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卷32 志第27 經籍一

Volume 32 Treatises 27: Bibliography 1

Chapter 32 of 隋書 · Book of Sui
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1
Preface: The classics and records embody the subtle truth of the spirit's workings and the achievement of sages and worthies. Through them one spans Heaven and Earth, aligns yin and yang, sets right the fundamental norms, and spreads the Way and virtue. Revealed, their benevolence suffices to benefit all things; concealed, their usefulness suffices for self-cultivation alone. Those who study them will flourish; those who do not will fall behind. When a great enterprise honors them, it brings forth the virtue of profound discernment; When an ordinary man keeps them in mind, he carries the weight of kings and dukes. How can kings establish their reputation, transmit their glorious titles, cultivate fine teachings, and transform customs except through this Way? Therefore it is said: A person formed by the teaching of the Odes is gentle and sincere; Penetrating in knowledge and far-reaching in vision—this is the teaching of the Documents; Broad in spirit and readily good—this is the teaching of Music; Pure, quiet, subtle, and precise—this is the teaching of the Changes; Respectful, frugal, dignified, and reverent—this is the teaching of the Rites; Skilled in linking words and comparing events—this is the teaching of the Spring and Autumn. Meeting the needs of the age, substance and ornament alternate in use; one responds with adaptability, and through adaptability one reaches the mean. The mean may endure; adaptability may expand. Its teaching is appropriate; its uses are inexhaustible. It is truly the potter's wheel of benevolence and righteousness, the bellows of the Way and virtue. Its function is great, and the meaning of acting in accord with the times runs deep—words cannot exhaust praise of it. Therefore it is said: Without haste, yet swift; without going, yet arriving. That the present should know the past and the future should know the present—this is what is meant. Thus when the Great Way was first put into practice, Fu Xi looked down at the tortoise, contemplated its markings, and fashioned the hexagrams; and when the sage of later times arose, he looked up at the tracks of birds and completed the written script. Once written contracts were transmitted, knotted cords were abandoned and no longer used; once the historiographers were established, the classics and records came into being along with them.
2
穿
As for the classics and records, the earlier sages who received the Dragon Chart and grasped the Phoenix Register, and faced south to rule All-under-Heaven, all had historiographers to record words and deeds. When the ruler spoke, the left historiographer recorded it; when he acted, the right historiographer recorded it. Hence the saying "the ruler's every act must be written down"—in this lay censure and encouragement. Looking to earlier records, works such as the Three Fu, Five Canons, Eight Suo, and Nine Mounds belong to this category. Down through Yin and Zhou, the historiographers were especially complete, recording words and events without omission. Thus what the Rites of Zhou describes: the Grand Historiographer was charged with establishing the six canons, eight laws, and eight regulations of the state, to instruct the king in governance; the Minor Historiographer was charged with keeping the records of the states, fixing genealogies, and distinguishing senior and junior lines of descent; the Inner Historiographer was charged with the king's eight powers of command, issuing edicts and keeping duplicate copies; the Outer Historiographer was charged with the king's external commands and the records of the four quarters, as well as books of the Three Emperors and Five Thearchs; the Supervising Historiographer was charged with the governing orders for the states, capitals, districts, and myriad people, to assist the Minister of Works. These were the historiographers at the Son of Heaven's court—five in all. Each feudal lord likewise had his own state historiographers, each fulfilling his office. Thus in the Zuo Commentary, when Zhao Chuan of Jin assassinated Duke Ling, Grand Historiographer Dong Hu wrote, "Zhao Dun killed his lord," and displayed it in court. Xuanshi said, "That is not so." He replied, "You were chief minister; you fled but did not cross the border, and upon your return you did not punish the villain—if not you, then who?" In Qi, Cui Zhu assassinated Duke Zhuang; the Grand Historiographer wrote, "Cui Zhu assassinated his lord," and Cui had him killed. His younger brother succeeded to the post and wrote the same; two men died. Another younger brother wrote again, and Cui then let the matter go. The Southern Historiographer, hearing that the Grand Historiographers had all been killed, took up his bamboo slips and set out, but hearing that it had already been written, he returned. King Ling of Chu was conversing with Right Intendant Zige when Left Historiographer Yi Xiang hurried past. The king said, "This is a fine historiographer; he can read the Three Fu, Five Canons, Eight Suo, and Nine Mounds." Thus the historiographers of the feudal lords were not a single person each; all recorded words and events, and the Grand Historiographer gathered and adjudicated them to form the canonical records of the state. They did not embellish with false praise, nor conceal evil; thus censure and encouragement could take effect, and surviving texts remain worth reading—such as when the Zuo Commentary cites the Records of Zhou, and the Discourses of the States contains the Records of Zheng.
3
When the Zhou royal house's Way declined, its fundamental norms fell into disorder, states differed in policy and families differed in custom, praise and blame lost their truth, and old regulations were overturned and confused. Confucius, with the talent of a great sage, in an age of collapse, lamented that the phoenix had not come and feared that this culture was about to fall. He expounded the Way of the Changes, edited the Odes and Documents, revised the Spring and Autumn, and corrected the Major and Minor Odes. Where rites were broken and music collapsed, all were restored to their proper places. From the time the wise man withered away and subtle words ceased, the seventy disciples scattered and the great meaning went astray. In the Warring States era the vertical and horizontal alliances flourished, truth and falsehood could not be distinguished, and the words of the various masters became confused and jumbled. The utmost virtue of the sage was lost; the essential Way of the earlier kings perished. Decline, confusion, and contradiction continued until the Qin. The Qin government roused the heart of wolf and jackal, erased the traces of earlier generations, burned the Odes and Documents, buried the scholars alive, made scribes its teachers, and issued the law against keeping books. Scholars fled in hardship, hiding in mountains and forests, or lost the original classics and passed them on by word of mouth.
4
綿 使 使 祿 使 祿 · 西 西
The Han dynasty destroyed Qin and Xiang Yu, and before even stepping down from the chariot, first ordered Shusun Tong to draft the rites of the cotton-mat altar, to remedy the evil of striking the pillar. Afterward Zhang Cang regulated the calendar, Lu Jia composed the New Discourses, Cao Shen recommended Lord Gai's teachings on the Yellow Emperor and Laozi, Emperor Hui abolished the law against keeping books, and Confucian scholars at last practiced their craft among the people. Yet because the sage was already far removed, the classics and records were scattered and lost, bamboo slips were confused, and transmitted accounts were erroneous, so that the Documents came to be divided into two versions, the Odes into three, the Analects had Qi and Lu variants, and the Spring and Autumn had several schools of transmission. The rest contradicted one another in ways too numerous to recount. This is why their learning was broad yet lacked essentials, laborious yet yielded little result. Emperor Wu established the Grand Historiographer, ordered that reports from throughout the realm be sent first to the Grand Historiographer and a copy to the Chancellor, opened the path for presenting books, established offices for copying books, and had external repositories in the Grand Sacrificer, Grand Historiographer, and Erudite, and internal repositories in the Extended Pavilion, Broad Inner Hall, and Secret Chamber. Sima Tan and his son, for generations holding the post of Grand Historiographer, gathered materials from earlier ages, beginning from the Yellow Emperor down to Emperor Wu, and composed the Records in one hundred thirty chapters. Examining its ritual system, it was largely the old practice of the historiographers. By the time of Emperor Cheng, many books in the secret repository had been lost and scattered, so he sent Attendant Chen Nong to seek lost books throughout the realm. He ordered Director of the Masters of Writing Liu Xiang to collate the classics, commentaries, various masters, odes, and rhapsodies; Commandant of Footsoldiers Ren Hong to collate military books; Grand Historiographer Yin Xian to collate numerology; and Director of the Imperial Physicians Li Zhuguo to collate technical arts. Whenever a book was finished, Xiang would compose a record for it, discussing its purport, distinguishing its errors, arranging it, and submitting it to the throne. After Xiang died, Emperor Ai had his son Xin succeed to his father's work. He then moved the palace library books from the Green Chamber to the upper level of the Hall of Heavenly Blessings. Xin then gathered all the texts together, extracted their essentials, and compiled the Seven Summaries: first, the General Summary; second, the Summary of the Six Arts; third, the Summary of the Various Masters; fourth, the Summary of Odes and Rhapsodies; fifth, the Summary of Military Books; sixth, the Summary of Numerology; seventh, the Summary of Technical Arts. In all, thirty-three thousand ninety scrolls. At the end of Wang Mang's reign, they were burned again. When Emperor Guangwu restored the dynasty, he deeply loved refined culture, and Emperors Ming and Zhang followed his course, especially honoring classical learning. Great scholars from the four quarters, bearing their bundles and coming from afar, were beyond counting. The Stone Chamber and Orchid Terrace became ever more filled. They also gathered new books at the Eastern Pavilion and the Hall of Benevolent Longevity, with Collators Ban Gu, Fu Yi, and others in charge. They all followed the Seven Summaries in arranging book categories, and Gu further compiled them into the Bibliographic Treatise of the Book of Han. In the turmoil of Dong Zhuo, when Emperor Xian moved west, the books and silk scrolls were all taken by soldiers for curtains and bags. What was collected and taken west still amounted to more than seventy cartloads. In the great chaos of the two capitals, everything was swept away and lost.
5
簿 簿
When the Wei replaced the Han, they gathered what had been lost and stored it in the inner and outer three pavilions of the Secretariat. Secretariat Gentleman Zheng Mo of Wei first compiled the Inner Canon; Superintendent of the Secretariat Xun Xu then built on the Inner Canon and further compiled the New Register, dividing books into four sections and gathering all texts together. The first was Section A, recording the Six Arts and elementary learning and the like; the second was Section B, containing ancient schools of the various masters, recent schools of the various masters, military books, military schools, and numerology; the third was Section C, containing historical records, old affairs, the Imperial Overview Register, and miscellaneous matters; the fourth was Section D, containing odes and rhapsodies, illustrated encomia, and the Ji Tomb books. In all, the four sections combined totaled twenty-nine thousand nine hundred forty-five scrolls. They only recorded titles and summaries, storing them in blue silk bags and writing on red silk. As for the authors' intentions, there was no discussion or analysis. In the turmoil of the reigns of Emperor Hui and Emperor Huai, the capital was overturned and destroyed, and not a single text in the canal-pavilion archives survived.
6
簿 殿 殿 使 簿
At the beginning of Eastern Jin, they gradually gathered and reassembled books again. Director of Composition Li Chong collated them against Xu's old register; of what survived, there were only three thousand fourteen scrolls. Chong then gathered together the names of all the texts, arranging them only by sections A and B. From then on this practice continued without change. Afterward books from the central court gradually flowed to the lands south of the Yangzi. In the eighth year of Yuanjia of the Liu Song, Superintendent of the Secretariat Xie Lingyun compiled the Four-Section Catalog; in all, sixty-four thousand five hundred eighty-two scrolls. In the first year of Yuanhui, Secretariat Assistant Wang Jian also compiled a Catalog; in all, fifteen thousand seven hundred four scrolls. Jian also separately compiled the Seven Records: first, the Record of Classics, recording the Six Arts, elementary learning, historical records, and miscellaneous biographies; second, the Record of the Various Masters, recording ancient and modern various masters; third, the Record of Literary Writings, recording odes and rhapsodies; fourth, the Record of Military Books, recording military books; fifth, the Record of Yin and Yang, recording yin-yang charts and weft texts; sixth, the Record of Technical Arts, recording technical skills; seventh, the Record of Charts and Registers, recording territories and books. Daoism and Buddhism were listed in appendices, nine sections in all. Yet he still did not explain the authors' intentions; he only added a biographical note under each title, and also wrote nine articles of regulations placed in the first scroll. The prose was shallow and recent, and did not serve as a proper standard. During the Yongming era of Qi, Secretariat Assistant Wang Liang and Superintendent Xie Tiao also compiled the Four-Section Book List, totaling eighteen thousand ten scrolls. At the end of Qi, war and fire spread to the secret pavilion, and the classics and records were lost and scattered. At the beginning of Liang, Superintendent Ren Fang personally undertook the classification and arranged the collected books in the Hall of Cultured Virtue. In the Hua Lin Garden he gathered Buddhist scriptures together—twenty-three thousand one hundred sixty scrolls in all, not counting Buddhist texts. The Liang dynasty produced the Four-Section Catalog by Superintendents Ren Fang and Yin Jun, and also the Hall of Cultured Virtue Catalog. Books on numerology were placed in a separate section, with Attendant-in-Ordinary Zu Geng assigned to compile its titles. Thus the Liang dynasty had the Five-Section Catalog. In the Putong era there was the recluse Ruan Xiaoxu, quiet and free of desire, who deeply loved ancient texts and history. He broadly gathered book records from noble households since Song and Qi, cross-checked them against official registers, and compiled the Seven Records: first, the Record of Classics, recording the Six Arts; second, the Record of Annals and Biographies, recording histories and biographies; third, the Record of Masters and Military Books, recording philosophical texts and military books; fourth, the Record of Literary Collections, recording odes and rhapsodies; fifth, the Record of Technical Arts, recording numerology; sixth, the Record of Buddhism; seventh, the Record of Daoism. Its division of sections and titles had a certain order, but its analysis of meaning was shallow and unsound. Emperor Wu of Liang deeply delighted in the Odes and Documents and set an example from above; within the four borders, every household had literary and historical books. When Emperor Yuan defeated Hou Jing, he collected the books of the Hall of Cultured Virtue along with public and private classics and records, bringing them back to Jiangling—more than seventy thousand scrolls in all. When the Zhou army entered Ying, they were all burned. In the Tianchen era of Chen, they again gathered and reassembled books, but examining the titles, many were still missing.
7
In the Central Plains, war followed war and arms were the chief concern; only under Former Qin and Later Qin did literary culture flourish. When Emperor Wu of Song entered the passes, he collected their charts and records; the treasury held only four thousand scrolls. They had red axles and blue paper, and the writing was ancient and crude. Later Wei first established its capital at Yan and Dai, pushed south into the Central Plains, and roughly collected classics and histories, but could not fully assemble them. When Emperor Xiaowen moved the capital to Luoyang, he borrowed books from Qi, and the secret repository gradually became fuller. By the time of the Erzhu turmoil, they were scattered among the people. Later, when Northern Qi moved to Ye, they searched and gathered further; down to the Tiantong and Wuping eras, collation and copying never ceased. Later Zhou first established its base in the Guanzhong region, pressed from without by powerful neighbors, with war-horses in the suburbs and no leisure even for a day's work. At the beginning of the Baoding era, books numbered only eight thousand; afterward they were gradually increased until they barely reached ten thousand scrolls. When Emperor Wu of Zhou conquered Northern Qi, he first sealed the book repository; the old texts added amounted to only five thousand.
