé headcloth—generally worn by all military officials and attendants. Attendants added gold earring with attached cicada, sable as ornament—those attending on the left wore the left earring, those on the right the right earring.
18
Far-wandering three-ridge cap with black jie headcloth—worn by all princes.
19
Advance-the-worthy cap with black jie headcloth—worn by civil officials. Honorary third rank and above had three ridges, honorary fifth rank and above two ridges, and within the nine ranks honorary ninth rank and above one ridge.
20
Law cap, also called xiezhi cap, with an iron pillar on which two pearls were set in the form of xiezhi horns. Judicial officials wore it.
21
High Mountain cap—petitioners wore it.
22
Repel-Wrong cap—gatekeepers and guards who watch for improper dress wore it.
23
Black jie headcloth, flat black zé headcloth—those who should wear them all wore them above and below. Kitchen workers wore green zé headcloths.
24
White kerchief, white gauze single garment, black leather shoes—generally worn above and below.
25
Wei mao cap; if not yet capped, double child topknots, open-topped black jie headcloth—all wore deep garments with green collar and black leather shoes. Students of the Directorate of Education, Imperial University, and Four Gates Academy wore it.
26
Court dress: cap, zé headcloth, hairpin guide, white brush, crimson gauze single garment, white gauze inner garment, black collar and sleeves, black border, leather belt, hook plaque, imitation sash, curved collar and square heart, crimson gauze knee cover, socks, shoes, sash, sword, and pendants. Honorary fifth rank and above wore it for assisting at sacrifice, court feasts, presenting memorials, and all major occasions. Sixth rank and below, honorary seventh rank and above—removed sword, pendants, and sash; the rest was the same.
27
For all other official business, official dress was worn. Cap, zé headcloth, hairpin guide, crimson gauze single garment, leather belt, hook plaque, imitation sash, square heart, socks, shoes, sash-fringe, and purse. Honorary fifth rank and above wore it.
28
Crimson-trimmed official dress—those outside the ranks of fifth rank and below, ninth rank and above wore it.
29
祿
Sash—princes: crimson-vermilion sash in four colors, red, yellow, light blue, and dark blue, of pure vermilion substance, crimson woven pattern, one zhang eight chi in length, two hundred forty tassels, nine cun wide. Dukes: black-vermilion sash in four colors, black, red, light blue, and dark blue, of pure vermilion substance, black woven pattern, one zhang eight chi in length, two hundred forty tassels, nine cun wide. Marquises and earls: green-vermilion sash in four colors, green, red, white, and light blue, of pure vermilion substance, green woven pattern, one zhang six chi in length, one hundred eighty tassels, eight cun wide. Viscounts and barons: plain-vermilion sash in three colors, green, red, and white, of pure vermilion substance, white woven pattern, one zhang four chi in length, one hundred forty tassels, seven cun wide. Regular and honorary first rank: green-black sash in four colors, green, purple, yellow, and red, of pure green substance, one zhang eight chi in length, two hundred forty tassels, nine cun wide. Honorary third rank and above: purple sash in three colors, purple, yellow, and red, of pure purple substance, one zhang six chi in length, one hundred eighty tassels, eight cun wide. Silver-Green-Glory Grand Master of Splendid Happiness, Grand Master for Discussion, and regular and honorary fourth rank: green sash in three colors, green, white, and red, of pure green substance, one zhang four chi in length, one hundred forty tassels, seven cun wide. Regular and honorary fifth rank: black sash in two colors, green and dark blue, of pure dark blue substance, one zhang two chi in length, one hundred tassels, six cun wide. From princes and dukes downward, all had small paired sashes two chi six cun in length, the same colors as the great sash but half the tassels. Regular and honorary first rank had two jade rings set between; below that, not permitted. Those who had sashes also had sash-fringes, all six chi four cun long and two cun four fen wide, each matching its sash color.
30
Purse—second rank and above gold thread, third rank gold and silver thread, fourth rank and founding barons silver thread, fifth rank colored thread. Officials without sashes did not wear sword and pendants. First rank and feudal lords of the fifth rank all wore mountain-dark jade pendants. Fifth rank and above wore water-azure jade pendants.
31
Those advanced in years who retired and those who left office by rule, when summoned for audience, all wore the reduced dress of their former office. On the day of examination for provincial and commandery recommended filial and incorrupt candidates, all temporarily wore advance-the-worthy one-ridge caps and crimson official dress.
32
Recluses of pure principle, when summoned for audience, wore black jie headcloth, white single garment, leather belt, and black leather shoes.
33
Left and Right Guard, Left and Right Martial Guard, Left and Right Martial Sentinel Grand Generals, and Commanders of the Left and Right Guard—all wore military caps, crimson court dress, sword, pendants, and sash. When attending, flat zé headcloth, purple jacket, wide trousers and battle dress, gold tortoiseshell-decorated double-breastplate armor. Only the Left and Right Martial Guard Grand Generals carried red catalpa staffs. Left and Right Guard, Left and Right Martial Guard, Left and Right Martial Sentinel Generals, Commanders of the Left and Right Guard, Left and Right Gate Guard Generals, Crown Prince's Left and Right Guard, Left and Right Palace Guard, Left and Right Inner Rate, Left and Right Gate Guard Commanders, and all deputy commanders—all wore military caps, crimson court dress, sword, pendants, and sash. When attending, flat zé headcloth, purple jacket, wide trousers, gold-decorated double-breastplate armor. Only the Left and Right Martial Guard Generals and Crown Prince's Left and Right Palace Guard Commanders carried white sandalwood staffs.
34
Direct Attendant Generals, Direct Quarters, Direct Fast, Crown Prince's Direct Attendants—all wore military caps, crimson court dress, sword, pendants, and sash. When attending, flat zé headcloth, crimson jacket, wide trousers and battle dress, silver-decorated double-breastplate armor.
35
The empress's head ornament: twelve flower trees. Crown prince's consort, princesses, princesses consort, the Three Preceptors, Three Dukes and duchesses, and first-rank titled ladies—all nine trees. Marchioness, second-rank titled lady—all eight trees. Countess, third-rank titled lady—all seven trees. Viscountess, palace women of the heir, and titled ladies of fourth rank and above—all six trees. Baroness, fifth-rank titled lady—five trees. Imperial concubines and crown prince's good companions—three trees.
36
The empress's hui robe, woven in deep green. Green gauze inner garment, fu-pattern collar, gauze cuffs and border, knee cover, great sash, green upper garment, leather belt, green socks and shoes, white jade pendants, black cords and sash. Worn for sacrifice and court assembly, and all major occasions.
37
Ju robe, made of yellow gauze. Its knee cover, great sash, upper garment, leather belt, and shoes followed the robe color. The rest was the same as the hui robe, except without pheasant. Worn when personally tending the silkworms.
38
Green robe, made of green gauze, the same form as the ju robe. Without flower ornament, great sash, and pendant sash. Worn when paying respects to the emperor according to ritual.
39
Vermilion robe, made of crimson gauze, the same form as the green robe. Worn when banqueting and receiving guests.
40
The empress dowager's dress was the same as the empress's. The empress dowager's seal was not used in ordinary affairs; when sealing edicts, the palace officials' seal was used.
41
The empress's seal was not used in ordinary affairs; when sealing edicts, the inner attendants' seal was used.
42
Crown prince's consort's yu di robe, green gauze inner garment, fu-pattern collar, gauze cuffs and border, knee cover, great sash, green upper garment, leather belt, green socks and shoes, fine jade pendants, pure vermilion sash. Worn for assisting at sacrifice and court assembly, and all major occasions. There was also a ju robe.
43
The crown prince's consort's seal was not used in ordinary affairs; when sealing letters, the Directorate of Palace Affairs' seal was used.
44
Princesses, princesses consort, the Three Preceptors, Three Dukes, and duchesses, marchionesses, and countesses wore yu di robes. Worn for assisting at sacrifice and court assembly, and all major occasions. There was also a ju robe.
45
Viscountesses and baronesses wore que di robes. Worn for assisting at sacrifice and court assembly, and all major occasions. There was also a ju robe.
46
The mothers of all princes, dukes, marquises, earls, viscounts, and barons had the same dress as consorts and ladies. Commandery and district ladies followed their husbands and sons in rank. If a commandery or district lady's rank was high, or if she had no husband or son, she followed her own rank.
47
Imperial consorts and titled ladies of honorary third rank and above wore green dress. Worn for assisting at sacrifice and court assembly, and all major occasions. There was also a ju robe.
48
Palace women of the heir and the crown prince's zhaoxun instructors, titled ladies of honorary fifth rank and above, wore green dress. Worn for assisting at sacrifice, tending silkworms, court assembly, and all major occasions.