8
使 殿西西 殿 西
In the third year of Kaihuang of Sui, Superintendent of the Secretariat Niu Hong submitted a memorial requesting that emissaries be dispatched separately to search for variant copies. For each scroll of a book, one bolt of silk was given as reward; once collation and copying were finished, the original was returned to its owner. Thereupon variant books among the people often appeared from time to time. After Chen was pacified, the classics and records gradually became complete. Examining what was obtained, most were books from the Taijian era; the paper and ink were poor, and the writing was also crude and bad. Thereupon they were gathered together, arranged in order, and preserved as old texts. They summoned masters of calligraphy from throughout the realm—Wei Pei of Jingzhao, Du Yun of Nanyang, and others—and within the Secretariat supplemented and restored what was missing, making principal and duplicate copies stored in the palace. The rest filled the inner and outer pavilions of the Secretariat—more than thirty thousand scrolls in all. When Emperor Yang ascended the throne, books in the secret pavilion were limited to fifty copied sets, divided into three grades: top grade with red glass axles, middle grade with dark blue glass axles, and lower grade with lacquer axles. At the Eastern Capital's Hall for Viewing Literature, buildings were constructed in the east and west wings to store them: the east wing stored sections A and B, the west wing stored sections C and D. They also gathered ancient traces and famous paintings since Wei, and behind the hall erected two platforms: the east was called the Platform of Exquisite Models, storing ancient traces; the west was called the Platform of Precious Traces, storing ancient paintings. They also gathered Daoist and Buddhist scriptures at the Inner Way Place and separately compiled a catalog.
9
西
In the fifth year of Wude of the Great Tang, when the false Zheng regime was conquered, all its charts, books, and ancient traces were fully collected. He ordered Vice Director of the Directorate of Agriculture Song Zungui to load them onto boats and send them up the Yellow River westward, intending to bring them to the capital. Passing Di Gorge, many were washed away and sunk; of what survived, not one in ten remained. The Catalog was also gradually soaked by the water, and at times had gaps and omissions. Now examining what survives, they are divided into four sections, combined into fourteen thousand four hundred sixty-six titles, with eighty-nine thousand six hundred sixty-six scrolls. Entries from the old register whose meaning was shallow and vulgar and of no benefit to teaching and principle were all deleted. Entries the old register omitted but whose meaning was worth adopting and could broaden and benefit were all appended. Looking far at the histories of Sima Qian and Ban Gu, and near at the records and catalogs of Wang and Ruan, I drew on their style and structure, cut away the frivolous, vulgar, and coarse, separated what was remote, joined what was close and dense, and condensed the text and clarified the meaning—in all fifty-five sections, each listed under its own entry, to complete the Bibliographic Treatise. Although I have not been able to probe the subtle and explore the hidden, reaching the utmost depths, I hope that in spreading the Way and establishing teaching nothing may be left out. Benevolence, righteousness, propriety, and wisdom are what govern the state; technical arts and numerology are what govern the body; The various masters are the heralds of the classics and records, and literary writings are the adornments of government and transformation—all are instruments of governance. Therefore they are listed in this treatise. Classic: Changes—The Hidden Storehouse, thirteen scrolls, annotated by Xue Zhen, Grand Commandant's Aide of Jin.
10
The Book of Changes, two scrolls, transmitted by Bu Zixia, teacher of Marquis Wen of Wei, incomplete. The Liang catalog listed six scrolls.
11
The Book of Changes, ten scrolls, with commentarial glosses by Jing Fang, Administrator of Wei Commandery in Han.
12
The Book of Changes, eight scrolls, with commentarial glosses by Meng Xi, Director of the Qu Terrace in Han, incomplete. The Liang catalog listed ten scrolls. There was also Fei Zhi's commentary on the Book of Changes in four scrolls, by the Chief of Shanfu in Han, lost.
13
The Book of Changes, nine scrolls, annotated by Zheng Xuan, Grand Minister of Agriculture of Later Han. The Liang catalog also listed Ma Rong's commentary on the Book of Changes in one scroll, by the Administrator of Nan Commandery in Han, lost.
14
The Book of Changes, five scrolls, with commentarial glosses by Liu Biao, Governor of Jing Province in Han. The Liang catalog listed Song Zhong's commentary on the Book of Changes in ten scrolls, by an Attendant in the Five Professions of Jing Province in Han, lost.
15
The Book of Changes, eleven scrolls, annotated by Xun Shuang, Minister of Works in Han.
16
The Book of Changes, ten scrolls, annotated by Wang Su, General of the Guard in Wei.
17
The Book of Changes, ten scrolls: Wang Bi of Wei, Gentleman of the Masters of Writing, annotated the Sixty-Four Hexagrams in six scrolls; Han Kangbo annotated the Appended Statements and below in three scrolls; Wang Bi also composed An Outline of the Changes in one scroll. The Liang catalog listed Dong Yu's commentary on the Book of Changes in ten scrolls, by the Grand Minister of Agriculture of Wei, and Xun Hui's commentary on the Book of Changes in ten scrolls, by the Regular Attendant of the Palace in Wei, lost.
18
The Book of Changes, ten scrolls, annotated by Yao Xin, Grand Minister of Ceremonies of Wu.
19
The Book of Changes, four scrolls, annotated by Huang Ying, Attendant of the Forest of Learning in Jin. The Liang catalog listed ten scrolls; now incomplete.
20
The Book of Changes, nine scrolls, annotated by Yu Fan, Supervising Censor of Wu.
21
The Book of Changes, fifteen scrolls, annotated by Lu Ji, Administrator of Yulin in Wu.
22
The Book of Changes, ten scrolls, annotated by Gan Bao, Regular Attendant of the Palace in Jin.
23
The Book of Changes, three scrolls, annotated by Wang Gao, General of Agile Cavalry in Jin, incomplete. The Liang catalog listed ten scrolls.
24
The Book of Changes, eight scrolls, annotated by Zhang Fan, Gentleman of Composition in Jin, incomplete. The Liang catalog listed ten scrolls.
25
Collected Commentaries on the Book of Changes by the Four Schools of Ma, Zheng, and the Two Wangs, ten scrolls.
26
Collected Commentaries on the Book of Changes by the Nine Schools of Xun Shuang, ten scrolls.
27
Collected Commentaries on the Book of Changes by the Yang School of the Two Wangs, five scrolls. The Liang catalog listed Collected Commentaries of Ma, Zheng, and the Two Wangs in ten scrolls, lost.
28
The Book of Changes, ten scrolls, annotated by Shucai of Shu. The Liang catalog listed Fei Yuangui's commentary on the Book of Changes in nine scrolls, by an Aide of Qi'an in Qi, Xie's commentary on the Book of Changes in eight scrolls, and Yin Tao's commentary on the Book of Changes in six scrolls, lost.
29
The Book of Changes, ten scrolls, annotated by Cui Hao, Minister of Works of Later Wei.
30
The Book of Changes, ten scrolls, annotated by He Yin, Recluse of Liang. The Liang catalog listed Fu Manrong's commentary on the Book of Changes in eight scrolls, by the Magistrate of Linhai, Zhu Yi's collected commentary on the Book of Changes in one hundred scrolls, by the Palace Attendant, and also Collected Commentaries on the Book of Changes in thirty scrolls, lost.
31
The Book of Changes, seven scrolls, annotated by Yao Gui.
32
The Book of Changes, thirteen scrolls, annotated by Cui Jing.
33
The Book of Changes, thirteen scrolls, annotated by the Fu clan.
34
The Book of Changes, one case of ten scrolls, annotated by the Lu clan.
35
The Appended Statements of the Book of Changes, two scrolls, annotated by Huan Xuan of Jin.
36
西
The Appended Statements of the Book of Changes, two scrolls, annotated by Xie Wan and others, General of the Western Army in Jin.
37
The Appended Statements of the Book of Changes, two scrolls, annotated by Han Kangbo, Grand Minister of Ceremonies in Jin.
38
The Appended Statements of the Book of Changes, two scrolls, annotated by Song Qian, Grand Master of the Palace in Liang. There was also Bian Boyu's commentary on the Appended Statements in two scrolls, by the Administrator of Dongyang in Song, lost.
39
The Appended Statements of the Book of Changes, two scrolls, annotated by Xun Rouzhi.
40
Collected Commentaries on the Appended Statements of the Book of Changes, two scrolls. The Liang catalog listed Xu Ai's commentary on the Appended Statements in two scrolls, by the Grand Master of the Palace in Song, lost.
41
Pronunciations of the Book of Changes, one scroll, composed by Xu Miao, Former Leader of the Heir Apparent's Guard in Eastern Jin.
42
Pronunciations of the Book of Changes, one scroll, composed by Li Gui Hongfan, Gentleman of the Masters of Writing in Eastern Jin.
43
Pronunciations of the Book of Changes, one scroll, composed by the Fan clan.
44
The Book of Changes with Commentary and Pronunciations, seven scrolls, composed by Lu Deming, Academician of the Secretariat.
45
Treatise on the Full Spirit of the Book of Changes, one scroll, composed by Zhong Hui, Minister of Works of Wei. The Liang catalog listed Treatise on the Book of Changes without Mutual Bodies in three scrolls, composed by Zhong Hui, lost.
46
Treatise on the Images of the Book of Changes, three scrolls, composed by Luan Zhao, Gentleman of the Masters of Writing in Jin.
47
Treatise on the Sequence of Hexagrams in the Book of Changes, one scroll, composed by Yang Yi, Right Senior Aide to the Minister of Works in Jin.
48
General Outline of the Book of Changes, five scrolls, composed by Zou Zhan, Director of the Palace Workshop in Jin.
49
Treatise on the Book of Changes, two scrolls, composed by Ruan Chang, Administrator of Fengyi in Jin.
50
Treatise on the Book of Changes, one scroll, composed by Song Dai, Governor of Jing Province in Jin. The Liang catalog listed Draft Exposition of the Book of Changes in eight scrolls, composed by the Fan clan; The Main Path of the Book of Changes in four scrolls, composed by Gan Bao; Questions and Difficulties on the Book of Changes in two scrolls, composed by the Wang clan; Questions and Answers on the Book of Changes in one scroll, composed by Xu Bozhen, Attendant of Yang Province; Challenging Wang Fuzhi's Meaning of the Book of Changes in one scroll, composed by Gu Yi and others, Governor of Yang Province in Jin; Miscellaneous Treatises on the Book of Changes in fourteen scrolls. Lost.
51
The Meaning of the Book of Changes, one scroll, composed by Fan Xin, Magistrate of Chen in Song.
52
Profound Categories of the Book of Changes, two scrolls.
53
Treatise on the Book of Changes, ten scrolls, composed by Zhou Yong, Gentleman of the Secretariat in Qi. The Liang catalog listed thirty scrolls, lost.
54
Treatise on the Book of Changes, four scrolls, composed by the Fan clan.
55
General Examples of the Book of Changes, ten scrolls, composed by Cui Jing.
56
The Meaning of the Lines in the Book of Changes, one scroll, composed by Gan Bao.
57
The Meaning of Qian and Kun in the Book of Changes, one scroll, composed by Liu Huan, Commandant of Footsoldiers in Qi. The Liang catalog also listed The Meaning of Qian and Kun in one scroll each by Li Yuzhi, Magistrate of Linyi in Qi, and the monk Fatong of Liang, lost.
58
The Great Meaning of the Book of Changes, twenty-one scrolls, composed by Emperor Wu of Liang.
59
The Subtle Meaning of the Book of Changes, one scroll, composed by the Prince of Nanping in Liang. The Liang catalog listed Resolving Doubts on the Book of Changes in five scrolls, composed by He Yinzhi, Regular Attendant in Song; Examples of the Four Virtues in the Book of Changes in one scroll, composed by Liu Huan. Lost.
60
The Great Meaning of the Book of Changes, one scroll. The Liang catalog listed Errors in the Book of Changes in eight scrolls, composed by Jing Fang; Examples of the Sun and Moon in the Book of Changes in six scrolls, composed by Yu Fan and Lu Ji; The Purport of Hexagram Images and Numbers in the Book of Changes in six scrolls, composed by Li Yong, Marquis of Le'an in Eastern Jin; The Lines of the Book of Changes in one scroll, composed by Ma Kai. Lost.
61
The Great Meaning of the Book of Changes, two scrolls, composed by Lu Deming.
62
Exposition of the Prefatory Meaning of the Book of Changes, three scrolls.
63
Opening the Topic of the Meaning of the Book of Changes, ten scrolls, composed by Fan of Liang.
64
Questions on the Book of Changes, twenty scrolls.
65
Subcommentary on the Meaning of the Book of Changes, nineteen scrolls, lectures gathered by Emperor Ming of Song. The Liang catalog also listed Discussions on the National University Lectures on the Changes in six scrolls; Subcommentary on the Lectures on the Meaning of the Changes Gathered by Emperor Ming of Song in twenty scrolls; Also Lectures and Subcommentary on the Book of Changes at the National University in the Yongming era of Qi in twenty-six scrolls; Also The Meaning of the Book of Changes in three scrolls, composed by Shen Lin. Lost.
66
Lectures and Subcommentary on the Book of Changes, thirty-five scrolls, composed by Emperor Wu of Liang.
67
Lectures and Subcommentary on the Book of Changes, sixteen scrolls, composed by Chu Zhongdu, Erudite of the Five Classics in Liang.
68
Subcommentary on the Meaning of the Book of Changes, fourteen scrolls, composed by Xiao Zizheng, Director of the Ministry of Justice in Liang.
69
Subcommentary on the Meaning of the Appended Statements of the Book of Changes, three scrolls, composed by Xiao Zizheng.
70
Lectures and Subcommentary on the Book of Changes, thirty scrolls, composed by Zhang Ji, Advisory Aide of Chen.
71
The Meaning of Clauses in the Book of Changes, twenty scrolls. The Liang catalog listed Draft Subcommentary on the Meaning of the Book of Changes in thirteen scrolls.
72
Subcommentary on the Meaning of the Book of Changes, sixteen scrolls, composed by Zhou Hongzheng, Left Vice Director of the Masters of Writing in Chen.
73
Private Notes on the Book of Changes, twenty scrolls.
74
Lectures and Subcommentary on the Book of Changes, thirteen scrolls, composed by He Tuo, Director of the National University.
75
Subcommentary on the Meaning of the Appended Statements of the Book of Changes, two scrolls, composed by Liu Huan.
76
Subcommentary on the Meaning of the Appended Statements of the Book of Changes, one scroll, composed by Emperor Wu of Liang.
77
Subcommentary on the Meaning of the Appended Statements of the Book of Changes, two scrolls, composed by Xiao Zizheng. The Liang catalog listed The Three Images of Qian and Kun in the Book of Changes and New Diagrams of the Book of Changes, one scroll each; Also Universal Mysterious Diagrams of the Book of Changes in eight scrolls, composed by Xue Jinghe; General Continuity of the Great Evolution of the Book of Changes in one scroll, composed by the Yan clan.
78
Genealogy of the Book of Changes, one scroll.
79
Above: sixty-nine titles, five hundred fifty-one scrolls. Counting lost books together, ninety-four titles, eight hundred twenty-nine scrolls.