49
Imperial concubines and the crown prince's good attendants wore vermilion dress. Worn for assisting at sacrifice, tending silkworms, court assembly, and all major occasions.
50
The Six Chief Attendants wore vermilion silk official dress. Worn for assisting at sacrifice, tending silkworms, court assembly, and all major occasions.
51
The Six Directors, Six Superintendents, and the crown prince's Three Directors, Three Superintendents, and Three Controllers wore green gauze official dress. Worn for assisting at sacrifice, tending silkworms, court assembly, and all major occasions.
52
Pendant sashes—imperial consorts same as the Nine Ministers, palace women of the heir and the crown prince's zhaoxun same as fifth rank, princesses and princesses consort same as princes, the Three Preceptors, Three Dukes, ladies of the five feudal ranks and titled ladies of honorary fifth rank and above—all followed their husbands. Those without husbands followed their own rank.
53
The regulations were thus fixed.
54
𧝉 殿 便 輿
At Emperor Gaozu's New Year's Day court assembly, he just managed tongtian dress; for suburban altars and ancestral temples he entirely used dragon guan robes; the great fur robe, cui mián, and yi mián were all not yet complete. When Chen was pacified, its vessels, caps and robes, and ritual dress were obtained, and only then were they fully provided according to ritual. Yet all were stored in the imperial treasury and not worn. The ordinary dress of all officials was the same as commoners—all wore yellow robes when entering and leaving the palace halls. Emperor Gaozu's court dress was also like this, except the belt had thirteen rings added as a mark of distinction. This was taken for convenience in affairs. In the first year of Daye, Emperor Yang first ordered Minister of Personnel Niu Hong, Minister of Works Yu Wenkai, Concurrent Palace Attendant Yu Shiji, Attendant Gentleman Xu Shansin, and Ritual Section Gentleman Yuan Lang and others to take the constitution and regulations from ancient models and create caps and robes—from the Son of Heaven down to the lowest clerk, dress insignia all had gradations. What already existed was retained and used; Hong and the others deliberated and fixed the imperial dress in eight grades.
55
The form of the great fur robe and mián: examining the Rites of Zhou, the great fur robe mián had no tassels. The Illustrations of Robes in the Three Rites: "Great fur robe and mián—the king's dress for sacrificing to the Supreme God of Heaven and the Five Emperors." Reaching Qin, the six mián were abolished, leaving only the black mián. In the Yongping era under Emperor Ming of Han, they were first newly created. Dong Ba's monograph says: "The six mián of Han shared one form, all seven cun wide, one chi two cun long, round in front and square behind." Thereupon they followed this as the great fur robe mián form: green exterior, vermilion lining, no tassels or ear-plugs applied, not extending below. The great fur robe dress: examining the commentary on the Offices of Zhou, "lamb fur robe." Its form, according to the ritual illustrations, was made of properly black lamb fur, with silk of the same color for collar and sleeves. Its skirt was vermilion, without patterned ornament, vermilion socks, red ceremonial shoes. Worn when sacrificing at the Round Mound, Lord of the Five Emperors, feng and shan rites, five suburban altars, Bright Hall, rain prayer, and la sacrifice.
56
The form of guan mián: examining the "Jade Ornaments" in the Rites, "twelve tassels." The Great Dai Rites says: "Mián with tassels added to cover brightness, fine ear-plugs to stop the ears to cover hearing." Also the Rites' "Embodying the Auspicious Patterns": "Front and back extending far, not looking askance; adding yellow and blue ear-plugs, not listening to slander." The mián of the Three Kings did not share one form, so the Master said: "Follow the Xia calendar, wear the Zhou mián." Now colored cords strung with pearls form twelve tassels. Extending far means projecting before and behind the mián and hanging down; tassels level with the crown top, ear-plugs level with the ears; silk cords as chin strap, jade hairpin guide. The form of its dress: examining the Explaining Names, "guan, rolled up," meaning dragons painted above. At that time Yu Shiji memorialized:
57
:
According to Later Zhou precedent, sun and moon were raised on banners and flags, thus omitting the three luminaries, while the emblems were not twelve. There were only mountain, dragon, and embroidered insect as painting, ancestral vessels, waterweed, fire, grain, fu, and fe—thus no different from the Three Dukes. In the Kaihuang period, wishing to create distinctions within, the upper garment emphasized ancestral vessels and the skirt emphasized fu and fe, combining two repeated emblems to make nine chapters into twelve grades. But each emblem was repeated above and below in rows. Guan dress used nine, bi dress used seven—now repeating these three emblems is not according to ancient precedent. Moreover Zhou practiced humility, not daring to bear sun and moon upon themselves, so they attached these three symbols only on the Grand Banner; the Heavenly King's guan robe had emblems following nine. But the Son of Heaven is like the sun, his virtue in shining forth; the stars are the emperor's position, the moon governs the principal consort—bearing these three emblems, combined virtue and equal brightness, has existed from antiquity and should not be doubted. Zhou's practice of humility cannot be followed; repeating ancestral vessels again also departs from prescribed dress.
58
:
Now according to the Documents: "I wish to observe the dress of the ancients—sun, moon, stars, mountain, dragon, and embroidered insect as assembly, ancestral vessels, waterweed, fire, grain, fu and fe as fine embroidery." Fully following this, on the left and right crown tops one sun and one moon each, stars below the back collar, and the nine emblems of mountain and dragon each repeated in twelve rows. Also recent precedent, according to the Great Commentary on the Documents: "Mountain and dragon pure green, embroidered insect pure yellow, as assembly; ancestral vessels pure black, waterweed pure white, fire pure red." Using these alternately, forming five colors. Zheng Xuan in his deliberation already criticized this, saying: "Five colors intermixed are not one color." Now all use woven work in embroidery, five colors interwoven. Following Kong Anguo, the upper garment substance black, adding mountain, dragon, embroidered insect, fire, ancestral vessels and the like, all woven as five emblems; skirt substance vermilion, adding waterweed, grain, fu, and fe—four more. Upper and lower garment total, this makes nine chapters, plus the three luminaries above, completing twelve. Collar and upper border each had ascending dragons attached—since Han and Jin, all have generally been thus. Since this is the sage's prescribed dress, it cannot depart from Xia models—adopting and using it is in principle acceptable.
59
輿 𩊊 鹿
Imperial rescript: "Approved." Under it a single garment. Also examining Dong Ba's Carriages and Robes Monograph on ancestral temple mián dress: "Crimson collar and sleeves as inner single garment." Also the Miscellaneous Notes on Carriages and Robes say: "The Son of Heaven at libation sacrifice and suburban sacrifice wore single garment with crimson border." Now white gauze serves as inner single garment, fu-pattern collar, crimson border, green hem and cuff border. Leather belt, jade hook plaque, great sash with vermilion lining, its edges bordered. The buckle cord used silk cords, with vermilion knee cover added above. Also examining the Explaining Writing: "Bi, knee cover. That by which the front is covered." The Record of Rites says: "The Youyu clan's knee cover, Xia's mountain, Shang's fire, Zhou's dragon emblem." Zheng Xuan says: "The mián's knee cover—Shun first made it to honor sacrificial dress. From Yu and Tang to Zhou, patterned ornament was added." The Record of Rites says: "The ruler's vermilion knee cover." Zheng says: "The knee cover represents the skirt color." Now following the White Tiger Pass commentary, to cover before the skirt, one chi wide above, representing heaven's number; two chi wide below, representing earth's number; three chi long, representing the three powers; adding dragon emblem, mountain, and fire to complete the law of the Three Dynasties. Thereupon guan mián dress was made: black upper garment, vermilion lower skirt, nine chapters combined into twelve grades. White gauze inner garment, fu-pattern collar, green border and cuff border. Leather belt, jade hook plaque, great sash, knee cover, deer-path jade-mounted sword with fire-pearl pommel, paired white jade pendants on black cords, great and small sashes. Vermilion socks, red ceremonial shoes, shoes ornamented with gold. Worn for ancestral temple, altars of soil and grain, plowing the sacred field, Square Pond, morning and evening moon rites, dispatching generals with military codes, victory banquet on return from campaign, capping ceremony, empress's investiture, midwinter audience, and audience at the imperial throne to invest nobility.