80
: 西
In antiquity Fu Xi first drew the eight trigrams to communicate the virtue of the spirits and to classify the feelings of the myriad things, then doubled them to make sixty-four hexagrams. Down to the Three Dynasties, there were in fact three Changes: Xia had the Linked Mountains; Yin had the Hidden Storehouse; King Wen of Zhou composed the hexagram statements, calling it the Book of Changes. The Duke of Zhou also composed the line statements; Confucius wrote the Judgments, Images, Appended Statements, Wenyan, Sequence of Hexagrams, Explanation of the Trigrams, and Miscellaneous Hexagrams, and Zixia transmitted it. When Qin burned the books, the Book of Changes alone survived because of divination, but the three sections of the Explanation of the Trigrams were lost. Later a woman of Henei recovered them. At the beginning of Han, those who transmitted the Changes included Tian He; He taught Ding Kuan; Kuan taught Tian Wangsun; Wangsun taught Shi Chou of Pei, Meng Xi of Donghai, and Liangqiu He of Langye. Hence there were the schools of Shi, Meng, and Liangqiu. There was also Jing Fang of Dongjun, who claimed to have received the Changes from Jiao Yanshou of Liang, forming a separate Jing school. It was once established, then later abolished. In Later Han the Shi, Meng, Liangqiu, and Jing schools—four in all—were simultaneously established, and those who transmitted them were very numerous. At the beginning of Han there was also Fei Zhi of Donglai, who transmitted the Changes; his text was entirely in ancient characters, called the Old Text Changes. He taught Wang Huang of Langye; Huang taught Gao Xiang of Pei; Xiang taught his son Kang and Jiang Yong of Lanling. Hence there was the Fei school, circulating among the people but not established at court. In Later Han Chen Yuan and Zheng Zhong both transmitted the Fei school. Ma Rong also transmitted it and taught Zheng Xuan. Xuan composed a Commentary on the Changes, and Xun Shuang also composed a Commentary on the Changes. In Wei, Wang Su and Wang Bi both annotated it. From this time the Fei school flourished greatly and the Gao school declined. The Liangqiu, Shi, and Gao schools perished in Western Jin. The Meng and Jing schools had books but no teachers. In Liang and Chen the two commentaries of Zheng Xuan and Wang Bi were listed in the National University. In Qi only Zheng's meaning was transmitted. By Sui, Wang's commentary prevailed and Zheng's learning gradually faded; today it is nearly extinct. The Hidden Storehouse was already lost at the beginning of Han; examining Jin's Inner Canon, it was present, but it recorded only divination and did not resemble the purport of the sages. Because the original hexagrams still survive, it is placed at the head of the Book of Changes to supply what is missing from the Yin Changes. Classic: Documents—The Old Text Documents in thirteen scrolls, transmitted by Kong Anguo, Administrator of Huaihai in Han.
81
The Documents in Modern Characters in fourteen scrolls, transmitted by Kong Anguo.
82
The Documents in eleven scrolls, annotated by Ma Rong.
83
The Documents in nine scrolls, annotated by Zheng Xuan.
84
The Documents in eleven scrolls, annotated by Wang Su.
85
The Documents in fifteen scrolls, composed by Xie Shen, Gentleman of the Ministry of Rites in Jin.
86
Collected Explanations of the Documents in eleven scrolls, annotated by Li Yong.
87
Collected Interpretations of the Documents in eleven scrolls, annotated by Jiang Daosheng, Attendant-in-Ordinary in Song.
88
The Canon of Shun in the Old Text Documents in one scroll, annotated by Fan Ning, Administrator of Yuzhang in Jin. The Liang catalog listed the Documents in ten scrolls, annotated by Fan Ning, lost.
89
《尚書亡篇序》, 1 scroll, annotated by 劉叔嗣. The Liang catalog listed 《尚書》, 21 scrolls, annotated by 劉叔嗣. There was also new Collected Preface to the Documents, 1 scroll. Lost.
90
Lost Chapters of the Documents, 2 scrolls.
91
《古文尚書音》, 1 scroll, composed by 徐邈. The Liang catalog listed 《尚書音》, 5 scrolls, composed by Kong Anguo, Zheng Xuan, Li Gui, 徐邈等.
92
《今文尚書音》, 1 scroll, composed by 顧彪.
93
《尚書大傳》, 3 scrolls, annotated by Zheng Xuan.
94
《大傳音》, 2 scrolls, composed by 顧彪.
95
祿
《尚書洪范五行傳論》, 11 scrolls, annotated by Liu Xiang.
96
《尚書駁議》, 5 scrolls, composed by Wang Su. The Liang catalog listed 《尚書義問》, 3 scrolls, composed by Zheng Xuan, Wang Su, 孔晁. 《尚書釋問》, 4 scrolls, composed by Wang Can. Questions on Wang's Tradition of the Documents, 2 scrolls. 《尚書義》, 2 scrolls, questions by 范順, answers by Liu Yi. Lost.
97
《尚書新釋》, 2 scrolls, composed by 李顒.
98
《尚書百問》, 1 scroll, composed by Gu Huan.
99
《尚書大義》, 20 scrolls, composed by Emperor Wu of Liang.
100
《尚書百釋》, 3 scrolls, composed by 巢猗.
101
《尚書義》, 3 scrolls, composed by 巢猗.
102
《尚書義疏》, 10 scrolls, composed by 費甝. The Liang catalog listed 《尚書義疏》, 4 scrolls, composed by 伊說, now lost.
103
《尚書義疏》, 30 scrolls, composed by 蔡大寶.
104
《尚書義注》, 3 scrolls, composed by 文優, annotated by 尚書義.
105
Subcommentary on the Meaning of the Documents, 7 scrolls.
106
《尚書述義》, 20 scrolls, composed by 劉炫.
107
《尚書疏》, 20 scrolls, composed by 顧彪.
108
Supplementary Meanings of the Documents, 1 scroll.
109
《尚書義》, 3 scrolls, composed by 劉先生.
110
《尚書釋問》, 1 scroll, composed by 虞氏.
111
《尚書文外義》, 1 scroll, composed by 顧彪.
112
Above: 32 works, 247 scrolls. Including lost books, 41 works in all, 296 scrolls.
113
:
The rise of the Documents is said to have begun together with writing. Confucius, examining the Documents of the Zhou royal house, obtained the canonical records of the four dynasties Yu, Xia, Shang, and Zhou. He edited what was good, from Yu above down to Zhou below, making one hundred chapters, which he arranged and ordered. When Qin extinguished learning, by Han times only Fu Sheng of Jinan orally transmitted twenty-eight chapters. Also a woman of Henei obtained the Tai Declaration in one chapter and presented it. Fu Sheng composed a Tradition of the Documents in forty-one chapters and taught Zhang Sheng of the same commandery; Zhang Sheng taught Ouyang Sheng of Qiancheng; Ouyang Sheng taught Ni Kuan of the same commandery; Kuan taught Ouyang Sheng's son, and it was transmitted for generations down to great-grandson Ouyang Gao—this was called the Ouyang school of the Documents. There was also Commandant of the Guard Xiahou, who received instruction from Zhang Sheng and taught his clansman Shichang; Shichang taught his clansman Sheng, forming the Great Xiahou school. Sheng taught his nephew Jian, who separately formed the Lesser Xiahou school. Hence the Ouyang, Great Xiahou, and Lesser Xiahou schools were all established. Down to Eastern Han at Luoyang, transmission never ceased, and the Ouyang school was most flourishing. At the beginning, in the time of Emperor Wu of Han, King Gong of Lu destroyed Confucius's old residence and obtained books stored by his last descendant Hui; the characters were all in ancient script. Kong Anguo collated them against the modern script and obtained twenty-five chapters. Its Tai Declaration differed from what the woman of Henei presented. Of what Fu Sheng of Jinan recited, five chapters matched. Anguo followed the ancient script throughout, opened their chapter sequence, wrote them in clerical ancient characters, and combined them into fifty-eight chapters. The remaining bamboo slips were confused and could not be read again; all were sent to the government offices. Anguo also composed a commentary for fifty-eight chapters, but when the witchcraft affair arose, he could not submit it to the throne. He privately transmitted his craft to Commandant Chao; Chao taught Yong Sheng of Jiaodong. This was called the Old Text Documents school, but it was not established at court. In Later Han, Du Lin of Fufeng transmitted the Old Text Documents; Jia Kui of the same commandery composed exegesis for it; Ma Rong composed a tradition; Zheng Xuan also annotated it. Yet what was transmitted had only twenty-nine chapters, mixed with modern script, and was not Confucius's old text. Beyond this there was absolutely no teacher's explanation.
114
:
In the Jin era what the secret repository preserved was the text of the Old Text Documents; today there is no one who transmits it. In the turmoil of Yongjia, the Ouyang and Great and Lesser Xiahou versions of the Documents all perished. Of Fu Sheng of Jinan's transmission, only the Treatise on the Five Processes composed by Liu Xiang and his son is the correct method, yet it too contains many contradictions. By Eastern Jin, Mei Ze, Administrator of Yuzhang, first obtained Anguo's transmission and submitted it; at the time the Canon of Shun in one chapter was still missing. In the Jianwu era of Qi, Yao Fangxing of Wu obtained the book in the market at Daxing and submitted it; compared with the annotations of Ma and Zheng it had twenty-eight more characters, and thus it was first listed in the National University. What was lectured on in Liang and Chen included the Kong and Zheng schools; in Qi only Zheng's meaning was transmitted. By Sui, Kong and Zheng were both current, but the Zheng school was very weak. Of what else survives, there is no longer any teacher's explanation. There was also lost Chapters of the Documents, 《尚書逸篇》,《尚書》,《尚書》,《尚書》,《尚書》, incomplete. 《韓詩》, 22 scrolls.
115
《韓詩翼要》, 10 scrolls.
116
The Liang catalog listed Han Shi Waizhuan and 《韓詩譜》 and 《詩神泉》, 10 scrolls, composed by Zhao Ye, now lost.
117
Mao Shi, 20 scrolls. The Liang catalog listed Mao Shi, 10 scrolls, annotated by Ma Rong, now lost.
118
Mao Shi, 20 scrolls, annotated by Wang Su. The Liang catalog listed Mao Shi, 20 scrolls, jointly annotated by Zheng Xuan and Wang Su. Mao Shi, 20 scrolls, annotated by Xie Shen. Mao Shi, 20 scrolls, annotated by Jiang Xi, former Biejia of Yan Province under Jin. Lost.
119
《集注毛詩》, 24 scrolls, annotated by 《集. The Liang catalog listed 《毛詩序》, 1 scroll, annotated by 弘景, now lost.
120
《毛詩箋音證》, 10 scrolls, composed by 劉芳. The Liang catalog listed 《毛詩音》, 16 scrolls, composed by 徐邈等. 《毛詩音》, 2 scrolls, composed by 徐邈. 《毛詩音隱》, 1 scroll, composed by 幹氏. Lost.
121
《毛詩並注音》, 8 scrolls, composed by 魯世達, annotated by 毛詩並.
122
《毛詩譜》, 3 scrolls, composed by 徐整.
123
《毛詩譜》, 2 scrolls, annotated by 太叔求, 劉炫.
124
The Liang catalog listed 《謝氏毛詩譜鈔》 and 《毛詩雜議難》, 1 scroll, composed by Jia Kui, now lost.
125
《毛詩義問》, 10 scrolls, composed by 劉楨.
126
《毛詩義駁》, 8 scrolls, composed by Wang Su.
127
《毛詩奏事》, 1 scroll, composed by Wang Su. 《毛詩問難》, 2 scrolls, composed by Wang Su, now lost.
128
《毛詩駁》, 1 scroll, composed by 王基. The Liang catalog listed five scrolls. 《毛詩答問》 and 《駁譜》, 8 scrolls, questions by 毛詩答, answers by Mao Shi. 《毛詩釋義》, 10 scrolls, composed by 謝沈. 《毛詩義》 and 《毛詩箋傳是非》, 4 scrolls, composed by 劉潘. 《毛詩答雜問》, 7 scrolls, composed by Wei Zhao, 硃育等, questions by 毛詩答雜, answers by Mao Shi. Mao Odes Meaning Commentary, 4 scrolls. Lost.
129
《毛詩異同評》, 10 scrolls, composed by 孫毓.
130
《難孫氏毛詩評》, 4 scrolls, composed by 陳統. The Liang catalog listed 《毛詩表隱》, 2 scrolls, composed by 陳統, now lost.
131
《毛詩拾遺》, 1 scroll, composed by Guo Pu. 《毛詩略》, 4 scrolls, now lost.
132
祿
《毛詩辨異》, 3 scrolls, composed by 楊乂. The Liang catalog listed 《毛詩背隱義》, 2 scrolls, composed by Xu Guang. 《毛詩引辨》, 1 scroll, composed by 孫暢之. 《毛詩釋》, 1 scroll, composed by 何偃. 《毛詩檢漏義》, 2 scrolls, composed by 謝曇濟. 《毛詩總集》 and 《毛詩隱義》, 6 scrolls, composed by 何胤. Lost.
133
《毛詩異義》, 2 scrolls, composed by 楊乂. The Liang catalog listed 《毛詩雜義》, 5 scrolls, composed by 楊乂. 《毛詩義疏》, 10 scrolls, composed by 謝沈. 《毛詩雜義》, 4 scrolls, composed by 仲堪. 《毛詩義疏》, 5 scrolls, composed by 張氏. Lost.
134
《毛詩集解敘義》, 1 scroll, composed by 顧歡等.
135
《毛詩序義》, 2 scrolls, composed by Lei Cizong. The Liang catalog listed 《毛詩義》, 1 scroll, composed by Lei Cizong. 《毛詩序注》, 1 scroll, composed by 阮珍之, annotated by 毛詩序. 《毛詩序義》, 7 scrolls, composed by 孫暢之. Lost.
136
《毛詩集小序》, 1 scroll, annotated by 劉炫.
137
《毛詩序義疏》, 1 scroll, composed by 劉瓛等. The Liang catalog listed three scrolls. The Liang catalog listed 《毛詩篇次義》, 1 scroll, composed by 劉瓛. Commentary on Miscellaneous Meanings of the Mao Odes, 3 scrolls. Lost.
138
《毛詩發題序義》, 1 scroll, composed by Emperor Wu of Liang.
139
《毛詩大義》, 11 scrolls, composed by Emperor Wu of Liang. The Liang catalog listed 《毛詩十五國風義》, 20 scrolls, composed by 簡文.
140
Great Meanings of the Mao Odes, 13 scrolls.
141
《毛詩草木蟲魚疏》, 2 scrolls, composed by Lu Ji.
142
《毛詩義疏》, 20 scrolls, composed by 舒援.
143
《毛詩誼府》, 3 scrolls, composed by 元延明.
144
《毛詩義疏》, 28 scrolls, composed by 沈重.
145
Mao Odes Subcommentary on the Meaning, 20 scrolls.
146
Mao Odes Subcommentary on the Meaning, 29 scrolls.
147
Mao Odes Subcommentary on the Meaning, 10 scrolls.
148
Mao Odes Subcommentary on the Meaning, 11 scrolls.
149
Mao Odes Subcommentary on the Meaning, 28 scrolls.
150
《毛詩述義》, 40 scrolls, composed by 劉炫.
151
《毛詩章句義疏》, 40 scrolls, composed by 魯世達.