60
殿 輿
The form of the tongtian cap: examining Dong Ba's monograph: "Cap nine cun high, form upright, top slightly slanting back, then straight down as iron rolled beam, High Mountain in front." Thus the ritual illustrations sometimes call it the High Mountain cap. The Jin Daily Records, in the fifth year of Xianhe under Emperor Cheng, edict in the palace hall: "The flat heaven and tongtian caps are both not good; they should be repaired further." Though without text in the Rites, one knows the Son of Heaven's cap has existed long. Also Master Xu's Carriages and Robes commentary says: "Tongtian cap, nine cun high, black jie headcloth, gold Boshan." Xu Ai also says: "Boshan with attached cicada is called gold countenance." The present form follows this, not extending below; only the Son of Heaven wears it at New Year's assembly and audience at the imperial throne. Its dress: crimson gauze robe in deep-garment style, white gauze inner garment, black collar, border, hem, and cuff border, crimson gauze knee cover, white imitation sash, square heart and curved collar. The sword, pendants, sash, shoes, and leather belt were all the same as above. Worn at midwinter feast assembly and on return from all sacrifices. At the four seasons' inspection of the new moon, the inner garment, collar, and cuff border each followed the color of its direction. Only for autumn the directional color was white, replaced with green.
61
輿
The form of the far-wandering cap: examining Han Miscellaneous Affairs: "The crown prince and all princes wore it." Thus the Huainanzi says: "King Zhuang of Chu wore the cap with connecting beam, silk cord tassel." The commentary says: "Connecting beam is far-wandering." Jin regulations: "Crown prince and all princes were given far-wandering caps." Master Xu's miscellaneous commentary says: "The Son of Heaven's miscellaneous dress, far-wandering five beams. Crown prince and princes three beams." Dong Ba's monograph says: "Form like tongtian, with display tube, laid crosswise on the zé headcloth." The present form follows this; the Son of Heaven adds gold Boshan, nine tassels, pearl and kingfisher feather ornament, black jie headcloth, gold border to support it. Green tassel cord, rhinoceros hairpin guide. The crown prince and imperial princes added gold attached cicada; princes of the imperial clan removed the attached cicada—neither extended to common surnames. The imperial far-wandering cap dress: white gauze single garment, with skirt and jacket beneath, black leather shoes. Worn when paying respects at mountain tombs.
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輿 輿
The form of the military cap: examining Master Xu's Song Monograph, it is called the cage cap. The ritual illustrations say: "Warriors wore it. Dong Ba's Carriages and Robes Monograph says: "All regular attendants and inner regular attendants added yellow gold attached cicada and yak-tail ornament—called the Huìwén cap." The present form: the Son of Heaven gold Boshan, Three Dukes and above jade cap branches, fourth rank and above gold branches. Attendants added attached cicada, yak and sable; civil officials seventh rank and above sable and white brush, eighth rank and below and military officials all without sable and brush. The imperial military cap dress: upper garment, skirt, and sash like tongtian dress. Worn for martial exercises, campaigns, four-season hunts, great archery, ma and lei rites, earth-god rites, rewarding at the ancestral temple, punishing at the earth altar, and assembling the guard.
63
鹿 輿鹿 宿 鹿
The form of biàn: examining the Comprehensive Meaning of the Five Classics: "Five cun high, jade ornament front and back. The Odes say: "The biàn cap like stars." Dong Ba says: "Made of deerskin." The Documents' "Testamentary Charge": "Four men in dark biàn, bearing halberds." Thus one knows from the Son of Heaven down to halberd-bearers, it was worn by noble and base alike. The Wei Terrace Deliberation says: "The Son of Heaven ornamented it with five-colored jade beads, twelve in all. Now following this as reference, black lacquered gauze was generally used to make it. The Son of Heaven twelve qi beads, crown prince and first rank nine qi, second rank eight qi, third rank seven qi, fourth rank six qi, fifth rank five qi, sixth rank and below no qi. Only civil officials wore it, not extended to military posts. Examining the ritual illustrations, there was knotted chin strap but no hairpin guide. Assistant Director of the Palace Workshops He Chou requested adding ivory hairpin guides. An edict approved it. Biàn with hairpin guide began from this. Imperial deerskin biàn dress: crimson great jacket, white gauze skirt, gold and black leather shoes, leather belt, small sash two chi six cun long, same color as great sash but half the tassels, three jade rings set between, one white jade pendant. Worn for holding court and hearing lawsuits. For all biàn dress, from the Son of Heaven downward, inside and outside ninth rank and above, biàn all used black as substance, all wearing jacket and battle trousers. Fifth rank and above used purple, sixth rank and below used crimson. Palace guard and those within the guard formation added double-breastplate, serpent-pattern crimson-trimmed jacket, connected skirt. Directors of audience and ushers, clerks outside the ranks, generally wore it, using plain silk. Later deerskin biàn was made and bestowed on close ministers.
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Cap—ancient dress of wild men. Dong Ba says: "In high antiquity people dwelt in caves in the wild, wearing fur and caps of leather. From this perspective, not applying caps and robes is clear. Examining the period of Song and Qi, the Son of Heaven at private banquets wore white high caps; gentry and commoners used black—the form was not fixed. Some had rolled lotus leaves, some had lower skirts, some had gauze high crowns, some had black gauze long ears. In Later Zhou times, all wore the sudden-cavalry cap, like present barbarian caps, with hanging skirt covering the sash—likely a remnant image of binding the hair. Also Emperor Wen had a tumor on his neck and did not wish people to see it, so he always wore it. When serving Wei he wore it to audience the emperor; thus for the whole Later Zhou generation it became elegant dress, and at small court and public banquets all were permitted to wear it. At the beginning of Kaihuang, Emperor Gaozu often wore black gauze caps; from court nobles downward to clerks, all generally wore them to enter court. Now white gauze high-crown cap is newly made; its dress: white silk skirt and jacket, black leather shoes. Worn when banqueting and receiving guests.
65
White kerchief: examining Fu Xian: "Emperor Wu of Wei, because the realm was stricken with famine and resources were exhausted, modeled on the ancient leather biàn and cut silk to make it. It likely began from Wei. Liang regulations: the Son of Heaven wore it when expressing mourning for court ministers. Now this is also followed. Its dress: white gauze single garment, with skirt and jacket beneath, black leather shoes. Worn when expressing mourning and attending funerals.
66
輿
Zé headcloth: examining Dong Ba, it says: "It arose among the Qin people, applied to military generals; initially a crimson kerchief to mark noble and base. Reaching Emperor Xiaowen of Han, a high forehead was added. Emperor Xiaoyuan had strong hair on his forehead and did not wish people to see it, so he first advanced the zé headcloth. Also Dong Yan was summoned for audience in green zé headcloth with arm guard. The Eastern View Records say: "An edict bestowed on Duan Jiong one set of red zé headcloth and great cap. Thus one knows from the Son of Heaven downward to clerks, and generals and the like, all generally wore it. Now the Son of Heaven at hunts and in military dress, civil officials going out to villages and fields, military officials from first rank downward to ninth rank, and all clerks outside the ranks—the color all alike black. Kitchen workers green, runners and charioteers red, palanquin bearers yellow. Those driving the five chariots followed their chariot color. Those supporting far-wandering and advance-the-worthy caps applied palm guides—called jie zé headcloth. Those supporting military caps applied hairpin guides—called flat zé headcloth. The imperial black jie zé headcloth dress: purple gauze jacket, southern cloth trousers, jade-beam belt, purple silk shoes, long-shaft boots. Worn at hunts and pleasure excursions.
67
The crown prince's dress in six grades: guan mián with nine tassels, vermilion cord chin strap, green ear-plugs filling the ears, rhinoceros hairpin guide. Dark blue upper garment, vermilion lower skirt, removing sun, moon, and stars for nine chapters. White gauze inner garment, fu and fe collar, green cuffs, border, and hem. Leather belt, gold hook plaque, great sash, knee cover with two emblems, jade-mounted sword. Worn when accompanying at sacrifice, visiting the ancestral temple, capping ceremony, and empress's investiture. According to the fourth-year precedent of Xianning under Jin, robe color used black; now changed to dark blue. Old regulations used woven work; reduced to embroidery. Jade-mounted sword: precedent used fire-pearl pommel; changed to white pearl. In the Kaihuang period, the crown prince's mián was the same as the Son of Heaven's, strung with white pearls. In the first year of Renshou, when Yang Guang was crown prince, because white pearls were too close in appearance, he memorialized requesting green pearls instead. Thereupon the crown prince's guan mián, like the Three Dukes and princes, all had green pearl nine tassels. Tassels short, not reaching the crown top—two cun lower than the Son of Heaven's.
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Far-wandering cap with gold attached cicada, precious ornament of pearl and kingfisher feather, nine tassels, pearl tassel and green cord, rhinoceros hairpin guide. Crimson gauze robe, white gauze inner garment, black collar, cuffs, border, and hem. White imitation sash, square heart and curved collar, crimson gauze knee cover. Socks, shoes, leather belt, sword, pendants, and sash same as guan mián. If not yet capped, double child topknots, open-topped black jie headcloth, paired jade guides with precious ornament of pearl and kingfisher feather, two tassels. Worn when visiting the ancestral temple and returning, New Year's Day and first-day-of-month audience, and libation sacrifice.
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Initially Later Zhou adopted the Rites of Zhou; the crown prince at court congratulations all wore guan mián with nine chapters. At the beginning of Kaihuang, except when assisting at sacrifice, all wore the far-wandering cap. Reaching this point, Niu Hong memorialized: "At the crown prince's midwinter great audience, I request wearing guan mián. The emperor asked Attendant Gentleman Xu Shansin: "The crown prince at court audience wearing the far-wandering cap—what is the ancient precedent?" He replied: "Jin regulations gave the crown prince five-season court dress and far-wandering cap. Reaching the sixth year of Taishi under Song, ritual regulations were reconsidered; Ritual Section Gentleman Qiu Zhongqi deliberated: 'Examining the Rites of Zhou, from guan mián downward to the black mián of ministers and grand masters—all were court and visiting dress. Searching antiquity, ancient dukes and marquises could still wear guan to enter court for audience—how much more the crown prince as heir presumptive; it is fitting to follow the great precedent and wear guan at court congratulations. Also Left Assistant Director Lu Cheng deliberated: 'Wearing mián at court is indeed established in the classics; since Qin abolished the six mián system, Later Han first restored ancient regulations. Since Wei and Jin, except when sacrificing at the ancestral temple, they did not wish to let ministers wear guan mián; those of ducal rank necessarily added attendant office, so the crown prince entering court likewise did not wear it. But as heir to Heaven, ritual surpasses all feudal lords—it is fitting to follow former kings' commands and regulations, reform recent generations' crude institutions; at crown prince's court audience, I request wearing mián. From Song downward, this ritual was first fixed. Reaching Emperor Jianwen as crown prince, finding it too close to his father's rank, he again wore far-wandering cap; down to Chen, all followed this method. In Later Zhou times, they also said to wear guan when entering court. Reaching Kaihuang, they again followed Wei and Jin precedent. Your subject considers that guan mián dress, though emblems and jade differ, viewed in one day they would seem quite similar. The way of subject and son—in principle there is no surpassing the superior. Thus in the third year of Taishi under Emperor Wu of Jin, an edict ordered Grand Preceptor Prince of Peace Wang Fu to wear attendant inner dress; in the fourth year, Zhao, Yan, and Prince of Le'an were also bestowed irregular attendant dress. From then on, high ministers of the Secretariat all added sable earring military caps; thus the crown prince wore far-wandering cap, humble and not surpassing the superior—in principle this is acceptable. The emperor said: "Good." In the end the Kaihuang old form was used.
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Far-wandering three-ridge cap, reduced dress, crimson gauze single garment, leather belt, gold hook plaque, imitation sash, square heart, one pendant, sash-fringe six chi four cun long and two cun four fen wide, same color as the sash. Gold-thread purse, white socks, black leather shoes, with gold ornament. Worn for the five-day regular court audience.
71
鹿
Deerskin biàn, nine qi, crimson gauze jacket, white gauze skirt, leather belt, shoes, socks, pendants, and sash-fringe, like reduced dress. Worn when holding court within the palace.
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Flat zé headcloth, black zé headcloth, jade cap branches, gold flower ornament, rhinoceros hairpin guide, purple gauze jacket, southern cloth trousers, jade-beam belt, and long-shaft boots. Worn when attending at field hunts.
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White kerchief, plain single garment, black shoes. Worn when palace officials expressed mourning and attended funerals.
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For all princes, Three Dukes and below, the prescribed dress form was guan mián with nine chapters. The Three Dukes when acting as substitute sacrificers and all princes when first receiving investiture, bearing tribute gifts, entering court, assisting at sacrifice, and in the bridegroom's welcome wore it. Sashes each followed their respective colors.
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Bi mián: examining the ritual illustrations: "The king's dress for sacrificing to former dukes and ministers. The Son of Heaven nine tassels, using two hundred sixteen jade beads. Marquises and earls wore it when assisting at sacrifice, seven tassels, using eighty jade beads. The new form followed this. Seven emblems on the robe. Third rank and marquises and earls wore it when assisting at sacrifice.
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Cui mián: examining the ritual illustrations: "The king's dress for sacrificing to the four directional mountains and rivers. The Son of Heaven seven tassels, using one hundred sixty-eight jade beads. Viscounts and barons wore it when assisting at sacrifice, five tassels, using fifty jade beads. The new form followed this. Five emblems on the robe. Fourth rank and earls wore it when assisting at sacrifice.
77
𧝉
Yi mián: examining the ritual illustrations: "The king's dress for sacrificing at the altars of soil and grain and the five sacrifices. The Son of Heaven five tassels, using one hundred twenty jade beads. Solitary ministers wore it when assisting at sacrifice, four tassels, using thirty-two jade beads. The new form followed this. Three emblems on the robe. Fifth rank and viscounts and barons wore it when assisting at sacrifice.
78
Black mián: examining the ritual illustrations: "The king's dress for sacrificing at all minor rites and holding court. The Son of Heaven four tassels, using thirty-two jade beads. Feudal lords wore it when sacrificing at their ancestral temples, three tassels, using eighteen jade beads. The new form followed this. Three emblems on the robe. Generally given to common surnames. First rank and below, fifth rank and above, made it at home themselves to sacrifice at their private temples. Third rank reduced grain emblem on the upper garment, adding three repetitions; on the skirt fu and fe, adding two repetitions. Fourth rank reduced one fu repetition, fifth rank reduced one fe repetition. In ritual from black mián upward, one grade of tassels was added; the Son of Heaven at sacrifice wore them by gradation.
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Since Kaihuang, the Son of Heaven used only guan mián; from bi mián downward, not applied to the superior—all fully followed the previous form. Yet the six grades of mián all had yellow and blue ear-plugs, made of yellow silk, as large as an orange. From the crown prince downward, three rhinoceros guides, green chin strap jue biàn. Examining Dong Ba's monograph: "Same as jue form, also called mián, with rear band holding hairpin—what are called Xia shou and Yin mian. When sacrificing to Heaven and Earth, five suburban altars, and Bright Hall, the Cloud-Rising dancers wore it. The Rites say: "With vermilion shield and jade axe, mián-capped to dance the Great Xia. This is what is meant. The ritual illustrations say: "Grand masters assisting the ruler at sacrifice wore it, color like jue head, no tassels but with ear-plugs. The new form followed this. Horn as hairpin guide, green upper garment, vermilion skirt, all plain, without emblems. Sixth rank and below all generally wore it.
80
Far-wandering cap dress—what princes wore. Upper garment, skirt, and inner garment. Like the crown prince, mountain-dark jade pendants, gold seal with turtle knob. The Song Xiaojian precedent also called it a seal; now the text reads "stamp." Also all returned to the government offices, not worn on the person—in precedent replaced with copper. Great sash four colors, small sash same color, two jade rings set between, jade-mounted sword, black leather shoes, shoes with gold ornament. Only imperial sons, imperial clan members, and enfeoffed princes wore it.
81
Advance-the-worthy cap: examining Han Offices: "In the fifth year of Yuanshi under Emperor Ping, an order that dukes, ministers, and feudal lords' caps had three ridges, two thousand-bushel officials two ridges, one thousand bushels and below one ridge. Ridges distinguished noble and base—this began from Han. Dong Ba explained: "Like the dark cloth cap, dress of literary scholars. Seven cun high in front slanting back, three cun high behind standing upright. In Wang Mang's time, zé headcloth was used to support it. The new form followed this. Civil officials inside and outside all generally wore it. Third rank and above three ridges, fifth rank and above two ridges, ninth rank and above one ridge—to clarify gradations of honor. Its court dress was also called full dress. Crimson gauze single garment, white gauze inner garment, black collar, hem, cuff border, and sleeves, leather belt, gold hook plaque, imitation sash, curved collar and square heart, crimson gauze knee cover, white socks, black leather shoes. Paired pendants and sash, like far-wandering colors. From first rank downward, fifth rank and above, garments all the same, but sashes followed their rank. Assisting at sacrifice, court feasts, presenting memorials—all major occasions wore it. Sixth and seventh rank: sash. Eighth and ninth rank: removed white brush and inner garment, using shoes instead of ceremonial shoes. Fifth rank and above, first rank and below, also had official dress, also called reduced dress. All black leather shoes, removing curved collar, inner garment, white brush, and knee cover. Kaihuang precedent also removed purse, pendants, and sash. He Chou requested removing the great sash, and hanging one small sash to one side, attached to the beast-head purse, one pendant only, directly at the rear. An edict approved it. First rank and below, fifth rank and above—the same.