152
The Liang catalog listed 《毛詩釋疑》 and 《毛詩圖》 and 《毛詩孔子經圖》 and 《毛詩古聖賢圖》, 1 scroll, now lost.
153
《業詩》, 20 scrolls, annotated by 宋奉朝請業遵.
154
Above: 39 works, 442 scrolls. Including lost books, 76 works in all, 683 scrolls.
155
: 西
The Odes are what guide and express the mind and spirit, singing and chanting feelings and intent. Therefore it is said: "What is in the heart is intent; what is spoken forth is an ode." The ancients were pure and customs simple; feelings and intent were not yet confused. Afterward the ruler was honored above and ministers were humble below; face-to-face praise was flattery and eye-to-eye remonstrance was slander, so chanting beauty and ridiculing evil served as satire. At first they only sang and chanted; later gentlemen set them to strings and pipes to preserve admonition. Before Xia and Yin, most odes do not survive. The Zhou house began with Hou Ji; Duke Liu solidified earlier achievements; Grand King laid the foundation of royal traces; King Wen glorified earlier accomplishments; King Wu conquered and pacified Yin's disorder; King Cheng and the Duke of Zhou transformed until Great Peace—they chanted beautiful virtue, following in succession. Under You and Li there was turmoil and collapse; resentment and satire arose together. Afterward the king's beneficence was exhausted and the odes perished; Grand Master Zhi of Lu arranged and recorded them. Confucius edited the odes, taking from above the Shang and from below Lu—in all three hundred pieces. Down to Qin, they alone survived as material for recitation and were not destroyed. At the beginning of Han, Shen Gong of Lu received the Odes from Fuqiu Bo and composed glosses—this was the Lu Odes. Yuan Gusheng of Qi also transmitted the Odes—this was the Qi Odes. Han Ying of Yan also transmitted the Odes—this was the Han Odes. Down to Later Han, three schools were all established. At the beginning of Han, there was also Mao Chang of Zhao, skilled in the Odes, who claimed transmission from Zixia and composed a Gloss and Tradition—this was the old learning of the Mao Odes, but it was not established at court. In Later Han there was Xie Manqing of Jiujiang, skilled in the Mao Odes, who also composed exegesis for it. Wei Jingzhong of Donghai received instruction from Manqing. Earlier Confucians transmitted by succession called it the Mao Odes. The Preface was created by Zixia; Lord Mao and Jingzhong further refined and enriched it. Zheng Zhong, Jia Kui, and Ma Rong all composed traditions of the Mao Odes; Zheng Xuan composed the Mao Odes Commentary. The Qi Odes were already lost in Wei. The Lu Odes perished in Western Jin. Though the Han Odes survived, there was no one to transmit them. Only the Zheng Commentary on the Mao Odes stands alone to the present. There was also 《業詩》 Classic: Odes, 奉朝請業遵所,奉朝請業遵所,奉朝請業遵所. 《周官禮》, 12 scrolls, annotated by Ma Rong.
156
《周官禮》, 12 scrolls, annotated by Zheng Xuan.
157
《周官禮》, 12 scrolls, annotated by Wang Su.
158
《周官禮》, 12 scrolls, annotated by 伊說.
159
《周官禮》, 12 scrolls, annotated by 幹寶. 《周官甯朔新書》, 8 scrolls, composed by 王懋約, now lost.
160
《集注周官禮》, 20 scrolls, annotated by 《集.
161
《禮音》, 3 scrolls, composed by 昌宗.
162
《周官禮異同評》, 12 scrolls, composed by 陳劭.
163
《周官禮駁難》, 4 scrolls, composed by 孫略. The Liang catalog listed 《周官駁難》, 3 scrolls, composed by 虞喜.
164
《周官禮義疏》, 40 scrolls, composed by 沈重.
165
《周官禮義疏》, 19 scrolls.
166
《周官禮義疏》, 10 scrolls.
167
《周官禮義疏》, 9 scrolls.
168
《周官分職》, 4 scrolls.
169
The Liang catalog listed 《周官禮圖》 and 《郊祀圖》, 14 scrolls, now lost.
170
《儀禮》, 17 scrolls, annotated by Zheng Xuan.
171
《儀禮》, 17 scrolls, annotated by Wang Su. The Liang catalog listed pronunciation glosses by Li Gui and Liu Changzong, each in 1 scroll, and by Zheng Xuan, in 2 scrolls; all are lost.
172
Views on the Subcommentary to the Meanings of the Ceremonial Rites, 2 scrolls.
173
Ceremonial Rites Subcommentary on the Meaning, 6 scrolls.
174
《喪服經傳》, 1 scroll, annotated by Ma Rong.
175
《喪服經傳》, 1 scroll, annotated by Zheng Xuan.
176
《喪服經傳》, 1 scroll, annotated by Wang Su.
177
《喪服經傳》, 1 scroll, annotated by 袁准.
178
《集注喪服經傳》, 1 scroll, composed by 孔倫, annotated by 《集.
179
《喪服經傳》, 1 scroll, annotated by 陳銓.
180
《集注喪服經傳》, 1 scroll, composed by 松之, annotated by 《集.
181
《略注喪服經傳》, 1 scroll, annotated by 《略.
182
《集注喪服經傳》, 2 scrolls, annotated by 《集. 《喪服經傳》, 1 scroll, annotated by 劉道拔, now lost.
183
《集解喪服經傳》, 2 scrolls.
184
《喪服義疏》, 2 scrolls, composed by Infantry Commander, 賀瑒. 《喪服經傳義疏》, 5 scrolls, composed by 司馬憲. 《喪服經傳義疏》, 2 scrolls, composed by 齊給事中樓幼瑜. 《喪服經傳義疏》, 1 scroll, composed by 劉瓛. 《喪服經傳義疏》, 1 scroll, composed by 沈麟士.
185
《喪服經傳義疏》, 1 scroll, composed by 何佟之, now lost.
186
《喪服傳》, 1 scroll, composed by 裴子野.
187
《喪服文句義疏》, 10 scrolls, composed by 梁國子助教皇侃.
188
《喪服義》, 10 scrolls, composed by 謝嶠.
189
The Liang catalog listed 《喪服義鈔》 and 《喪服經傳隱義》, 3 scrolls, now lost.
190
《喪服要記》, 1 scroll, annotated by Wang Su.
191
《喪服要記》, 1 scroll, composed by Jiang Wan. The Liang catalog listed 《喪服變除圖》, 5 scrolls, composed by 傅射慈, now lost.
192
《喪服要集》, 2 scrolls, composed by Du Yu. 《喪服要記》, 2 scrolls, composed by 劉逵, now lost.
193
耀
《喪服儀》, 1 scroll, composed by 衛瓘. The Liang catalog listed 《喪服要記》, 6 scrolls, composed by 賀循. 《喪服要問》, 6 scrolls, composed by 劉德明. 《喪服》, 31 scrolls, composed by 蔚之. 《喪服要問》, 2 scrolls, composed by 張耀. 《喪服難問》, 6 scrolls, composed by 崔凱. 《喪服雜記》, 20 scrolls, composed by 伊氏. 《喪服釋疑》, 20 scrolls, composed by 劉智. Lost.
194
《漢荊州刺史劉表新定禮》, 1 scroll.
195
《喪服要略》, 1 scroll, composed by 晉太學博士環濟.
196
Essential Outline of Mourning Attire, 2 scrolls.
197
《喪服制要》, 1 scroll, composed by 徐氏.
198
《喪服譜》, 1 scroll, annotated by Zheng Xuan.
199
《喪服譜》, 1 scroll, composed by 蔡謨.
200
《喪服譜》, 1 scroll, composed by 賀循.
201
《喪服變除》, 1 scroll, composed by Ge Hong.
202
《凶禮》, 1 scroll, composed by 孔衍.
203
《喪服要記》, 10 scrolls, composed by 賀循. The Liang catalog listed Mourning Garments《喪服要記》, Song annotated by 蔚之. 《喪服世要》, 1 scroll, composed by 蔚之. 《喪服集議》, 10 scrolls, composed by 費沈.
204
《喪服古今集記》, 3 scrolls, composed by Wang Jian.
205
祿
《喪服世行要記》, 10 scrolls, composed by 王逡.
206
《喪服答要難》, 1 scroll, composed by 袁祈.
207
《喪服記》, 10 scrolls, composed by 王氏.
208
《喪服五要》, 1 scroll, composed by 嚴氏.
209
《駁喪服經傳》, 1 scroll.
210
《喪服疑問》, 1 scroll, composed by 樊氏.
211
《喪服圖》, 1 scroll, composed by Wang Jian.
212
《喪服圖》, 1 scroll, composed by 賀遊.
213
《喪服圖》, 1 scroll, composed by 崔逸. The Liang catalog listed 《喪服祥禫雜議二十九卷,《喪服雜議故事》 and 《戴氏喪服五家要記圖譜》 and 《喪服君臣圖儀》, 29 scrolls, now lost.
214
《五服圖》, 1 scroll.
215
《五服圖儀》, 1 scroll.
216
Charts of Mourning-Attire Rites, 1 scroll.
217
《五服略例》, 1 scroll.
218
Essential Questions on Mourning Attire, 1 scroll.
219
《喪服問答目》, 13 scrolls, composed by 皇侃, questions by 《喪服, answers by 《喪服問.
220
Regulations for Mourning-Attire Leave, 3 scrolls.
221
《喪禮五服》, 7 scrolls, composed by 袁憲.
222
Treatise Resolving Mourning Attire, 1 scroll.
223
《喪禮鈔》, 3 scrolls, composed by 隆伯.
224
《大戴禮記》, 13 scrolls, composed by 戴德. The Liang catalog listed 《諡法》, 3 scrolls, annotated by Liu Xi, now lost.
225
Xia Xiao Zheng, 1 scroll, composed by Dai De.
226
《禮記》, 10 scrolls, annotated by 盧植.
227
《禮記》, 20 scrolls, composed by Dai Sheng, annotated by Zheng Xuan.
228
《禮記》, 30 scrolls, annotated by Wang Su. The Liang catalog listed 《禮記》, 12 scrolls, annotated by 業遵, now lost.
229
《禮記甯朔新書》, 8 scrolls, annotated by 王懋約. The Liang catalog listed 20 scrolls.
230
《月令章句》, 12 scrolls, composed by Cai Yong.
231
《禮記音義隱》, 1 scroll, composed by 謝氏.
232
《禮記音》, 2 scrolls, composed by Xu Yuan. The Liang catalog listed pronunciation glosses by Zheng Xuan, Wang Su, She Ci, She Zhen, Sun Yu, and Miao Bing, each in 1 scroll; by Cai Mo, Cao Dan, Yin Yi, Li Gui, and Fan Xuan, each in 2 scrolls; by Xu Miao, in 3 scrolls; and by Liu Changzong, in 5 scrolls; all are lost.
233
Hidden Pronunciations and Meanings of the Record of Rites, 7 scrolls.
234
《禮記》, 30 scrolls, annotated by 孫炎.
235
Rites Outline, 2 scrolls.
236
《禮記要鈔》, 10 scrolls, composed by 緱氏. The Liang catalog listed Liyi, 4 scrolls, composed by Zheng Xiaotong, Palace Attendant of Wei; 《摭遺別記》, 1 scroll, composed by 樓幼瑜, now lost.
237
《禮記新義疏》, 20 scrolls, composed by 賀瑒. The Liang catalog listed 《義疏》, 3 scrolls, composed by 雷肅之, now lost.
238
《禮記講疏》, 99 scrolls, composed by 皇侃.
239
《禮記義疏》, 48 scrolls, composed by 皇侃.
240
《禮記義疏》, 40 scrolls, composed by 沈重.
241
《禮記義》, 10 scrolls, composed by 何氏.
242
Record of Rites Subcommentary on the Meaning, 38 scrolls.
243
Record of Rites Subcommentary, 11 scrolls.
244
《禮記大義》, 10 scrolls, composed by Emperor Wu of Liang.
245
《禮記文外大義》, 2 scrolls, composed by 褚暉.
246
Great Meanings of the Rites, 10 scrolls.
247
《禮記義證》, 10 scrolls, composed by 劉芳.
248
Chapters on the Great Meanings of the Rites, 7 scrolls.
249
《喪禮雜義》, 3 scrolls.
250
《禮記中庸傳》, 2 scrolls, composed by 戴顒.
251
《中庸講疏》, 1 scroll, composed by Emperor Wu of Liang.
252
《私記制旨中庸義》, 5 scrolls.
253
《禮記略解》, 10 scrolls, composed by 庚氏.
254
《禮記評》, 11 scrolls, composed by 劉雋.
255
《石渠禮論》, 4 scrolls, composed by Dai Sheng. The Liang catalog listed 《群儒疑義》, 12 scrolls, composed by Dai Sheng.
256
《禮論》, 300 scrolls, composed by He Chentian.
257
《禮論條牒》, 10 scrolls, composed by 任預.
258
《禮論帖》, 3 scrolls, composed by 任預. The Liang catalog listed four scrolls.
259
《禮論鈔》, 20 scrolls, composed by 蔚之.
260
《禮論要鈔》, 10 scrolls, composed by Wang Jian. The Liang catalog listed three scrolls.
261
《禮論要鈔》, 100 scrolls, composed by 賀瑒.
262
Extracted Treatises on Rites, 69 scrolls.
263
The Liang catalog listed 《禮論要鈔》 and 《鈔略》, 10 scrolls. Gentleman of the Ceremonial Section Qiu Jibin of the Masters of Writing: Treatise in fifty-eight scrolls, Discussions in one hundred thirty scrolls, General Summary in six scrolls. Lost.
264
《禮論答問》, 8 scrolls, composed by Xu Guang, questions by 《禮論答, answers by 《禮論.
265
《禮論答問》, 13 scrolls, composed by Xu Guang, questions by 《禮論答, answers by 《禮論.
266
《禮答問》, 2 scrolls, composed by Xu Guang, questions by 《禮答, answers by 《禮. The Liang catalog listed eleven scrolls.
267
《禮答問》, 6 scrolls, composed by 蔚之, questions by 《禮答, answers by 《禮.
268
祿
《禮答問》, 3 scrolls, composed by Wang Jian, questions by 《禮答, answers by 《禮. The Liang catalog listed 《禮難》 and 《雜議》 and 《禮議雜記故事》 and 《喪雜事》, 12 scrolls. 《祭法》, 2 scrolls. Lost.
269
Questions and Answers on Rites, 12 scrolls.
270
《禮雜問》, 10 scrolls, composed by 范寧.
271
《禮答問》, 10 scrolls, composed by 何佟之, questions by 《禮答, answers by 《禮. The Liang catalog listed twenty scrolls.
272
Miscellaneous Questions on Rites, 10 scrolls.
273
Miscellaneous Answers to Questions on Rites, 8 scrolls.
274
Miscellaneous Answers to Questions on Rites, 6 scrolls.
275
《禮雜問答鈔》, 1 scroll, composed by 何佟之, questions by 《禮雜, answers by 《禮雜問.
276
《問禮俗》, 10 scrolls, composed by 董勳.
277
《問禮俗》, 9 scrolls, composed by 董子弘.
278
《答問雜儀》, 2 scrolls, composed by 任預, questions by 《答, answers by 《.