82
使
High Mountain cap: examining Dong Ba's monograph: "Also called side-pour, what petitioners' vice directors wore. Hu Boshi considered it the Qi king's cap; Qin destroyed Qi and bestowed it on petitioners. Fu Xian says: "Emperor Ming of Wei, because the High Mountain cap resembled tongtian, destroyed and changed its form, removing the rolled tube, making it like jie zé headcloth. On the zé headcloth an object was added to represent mountain peaks—travelers and envoys all generally wore it. The new form followed this matter, form like advance-the-worthy, three peaks added before the cap to represent Wei form. Petitioner grand masters and below wore it. Liang followed their rank.
83
Xiezhi cap: examining the ritual illustrations: "Law cap, also called pillar-rear Huìwén. Ru Chun's commentary on Han Offices: "Huì means cicada, fine as cicada wings." Now censors wore it. The ritual illustrations also say: "Xiezhi cap, five cun high, Qin form. Judicial officials wore it. Dong Ba's monograph says: "Xiezhi is the divine goat." Cai Yong says: "Like a qilin, one horn." Ying Shao says: "In antiquity there was this beast, master of detecting wrong; thus law-enforcers made caps to represent it. Qin destroyed Chu and bestowed this cap on censors." This is it. In Kaihuang, censors wore the Repel-Wrong cap, without this form. The new form again used this to replace Repel-Wrong. Censor-in-Chief used gold, Palace Secretary Censor used rhinoceros, Attendant Censor and below used antelope horn—only censors and the Director of Retainers wore it.
84
Kerchief: examining the Dialects: "Kerchief—in Zhao and Wei regions generally called chenglu. In idiomatic rendering: " The Biography of Guo Linzong says: "Linzong once traveling encountered rain; his kerchief corner was soaked and bent." In idiomatic rendering: " Also Yuan Shao after defeat crossed a river in a wrapped kerchief." This was dress of wild men and military camps, in the established manner. The form had two grades, in the established manner. In idiomatic rendering: what lofty Daoist masters now wear is Linzong bent corner; what commoners and farmers ordinarily wear is Yuan Shao wrapped kerchief, in the established manner. By precedent, full-width black cloth wrapped the hair backward—common people call it futou, in the established manner. Since Emperor Wu of Zhou cut it to four legs, now it is universal among noble and base, in the established manner.
85
使 使
Hairpin and guide: examining Explaining Names: "Hairpin, to establish, by which the cap is established on the hair, in the established manner. Also called ji. Ji, to bind, by which the cap is bound so it does not fall, in the established manner. Guide is by which to comb and arrange temple hair, making it enter within the kerchief and zé headcloth, in the established manner." Now following the Rites of Zhou, the Son of Heaven used jade hairpin, and the guide likewise, in the established manner. Also, the Records of the Grand Historian says: "Lord Pingyuan boasting before Chu, used tortoiseshell hairpin." Ban Gu letter to his brother: "Now I send Zhongsheng a black rhinoceros hairpin, in the established manner." Shi Xie collected works: "Sent the merit officer to present the crown prince a tongtian rhinoceros guide, in the established manner." Thus only the Son of Heaven could use jade; below that tortoiseshell and rhinoceros were generally used, in the established manner. At present, all follow this; only biàn used white ivory hairpin and guide.
86
Sable and cicada: examining Han Offices: "Inner attendants gold cicada left sable—gold for firmness, cicada for lofty purity, in the established manner." Dong Ba monograph: "Inner regular attendants, right sable gold earring, silver attached cicada; Inner Secretariat Director likewise, in the established manner." Now eunuchs removed sable; Inner Secretariat Director gold cicada right sable, Chief Censor gold cicada left sable, in the established manner. In Kaihuang, irregular attendant in Gate Department all had sable and cicada—to this they were abolished, in the established manner. Only the irregular attendants sent to foreign states were specially given sable and cicada; on return turned in to Inner Secretariat.
87
White brush: examining Master Xu: "In antiquity noble and base all held hu; when business they wrote, so always wore brush in hair, in the established manner. Today white brush is a remnant image, in the established manner." Brief Account of Wei: "At Emperor Ming great assembly the scribe wore brush in hair, in the established manner." Now civil officials seventh rank and above all generally wore it, in the established manner. Military posts though honored all did not wear it, in the established manner.
88
Chin strap: examining Ceremonies: "Son of Heaven vermilion chin strap, feudal lords cinnabar cord chin strap, in the established manner." Now for mián, from Son of Heaven downward all vermilion chin strap, in the established manner. Also, Wei Liaozi: "Son of Heaven black chin strap, feudal lords plain chin strap." To distinguish noble and base, in the established manner. At present, plain not used; all follow cap color.
89
Pendants: examining Rites, Son of Heaven wore white jade, in the established manner. Dong Ba and Sima Biao: "Ruler and ministers wearing jade, noble and base in order—to display virtue, in the established manner." Now following Du Kui: Son of Heaven white jade, crown prince fine jade, princes mountain-dark jade, in the established manner. Starting from dukes downward, all water-azure jade.
90
Sash: examining Rites: "Son of Heaven black cord sash, marquises and earls vermilion cord sash, grand masters plain cord sash, heir dark cord sash, in the established manner." Han Offices: "Xiao He as Chancellor wore green sash, dukes and marquises purple, ministers two thousand bushels green, magistrates one thousand bushels black, in the established manner." Now largely following this, in the established manner. In idiomatic rendering: son of Heaven paired sashes, six colors, black yellow red white light blue green, pure black substance, two zhang four chi, five hundred tassels, one chi wide; paired small sashes two chi six cun, same color as great sash but half tassels, four jade rings between, in the established manner. Kaihuang used three; now one added, in the established manner. In idiomatic rendering: crown prince vermilion paired sashes, four colors red white light blue dark blue, pure vermilion, one zhang eight chi, three hundred twenty tassels, nine cun wide; paired small sashes one chi six cun, same color half tassels, three jade rings between, in the established manner. Kaihuang used two; now one added, in the established manner. Three Dukes green-black sash four colors green yellow light blue purple, pure green, yellow woven, one zhang eight chi, two hundred forty tassels, nine cun—with princes sash both two jade rings, in the established manner. All of the princes crimson-vermilion sash four colors red yellow light blue dark blue, pure vermilion, crimson woven, one zhang eight chi, two hundred forty tassels, nine cun. Dukes black-vermilion sash four colors red light blue black dark blue, pure vermilion, black woven, one zhang eight chi, two hundred forty tassels, nine cun, in the established manner. Marquises and earls green-vermilion sash four colors green red white light blue, pure vermilion, green woven, one zhang six chi, one hundred eighty tassels, eight cun, in the established manner. Viscounts and barons plain-vermilion sash three colors green red white, pure vermilion, plain woven, one zhang four chi, one hundred forty tassels, seven cun, in the established manner. Second rank and above crimson-purple sash four colors crimson purple red yellow, pure purple, crimson woven, one zhang four chi, one hundred forty tassels, eight cun, in the established manner. Third rank dark blue-purple sash four colors purple dark blue yellow light blue, pure purple, dark blue woven, one zhang six chi, one hundred eighty tassels, eight cun, in the established manner. Fourth rank green sash three colors green white red, pure green, one zhang four chi, one hundred forty tassels, seven cun, in the established manner. Fifth rank black sash two colors green dark blue, pure dark blue, one zhang two chi, one hundred twenty tassels, six cun, in the established manner. Starting from princes and dukes downward all had two small sashes, same color as great sash but half tassels. Regular and honorary first rank had two jade rings between, in the established manner. All of the who had sashes also had sash-fringes six chi four cun long and two cun four fen wide, following sash color.
91
Purse: examining Rites: "Men purse leather, women purse silk, in the established manner." Eastern View Records: "Edict bestowed on Deng Zun one beast-head purse, in the established manner." Ban Gu letter to brother: "Sent Zhongsheng beast-head side purse, gold-inlaid hook, in the established manner." In antiquity worn seals stored and hung—thus the name purse, in the established manner. Sometimes worn at side—thus Ban side purse, sash seal knob, in the established manner. At present, though seals not worn, ancient form preserved; those with pendant sashes generally could wear it. Without pendants, not permitted, in the established manner. At present, adopting Liang, Chen, Eastern Qi forms, most honored ranks gold woven—second rank and above wore it. Next came the silver woven—third rank and above wore it. Below colored thread woven—fifth rank and above wore it, in the established manner. Divided into three grades, in the established manner.
92
In idiomatic rendering: leather belt: examining Rites "two cun wide." Ritual illustrations: "Earring hung on leather belt, in the established manner." Ruan Chen: with patterned seal worn on leather belt, in the established manner. Eastern View Records: "Yang Ci appointed Grand Director of Ceremonials, edict bestowed leather belt he wore, in the established manner." Thus form and substance did not distinguish noble and base, in the established manner. At present, three cun half wide, adding gold-thread plaque, mantis hook, to fasten belt. Starting from great fur robe to small court dress, all used it.
93
殿 殿 殿 殿 殿殿
Sword: examining Han, from Son of Heaven to all officials none did not wear sword, in the established manner. Cai Mo deliberation: "Great ministers honored treatment, all sword and shoes ascending hall, in the established manner. Non-attendant ministers removed them, in the established manner." Likely guard against blades, in the established manner. Recent times used wood—origin unclear, in the established manner. Eastern Qi regulations called image-sword, meaning image of sword, in the established manner. Emperor Wu of Zhou time, all officials at banquets wore sword ascending seat, in the established manner. Reaching Kaihuang beginning, inheriting old form, court dress ascending hall also did not remove, in the established manner. Twelfth year, because Cai Zheng memorial, first regulated all at court assembly ascending hall and sitting removed sword and shoes together, in the established manner. Those not sitting, when edict-summoned and needing to ascend hall, at seat removed sword then ascended, in the established manner. Chief Censor, Yellow Gate, Inner Secretariat Director, Attendant Gentleman, Gentleman-in-Attendant—as flanking attendants, did not remove, in the established manner. Their swords all real blades, not imitation, in the established manner. Since accorded with ancient canon, Hong form followed and fixed, in the established manner. Also, following Jin Xiankang first year regulation, from Son of Heaven downward all caps robes and sword. At present, Son of Heaven jade-mounted fire-pearl pommel; rest all jade pommel. Only the attendant ministers wore sword ascending hall; from princes downward unless special ritual, all at seat removed then ascended. Sixth rank and below without pendant sash all did not wear it, in the established manner.
94
Curved collar: examining Explaining Names, on inner breast collar of single garment, horizontally to enclose neck, in the established manner. Seventh rank and above with inner garment wore it; reduced dress and eighth rank and below lacked it, in the established manner.
95
Ting: examining Rites: "Son of Heaven inserts ting, square and upright under Heaven, in the established manner." Also Divergent Meaning of Five Classics: "Son of Heaven hu called ting—ting straight, nowhere bent, in the established manner." Present form follows this, one chi two cun long, square unbent, in the established manner. Made of spherical jade, in the established manner.
96
西
Hu: examining Rites: "Feudal lords ivory, grand masters fish-whisker patterned bamboo, gentlemen bamboo—originally ivory acceptable, in the established manner." When pointing out before the ruler, receiving command wrote on hu—when hu finished, used, in the established manner. Essential Meaning of Five Classics: "To record affairs, guard against sudden forgetting, in the established manner." Ritual illustrations: "Measure two chi six cun, middle wide two cun, taper six parts minus one, in the established manner." Since Jin and Song called it hand board—this uncanonical; now again called hu, to follow ancient name, in the established manner. Since Western Wei downward, fifth rank and above generally ivory; sixth rank and below also bamboo and wood, in the established manner.
97
殿 便
Shoes and ceremonial shoes: examining illustrations: "Double sole called ceremonial shoes, single sole called shoes, in the established manner. Summer hemp winter leather, in the established manner." Recent times sometimes heavy leather without wood—losing dried-cured meaning, in the established manner. At present, taking dried-cured principle, wood heavy sole. Mián dress color red, mián upper garment color black, shoes same black color, in the established manner. All of the non-attendant ministers all removed then ascended hall. For all ceremonial shoes, only mián dress and full dress wore them; shoes all dress types used, in the established manner. Only the battle dress used boots. Boots, barbarian shoes, taken for convenience in affairs, applied to military dress, in the established manner.
98
All of the Jianhua, pufu, heguan, weimao, long cap, Fan Kuai, repel-enemy, clever warrior, Shu clan, repel-wrong and the like from former dynasties—all not adopted.
99
Empress dress four grades: hui robe, ju robe, green dress, vermilion dress, in the established manner.
100
輿
Hui robe, deep green substance, woven collar and sleeves, pattern of pheasant-di, five colors repeated rows, twelve grades, in the established manner. Head ornament twelve flower studs, small flower yak twelve trees, both with two broad side-locks, in the established manner. Plain gauze inner garment, fu-pattern collar, gauze cuffs and border, colors all vermilion, in the established manner. Knee cover followed skirt color, dark purple as border, pheasant three emblems, in the established manner. Great sash followed upper garment and skirt, ornamented with vermilion-green brocade, green border, in the established manner. Leather belt, green socks and shoes, shoes with gold ornament, in the established manner. White jade pendants, black cords, sash, emblem colors and dimensions same as imperial carriage, in the established manner. Sacrifice and court assembly, all major occasions wore it, in the established manner.
101
Ju robe, yellow gauze substance, woven collar and sleeves, small flower twelve trees, in the established manner. Knee cover, leather belt and shoes followed robe color, in the established manner. Rest followed hui robe—dress for personally tending silkworms, in the established manner.
102
Green dress, without flower ornament, great sash and pendant sash, gold-ornament shoes, in the established manner. This was worn when paying respects to Son of Heaven according to ritual.
103
Vermilion dress, form like green dress, in the established manner. This was worn when banqueting and receiving guests.
104
In idiomatic rendering: there was gold seal, coiled dragon knob, text reading "Empress Seal." Midwinter New Year great audience, also yellow jade tablet, each stored in case, presented at seat corner, in the established manner.
105
Empress dowager dress same as empress dress, in the established manner. Noble Consort and below all also given seals, in the established manner.
106
Noble Consort, Virtuous Consort, and Pure Consort—these were the Three Consorts, in the established manner. Wore yu di robe, head ornament nine flower studs, both with two broad side-locks, in the established manner. Gold seal turtle knob, text followed their office, in the established manner. Purple sash one hundred twenty tassels, one zhang seven chi long, gold-thread woven beast-head purse, Khotan jade pendants, in the established manner.
107
Shunyi, Shunrong, Shunhua, Xiuyi, Xiurong, Xiuhua, Chongyi, Chongrong, Chonghua—these were the Nine Imperial Consorts, in the established manner. Wore que di robe, head ornament eight flower studs, both with two broad side-locks, in the established manner. Gold seal turtle knob, text followed their office, in the established manner. Purple sash one hundred tassels, one zhang seven chi long, gold-thread woven beast-head purse, colored fine jade pendants, in the established manner.
108
Lady of Handsome Fairness, silver-thread woven beast-head purse, head ornament seven flower studs, in the established manner. The rest like imperial consort dress, in the established manner.
109
Beautiful Lady and Talented Lady wore ju robe, head ornament six flower studs, both with two broad side-locks, in the established manner. Silver seal gui knob, text followed their office, in the established manner. Green sash eighty tassels, one zhang six chi long, in the established manner. Colored thread woven beast-claw purse, water-azure jade pendants, in the established manner.
110
Treasure Forest wore zhan robe, head ornament five flower studs, both with two broad side-locks, in the established manner. Silver seal ring knob, text followed their office, in the established manner. Mugwort sash eighty tassels, one zhang six chi long, in the established manner. Purse and jade pendants same as Lady of Handsome Fairness, in the established manner.
111
Robe Attendants, Blade Women, and Palace Women all wore tuan robe, no seal or sash, in the established manner. Following Song Taishi fourth year and Liang and Chen precedents, additions and subtractions applied, in the established manner.
112
Crown prince consort wore yu di robe, green substance, five colors woven as swaying pheasant, completing nine emblems, in the established manner. Head ornament nine flower studs, both with two broad side-locks, in the established manner. Gold seal turtle knob, text followed her office, in the established manner. Plain gauze inner garment, fu-pattern collar, gauze cuffs and border, colors all vermilion, knee cover two emblems, in the established manner. Great sash same as hui robe, green leather belt, vermilion socks, green shoes, shoes with gold ornament, in the established manner. Fine jade pendants, crimson-vermilion sash one hundred sixty tassels, two zhang long, beast-head purse, in the established manner. All of the major ceremonial audiences wore it. Only the when attending silkworm tending used ju robe dress, flower studs and pendant sash same as yu di robe. Following Song Xiaojian second year precedent with additions and subtractions, in the established manner.
113
Good Companion ju robe dress, silver seal gui knob, text followed her office, in the established manner. Colored fine jade pendants, green sash eighty tassels, one zhang six chi, beast-claw purse, in the established manner. Rest same as palace women of the heir, in the established manner.