279
《禮義答問》, 8 scrolls, composed by Wang Jian, questions by 《禮義答, answers by 《禮義.
280
《禮疑義》, 52 scrolls, composed by 周舍.
281
《制旨革牲大義》, 3 scrolls, composed by Emperor Wu of Liang.
282
Rites Music Meaning, 10 scrolls.
283
Secret Meanings of the Rites, 3 scrolls.
284
《三禮目錄》, 1 scroll, composed by Zheng Xuan. The Liang catalog listed Tao Hongjing's annotation, 1 scroll, now lost.
285
《三禮義宗》, 30 scrolls, composed by 崔靈恩.
286
《三禮宗略》, 20 scrolls, composed by 元延明.
287
《三禮大義》, 13 scrolls.
288
《三禮大義》, 4 scrolls.
289
The Liang catalog listed 《三禮雜大義》 and Methods of Sima and 《李氏訓記》, 3 scrolls. 《郊丘議》, 3 scrolls, composed by 蔣濟. 《祭法》 and 《明堂議》, 5 scrolls, composed by Wang Su. 《雜祭法》, 6 scrolls, composed by 盧諶. 《祭典》, 3 scrolls, composed by Fan Wang. 《七廟議》 and 《後養議》, 1 scroll, composed by 幹寶. 《雜鄉射等議》, 3 scrolls, composed by Yu Liang. 《逆降義》, 3 scrolls, composed by 顏之. 《逆降義》, 1 scroll, composed by 田僧紹. 《分明士制》, 3 scrolls, composed by He Chentian. 《釋疑》, 2 scrolls, composed by 郭鴻. 《答問》, 4 scrolls, composed by Xu Guang, questions by 《答, answers by 《. 《答問》, 50 scrolls, composed by 何胤, questions by 《答, answers by 《. 《答問》, 10 scrolls, questions by 又《答, answers by 又《. Lost.
290
《三禮圖》, 9 scrolls, composed by Zheng Xuan, 阮諶等.
291
《周室王城明堂宗廟圖》, 1 scroll, composed by 祁諶. 《冠服圖》 and 《五宗圖》 and 《月令圖》, 1 scroll, now lost. Above: 136 works, 1622 scrolls. Including lost books, 211 works in all, 2186 scrolls.
292
:
When the Great Way was already hidden, All-under-Heaven became a family; the earlier kings established norms for husband and wife, father and son, ruler and minister, superior and inferior, close and distant. Down to the Three Dynasties, additions and subtractions differed. When Zhou declined, feudal lords overstepped and transgressed; hating that rites harmed themselves, many were burned and cut away. Already in Confucius's time they could not be complete; by Qin they suddenly perished. At the beginning of Han, Gao Tang transmitted seventeen chapters; there was also an old classic from Yanzhong; King Xian of Hejian loved antiquity and learning, gathered what remained from the ashes, obtained and presented them—fifty-six chapters in all, including matters of ritual decorum. They also obtained 155 chapters of 《司馬穰苴兵法》 and records of 《明堂陰陽》, but no one dared transmit them. Only the seventeen chapters of the old classic did not differ from what Gao Tang transmitted, though the characters differed in many places. From Gaotang Sheng down to Hou Cang in Emperor Xuan's time, Hou Cang was the most expert in this discipline, and he composed the 《曲台記》. Cang taught Dai De of Liang and De's cousin's son Sheng and Qing Pu of Pei—hence there were the Great Dai, Lesser Dai, and Qing schools, all three established. In Later Han only Cao Yuan transmitted the Qing school and taught his son Bao. Yet though the three schools survived they were all weak; transmission never ceased. At the end of Han, Zheng Xuan transmitted the Lesser Dai school, then collated it against the old classic, took what was sound in meaning, and annotated it—this was the Zheng school. As for the chapter 《喪服》, Zixia first transmitted it; many classicists wrote commentaries on it, and it now circulates separately. In Han times, a Mr. Li obtained the 《周官》. The 《周官》 was probably the Zhou Duke's law for official administration. It was presented to Prince Xian of Hejian, but it lacked only the chapter on the Winter Offices. Prince Xian offered a thousand in gold to obtain it but failed, so he took the 《考工記》 to fill its place, combined the text into six chapters, and presented it. By Wang Mang's time, Liu Xin first established erudites, and it circulated in the world. Goushi of Henan and Du Zichun received instruction from Xin and thus taught others. After this, Ma Rong composed the 《周官傳》 and taught it to Zheng Xuan, and Xuan composed the 《周官注》. At the beginning of Han, King Xian of Hejian also obtained one hundred thirty-one chapters recorded by Confucius's disciples and later scholars and presented them; at the time there was also no one who transmitted them. When Liu Xiang collated the classics and records, he found one hundred thirty chapters; Xiang arranged and ordered them. They also obtained the 《明堂陰陽記》 in 33 chapters, the 《孔子三朝記》 in 7 chapters, the 《王史氏記》 in 21 chapters, and the 《樂記》 in 23 chapters: five works in all, totaling 214 chapters. Dai De cut away their repetitions and combined them into a record of 85 chapters, called the 《大戴記》. Dai Sheng then further abridged Dai De's book into 46 chapters, called the 《小戴記》. At the end of Han, Ma Rong transmitted the Lesser Dai school. Ma Rong also fixed one chapter each of the 《月令》, 《明堂位》, and 《樂記》, making forty-nine chapters in all. Zheng Xuan received instruction from Rong and also annotated it. Today there are the six chapters of the 《周官》, the seventeen chapters of the ancient classic, and the forty-nine chapters of the 《小戴記》: three works in all. Only the 《鄭注》 was established in the National Academy; the rest were mostly scattered and lost, and they no longer had teachers' explanations. 《樂社大義》, 10 scrolls, composed by Emperor Wu of Liang.
293
《樂論》, 3 scrolls, composed by Emperor Wu of Liang. The Liang catalog listed 《樂義》, 11 scrolls, composed by 武帝集朝臣, now lost.
294
《樂論》, 1 scroll, composed by 蕭吉.
295
《古今樂錄》, 12 scrolls, composed by 沙門智匠.
296
《樂書》, 7 scrolls, composed by 都芳.
297
Miscellaneous Books on Music, 3 scrolls.
298
《樂元》, 1 scroll, composed by 魏僧.
299
《管弦記》, 10 scrolls, composed by 淩秀.
300
《樂要》, 1 scroll, composed by 何妥.
301
Music Section, 1 scroll.
302
The Liang catalog listed 《春官樂部》 and 《宋元嘉正聲伎錄》, 5 scrolls, composed by 張解, now lost.
303
調
《樂府聲調》, 6 scrolls, composed by 岐州刺史, 鄭譯.
304
調
《樂府聲調》, 3 scrolls, composed by 鄭譯.
305
Classic of Music, 4 scrolls.
306
《琴操》, 3 scrolls, composed by 孔衍.
307
《琴操鈔》, 2 scrolls.
308
《琴操鈔》, 1 scroll.
309
《琴譜》, 4 scrolls, composed by 戴氏.
310
《琴經》, 1 scroll.
311
《琴說》, 1 scroll.
312
簿
《琴曆頭簿》, 1 scroll.
313
調
《新雜漆調弦譜》, 1 scroll.
314
Musical Scores, 4 scrolls.
315
《樂譜集》, 20 scrolls, composed by 蕭吉.
316
Music Outline, 4 scrolls.
317
《樂律義》, 4 scrolls, composed by 沈重.
318
《鐘律義》, 1 scroll.
319
簿
Registers of Music, 10 scrolls.
320
簿
《齊朝曲簿》, 1 scroll.
321
簿
《大隋總曲簿》, 1 scroll.
322
《推七音》, 2 scrolls.
323
Treatise on Matters of Music, 1 scroll.
324
Matters of Music, 1 scroll.
325
簿
《正聲伎雜等曲簿》, 1 scroll.
326
《太常寺曲名》, 1 scroll.
327
簿
《太常寺曲簿》, 11 scrolls.
328
《歌曲名》, 5 scrolls.
329
《歷代樂名》, 1 scroll.
330
《鐘磬志》, 2 scrolls, composed by 公孫崇.
331
《樂懸》, 1 scroll, composed by 晏等.
332
Diagram of Suspended Musical Instruments, 1 scroll.
333
《鐘律緯辯宗見》, 1 scroll.
334
《當管七聲》, 2 scrolls, composed by 魏僧.
335
The Liang catalog listed 《黃鐘律》 and 《鐘律緯》, 1 scroll, composed by Emperor Wu of Liang, now lost.
336
Above: 42 works, 142 scrolls. Including lost books, 46 works in all, 263 scrolls.
337
:
Music is what the earlier kings used to summon the spirits, harmonize the states, unite the myriad people, put guests at ease, and delight those from afar—it has been so for a long time. The Zhou people preserved the music of six ages, called 《雲門》, 《咸池》, 《大韶》, 《大夏》, 《大護》, and 《大武》. Afterward it declined, collapsed, and by Qin suddenly perished. At the beginning of Han, the Zhi clan though recorded its ringing bells and dancing could not penetrate its meaning. Later, Dou Gong, Prince Xian of Hejian, the King of Changshan, and Zhang Yu all presented 《樂書》. After Wei and Jin, although additions and subtractions were made, the music moved ever farther from correctness; the matter is recorded in the 《聲樂志》. Now what survives in writing is recorded to supplement what is missing from the music chapters. 《春秋經》, 11 scrolls, annotated by 吳衛將軍士燮.
338
《春秋左氏長經》, 20 scrolls.
339
《春秋左氏解詁》, 30 scrolls, composed by Jia Kui.
340
《春秋左氏傳解誼》, 31 scrolls, annotated by 漢九江太守服虔.
341
《春秋左氏傳》, 30 scrolls, annotated by Wang Su.
342
《春秋左氏傳》, 30 scrolls.
343
《春秋左氏傳義注》, 18 scrolls, annotated by 左氏傳義.
344
《春秋左氏傳》, 12 scrolls, composed by 王朗.
345
《春秋左氏經傳集解》, 30 scrolls, composed by Du Yu.
346
《春秋杜氏》 and 《服氏注春秋左傳》, 10 scrolls, annotated by 杜氏》, 《服氏.
347
《春秋左氏傳音》, 3 scrolls, composed by 嵇康. The Liang catalog listed 《春秋左氏傳音》, 3 scrolls, now lost.
348
《春秋左氏傳音》, 3 scrolls, composed by Li Gui.
349
《春秋左氏傳音》, 3 scrolls, composed by 徐邈.
350
《春秋釋訓》, 1 scroll, composed by Jia Kui.
351
《春秋左氏經傳硃墨列》, 1 scroll, composed by Jia Kui.
352
《春秋釋例》, 10 scrolls, composed by 漢公車徵士穎容. The Liang catalog listed 《春秋左氏傳條例》, 9 scrolls, composed by 鄭眾.
353
《春秋左氏膏肓釋屙》, 10 scrolls, composed by 服虔. The Liang catalog listed 《春秋漢議駁》, 2 scrolls, composed by 服虔, now lost.
354
《駁何氏漢議》, 2 scrolls, composed by Zheng Xuan.
355
《春秋成長說》, 9 scrolls, composed by 服虔. The Liang catalog listed 《春秋左氏達義》, 1 scroll, composed by 王玢, now lost.
356
《春秋塞難》, 3 scrolls, composed by 服虔. The Liang catalog listed 《春秋雜議難》, 5 scrolls, composed by Kong Rong. 《春秋左氏釋駁》, 1 scroll, composed by 王朗. Lost.
357
《春秋說要》, 10 scrolls, composed by 糜信.
358
《春秋釋例》, 15 scrolls, composed by Du Yu. The Liang catalog listed 《春秋釋例引序》, 1 scroll, composed by 杜乾光, now lost.
359
《春秋左氏傳評》, 2 scrolls, composed by Du Yu.
360
《春秋條例》, 11 scrolls, composed by 劉寔. The Liang catalog listed 《春秋公羊達義》, 3 scrolls, composed by 劉寔, now lost.
361
《春秋經例》, 12 scrolls, composed by 方範. The Liang catalog listed 《春秋釋滯》 and 《春秋釋難》, 10 scrolls, composed by 殷興. Lost.
362
Regulations of the Zuo Tradition to the Spring and Autumn, 25 scrolls.
363
Explanatory Principles of the Spring and Autumn, 10 scrolls.
364
The Liang catalog listed 《春秋左傳例苑》 and 《春秋經傳說例疑隱》, 19 scrolls, composed by 吳略. Field Allocations in the Zuo Tradition to the Spring and Autumn, 1 scroll. 《春秋十二公名》, 1 scroll, composed by Zheng Xuan. Lost.
365
《春秋左氏經傳通解》, 4 scrolls, composed by 王述之.
366
《春秋左氏傳賈、服異同略》, 5 scrolls, composed by 孫毓.
367
《春秋左氏函傳義》, 15 scrolls, composed by 幹寶.
368
《春秋左氏區別》, 30 scrolls, composed by 何始真.
369
Literary Garden of the Spring and Autumn, 6 scrolls.
370
Grove of the Spring and Autumn, 12 scrolls.
371
Grove of Meanings of the Spring and Autumn, 1 scroll.
372
Speeches of Grandees in the Spring and Autumn, 3 scrolls.
373
Fine Sayings of the Spring and Autumn, 6 scrolls.
374
Genealogies of the Grandees in the Zuo Tradition to the Spring and Autumn, 13 scrolls.
375
《春秋五辯》, 2 scrolls, composed by 沈宏.
376
Discriminations and Verifications of the Spring and Autumn, 6 scrolls.
377
《春秋旨通》, 10 scrolls, composed by 王述之.
378
《春秋經傳解》, 6 scrolls, composed by 崔靈恩.
379
《春秋申先儒傳論》, 10 scrolls, composed by 崔靈恩.
380
《春秋左氏傳立義》, 10 scrolls, composed by 崔靈恩.
381
《集解春秋序》, 1 scroll.
382
《春秋序論》, 2 scrolls, composed by 幹寶.
383
《春秋序》, 1 scroll, annotated by 賀道養.
384
《春秋序》, 1 scroll, composed by 崔靈恩.
385
Chunqiu Xu, 1 scroll, annotated by Tian Yuanxiu.
386
《春秋左傳杜預序集解》, 1 scroll, annotated by 劉炫.
387
《春秋左氏經傳義略》, 25 scrolls, composed by 文阿.
388
《王元規續沈文阿春秋左氏傳義略》, 10 scrolls.
389
《春秋義略》, 30 scrolls, composed by 張沖.
390
Outline of Meanings of the Zuo Tradition to the Spring and Autumn, 8 scrolls.
391
Subcommentary on the Meanings of the Fifty General Rules of the Spring and Autumn, 2 scrolls.
392
《春秋左氏傳述義》, 40 scrolls, composed by 劉炫.
393
The Liang catalog listed 《春秋序義疏》 and 《春秋發題》, 1 scroll, composed by 梁簡文帝. 《春秋左氏圖》, 10 scrolls, composed by Peng Zu. 《古今春秋盟會地圖》, 1 scroll. Lost.