114
Protector of Forest and Eighth Rank wore zhan robe, copper seal ring knob, text followed their office, in the established manner. Water-azure jade pendants, mugwort sash eighty tassels, one zhang six chi, beast-claw purse, in the established manner. Starting from Good Companion downward, following Song Daming sixth year precedent with subtractions.
115
All of the princes grand consort, consort, elder princess, princess, Three Dukes ladies, first-rank titled ladies—yu di robe, embroidered nine emblems. Head ornament nine flower studs, mountain-dark jade pendants, beast-head purse, in the established manner. Sash same as husband color, in the established manner.
116
Duchess, district princess, second-rank titled lady also wore yu di, embroidered eight emblems, in the established manner. Head ornament eight studs, in the established manner. When attending silkworm tending, all used ju robe, in the established manner. Starting from this downward, pendants all water-azure jade.
117
Marchioness and countess, third-rank titled lady also wore yu di, embroidered seven emblems, in the established manner. Head ornament seven studs, in the established manner.
118
Viscountess, fourth-rank titled lady wore que di robe, carved red silk as pheasant attached to robe as six emblems, in the established manner. Head ornament six studs, in the established manner.
119
Baroness, fifth-rank titled lady also wore que di, carved silk as pheasant attached to robe as five emblems, in the established manner. Head ornament five studs, in the established manner. If attending silkworm tending, all same as ju robe, in the established manner.
120
殿
When deliberation was fixed, emperor visited Xiucheng Hall to review, then ordered He Chou, Construction Section Gentleman Yan Pi and others to make samples and present, in the established manner. In the second year all completed, first promulgated—splendor of caps and carriages spanning ancient and modern, in the established manner.
121
祿祿祿
Third year first month first day dawn, greatly arrayed ritual objects, in the established manner. At that time Tujue Rangan came for audience, admired it, requested to adopt caps and mián, in the established manner. Emperor did not permit, in the established manner. Next came the day, leading Left Glory Grand Master Rutan Teqin Ashina Zhiyu, Left Glory Grand Master Teqin Ashina Yishun, Right Glory Grand Master Yilifa Shi Shuhuqi and others, all memorialized firmly requesting caps and robes. Emperor greatly pleased, told Hong and others: "In antiquity when Han regulations first completed, then knew Son of Heaven nobility, in the established manner. At present, caps and robes fully complete, sufficient to make the chanyu undo his braids—this is your merit." Hong, Kai, Shansin, Shiji, He Chou, Yan Pi and others bestowed silk each in differing amounts—all exceptionally generous, in the established manner.
122
便
After this military campaigns were urgent, imperial carriage often traveled, in the established manner. All of the officials in procession wore only battle trousers and jacket—in military camps inconvenient. Reaching after the sixth year, edict for those accompanying carriage on distant journeys, civil and military officials all military dress, in the established manner. Noble and base different grades, mixed use of five colors, in the established manner. Fifth rank and above generally purple robes; sixth rank and below also crimson and green; clerks green; commoners white; butchers and merchants black; soldiers yellow, in the established manner.
123
西簿 殿
Lofty is Heaven above; palace chambers blended complete; dark halberd on its left, great general on its right; bow and arrows display might; Feathered Forest sets formation, in the established manner. Changes says: "Heaven hangs images; the sage patterns himself on them, in the established manner." In antiquity when Xuanyuan clan had the realm, used army soldiers as camp guard; down to Three Dynasties, the ritual was greatly complete, in the established manner. Western Han Emperor Wu, each time ascending Ganquan, arrayed guard of honor, chariots one thousand teams, cavalry ten thousand horses, in the established manner. Before the front hall planted halberds and hung shields, to guard against the unexpected, in the established manner. Its origin is indeed ancient, in the established manner.
124
殿便殿 西西殿 簿宿滿
Emperor Wu of Liang received mandate from Qi, palace guard mostly followed its system, in the established manner. Main hall, side hall pavilion and all gates above and below, each with Direct Attendant Generals and the like on duty, in the established manner. Also, placed blade-spear, imperial sword, imperial shield types, directly guarding left and right. Also, had imperial guard, spear-pike, red cloak, wrestling, warriors, green cloak, guard weapons, long sword, sword and blade, fine guard, Feathered Forest left and right two hundred seventy-six men, to divide duty at all gates. When traveling, ceremonial guard left and right, in the established manner. Also, had left and right flank-guard, Shu guest, shield-sword, beast-wrestling Feathered Forest, eight attendant wanderers, twelve non-attendant wanderers, direct-attendant fine archers, inspection, blade-halberd, waist crossbow, great crossbow and other companies—in all forty-nine companies, also divided duty at all gates. When traveling, measured as ceremonial guard, in the established manner. East and west side gates, Duan, Grand Marshal, East and West Hua, Chenming, Great Pass and other gates, each also two companies, and three hall-guard companies—though imperial travel did not follow, in the established manner. Also, had eight-horse wanderers, horse left and right flank-guard, left and right horse hundred riders each two companies, and cavalry officer, military review horse guard, miscellaneous performer horse guard and left and right horse cavalry direct companies—when traveling attended left and right, divided as alert guard. Imperial carriage morning and night entering and exiting and crossing danger, all made enclosure, in the established manner. Guard of honor corresponding to palace guard army and cavalry all held weapons drawn full, each at their protected direction, in the established manner. At dawn and crossing danger, then reported release enclosure, beat drums and follow normal formation, in the established manner.
125
輿
When imperial carriage traveled there were great carriage, law carriage, and small carriage, in the established manner. Great carriage for suburban sacrifice ascending Heaven, commanding nine punitive campaigns, in the established manner. Law carriage for sacrificing at Square Pond, Bright Hall, ancestral temple, plowing thousand-mu field, in the established manner. Small carriage for reverencing imperial tombs, personally hunting, in the established manner. Great carriage: dukes and ministers led, Grand General rode beside, Grand Master of Carriages drove, in the established manner. Law carriage and small carriage: all Palace Attendant rode beside, Director of Carriages drove, dukes and ministers did not lead, in the established manner. Other imperial travels, sending off and welcoming return, then spear guard, in the established manner. Near banquets then company guard, in the established manner. Three carriages pattern Heaven, two guards pattern Earth—their movement participates Heaven and pairs Earth, in the established manner.
126
Chen inherited Liang, also no reform, in the established manner.
127
宿 殿殿 簿
After Emperor Wenxuan of Qi received mandate, palace guard mostly followed Later Wei ritual, in the established manner. Reaching Heqing period fixed regulations, palace guard system: left and right each had Feathered Forest Commanders twelve companies, in the established manner. Also, had blade-bearing company, spear-pike company, long sword company, fine guard company, shield-spear company, great-halberd company, beast-wrestling company, red cloak company, wrestling company, Feathered Forest company, foot wanderer company, horse wanderer company. Also, left and right each ten Martial Tiger companies, left and right flank each four companies, also foot and horse wanderers left and right each three companies—these were Martial Tiger. Also, had direct-attendant Martial Tiger, left and right each six companies—those on left were vanguard company, on right rear guard company. Also, had recruited Martial Tiger company, strong crossbow company, left and right each one company—left all commanded by Left Guard General, right by Right Guard General, to prepare alert guard. Commander-in-Chief and Central Commander-in-Chief, attending entering and exiting, wore double-breastplate armor, hand held catalpa staff, in the established manner. Left and Right Guard Generals and generals wore double-breastplate armor, hand held sandalwood staff, in the established manner. Attending left and right, had Thousand-Ox Bodyguard, Left and Right Bodyguard, Sword Bodyguard types, in the established manner. Also, had Martial Might, Xiongqu, Eagle-Rising and other bodyguard three companies, all commanded by Left and Right Guard Generals, night guard left and right, in military dress holding weapons. Weapons had axe, bow and arrow, sword, spear; banners all bagged heads, five-color patterned streamers, pennants all ochre-yellow, in the established manner. Son of Heaven at main hall, only great ministers flanked attendance; weapons all below hall, in the established manner. Suburban sacrifice guard of honor: commanders flat zé headcloth, crimson jacket armor, wide trousers, in the established manner.
128
西
Later Zhou palace guard system: placed Left and Right Palace Chiefs, managing attendance guard prohibitions, each alternating duty within, in the established manner. Assistant Palace Chiefs assisted them, in the established manner. At court audience divided before front attendants heads, all gold armor, each held dragon-ring gold-ornament long sword, in the established manner. When traveling flanked the road chariot, in the established manner. Left and Right Central Attendants, managing imperial bedchamber prohibitions, all gold armor, left held dragon ring, right beast ring long sword, all ornamented with gold, in the established manner. Next came the Left and Right Attendants, accompanying Central Attendants behind, all silver armor, left phoenix ring, right qilin ring long sword. Next came the Left and Right Front Attendants, managing imperial bedchamber south gate left and right, all silver armor, left lion ring, right elephant ring long sword. Next came the Left and Right Rear Attendants, managing imperial bedchamber north gate left and right, all silver armor, left rhinoceros ring, right wild buffalo ring long sword. Left and Right Cavalry Attendants, standing at bedchamber east and west steps, all silver armor, left bear ring, right bear ring long sword, twelve men, also held lion red shields, arrayed outside Left and Right Attendants, in the established manner. Starting from Left and Right Attendants downward, swords all silver ornament. Left and Right Clan Attendants, accompanying Left and Right Front Attendants behind, at night guarded bedchamber courtyard, in the established manner. All of the wore gold-coated armor, left leopard ring, right pixiu ring long sword, all gold-coated ornament, twelve men, also held lion red shields, arrayed outside Left and Right Cavalry Attendants. Starting from Left and Right Central Attendants downward, when traveling all also carried yellow bow and arrows; on patrol ordinary dress, carried short sword, like their long sword ornament. Left and Right Common Attendants, managing gates not used by emperor, all gold-coated armor, left xiezhi ring, right monkey ring long sword, all gold ornament, twelve men, also held lion red shields, arrayed outside Left and Right Clan Attendants, in the established manner. When traveling also carried white bow and arrows, in the established manner. Left and Right Meritorious Attendants, managing accompanying Left and Right Common Attendants guarding entry and exit, wore gold-coated armor, left jiliang ring, right zheng ring long sword, twelve men, also held lion red shields, arrayed outside Left and Right Common Attendants, in the established manner. When traveling also carried black bow and arrows; on patrol with Left and Right Common Attendants, all ordinary dress, wore short sword, like their long sword ornament, in the established manner. All of the attendant officials: great carriage all attended; medium carriage and open bedchamber half; small carriage one third.
129
殿西
Left and Right Martial Chiefs, managing inner and outer guard prohibitions, also commanding six rate soldiers, in the established manner. Emperor at imperial throne, then prepared three guards in courtyard, wore gold armor, held gold-buckle staff, standing at hall east and west steps sides, in the established manner. When traveling arrayed soldiers at emperor left and right; when following wore gold armor, wore embroidered robe, in the established manner. Left and Right Small Martial Chiefs two each, assisted them, dress and duty same as Martial Chiefs, standing below Great Martial Chiefs and at Open Gate left and right side halls, in the established manner. On imperial travel added brocade robe, in the established manner. Left and Right Martial Tiger Commanders commanded Martial Tiger soldiers, company weapons and dress all black, four colors as ornament, each commanded left and right blade-bearing companies, in the established manner. Emperor at open bedchamber, stood at left and right three guards first row north and south, in the established manner. When exiting divided before and after companies, in the established manner. Deputy commanders assisted them, in the established manner. Left and Right Travel Tiger Commanders commanded Travel Tiger soldiers, company weapons and dress all green, vermilion as ornament, stood at three guards second row north and south, in the established manner. Deputy commanders assisted them, in the established manner. Left and Right Archery Sound Commanders commanded Archery Sound soldiers, weapons and dress all vermilion, yellow as ornament, stood at three guards third row north and south, in the established manner. Deputy commanders assisted them, in the established manner. Left and Right Valiant Cavalry Commanders commanded Valiant Cavalry soldiers, weapons and dress all yellow, white as ornament, stood at three guards fourth row north and south, in the established manner. Deputy commanders assisted them, in the established manner. Left and Right Feathered Forest Commanders commanded Feathered Forest soldiers, company weapons and dress all white, black as ornament, stood at three guards fifth row north and south, in the established manner. Deputy commanders assisted them, in the established manner. Left and Right Wandering Strike Commanders commanded Wandering Strike soldiers, weapons and dress all black, green as ornament, in the established manner. Deputy commanders assisted them, in the established manner. Starting from Martial Tiger downward six rates, generally wore gold armor lion-pattern robe, held silver-buckle sandalwood staff. Deputy commanders generally wore gold armor beast-pattern robe, in the established manner. Each had squad leader and company leader, successively accompanying in array, in the established manner. When traveling led in front, in the established manner. Squad leaders generally wore silver armor leopard-pattern robe; company leaders silver armor pheasant-pattern robe, in the established manner. Starting from deputy commanders downward, all held beast-ring silver-ornament long sword. For great carriage all deployed; medium carriage and open bedchamber half; small carriage half of medium carriage, in the established manner. On ordinary military travel, dress color honored black, in the established manner.
130
Emperor Gaozu received mandate, following Zhou and Qi palace guard, slightly reformed, in the established manner. Military dress at court great guard: Commanders of Left and Right Guard two men, divided at left and right wings, in the established manner. Left and Right Direct Quarters, Direct Fast, Direct Rear, Thousand-Ox Bodyguard, Left and Right Bodyguard and the like, flanked attendance and served left and right and behind seat, in the established manner. Left and Right Guard Grand Generals, Left and Right Direct Attendant Generals, and in order Left and Right Guard Generals, each led ceremonial swords, forming twelve rows, in the established manner. Inner four rows intimate guard, each row commanded by Great Commander, in the established manner. Next came the outer four rows meritorious guard, commanded by Company Commander. Next came the outer four rows flank guard, commanded by Commander. Each row two men held gold-flower lion shield, gibbons sword, in the established manner. One hundred forty men, divided left and right, wearing horizontal sword, in the established manner. Rear Gate Guard Direct Chiefs twelve men, left Azure Dragon banner, right White Beast banner, in the established manner. Left and Right Martial Guard Commanders, each led three guard six rows, within great guard, each row sixty men, one Great Commander led, one Company Commander followed, in the established manner. Great carriage then held yellow banner guard, in the established manner. Next came the halberds twenty-four, left Azure Dragon pennant, right White Beast pennant, feather and net each one, gold blade twenty-four, gold node twelve sections, canopy beasts, also crimson guide banners, vermilion pennants, as blade-bearing vanguard company, responding to imperial progress, two Great Commanders led, before imperial carriage at cross street south. Left and Right Martial Guard Grand Generators, led great guard left and right wings, each six rows, each row three hundred sixty men, one Great Commander led.
131
殿 殿殿 宿
Reaching Daye fourth year, Emperor Yang north toured beyond the frontier, traveling palace set Six Harmonies city, in the established manner. Square one hundred twenty paces, height four zhang two chi, in the established manner. Six Harmonies: made of wood, square six chi, each outer face one board, joined and separated, painted green, in the established manner. Stacked six boards as wall, height three zhang six chi, above added parapet boards, height six chi, in the established manner. Opened south and north gates, in the established manner. Also, at city four corners raised watchtower enemies two, gate towers and gate tower railings all cinnabar and green painted. Also, made Six Harmonies Hall, thousand-man tent, carried on spear-chariots, chariot carried Six Harmonies three boards. Its chariot wheel hubs joined and crossed, immediately became horse spears, in the established manner. Each chariot above stretched awning, under awning stretched level-one crossbow, fitted arrows, five men alternately guarding, in the established manner. Between two chariots, deployed chariot hub horse spears, all outer axles outward, as outer enclosure, in the established manner. Next came the inner deployed iron caltrops, next inner deployed hidden crossbows. Each hidden crossbow, within deployed crossbow bed, length six chi, width three chi, in the established manner. Bed frame steps inserted steel spikes, all length five cun, called shrimp whiskers, in the established manner. All of the had mechanisms; when drawn spikes all faced outward. Its bed above deployed rotating mechanism crossbow, using cord linked crossbow mechanism—when person came from outside and touched cord, crossbow mechanism rotated, fired toward what was touched, in the established manner. Outside again used arrows surrounding traveling palace, one bell one post every two zhang, post raised arrow, two chi five cun from ground, in the established manner. At traveling palace south and north gates, deployed hammer chime, linked arrows, triggered by mechanism, in the established manner. When someone touched arrow, all bells sounded, hammer struck two chimes, to know what was alerted—called strike alert, in the established manner. Eighth year campaign against Liao, also made Hook Formation, wooden boards linked like tent, in the established manner. When stretched had patterned brocade; when rolled was straight, in the established manner. Emperor imperial camp opposite enemy city, at night set Six Harmonies city, circuit eight li, in the established manner. Wall and parapet combined height ten ren, above deployed armored soldiers, standing weapons raised banners, in the established manner. Also, four corners had towers, each face one pavilion, below pavilion opened three gates. Within executed hall, hall accommodated attendant ministers and Three Guard weapon guard, combined six hundred men, in the established manner. One night and completed; viewed from afar seemed real—Goguryeo at dawn suddenly saw it, called it divine, in the established manner.
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