394
Gongyang's Commentary on Spring and Autumn Annals, 12 scrolls, composed by Peng Zu.
395
《春秋公羊解詁》, 11 scrolls, annotated by Hi Xiu.
396
《春秋公羊經傳》, 13 scrolls, annotated by 王愆期. The Liang catalog listed Gongyang's Commentary on Spring and Autumn Annals, 12 scrolls, annotated by 高龍. Gongyang's Commentary on Spring and Autumn Annals, 14 scrolls. 《春秋公羊音》, 1 scroll, composed by Li Gui, 江淳.
397
西
《春秋繁露》, 17 scrolls, composed by 仲舒.
398
《春秋決事》, 10 scrolls, composed by Dong Zhongshu.
399
Treatise Resolving Doubts in the Spring and Autumn, 1 scroll.
400
《春秋左氏膏盲》, 10 scrolls, composed by Hi Xiu.
401
《春秋谷梁廢疾》, 3 scrolls, composed by Hi Xiu.
402
《春秋漢議》, 13 scrolls, composed by Hi Xiu.
403
《駁何氏漢議》, 2 scrolls, composed by Zheng Xuan. The Liang catalog listed 《漢議駁》, 2 scrolls, composed by 服虔, now lost.
404
《駁何氏漢議敘》, 1 scroll.
405
《春秋公羊墨守》, 14 scrolls, composed by Hi Xiu.
406
《春秋公羊例序》, 5 scrolls, composed by 刁氏.
407
《春秋公羊諡例》, 1 scroll, composed by Hi Xiu. The Liang catalog listed 《春秋公羊傳條例》, 1 scroll, composed by Hi Xiu. 《春秋公羊傳問答》, 5 scrolls, questions by 羊傳, answers by 羊傳問. 《春秋公羊論》, 2 scrolls, questions by 庾翼, answers by 王愆期. Lost.
408
《春秋公羊解序》, 1 scroll, composed by 於公.
409
Gongyang Commentary to the Spring and Autumn Subcommentary, 12 scrolls.
410
《春秋谷梁傳》, 13 scrolls, annotated by 唐固. The Liang catalog listed 《春秋谷梁傳》, 15 scrolls, composed by 尹更始, now lost.
411
《春秋谷梁傳》, 12 scrolls, annotated by 糜信.
412
《谷梁傳》, 10 scrolls, annotated by 張靖. The Liang catalog listed 《春秋谷梁傳》, 13 scrolls, annotated by 徐乾. 《春秋谷梁傳》, 10 scrolls. Lost.
413
《春秋谷梁傳》, 16 scrolls, composed by 程闡.
414
《春秋谷梁傳》, 14 scrolls, composed by 孔衍.
415
《春秋谷梁傳》, 12 scrolls, composed by 徐邈.
416
《春秋谷梁傳》, 14 scrolls, annotated by 段肅.
417
《春秋谷梁傳》, 5 scrolls. The Liang catalog listed fourteen scrolls.
418
《春秋谷梁傳》, 12 scrolls. The Liang catalog listed guliang Commentary Pronunciations, 1 scroll, lost.
419
《春秋谷梁傳》, 4 scrolls.
420
《理何氏漢議》, 2 scrolls, composed by 魏人.
421
《春秋谷梁傳義》, 10 scrolls, composed by 徐邈.
422
《春秋議》, 10 scrolls, composed by Hi Xiu.
423
《答春秋谷梁義》, 3 scrolls.
424
《問谷梁義》, 2 scrolls.
425
《春秋谷梁傳例》, 1 scroll, composed by 范寧.
426
《春秋公羊、谷梁傳》, 12 scrolls, composed by 劉兆.
427
《春秋谷梁廢疾》, 3 scrolls, composed by Hi Xiu.
428
Evaluation of the Two Traditions, Gongyang and Guliang, to the Spring and Autumn, 3 scrolls.
429
《春秋三家經本訓詁》, 12 scrolls, composed by Jia Kui. 《三家經》, 2 scrolls, now lost.
430
《春秋三傳論》, 10 scrolls, composed by 韓益.
431
《春秋經合三傳》, 10 scrolls, composed by 潘叔度.
432
《春秋成奪》, 10 scrolls, composed by 潘叔度.
433
《春秋三傳評》, 10 scrolls, composed by 胡訥. The Liang catalog listed 《春秋集三師難》 and 《春秋集三傳經解》, 3 scrolls, composed by 胡訥. Now lost.
434
《春秋土地名》, 3 scrolls, composed by 相璠等.
435
《春秋外傳國語》, 20 scrolls, annotated by Jia Kui.
436
《春秋外傳國語》, 21 scrolls, annotated by 虞翻.
437
《春秋外傳章句》, 1 scroll, composed by Wang Su. The Liang catalog listed twenty-two scrolls.
438
《春秋外傳國語》, 22 scrolls, annotated by Wei Zhao.
439
《春秋外傳國語》, 20 scrolls, annotated by 孔晁.
440
《春秋外傳國語》, 21 scrolls, annotated by 唐固. The Liang catalog listed Maps of Covenant Meetings in the Spring and Autumn, Ancient and Modern, 1 scroll. It is now lost.
441
Above: 97 works, 983 scrolls. Including lost books, 130 works in all, 1192 scrolls.
442
: 退
The Spring and Autumn Annals was the name of the historical records of Lu. In antiquity when Cheng-Zhou was weak and canonical regulations were lost, Lu because of the Duke of Zhou's merit still preserved surviving institutions. Confucius, relying on the old histories, trimmed and corrected them—sometimes indirect and forming a pattern to preserve the great order, sometimes writing events directly to show the chief evil. Hence there are cases of seeking a name yet perishing, wishing to cover yet being exposed—rebellious ministers and wicked sons were greatly terrified. What he praised and blamed cannot all be written; all was orally transmitted to disciples. When disciples withdrew they differed in doctrine; Zuo Qiuming feared the truth would be lost and therefore composed a commentary for it. When Qin extinguished learning, oral transmission still survived. At the beginning of Han, the Gongyang, Guliang, Zou, and Jia schools—four in all—were simultaneously current. In the turmoil of Wang Mang, the Zou school had no teacher and the Jia school perished. At first, Humu Zidu of Qi transmitted the 《公羊春秋》 and taught it to Ying Gong of Donghai. Ying Gong taught Meng Qing of Donghai; Meng Qing taught Suimeng of Lu; Suimeng taught Yan Pengzu of Donghai and Yan Anle of Lu. Therefore in Later Han the 《公羊》 had the Yan and Yan schools, which stood alongside the Guliang as three schools. At the end of Han, He Xiu also composed the 《公羊解說》. The 《左氏》 first emerged in early Han from the household of Zhang Cang, and originally no one transmitted it. By the time of Emperor Wen, Grand Tutor Jia Yi of Liang composed exegesis and taught Gong of Zhao. Afterward Liu Xin supervised collation of classics and records, examined and corrected them, and wished to establish them in the schools, but the Confucian scholars did not respond. By the Jianwu era, Director of the Masters of Writing Han Xin requested establishment but it was not carried out. At that time Chen Yuan was the leading expert on the Zuo Tradition, and he again submitted a memorial defending it. Therefore Li Feng of Wei Commandery was appointed Erudite for the Zuo Tradition. Afterward obstinate Confucian scholars repeatedly debated it at court. When Feng died, it was then abolished. Yet there were very many classicists who transmitted the 《左氏》. During the Yongping period, those able to explain the 《左氏》 were selected from the highest examination grade and made Lecturing Gentlemen. Afterward Jia Kui and Fu Qian both composed exegesis. By Wei it circulated in the world. In Jin, Du Yu also composed the 《經傳集解》. Fan Ning's commentary on the 《谷梁》, He Xiu's commentary on the 《公羊》, and Fu Qian's and Du Yu's commentaries on the 《左氏》 were all established in the National Academy. However, for the 《公羊》 and 《谷梁》, students were only tested on reading the text and could not master their meaning. Later students lectured through all three commentaries, but for the 《左氏》 only Fu Qian's interpretation was transmitted. By Sui, Du Yu's version flourished, while Fu Qian's interpretation and the 《公羊》 and 《谷梁》 gradually declined; now they have almost no teachers' explanations. 《古文孝經》, 1 scroll. At the end of Liang it was lost; now it is suspected not to be the old text.
443
《孝經》, 1 scroll, annotated by 鄭氏. The Liang catalog listed Xiao Jing, 2 scrolls, annotated by Ma Rong and Zheng Zhong, now lost.
444
祿
《孝經》, 1 scroll. The Liang catalog had annotations to the 《孝經》 by Su Lin, cavalier attendant-in-ordinary of Wei; He Yan, minister of personnel; Liu Shao, grand master of splendid happiness; and Master Sun and others, each in 1 scroll. These are lost.
445
Praise and Explanation of the Classic of Filial Piety, 1 scroll.
446
《孝經默注》, 1 scroll, annotated by 經默.
447
《集解孝經》, 1 scroll.
448
《集議孝經》, 1 scroll, composed by 荀昶, now lost.
449
祿
《集議孝經》, 1 scroll. The Liang catalog listed 《孝經皇義》, 1 scroll, composed by 宋均. It also had annotations to the 《孝經》 by Yang Hong, palace attendant of Jin; the retired scholars Yu Panzuo and Master Sun; Yin Zhongwen, grand administrator of Dongyang; Yin Shudao, grand administrator of Jinling; Che Yin, governor of Danyang; and Kong Guang, each in 1 scroll. 《孝經》, 2 scrolls, annotated by 荀昶. He Chengtian and Fei Shen of Song; Wang Xuanzai, grand master of splendid happiness of Qi; Ming Sengshao, Erudite of the National University; Yan Zhitui, Erudite of the Five Classics under Liang; Cao Siwen, merit-discussion gentleman of the Secretariat; Jiang Xizhi, supervisor of the Feathered Forest; Jiang Xun; and others each annotated the 《孝經》 in 1 scroll. 《孝經》, 1 scroll, annotated by 釋慧始. 《集注孝經》, 1 scroll, annotated by 景《集. 《孝經序》, 1 scroll. Lost.
450
《孝經》, 1 scroll, annotated by 釋慧琳. The Liang catalog had 《晉孝經》 from the time of Jin Emperor Mu in 1 scroll; from the time of Emperor Wu, 《送總明館孝經講》 and 《議》, each in 1 scroll; from the Daming era of Song, 《東宮講》; from Yongming 3 of Qi, 《東宮講》; from the Yongming era of Qi, 《諸王講》 and He Sui's lecture and discussion on 《孝經義疏》, each in 1 scroll; and Li Yuzhi, magistrate of Linyi under Qi, lecturing on 《孝經義疏》 for the Prince of Shixing, in 2 scrolls. These are lost.
451
《孝經義疏》, 18 scrolls, composed by Emperor Wu of Liang. The Liang catalog had the crown prince's lectures on 《孝經義》 in 3 scrolls; the crown prince's lectures on 《孝經義》 from Tianjian 8 in 1 scroll; Liang Jianwen's 《孝經義疏》 in 5 scrolls; and Xiao Zixian's 《孝經義疏》 in 1 scroll. These are lost.
452
《孝經敬愛義》, 1 scroll, composed by Xiao Zixian.
453
《孝經私記》, 4 scrolls, composed by 無名先生.
454
Classic of Filial Piety Meaning, 1 scroll.
455
《孝經義疏》, 1 scroll, composed by 景韶.
456
《孝經義疏》, 3 scrolls, composed by 皇侃.
457
《孝經私記》, 2 scrolls, composed by 弘正.
458
《古文孝經述義》, 5 scrolls, composed by 劉炫.
459
《孝經講疏》, 6 scrolls, composed by 徐孝克.
460
《孝經義》, 1 scroll, composed by 太史叔明. The Liang catalog listed 《孝經玄》 and 《孝經圖》 and 《孝經孔子圖》, 1 scroll, now lost.
461
《國語孝經》, 1 scroll.
462
Above: 18 works, 63 scrolls. Including lost books, 59 works in all, 114 scrolls.
463
:
Filial piety is Heaven's norm, Earth's righteousness, and human conduct. From the Son of Heaven down to the common people, though honor and humility differ, in the practice of filial piety the meaning is one. The earlier kings relied on it to govern the state, transform All-under-Heaven, and thus could achieve order without severity and completion without austerity. This is truly the utmost virtue of living beings and the essential Way of kings. After Confucius arranged the Six Classics, their titles differed and their meanings diverged. Fearing that this Way would scatter, he composed the 《孝經》 to gather them all together, showing that although the branches and streams were divided, their root sprouted from filial piety. When Qin burned books, it was hidden by Yan Zhi of Hejian. At the beginning of Han, Zhi's son Zhen brought it forth—in all eighteen chapters—and the Chief of the Changsun clan, Erudite Jiang Weng, Director of the Palace Workshop Hou Cang, Remonstrance Grandee Ji Feng, and Marquis Zhang Yu of Anchang all named their schools after it. There was also 《古文孝經》 Classic of Filial Piety, transmitted by 《古文孝經》,《古文尚書》,《閨門》,《閨門》,《閨門》,《閨門》,《閨門》,《閨門》. When Liu Xiang supervised collation of classics and records, he compared Yan's text against the ancient script, removed what was redundant and confusing, and fixed it at eighteen chapters. Zheng Zhong and Ma Rong both annotated it. There is also a Zheng commentary, transmitted as being by Zheng Xuan; its established meaning differs from Xuan's annotations on his other books, hence it is doubted. In the Liang dynasty the Anguo and Zheng schools were both listed in the National University, but Anguo's text was lost in the turmoil of Liang. In Chen and under Zhou and Qi, only the Zheng school was transmitted. In Sui, Wang Shao, Director of the Palace Library, searched in the capital and obtained the 《孔傳》, then sent it to Liu Xuan of Hejian. Xuan ordered its gains and losses, set forth its discussions and subcommentary, and lectured among the people; it gradually reached the court, and afterward an edict was issued establishing it alongside the Zheng school. Confucian scholars clamored, all saying Xuan had composed it himself and that it was not Confucius's old text; moreover the secret repository had never had the book. It is also said that when the Wei house moved to Luoyang and had not yet mastered the Chinese language, Emperor Xiaowen ordered Houfuhou Kexiling to translate the meaning of the 《孝經》 in the barbarian tongue and teach it to the people of the state; it was called the 《國語孝經》. Now it is appended at the end of this section. The Analects of Confucius, 10 scrolls, annotated by Zheng Xuan. The Liang catalog listed 《古文論語》, 10 scrolls, annotated by Zheng Xuan. There were also annotations to The Analects, 10 scrolls each, by Wang Su, Yu Fan, Qiao Zhou, and others. Lost.
464
The Analects of Confucius, 9 scrolls, annotated by Zheng Xuan.
465
《集解論語》, 10 scrolls.
466
《集注論語》, 6 scrolls, annotated by 《集. The Liang catalog listed 《論語補闕》, 2 scrolls, now lost.
467
《論語集義》, 8 scrolls. The Liang catalog listed ten scrolls.
468
The Analects of Confucius, 10 scrolls, annotated by Li Chong.
469
《集解論語》, 10 scrolls. The Liang catalog listed annotations to The Analects, 10 scrolls each, by Ying Shi and Meng Zheng, now lost.
470
《集解論語》, 10 scrolls.
471
The Analects of Confucius, 7 scrolls, annotated by Lushi. The Liang catalog listed annotations to The Analects, 10 scrolls each, by Liang Ji, Yuan Qiao, Yin Yi, Zhang Ping, Yang Huiming, Kong Chengzhi, Yu Xia, Xu Rong, and Cao Siwen; an explanation by the monk Zhilue; a collected explanation by Liang Taishi Shuming; and a collected annotation by Tao Hongjing. 《論語音》, 2 scrolls, composed by 徐邈等. Lost.
472
The Liang catalog listed 《論語難鄭》 and 《古論語義注譜》, 1 scroll, composed by 徐氏, annotated by 古論語義. 《論語隱義注》 and 《論語義注》, 3 scrolls, annotated by 《論語隱義. Lost.
473
Difficulties with Zheng's Analects, 1 scroll.
474
《論語標指》, 1 scroll, composed by 司馬氏.
475
Miscellaneous Questions on the Analects, 1 scroll.
476
《論語孔子弟子目錄》, 1 scroll, composed by Zheng Xuan.
477
簿
《論語體略》, 2 scrolls, composed by 郭象.
478
《論語旨序》, 3 scrolls, composed by 繆播.
479
《論語釋疑》, 3 scrolls, composed by Wang Bi.
480
《論語釋》, 1 scroll, composed by 張憑.
481
《論語釋疑》, 10 scrolls, composed by 欒肇. The Liang catalog listed 《論語釋駁》, 3 scrolls, composed by Wang Su. 《論語駁序》, 2 scrolls, composed by 欒肇. 《論語隱》, 1 scroll, composed by 郭象. 《論語藏集解》, 1 scroll, composed by 應琛. 《論語釋》, 1 scroll, composed by 曹毗. 《論語君子無所爭》, 1 scroll, composed by Yu Liang. 《論語釋》, 1 scroll, composed by Li Chong. 《論語釋》, 1 scroll, composed by 庾翼. 《論語義》, 1 scroll, composed by 王濛. 《論語釋》 and 《論語釋》 and 《通鄭》 and 《修鄭錯》 and 《論釋》, 1 scroll. Lost.
482
《論語別義》, 10 scrolls, composed by 範暠. The Liang catalog listed 《論語疏》, 8 scrolls, composed by 張略等. 《新書對張論》, 10 scrolls, composed by 虞喜.
483
《論語義疏》, 10 scrolls, composed by 仲都.
484
《論語義疏》, 10 scrolls, composed by 皇侃.
485
《論語述義》, 10 scrolls, composed by 劉炫.
486
Analects Subcommentary on the Meaning, 8 scrolls.
487
《論語講疏文句義》, 5 scrolls, composed by 徐孝克.
488
《論語義疏》, 2 scrolls, composed by 張沖. The Liang catalog listed Illustrated Commentary on the Meanings of the Analects, 12 scrolls. It is now lost.
489
《孔叢》, 7 scrolls, composed by 孔鮒. The Liang catalog listed 《孔志》, 10 scrolls, composed by 劉被, now lost.
490
《孔子家語》, 21 scrolls. The Liang catalog listed 《當家語》, 2 scrolls, composed by 張融, now lost.
491
《孔子正言》, 20 scrolls, composed by Emperor Wu of Liang.
492
《爾雅》, 3 scrolls, annotated by 漢中散大夫樊光. The Liang catalog listed 《爾雅》, 3 scrolls, now lost.
493
《爾雅》, 7 scrolls, annotated by 孫炎.
494
《爾雅》, 5 scrolls, annotated by Guo Pu.
495
《集注爾雅》, 10 scrolls, annotated by 《集.
496
《爾雅音》, 8 scrolls, composed by 江漼. The Liang catalog listed 《爾雅音》, 2 scrolls, composed by 孫炎, Guo Pu.
497
《爾雅圖》, 10 scrolls, composed by Guo Pu. The Liang catalog listed 《爾雅圖贊》, 2 scrolls, composed by Guo Pu, now lost.
498
Guang Ya, 3 scrolls, composed by Zhang Yi. The Liang catalog listed 4 scrolls.
499
《廣雅音》, 4 scrolls, composed by 曹憲.
500
《小爾雅》, 1 scroll.
501
《方言》, 13 scrolls, composed by 漢揚雄, annotated by Guo Pu.
502
Shi Ming, 8 scrolls, composed by Liu Xi.
503
《辯釋名》, 1 scroll, composed by Wei Zhao.
504
《五經音》, 10 scrolls, composed by 徐邈.
505
《五經正名》, 12 scrolls, composed by 劉炫.
506
《白虎通》, 6 scrolls.
507
《五經異義》, 10 scrolls, composed by Xu Shen.
508
《五經然否論》, 5 scrolls, composed by 常侍譙周.
509
《五經拘沈》, 10 scrolls, composed by 楊方.
510
《五經大義》, 3 scrolls, composed by 戴逵. The Liang catalog listed 《通五經》, 5 scrolls, composed by 王氏. 《五經諮疑》, 8 scrolls, composed by 周楊. 《五經異同評》, 1 scroll, composed by 賀緌. 《五經秘表要》, 3 scrolls. Lost.
511
《五經大義》, 10 scrolls, composed by 文深.
512
《經典大義》, 12 scrolls, composed by 文阿.
513
《五經大義》, 5 scrolls, composed by 何妥.
514
《五經通義》, 8 scrolls.
515
《五經義》, 6 scrolls. 《五經義略》, 1 scroll, now lost.
516
《五經要義》, 5 scrolls, composed by 雷氏.
517
《五經析疑》, 28 scrolls, composed by 邯鄲綽.
518
《五經宗略》, 23 scrolls, composed by 元延明.
519
《五經雜義》, 6 scrolls, composed by 孫暢之.
520
《長春義記》, 100 scrolls, composed by 梁簡文帝.
521
《大義》, 9 scrolls.
522
《游玄桂林》, 9 scrolls, composed by 張譏.
523
《六經通數》, 10 scrolls, composed by 鮑泉.
524
《七經義綱》, 29 scrolls, composed by 文深.
525
《七經論》, 3 scrolls, composed by 文深.
526
《質疑》, 5 scrolls, composed by 文深.
527
《經典玄儒大義序錄》, 2 scrolls, composed by 文阿.
528
《玄義問答》, 2 scrolls, questions by 《玄義, answers by 《玄義問.
529
《六藝論》, 1 scroll, composed by Zheng Xuan.
530
《聖證論》, 12 scrolls, composed by Wang Su.
531
《鄭志》, 11 scrolls, composed by 鄭小同.
532
《鄭記》, 6 scrolls, composed by 鄭玄弟子.
533
《諡法》, 3 scrolls, composed by Liu Xi.
534
《諡法》, 10 scrolls, composed by 特進, Shen Yue.
535
《諡法》, 5 scrolls, composed by 賀緌.
536
《江都集禮》, 126 scrolls.
537
Above: 73 works, 781 scrolls. Including lost books, 116 works in all, 1027 scrolls.
538
: 鹿 ·
The 《論語》 is what Confucius's disciples recorded. After Confucius had arranged the Six Classics and lectured on the banks of the Zhu and Si, he had three thousand disciples, seventy of whom mastered the Way. Their responses to the Master and their private discussions and studies—words in accord with the Way—were sometimes written on their sashes and sometimes pursued without satiety. After Zhongni died, they compiled and arranged them, calling the work the 《論語》. At the beginning of Han there were Qi and Lu versions. Those transmitted in Qi had twenty-two chapters; those in Lu had twenty chapters. In Qi: Wang Ji, Commandant of Changyi; Zong Qi, Director of the Palace Workshop; Gong Yu, Grand Secretary; Wulu Chongzong, Director of the Masters of Writing; Yong Sheng of Jiaodong. In Lu: Gong Fen, Commandant of Changshan; Xiahou Sheng, Director of the Palace Workshop of Changxin; Lord Wei, Marquis of Jie, father and son; Fu Qing of Lu; Xiao Wangzhi, Former General of the Vanguard; Marquis Zhang Yu of Anchang—all named their schools after it. Zhang Yu originally studied the 《魯論》, later lectured on the 《齊論》, and afterward combined and examined them, deleting what was cumbersome or confusing. He removed the two chapters 《問王》 and 《知道》 from the 《齊論》 and fixed the text according to the twenty chapters of the 《魯論》, calling it the 《張侯論》; it was highly valued in his age. The Zhou and Bao clans composed commentarial glosses; Ma Rong also composed exegesis. There was also an old-text 《論語》, which emerged together with the 《古文尚書》. Its chapter phrases were sometimes fuller or shorter, but it did not differ from the 《魯論》, except that it divided 《子張》 into two chapters, so it had twenty-one chapters. Kong Anguo composed a tradition for it. At the end of Han, Zheng Xuan took the Marquis Zhang's Discourses as his base, consulted the Qi Discourses and the Old Discourses, and annotated the Analects. Chen Qun, Minister of Works of Wei, Wang Su, Grand Minister of Ceremonies, and Erudite Zhou Shengli all composed explications of meaning. He Yan, Director of the Ministry of Personnel, also composed collected explanations. After this, many scholars made annotations to it, and the Qi Analects was then lost. The old 《論》 initially had no teachers' explanations. In the Liang and Chen periods, only Zheng Xuan's and He Yan's versions were established in the National Academy, and Zheng's school was very weak. Under Zhou and Qi, the Zheng school alone was established. By Sui, He and Zheng were both current; the Zheng school flourished among the people. The 《孔叢》 and 《家語》 both transmit Zhongni's meaning as handed down by the Kong family. The 《爾雅》 and related books explain ancient and modern meanings, and all concern the general meaning of the Five Classics; they are appended to this section. 《河圖》 and Lo Shu Square, 20 scrolls, now lost.
539
《河圖龍文》, 1 scroll.
540
《易緯》, 8 scrolls, annotated by Zheng Xuan. The Liang catalog listed 9 scrolls.
541
《尚書緯》, 3 scrolls, annotated by Zheng Xuan.
542
《尚書中候》, 5 scrolls, annotated by Zheng Xuan. The Liang catalog listed 8 scrolls.
543
《詩緯》, 18 scrolls, annotated by 宋均. The Liang catalog listed ten scrolls.
544
《禮緯》, 3 scrolls, annotated by Zheng Xuan, now lost.
545
《禮記默房》, 2 scrolls, annotated by 宋均. The Liang catalog listed 3 scrolls.
546
《樂緯》, 3 scrolls, annotated by 宋均. The Liang catalog listed Diagrams of the Five Birds of Music, 1 scroll. Lost.
547
《春秋災異》, 15 scrolls, composed by 郗萌. The Liang catalog listed 《春秋緯》, 30 scrolls, annotated by 宋均. 《春秋內事》 and 《春秋包命》 and 《春秋秘事》 and 《書、易、詩、孝經、春秋、河洛緯秘要》 and 《五帝鉤命訣圖》, 4 scrolls. Lost.
548
《孝經勾命訣》, 6 scrolls, annotated by 宋均.
549
《孝經援神契》, 7 scrolls, annotated by 宋均.
550
宿
The Liang catalog listed 《孝經內事》 and 《孝經雜緯》, 1 scroll, annotated by 宋均. 《孝經元命包》, 1 scroll; 《孝經古秘援神》, 2 scrolls; 《孝經古秘圖》, 1 scroll; 《孝經左右握》, 2 scrolls; 《孝經左右契圖》, 1 scroll; 《孝經雌雄圖》, 3 scrolls; 《孝經異本雌雄圖》, 2 scrolls; 《孝經分野圖》, 1 scroll; 《孝經內事圖》, 2 scrolls; 《孝經內事星宿講堂七十二弟子圖》, 1 scroll; and also 《口授圖》, 1 scroll. 《論語讖》, 8 scrolls, annotated by 宋均. 《孔老讖》, 12 scrolls; 《老子河洛讖》, 1 scroll; 《尹公讖》, 4 scrolls; 《劉向讖》, 1 scroll; 《雜讖書》, 29 scrolls; 《堯戒舜、禹》, 1 scroll; 《孔子王明鏡》, 1 scroll; 《郭文金雄記》, 1 scroll; 《王子年歌》, 1 scroll; and 《嵩高道士歌》, 1 scroll. Lost.
551
Above: 13 works, 92 scrolls. Including lost books, 32 works in all, 232 scrolls.
552
: 使
The Book of Changes says: "When the Yellow River yields the Chart and the Luo River yields the Writ." Thus when the sage receives the Mandate, he must build on accumulated virtue and repeated achievement, abundant merit and thick benefit, sincerity manifest to Heaven and Earth and grace covering the living—what the myriad things turn toward and what the spirits bless—then there is a response of the Heavenly Mandate. Tortoises and dragons bear and carry them, emerging from the River and Luo, to record signs of dynastic change; the principle is obscure and reaches to the spirit-way. The earlier kings feared they would confuse people and kept them secret without transmitting them. Expositors also say that after Confucius had arranged the Six Classics to clarify the Way of Heaven and man, knowing later generations could not examine together his intent, he separately established weft texts and prognostications to leave them to posterity. This book appeared in Former Han. There were nine chapters of 《河圖》 and six chapters of 《洛書》, said to be original texts received from the Yellow Emperor down to King Wen of Zhou. There are also thirty chapters, said to have been expanded by the nine sages from the beginning down to Confucius to broaden the meaning. There was also 《七經緯》, 《七經緯》,《七經緯》,《七經緯》. There were also such books as the 《尚書中候》, 《洛罪級》, 《五行傳》, 《詩推度災》, 《氾曆樞》, 《含神務》, 《孝經勾命訣》, 《援神契》, and 《雜讖》. In Han there were the Xi and Yuan schools of exposition. At the end of Han, Gentleman of the Interior Xi Meng collected charts, weft texts, prophecy books, and miscellaneous divinations into fifty chapters, calling the work 《春秋災異》. Song Jun and Zheng Xuan both composed annotations on prognostications and statutes. Yet their literary phrasing is shallow and vulgar, inverted and erroneous, not resembling the purport of the sages. Transmission suggests that after people of the world fabricated them, some perhaps further altered them—it is not a true record. It began when Wang Mang loved token-destiny; Emperor Guangwu rose through charts and prognostications, and thus it greatly flourished in the world. In Han an edict also ordered King Cang of Dongping to correct the commentarial glosses of the Five Classics—all were commanded to follow prognostications. Vulgar Confucians chased the times and further made it their learning; scrolls and titles grew ever more numerous. Those who spoke of the Five Classics all relied on prognostications as their explanation. Only Kong Anguo, Lord Mao, Wang Huang, Jia Kui, and the like rejected it, transmitting the view that it was delusive and false, disordering the canonical mean. Therefore, relying on the ancient script obtained by King Gong of Lu and King Xian of Hejian in Han, they collated and examined it to complete its meaning—this was called "ancient learning." Confucian scholars of the age also denounced and destroyed it; in the end it could not be established. Wang Su of Wei promoted ancient learning to challenge its meaning. Wang Bi and Du Yu followed and clarified it; from this ancient learning was gradually established. By the Daming era of Song, charts and prognostications were first banned; after the Tianjian era of Liang the prohibition was renewed. When the Founding Emperor received the abdication, the ban was even stricter. When Emperor Yang ascended the throne, he sent emissaries in four directions to search books throughout the realm; whatever was connected with prognostications and weft texts was burned; those reported by officials were punished by death. From this the learning no longer existed; within the secret repository much was also lost and scattered. Now what survives in writing is recorded and listed under the Six Classics to preserve variant doctrines. 《三蒼》, 3 scrolls, annotated by Guo Pu. Li Si, chancellor of Qin, composed the 《蒼頡篇》; Yang Xiong of Han composed the 《訓纂篇》; and Jia Fang, Gentleman of the Interior under Later Han, composed the 《滂喜篇》. Therefore they were called the 《三蒼》. The Liang catalog listed Cangjie, 2 scrolls, annotated by Du Lin, Minister of Works of the Later Han, now lost.
553
《埤蒼》, 3 scrolls, composed by Zhang Yi. The Liang catalog listed 《廣蒼》, 1 scroll, composed by 樊恭, now lost.
554
《急就章》, 1 scroll, composed by 史遊.
555
《急就章》, 2 scrolls, composed by 崔浩.
556
《急就章》, 3 scrolls, composed by Lushi.
557
《吳章》, 2 scrolls, composed by Lu Ji.
558
《小學篇》, 1 scroll, composed by 王義.
559
《少學》, 9 scrolls, composed by 楊方.
560
《始學》, 1 scroll.
561
On Learning, 1 scroll, composed by Cai Yong. There were Sima Xiangru's 《凡將篇》, Ban Gu's 《太甲篇》 and 《在昔篇》, Cui Yuan's 《飛龍篇》, Cai Yong's 《聖皇篇》, 《黃初篇》, and 《吳章篇》, and Cai Yong's 《女史篇》, making 8 scrolls in all; also 《幼學》, 2 scrolls, composed by Zhu Yu. 《始學》, 12 scrolls, composed by 項峻. 《月儀》, 12 scrolls. Lost.
562
《發蒙記》, 1 scroll, composed by 束皙.
563
《啟蒙記》, 3 scrolls, composed by Gu Kaizhi or Ku K'aichih.
564
《啟疑記》, 3 scrolls, composed by Gu Kaizhi or Ku K'aichih.
565
Thousand Character Classic, 1 scroll, composed by Zhou Xingsi.
566
Thousand Character Classic, 1 scroll, annotated by 蕭子雲.
567
Thousand Character Classic, 1 scroll, annotated by 胡肅.
568
《篆書千字文》, 1 scroll.
569
《演千字文》, 5 scrolls.
570
《草書千字文》, 1 scroll.
571
《古今字詁》, 3 scrolls, composed by Zhang Yi. The Liang catalog listed 《難字》 and 《錯誤字》, 1 scroll, composed by Zhang Yi. 《異字》, 2 scrolls, composed by 硃育. 《字屬》, 1 scroll, composed by 賈魴. Lost.
572
《雜字解詁》, 4 scrolls, composed by 周氏. The Liang catalog listed 《解文字》, 7 scrolls, composed by 周成. 《字義訓音》 and 《古今字苑》, 6 scrolls, composed by 侯彥. Lost.
573
《雜字指》, 1 scroll, composed by 郭顯卿.
574
《字指》, 2 scrolls, composed by 李彤. The Liang catalog listed 《單行字》, 4 scrolls, composed by 李彤. 《字偶》, 5 scrolls. Lost.
575
Shuo Wen Jie Zi, 15 scrolls, composed by Xu Shen. The Liang catalog listed 《演說文》, 1 scroll, annotated by 庾儼默, now lost.
576
《說文音隱》, 4 scrolls.
577
Zilin, 7 scrolls, composed by Lu Chen, county magistrate of Xian under Jin.
578
《字林音義》, 5 scrolls, composed by 吳恭.
579
《古今字書》, 10 scrolls.
580
《字書》, 3 scrolls.
581
《字書》, 10 scrolls.
582
《字統》, 21 scrolls, composed by 陽承慶.
583
《玉篇》, 31 scrolls, composed by Gu Yewang.
584
《字類敘評》, 3 scrolls, composed by 洪伯.
585
《要字苑》, 1 scroll, composed by 康樂. The Liang catalog listed 《常用字訓》, 1 scroll, composed by 仲堪. 《要用字對誤》, 4 scrolls, composed by 鄒誕生, now lost.
586
《要用雜字》, 3 scrolls, composed by 鄒裡. The Liang catalog listed 《文字要記》, 3 scrolls, composed by 王義, now lost.
587
《俗語難字》, 1 scroll, composed by 王劭.
588
《雜字要》, 3 scrolls, composed by 李少通.
589
《文字整疑》, 1 scroll.
590
《正名》, 1 scroll.
591
《文字集略》, 6 scrolls, composed by 阮孝緒.
592
《今字辯疑》, 3 scrolls, composed by 李少通.
593
The Liang catalog listed 《異字同音》 and 《釋字同音》, 1 scroll, composed by 文甫.
594
《字宗》, 3 scrolls, composed by 薛立.
595
The Liang catalog listed 《文字譜》 and 《古今文字序》, 1 scroll, composed by 劉歊. 《文字統略》, 1 scroll, composed by 焦子明. Lost.
596
《文字辯嫌》, 1 scroll, composed by 彭立.
597
《辯字》, 1 scroll, composed by 戴規.
598
《雜字音》, 1 scroll.
599
《借音字》, 1 scroll.
600
Examining the Origins of Pronunciation and Writing, 1 scroll.
601
《聲韻》, 41 scrolls, composed by 周研.
602
Shenglei, 10 scrolls, composed by Li Deng, Left School Director of Wei.
603
《韻集》, 10 scrolls.
604
《韻集》, 6 scrolls, composed by 呂靜.
605
《四聲韻林》, 28 scrolls, composed by 張諒.
606
《韻集》, 8 scrolls, composed by 段弘.
607
The Liang catalog listed 《群玉典韻》 and 《文章音韻》, 5 scrolls, composed by 王該. 《五音韻》, 5 scrolls. Lost.
608
《韻略》, 1 scroll, composed by 陽休之.
609
《修續音韻訣疑》, 14 scrolls, composed by 李概.
610
《纂韻鈔》, 10 scrolls.
611
《四聲指歸》, 1 scroll, composed by 劉善經.
612
《四聲》, 1 scroll, composed by Shen Yue.
613
《四聲韻略》, 13 scrolls, composed by 夏侯詠.
614
《音譜》, 4 scrolls, composed by 李概.
615
《韻英》, 3 scrolls, composed by 釋靜洪.
616
《通俗文》, 1 scroll, composed by 服虔.
617
《訓俗文字略》, 1 scroll, composed by Yan Zhitui.
618
The Liang catalog listed 《證俗音字略》 and 《詁幼》, 6 scrolls, composed by Yan Yanzhi. 《廣詁幼》, 1 scroll, composed by 荀楷. Lost.
619
《文字音》, 7 scrolls, composed by 王延. The Liang catalog listed 《纂文》, 3 scrolls, now lost.
620
《翻真語》, 1 scroll, composed by 王延.
621
《真言鑒誡》, 1 scroll.
622
《字書音同異》, 1 scroll.
623
《敘同音義》, 3 scrolls.
624
《河洛語音》, 1 scroll, composed by Zhangsun.
625
《國語》, 15 scrolls.
626
《國語》, 10 scrolls.
627
《鮮卑語》, 5 scrolls.
628
《國語物名》, 4 scrolls, composed by 侯可悉陵.
629
《國語真歌》, 10 scrolls.
630
《國語雜物名》, 3 scrolls, composed by 侯可悉陵.
631
《國語十八傳》, 1 scroll.
632
《國語禦歌》, 11 scrolls.
633
《鮮卑語》, 10 scrolls.
634
National Language Commands, 4 scrolls.
635
《國語雜文》, 15 scrolls.
636
《鮮卑號令》, 1 scroll, composed by Emperor Wu of Northern Zhou.
637
《雜號令》, 1 scroll.
638
《古文官書》, 1 scroll, composed by 衛敬仲.
639
《古今奇字》, 1 scroll, composed by 郭顯卿.
640
《六文書》, 1 scroll.
641
《四體書勢》, 1 scroll, composed by 衛恆.
642
《雜體書》, 9 scrolls, composed by 釋正度.
643
《古今八體六文書法》, 1 scroll.
644
《古今篆隸雜字體》, 1 scroll, composed by 蕭子政.
645
《古今文等書》, 1 scroll.
646
《篆隸雜體書》, 2 scrolls.
647
《文字圖》, 2 scrolls.
648
《古今字圖雜錄》, 1 scroll, composed by 曹憲.
649
The Liang catalog listed 《婆羅門書》 and 《扶南胡書》, 1 scroll.
650
《外國書》, 4 scrolls.
651
《秦皇東巡會稽刻石文》, 1 scroll.
652
The Liang catalog listed 《一字石經周易》, 1 scroll.
653
The Liang catalog listed 《一字石經尚書》 and 《今字石經鄭氏尚書》, 6 scrolls, composed by 亡, annotated by 亡, now lost.
654
The Liang catalog listed 《一字石經魯詩》 and Mao Shi, 6 scrolls, now lost.
655
《一字石經儀禮》, 9 scrolls.
656
The Liang catalog listed 《一字石經春秋》, 1 scroll.
657
《一字石經公羊傳》, 9 scrolls.
658
The Liang catalog listed 《一字石經論語》, 1 scroll.
659
Stone Classic Treatise in One Character, 1 scroll.
660
The Liang catalog listed 《三字石經尚書》, 9 scrolls.
661
《三字石經尚書》, 5 scrolls.
662
The Liang catalog listed 《三字石經春秋》, 3 scrolls.
663
Above: 108 works, 447 scrolls. Including lost books, 135 works in all, 569 scrolls.
664
: 西
Confucius said: "One must rectify names!" Names mean written characters. "If names are not correct, speech does not accord; if speech does not accord, affairs are not accomplished." Expositors hold that writing arose from Yellow Emperor's Cang Jie. Comparing categories and picturing forms is called wen; form and sound mutually enhancing is called zi; written on bamboo and silk is called shu. Hence there are the six categories: pictographs, phonetic compounds, combined meanings, explanatory transference, loan characters, and indicative forms. In antiquity boys were shown things without deception; at six they were taught numbers and directional names. At ten they entered elementary school and learned writing and calculation. At twenty they capped and began to study the Way of the earlier kings, and thus could complete their virtue and undertake affairs. Yet from Cang Jie down to the beginning of Han, writing underwent five changes: first, ancient script, what Cang Jie created. Second, large seal script, what Scribe Zhou created in the time of King Xuan of Zhou. Third, small seal script, what Li Si created in Qin. Fourth, clerical script, what Cheng Miao created. Fifth, cursive script, created at the beginning of Han. When Qin abolished ancient script it first used eight styles: large seal, small seal, carved tally, seal impression, insect script, signature script, weapon script, and clerical script. In Han the six styles were used to teach schoolboys: ancient script, odd characters, seal script, clerical script, twisted seal, and bird-and-insect—together with draft script, regular script, suspended needle, hanging dew, flying white, and more than twenty forms, all arising from the six scripts above and changing according to circumstance. In the Wei age there was also clerical-style writing. For the meanings, glosses, and readings of its characters, there were works such as the 《史籀篇》, 《蒼頡篇》, 《三蒼》, 《埤蒼》, and 《廣蒼》, along with books on glosses and explanations, the 《說文》 and 《字林》, sound and meaning, rhymes, and graph forms. Afterward in Later Han Buddhist teaching spread in China and Western Region Kharosthi script was also obtained, able to cover all sounds with fourteen letters—text economical and meaning broad—called Brahmin script; its principle differs from the eight styles and six scripts, and is now appended under forms and styles. Also when Later Wei first settled the Central Plains, military commands were all in barbarian speech; afterward influenced by Chinese custom, many could not be understood, so the original words were recorded and transmitted for teaching—called the "National Language"—now appended at the end of phonology. Also in Later Han the Seven Classics were carved on stone tablets, all written by Cai Yong. In the Zhengshi era of Wei a three-script stone classic was also established; by transmission it was considered the correct characters of the Seven Classics. At the end of Later Wei, when Qi Emperor Shenwu held power, they were moved from Luoyang to the capital at Ye; passing Heyang, the bank collapsed and they sank in the water. Of what reached Ye, not even half remained. In the sixth year of Kaihuang of Sui they were again carried from the capital at Ye into Chang'an and placed in the inner secretariat; it was proposed to repair and compile them and establish them in the National University. Soon afterward Sui fell into disorder and the matter was abandoned; the construction office used them as pillar bases. At the beginning of Zhenguan, Minister of the Secretariat Wei Zheng first gathered them together—not one in ten survived. Rubbing copies transmitted by inheritance still remain in the secret repository, together with the Qin emperor's carved stones, appended to this section to complete elementary learning.
665
穿
In all, the Six Arts classics and weft texts: six hundred twenty-seven titles, five thousand three hundred seventy-one scrolls. Including lost books, 950 works in all, 7290 scrolls. [Conclusion] The Commentary says: "If jade is not polished, it cannot become a vessel; if people do not study, they do not know the Way." The gentlemen of antiquity were broadly learned without exhaustion, storing doubts to await questioning: learning did not overstep rank, teaching did not cross gradation; words were concise and easy to understand, the teacher at ease and achievement doubled; they both plowed and nurtured, and in three years completed one art. From the time Confucius died and subtle words ceased, the seventy disciples passed away and the great meaning went astray. Scholars lived apart in isolation, each forming a different doctrine. Down to the Warring States, canonical texts were abandoned; Confucian scholars of the Six Classics could not exhaust their fundamental purport and mostly established minor techniques—a single classic reaching millions of words. This caused scholars difficulty in understanding; they recited emptily in question and answer until lips rotted and teeth fell out without knowing benefit. The earlier kings established teaching to guard against human desire; it must be rooted in human affairs and broken at the mean. Heaven's command is brief and rarely spoken; principles outside the square were indeed not yet explained. By Later Han charts and prognostications were favored; in the Jin era abstruse talk was honored—boring through and fabricating, daily multiplying. The correct canons of earlier kings were mixed with the delusive and false; discussions of great refinement were muddied with unrestrained extravagance. Decline reached recent times; departure from the correct grew ever more distant, and there was no longer any method of teacher and precedent. Study without understanding in the heart, exclusively honoring ornament and show; pre-fabricating mixed difficulties and posing them as adversarial pairs—thus there arose disputations of trimming corners, opposing sides, mutual following, and other competitive sophistries. Galloping in verbose speech to disorder canonical order, clamor becoming custom without knowing change—this is the blindness of scholars. Ban Gu listed the Six Arts as nine categories, or with weft texts explaining the classics combined as ten categories.
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